First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Dan Edwards. For handbells (3-5 octaves) (with optional C instrument...(+)
Composed by Dan Edwards.
For handbells (3-5
octaves) (with optional C
instrument, cello). Holy
Week, Lent. Level 2.
Handbell score. Lorenz
Publishing Company
#20/1857L. Published by
Lorenz Publishing Company
Essential Bach with CD composed by Avis Romm. For piano. This edition: Paperback...(+)
Essential Bach with CD
composed by Avis Romm.
For piano. This edition:
Paperback. Collection.
Essential Composer
Series. Classical. Book
and CD. Text Language:
English. 32 pages.
Published by Santorella
Publications
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Soprano-, Alto-, Tenor- and Baritone Saxophone SKU: HL.14031314 Composed ...(+)
Soprano-, Alto-, Tenor-
and Baritone Saxophone
SKU: HL.14031314
Composed by Poul Ruders.
Arranged by Jesper
Nordin. Music Sales
America. Classical.
Score. Music Sales
#KP01296. Published by
Music Sales
(HL.14031314).
ISBN
9788759886342.
Danish.
Poul Ruders
' two Piano pieces Star
Prelude And Love Fugue
from 1990, expertly
arranged for Saxophone
Quartet by Jesper Nordin.
Programme note Star
Prelude and Love Fugue is
the fruit of “a
wonderful stay in Tokyo
in March 1988” (the
composer's words). The
two pieces were composed
in February 1990, and
they are dedicated to
Japanese pianist Aki
Takahashi, who gave the
premiere performance at
the Lerchenborg Musikdage
on 3 August 1990. The
prelude is a fantasia on
the prelude of Act Two of
Poul Ruders' opera Tycho
(1986), about Danish
astronomer Tycho Brahe
(which should explain the
title). The theme of the
Love Fugueis taken
from the opening bars of
anotherearlier Ruders'
work, namely the a
cappella motet Charitas
Nunquam Excidit (which is
Latin for “love
never ceases”). The
following fugue is purged
of the genre's
traditional gravitas, as
is already signalled by
the expression mark
'Swinging'. Its initial
eleven bars quote the
motet, but there after
everything is newly
composed. Per Erland
Rasmussen, 2001.
String orchestra,
quintet, or quartet -
Band/Orchestra Grade 3
SKU: MN.25-700
Composed by Charles E.
Callahan Jr. Orchestra:
Short Work. Secular, 21st
century. MorningStar
Music Publishers #25-700.
Published by MorningStar
Music Publishers
(MN.25-700).
UPC:
688670257001.
Charl
es Callahan’s
“Celtic
Prelude†is the
composer’s setting
for string orchestra of
the first movement of his
well-known “Celtic
Suite for Organ.â€
Based on an original tune
composed in the Celtic
spirit, the prelude
elaborates on the
tune’s graceful
simplicity through a
traditional tonal
harmonic setting with the
thematic materials shared
among the voices. The
introductory measures may
be performed by solo
players in each section,
or the entire work can be
played by quintet or
quartet alone. The
prelude is a welcome
addition to the
literature for middle
school or high school
string orchestra (Grade
3) and is also suitable
repertoire for church
ensembles.
Albeniz, Beethoven,
Chopin, Debussy,
Mendelssohn,
Rachmaninoff, Ravel,
Scriabin. Composed by
Various. Piano
Collection. Classical.
Softcover. 160 pages.
Published by G. Schirmer
(HL.50601329).
Composed by Richard Yates. For guitar (acoustic). Squareback saddle stitch. Inte...(+)
Composed by Richard
Yates. For guitar
(acoustic). Squareback
saddle stitch.
Intermediate. Book and
online audio. Published
by Mel Bay Publications,
Inc
An Innovative Method Enhanced with Audio and MIDI Files for Practice and Perform...(+)
An Innovative Method
Enhanced with Audio and
MIDI Files for Practice
and Performance. By Kenon
D. Renfrow, E. L.
Lancaster. For Piano.
Piano - Alfred's Group
Piano for Adults.
Alfred's Group Piano for
Adults. Book and CD-ROM.
360 pages. Published by
Alfred Publishing.
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola)
SKU:
BA.BA08841-79
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_79. Published by
Baerenreiter Verlag
(BA.BA08841-79).
ISBN
9790006541232. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First flute, second flute, third flute, first oboe, second oboe, English horn, f...(+)
First flute, second
flute, third flute, first
oboe, second oboe,
English horn, first
clarinet, second
clarinet, first bassoon,
second bassoon, first
horn, second horn, third
horn, horn 4, Cymb, first
harp, second harp, (1.
Flute, 2. Flute, 3.
Flute, 1. Oboe, 2. Oboe,
Cor anglais, 1. Clarinet,
2. Clarinet, 1. Bassoon,
2. Bassoon, 1. Horn, 2.
Horn, 3. Horn, 4. Horn,
Antique cymbals, 1. Harp,
2. Harp)
SKU:
BA.BA08841-65
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext. Set
of wind parts.
4/4/4/3/3/3/3/3/3/3/3/3/3
/3/2/4/3 pages. Duration
10 minutes. Baerenreiter
Verlag #BA08841_65.
Published by Baerenreiter
Verlag (BA.BA08841-65).
ISBN 9790006540587.
32.5 x 25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by D...(+)
(Prelude to the Afternoon
of a Faun). By Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. For
orchestra (3 flutes/2
oboes/english horn/2
clarinets/2 bassoons/4
horns/cymbal/2 harps/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Score. Text Language:
English/French/German. 44
pages. Duration 10'.
Published by Baerenreiter
Verlag
Organ SKU: HL.14005630 Composed by C.S. Lang. Music Sales America. Sacred...(+)
Organ
SKU:
HL.14005630
Composed
by C.S. Lang. Music Sales
America. Sacred. Book
[Softcover]. 8 pages.
Music Sales #NOV590307.
Published by Music Sales
(HL.14005630).
8.25x11.75x0.06
inches.
The
Prelude and Fugue
In G Minor (Op.
84) was first published
in 1960. It is scored for
solo
Organ.
Craig
Seller Lang
(1891-1971) was a British
composer, organist and
musical pedagogue, who
was born in New Zealand.
He studied at the Royal
College of Music before
becoming a teacher at
Christ's Hospital School.
His compositions were
mostly written with a
student performer in
mind. He is best
remembered for his
seminal educational Organ
books, but he also
created prolific volumes
of material in both
sacred and secular choral
genres.
Organ SKU: HL.14005631 Composed by C.S. Lang. Music Sales America. Classi...(+)
Organ
SKU:
HL.14005631
Composed
by C.S. Lang. Music Sales
America. Classical. Book
[Softcover]. 12 pages.
Music Sales #NOV570028.
Published by Music Sales
(HL.14005631).
8.25x11.75x0.063
inches.
Prelude, Pastorale and
Fugue is scored
for solo Organ.
Craig Seller
Lang (1891-1971) was
a British composer,
organist and musical
pedagogue, who was born
in New Zealand. He
studied at the Royal
College of Music before
becoming a teacher at
Christ's Hospital School.
His compositions were
mostly written with a
student performer in
mind. He is best
remembered for his
seminal educational Organ
books, but he also
created prolific volumes
of material in both
sacred and secular choral
genres.
Schirmer's Library of Musical Classics, Vol. 2141. Composed by Johann Sebastia...(+)
Schirmer's Library of
Musical
Classics, Vol. 2141.
Composed
by Johann Sebastian Bach
(1685-1750). Piano.
Classical. Softcover. 64
pages. Published by G.
Schirmer
2 Pianos SKU: HL.14018850 Composed by Kenneth Leighton. Music Sales Ameri...(+)
2 Pianos
SKU:
HL.14018850
Composed
by Kenneth Leighton.
Music Sales America.
Classical. Book
[Softcover]. 100 pages.
Music Sales #NOV100353.
Published by Music Sales
(HL.14018850).
ISBN
9780711986008.
9.0x12.0x0.295
inches.
The
Prelude, Hymn And Toccata
1987 is dedicated to, and
was commissioned by the
Nettle-Markham Piano Duo.
It was the second work to
have been written for
them by the composer, the
first being the Sonata
For Piano Duet Op.92.
This twenty minute work
begins with Leighton's
typical preludial
double-dotted rhythms and
contrapuntal textures; it
develops into dark,
passionate music and
erupts into single and
double cadenzas. The
gentle Hymn is ushered in
quietly and unfolds in
long, rhapsodic sections,
building up to more
climactic cadenzas before
dissolving gradually to
an ethereal conclusion.
The Toccata finale shows
Leighton's masterly piano
writing and contrasts
biting, rhythmic motifs
with sweeping, yearning
elegiac phrases.
Composed by Phillips Brooks, music based on Prelude in D Minor by Muzio Clemen...(+)
Composed by Phillips
Brooks, music based on
Prelude in D Minor by
Muzio Clementi. Choir
Sacred. For Flute
Obbligato (Women's
Choir). Choral Octavo;
Masterworks. Choral
Designs. Christmas;
Classical; Masterwork
Arrangement; Romantic;
Sacred; Winter. 12 pages.
Published by Alfred Music
By Johann Sebastian Bach. Arranged by Roland L. Moelmann. By Johann Sebastian Ba...(+)
By Johann Sebastian Bach.
Arranged by Roland L.
Moelmann. By Johann
Sebastian Bach / arr.
Roland L. Moelmann. For
Concert Band. Concert
band. Classic Band.
Level: Medium Easy (grade
3). Conductor Score &
Parts. 182 pages.
Duration 6:10:00.
Published by Alfred
Publishing.
The Classical Piano Sheet Music Series. Composed by Johann Sebastian Bach (168...(+)
The Classical Piano Sheet
Music Series. Composed by
Johann Sebastian Bach
(1685-
1750). Piano. Classical.
Softcover. 108 pages.
Published by Hal Leonard
Prelude and Fugue Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from The Spitfire). By William Walton (1902-1983). Arranged by Gerhart Drijvers...(+)
(from The Spitfire). By
William Walton
(1902-1983). Arranged by
Gerhart Drijvers. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 8:00
(100 of the World's Most-Beloved Masterpieces In Two Volumes). Edited by E. L. ...(+)
(100 of the World's
Most-Beloved Masterpieces
In Two Volumes). Edited
by E. L. Lancaster and
Kenon D. Renfrow. For
Piano. Book; Masterworks;
Piano Collection.
Masterwork; Recital. 196
pages. Published by
Alfred Music Publishing
Voices: Unison. Keyboard accompaniment SKU: GI.G-656 Composed by Plainson...(+)
Voices: Unison. Keyboard
accompaniment
SKU:
GI.G-656
Composed by
Plainsong. Arranged by
Eugene Lapierre.
Composer's Collection.
Latin text only. Rubrics
in English. Music
Education. Collection.
160 pages. GIA
Publications #656.
Published by GIA
Publications (GI.G-656).
The GIA
Composer's Collection
seeks to bring together
into one place the master
works by some of the most
respected Wind Symphony
composers of all time.
Stunningly performed by
the North Texas Wind
Symphony under the
direction of Eugene
Corporon, this series
also includes extensive
liner notes about the
composer and their
contribution to the Wind
Band. CONTENTS:
Children’s March:
“Over the Hills and
Far Away†-Â
Irish Tune from Country
Derry - Shepherd’s
Hey - Colonial Song - The
Immovable Do - Prelude in
the Dorian Mode - Themes
from “Green
Bushes†- Down
Longford Way - Sussex
Mummers’ Christmas
Carol - Ye Banks and
Braes o’Bonnie
Doon - Six Dukes Went
A-Fishin’ - Early
One Morning -
Lincolnshire Posy -
“Lads of
Wamphray†March -
Irish Tune - Molly on the
Shore - Australian
Up-Country Tune - Handel
in the Strand - O Mensch
bewein’
dein’ Sunde gross
- Country Gardens -
Shenandoah - The
“Gumsuckersâ€
March - Harvest Hymn -
The Warriors.
