| Daniel Baldwin : Las Nubes (The Clouds) Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Imagine Music
By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published ...(+)
By Daniel Baldwin. For
flute, oboe, clarinet,
horn, bassoon. Level 5.
Published by Imagine
Music
$25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sounds Good! for Oboe Hautbois, Piano (duo) - Facile ABRSM Publishing
By Jacques. For oboe, piano. Published by ABRSM (Associated Board of the Royal S...(+)
By Jacques. For oboe,
piano. Published by ABRSM
(Associated Board of the
Royal Schools of Music).
$15.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rainbow in the Clouds Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphoniu...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Marimba,
Oboe, Percussion,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS224 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007. Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Floating Clouds [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2.5 SKU:
CF.YPS253F Composed
by David Bobrowitz. Full
score. 16 pages. Duration
3 minutes, 18 seconds.
Carl Fischer Music
#YPS253F. Published by
Carl Fischer Music
(CF.YPS253F). ISBN
9781491161920. UPC:
680160920600. A
brief introduction sets
the mood for this
hauntingly beautiful
piece. As gentle breezes
begin to blow on the
surface, the clouds above
begin appear in an array
of different formations.
The clouds float slowly
from east to west, as if
in an Impressionistic
painting. This is one of
nature's beautiful
settings, and one can
seemingly follow the
clouds for hours. From a
young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an enjoyable
dissonance. In measures
25 to 27, balance the
flutes and clarinets so
the volume level is
consistent between both
parts. In general, the
piece should be performed
at a very relaxed pace,
but a disciplined steady
beat will be necessary to
keep the sixteenth notes
even and relaxed at
measures 29 through 34.
The final chord is a Bb
major 7, and the
clarinets and alto saxes
should be equal in volume
before the gradual
fade. A brief
introduction sets the
mood for this hauntingly
beautiful piece. As
gentle breezes begin to
blow on the surface, the
clouds above begin appear
in an array of different
formations. The clouds
float slowly from east to
west, as if in an
Impressionistic painting.
This is one of nature's
beautiful settings, and
one can seemingly follow
the clouds for hours.From
a young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an
“enjoyable
dissonance.†In
measures 25 to 27,
balance the flutes and
clarinets so the volume
level is consistent
between both parts. In
general, the piece should
be performed at a very
relaxed pace, but a
disciplined steady beat
will be necessary to keep
the sixteenth notes even
and relaxed at measures
29 through 34. The final
chord is a Bb major 7,
and the clarinets and
alto saxes should be
equal in volume before
the gradual fade. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Floating Clouds - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2.5 SKU:
CF.YPS253 Composed by
David Bobrowitz. Set of
Score and Parts.
4+4+2+4+4+2+2+3+2+2+2+4+4
+4+3+3+3+2+3+1+1+1+1+2+16
pages. Duration 3
minutes, 18 seconds. Carl
Fischer Music #YPS253.
Published by Carl Fischer
Music (CF.YPS253).
ISBN 9781491161364.
UPC:
680160919956. A
brief introduction sets
the mood for this
hauntingly beautiful
piece. As gentle breezes
begin to blow on the
surface, the clouds above
begin appear in an array
of different formations.
The clouds float slowly
from east to west, as if
in an Impressionistic
painting. This is one of
nature's beautiful
settings, and one can
seemingly follow the
clouds for hours. From a
young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an enjoyable
dissonance. In measures
25 to 27, balance the
flutes and clarinets so
the volume level is
consistent between both
parts. In general, the
piece should be performed
at a very relaxed pace,
but a disciplined steady
beat will be necessary to
keep the sixteenth notes
even and relaxed at
measures 29 through 34.
The final chord is a Bb
major 7, and the
clarinets and alto saxes
should be equal in volume
before the gradual
fade. A brief
introduction sets the
mood for this hauntingly
beautiful piece. As
gentle breezes begin to
blow on the surface, the
clouds above begin appear
in an array of different
formations. The clouds
float slowly from east to
west, as if in an
Impressionistic painting.
This is one of nature's
beautiful settings, and
one can seemingly follow
the clouds for hours.From
a young player's vantage
point they must
confidently play the
intentional dissonance on
the third beat of
measures 10, 14, 42 and
46. Once they get used to
the sound it should
become an
“enjoyable
dissonance.†In
measures 25 to 27,
balance the flutes and
clarinets so the volume
level is consistent
between both parts. In
general, the piece should
be performed at a very
relaxed pace, but a
disciplined steady beat
will be necessary to keep
the sixteenth notes even
and relaxed at measures
29 through 34. The final
chord is a Bb major 7,
and the clarinets and
alto saxes should be
equal in volume before
the gradual fade. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rainbow in the Clouds Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphoniu...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Marimba,
Oboe, Percussion,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS224F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F). ISBN
9781491153185. UPC:
680160910687. Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tone Poem [Conducteur] Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.416414390
For Chamber
Orchestra. Composed
by Chen Yi. Premiered by
the Idyllwild Arts
Orchestra, Peter Askim,
conductor. Contemporary.
Full score. With Standard
notation. Composed 2012.
30 pages. Duration 8
minutes. Theodore Presser
Company #416-41439.
Published by Theodore
Presser Company
(PR.416414390). UPC:
680160606917. 8.5 x 11
inches. 2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
Percussion,
Strings. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2 oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion and strings.
The length is about 8
minutes. It is inspired
by two poems by Su
Dong-po (1036-1101) about
southern Chinese
landscape paintings. The
imagination of the two
beautiful ancient Chinese
poems became the sonic
landscape pictures, to
share with my musicians
and audience. The
brimming waves, the sunny
day, The dimming hills,
the rainy haze. The West
Lake as the Beauty Xizi,
Whether she is adorned
richly or plainly. Like
spilt ink dark clouds
spread o'er the hills as
a pall; Like bouncing
pearls the raindrops in
the boat run riot. A
sudden rolling gale comes
and dispels them all,
Below Lake View Pavilion
sky-mirrored water's
quiet. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion andstrings.
The length is about 8
minutes. It is inspired
by two poems by SuDong-po
(1036-1101) about
southern Chinese
landscape paintings.The
imagination of the two
beautiful ancient Chinese
poems became thesonic
landscape pictures, to
share with my musicians
and audience.The brimming
waves, the sunny day,The
dimming hills, the rainy
haze.The West Lake as the
Beauty Xizi,Whether she
is adorned richly or
plainly.Like spilt ink
dark clouds spread o'er
the hills as a pall;Like
bouncing pearls the
raindrops in the boat run
riot.A sudden rolling
gale comes and dispels
them all,Below Lake View
Pavilion sky-mirrored
water's quiet. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tone Poem Theodore Presser Co.
Chamber orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flut...(+)
Chamber orchestra Bassoon
1, Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.41641439L
For Chamber
Orchestra. Composed
by Chen Yi. Premiered by
the Idyllwild Arts
Orchestra, Peter Askim,
conductor. Contemporary.
Large Score. With
Standard notation.
Composed 2012. 30 pages.
Duration 8 minutes.
Theodore Presser Company
#416-41439L. Published by
Theodore Presser Company
(PR.41641439L). UPC:
680160606924. 11 x 14
inches. 2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
Percussion,
Strings. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2 oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion and strings.
The length is about 8
minutes. It is inspired
by two poems by Su
Dong-po (1036-1101) about
southern Chinese
landscape paintings. The
imagination of the two
beautiful ancient Chinese
poems became the sonic
landscape pictures, to
share with my musicians
and audience. The
brimming waves, the sunny
day, The dimming hills,
the rainy haze. The West
Lake as the Beauty Xizi,
Whether she is adorned
richly or plainly. Like
spilt ink dark clouds
spread o'er the hills as
a pall; Like bouncing
pearls the raindrops in
the boat run riot. A
sudden rolling gale comes
and dispels them all,
Below Lake View Pavilion
sky-mirrored water's
quiet. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion andstrings.
The length is about 8
minutes. It is inspired
by two poems by SuDong-po
(1036-1101) about
southern Chinese
landscape paintings.The
imagination of the two
beautiful ancient Chinese
poems became thesonic
landscape pictures, to
share with my musicians
and audience.The brimming
waves, the sunny day,The
dimming hills, the rainy
haze.The West Lake as the
Beauty Xizi,Whether she
is adorned richly or
plainly.Like spilt ink
dark clouds spread o'er
the hills as a pall;Like
bouncing pearls the
raindrops in the boat run
riot.A sudden rolling
gale comes and dispels
them all,Below Lake View
Pavilion sky-mirrored
water's quiet. $45.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 100 Christmas Carols and Hymns for Flute and Guitar Flûte et Guitare - Intermédiaire Mel Bay
With Suggested Chordal Accompaniment. Composed by William Bay. Flute, Fife and...(+)
With Suggested Chordal
Accompaniment. Composed
by
William Bay. Flute, Fife
and
Oboe,Guitar: Gospel and
Sacred,Style,Duets and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two for Easter (Flute / Oboe / C Instruments) Instruments en Do [Partition + CD] Mel Bay
16 Duets for C Instruments. Arranged by James Curnow. Curnow Play-Along Book. Pl...(+)
16 Duets for C
Instruments. Arranged by
James Curnow. Curnow
Play-Along Book. Play
Along. Softcover. 20
pages. Published by
Curnow Music.
(1)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn Descants, Set I - Facile Concordia Publishing House
By Wolff. For organ and Bb/C instrument. Advent; Christmas. Level: Easy. Publish...(+)
By Wolff. For organ and
Bb/C instrument. Advent;
Christmas. Level: Easy.
Published by Concordia
Publishing House.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring in Dresden [Conducteur] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mist Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Oboe 1,
Oboe 2, Percussion,
Timpani, Trombone,
Trumpet, Tuba, Viola,
Violin 1, Violin 2,
Violoncello SKU:
PR.41641613L Composed
by Diane Wittry. Large
Score. With Standard
notation. Duration 16
minutes. Theodore Presser
Company #416-41613L.
Published by Theodore
Presser Company
(PR.41641613L). UPC:
680160642199. 11 x 17
inches. On the
island of Elba, off the
coast of Italy, I
composed this work as the
sun was rising over the
ocean in the mornings and
gently sifting through
the clouds against the
lingering fog. As the
piece developed, it took
on a shape of its own and
gradually became centered
around diminished chords
and the interval of a
tri-tone (diminished
5th). I love these chords
for their angst and for
their sadness, but also
for their flexibility. My
piece is very textural in
nature; and yes, it does
have a melody of sorts,
and yet, this melody
comes and goes, and is
never quite grasped until
the end. Portions of it
are repeated and spun out
creating layers of sound
without the heaviness of
form. It is indeed a
depiction of mist, where
one minute you see things
and the next they are
gone. As you move through
the piece, you find that
the trumpet is also an
antagonist, creeping in
with a haunting cry; a
reminder of things
unsettled. Throughout the
piece, we are quietly
searching. We search for
a tonal center for
stability, and also for a
melody that will make us
feel fulfilled. Once
found, we hold them for
an instant, and then like
the clouds and like life
itself, they are gone. We
are warmed by their
presence and saddened by
their loss. I hope that
you will reflect upon
your own memories of
life's quiet moments as
we enjoy the world
premiere of this new work
together. Mist is not a
piece to be analyzed, but
rather a piece to be
experienced and absorbed.
As you listen, release
your mind, embrace your
emotions, close your
eyes, and allow the mist
to creep in. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mist [Conducteur] Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Oboe 1,
Oboe 2, Percussion,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.416416130
Composed by Diane Wittry.
Full score. With Standard
notation. Duration 16
minutes. Theodore Presser
Company #416-41613.
Published by Theodore
Presser Company
(PR.416416130). UPC:
680160642182. 9 x 12
inches. On the
island of Elba, off the
coast of Italy, I
composed this work as the
sun was rising over the
ocean in the mornings and
gently sifting through
the clouds against the
lingering fog. As the
piece developed, it took
on a shape of its own and
gradually became centered
around diminished chords
and the interval of a
tri-tone (diminished
5th). I love these chords
for their angst and for
their sadness, but also
for their flexibility. My
piece is very textural in
nature; and yes, it does
have a melody of sorts,
and yet, this melody
comes and goes, and is
never quite grasped until
the end. Portions of it
are repeated and spun out
creating layers of sound
without the heaviness of
form. It is indeed a
depiction of mist, where
one minute you see things
and the next they are
gone. As you move through
the piece, you find that
the trumpet is also an
antagonist, creeping in
with a haunting cry; a
reminder of things
unsettled. Throughout the
piece, we are quietly
searching. We search for
a tonal center for
stability, and also for a
melody that will make us
feel fulfilled. Once
found, we hold them for
an instant, and then like
the clouds and like life
itself, they are gone. We
are warmed by their
presence and saddened by
their loss. I hope that
you will reflect upon
your own memories of
life's quiet moments as
we enjoy the world
premiere of this new work
together. Mist is not a
piece to be analyzed, but
rather a piece to be
experienced and absorbed.
As you listen, release
your mind, embrace your
emotions, close your
eyes, and allow the mist
to creep in. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lift Off! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd B...(+)
Concert band (1st Flute,
2nd Flute/Oboe, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Bb Bass
Clarinet*, Eb Alto
Saxophone*, Bb Tenor
Saxophone*, Eb Baritone
Saxophone*, 1st Trumpet,
2nd Trumpet, 1st F Horn,
2nd F Horn, Trombone,
Euphonium, TC Baritone,
Tuba, Per) - grade 2
SKU: CN.R10274
Composed by Pete Meechan.
Band Music. Score and
parts. Duration 4:35.
Published by G & M Brand
Music Publishers
(CN.R10274).
Hop on the
plane, it's time to fly!
This short suite of
descriptive pieces takes
the ensemble on a brief
ride through the sky.
Hear the sounds of the
engine starting, the take
off, the beauty and
solace of the clouds from
above, the nervousness of
the descent, and the
excitement and joy of
arriving at our
destination.
Lift
Off! is a short suite of
descriptive pieces, all
inspired by a short
flight from Manchester,
England to Brussels. In
the first movement we
hear the engine start,
and after the plane has
moved into position, it
takes off. The second
movement depicts the
beautiful view of the
clouds from above. It all
seems timeless and you
don't even feel as if you
are moving. The last
movement starts nervously
(I'm not a great flier!),
as the plane begins its
descent from the sky.
However, as we land
safely back on earth, the
piece ends in a flurry of
excitement and triumph,
returning to a theme
heard in the first
movement. $55.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ballet of the Dinosaur Hatchlings Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ratchet, Slap Stick,
Snare Drum, Timpani,
Tom-tom, Trombone,
Trumpet, Tuba and more. -
Grade 0.5 SKU:
CF.PPS52F A
Fantasy for Band.
Composed by Joseph
Compello. Primer Band
(PPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#PPS52F. Published by
Carl Fischer Music
(CF.PPS52F). ISBN
9781491152645. UPC:
680160910144. Balle
t of the Dinosaur
Hatchlings is an
imaginative and
fun selection for a
beginning band with less
than one year of
instruction. Wind parts
use only five pitches and
only the percussion
parts use eighth
notes. Two sound effects
are required in the
piece. First, the
hatching eggs are
portrayed by a ratchet,
and second, the snapping
dinosaurs jaws are
represented by a
slapstick. Ballet of the
Dinosaur Hatchlings
is an intriguing piece
that beginning students
are sure to
love. Ballet of the
Dinosaur Hatchlings is a
descriptive novelty
selection for a beginning
band with less than one
year of instruction. Wind
parts use only five
pitches. Only percussion
parts use eighth notes.
Two sound effects are
required. First, the
hatching eggs are
portrayed by the ratchet
beginning at m. 2, and
second, the snapping
dinosaurs jaws, which are
first heard at m. 14, are
represented by an
accented note augmented
by a slapstick. Directors
are encouraged to use
more elaborate sound
effects if they are
inclined to do so. The
story described by the
music is as
follows:• Dinosaur
eggs begin to hatch (the
ratchet, mm. 1-8).•
The parent dinosaurs
guard the nest (Low Brass
and Woodwinds mm.
9-12).• The
hatchlings begin walking
(m. 13).• The
hatchlings snap their
jaws as they learn to eat
(m. 14, Xylophone and
Slapstick).•
Thunder (Timpani, m.
29).• The parent
dinosaurs seek shelter
for all (m. 33, Low Brass
and Woodwinds).•
The hatchlings follow
while they continue
snapping their jaws (m.
41).• More thunder
(mm. 53-54).• All
the dinosaurs roar loudly
at the clouds (m. 55) as
the thunder becomes
louder. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More Cello Fun Violoncelle [Partition + CD] De Haske Publications
(1st Position). By Dinie Goedhart. Arranged by Nico Dezaire. For Cello (Cello). ...(+)
(1st Position). By Dinie
Goedhart. Arranged by
Nico Dezaire. For Cello
(Cello). De Haske
Play-Along Book. Play
Along. Softcover with CD.
24 pages. De Haske
Publications #1074408400.
Published by De Haske
Publications
$22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| More Viola Fun Alto seul [Partition + CD] De Haske Publications
Book/CD Pack Viola SKU: HL.44007368 Position 1. By Gunter Van Romp...(+)
Book/CD Pack Viola
SKU: HL.44007368
Position 1. By
Gunter Van Rompaey. By
Dinie Goedhart. Arranged
by Nico Dezaire. De Haske
Play-Along Book. Play
Along. Softcover with CD.
Composed 2007. 24 pages.
De Haske Publications
#1074407. Published by De
Haske Publications
(HL.44007368). ISBN
9789043128407. UPC:
884088246167.
9.0x12.0x0.135 inches.
English-German-French-Dut
ch. More Viola Fun
picks up where Viola Fun
left off - with 15 easy
viola pieces for the
second year student. The
lower string is not used
and the fingering
patterns - while still
simple - are now
combined. Several new
rhythmic challenges are
explored. The attractive
accompaniments on the CD
and the wonderful
illustrations give this
book extra appeal. $22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballet of the Dinosaur Hatchlings Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ratchet, Slap Stick,
Snare Drum, Timpani,
Tom-tom, Trombone,
Trumpet, Tuba and more. -
Grade 0.5 SKU:
CF.PPS52 A Fantasy
for Band. Composed by
Joseph Compello. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+4+4+16+2 pages.
Duration 2 minutes, 46
seconds. Carl Fischer
Music #PPS52. Published
by Carl Fischer Music
(CF.PPS52). ISBN
9781491151969. UPC:
680160909469. Balle
t of the Dinosaur
Hatchlings is an
imaginative and
fun selection for a
beginning band with less
than one year of
instruction. Wind parts
use only five pitches and
only the percussion
parts use eighth
notes. Two sound effects
are required in the
piece. First, the
hatching eggs are
portrayed by a ratchet,
and second, the snapping
dinosaurs jaws are
represented by a
slapstick. Ballet of the
Dinosaur Hatchlings
is an intriguing piece
that beginning students
are sure to
love. Ballet of the
Dinosaur Hatchlings is a
descriptive novelty
selection for a beginning
band with less than one
year of instruction. Wind
parts use only five
pitches. Only percussion
parts use eighth notes.
Two sound effects are
required. First, the
hatching eggs are
portrayed by the ratchet
beginning at m. 2, and
second, the snapping
dinosaurs jaws, which are
first heard at m. 14, are
represented by an
accented note augmented
by a slapstick. Directors
are encouraged to use
more elaborate sound
effects if they are
inclined to do so. The
story described by the
music is as
follows:• Dinosaur
eggs begin to hatch (the
ratchet, mm. 1-8).•
The parent dinosaurs
guard the nest (Low Brass
and Woodwinds mm.
9-12).• The
hatchlings begin walking
(m. 13).• The
hatchlings snap their
jaws as they learn to eat
(m. 14, Xylophone and
Slapstick).•
Thunder (Timpani, m.
29).• The parent
dinosaurs seek shelter
for all (m. 33, Low Brass
and Woodwinds).•
The hatchlings follow
while they continue
snapping their jaws (m.
41).• More thunder
(mm. 53-54).• All
the dinosaurs roar loudly
at the clouds (m. 55) as
the thunder becomes
louder. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sierra Nevada Orchestre d'harmonie [Conducteur et Parties séparées] Anglo Music
| | |
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