By Michael Gallina, Jill Gallina. For 2-part Choir. (2-part, accompanied). Choral. Audio CD. Published by Shawnee Press.

By Mark Hayes. For 2-part choir, piano, djembe, claves. New Horizons Series. Concert, Festival , Multicultural. Octavo. Published by Heritage Music Press

By Vijay Singh. For 2-part voices and piano (with optional descant). New Horizons Series. Concert, Novelty. Octavo. Published by Heritage Music Press

By Lennie Niehaus. For 2 alto saxophones or 2 tenor saxophones. Method book and CD. Published by Try Publishing

2-part equal voices, keyboard accompaniment

SKU: GI.G-007120

Composed by Dolores Hruby. Christmastide, Advent 4 C, Advent 4 B, Advent 3 A, Advent 3 B, Holy Family, Assumption, Immaculate Conception, Children. Tune Name: Puer Nobis, Lm. Sacred. Octavo. With guitar chord names. 6 pages. GIA Publications #007120. Published by GIA Publications (GI.G-007120).

UPC: 641151071206. English.

2-part choir and piano

SKU: LO.15-3939H

Composed by Glenda E. Franklin. Choral. Concert, Secular Christmas. Octavo. Heritage Music Press #15/3939H. Published by Heritage Music Press (LO.15-3939H).

ISBN 9780787776978.

A beautifully executed setting of the traditional Catalonian carol! For two-part choirs, this setting is singable and fresh. Featuring moments of call and response and careful harmonies, this is a selection for winter concerts that will help your young singers learn core choral concepts and help them sound their best! The addition of flute is a lovely complement to this piece.

Composed by Julie I. Myers and Shayla L. Blake. Arranged by Shayla L. Blake. Shawnee Sacred. General Worship, Lent, Sacred. Octavo. 12 pages. Published by Shawnee Press

String Quartet 2 Violins, Viola & Cello

SKU: SS.50002030

Composed by Daniel Benton. Score. Published by Seesaw Music Corp (SS.50002030).

By Antonin Dvorak (1841-1904). Edited by Frantisek Bartos. For 2 violins/2 violas/cello. In a folder. Level 3. Set of parts. Op. 97. 15/15/15/12/12 pages. Published by Baerenreiter Verlag

Critical Edition. Composed by Charles Ives (1874-1954). Edited by Malcolm Goldstein. Peermusic Classical. Softcover. Peermusic #70133-759. Published by Peermusic (HL.175547).

2 pianos

SKU: M7.EUF-884

Composed by Malgorzata Walentynowicz. Sheet music. MDS (Music Distribution Services) #EUF 884. Published by MDS (Music Distribution Services) (M7.EUF-884).

ISBN 9790801517722.

By Various. Arranged by David Marlatt. For 2 Euphonium, 2 Tuba. Mixed Instruments - Flexible Instrumentation; Quartet. Renaissance. Book

Level 2, Complete Blues Harmonica Lesson Series. Composed by David Barrett. Perfect binding. Harmonica Masterclass Lesson. Book and online audio. Published by Mel Bay Publications, Inc (MB.99110M).

(Concerto in Three Movements for Two Marimbas and Orchestra - 2 Marimbas an). By Martin Bresnick (1946-). For Marimba 1, Marimba 2, Piano. Set of parts. 32 pages. Duration 19 minutes. Published by Carl Fischer

Composed by Sonja Poorman. Octavo. 8 pages. Duration 2 minutes. BriLee Music #BL00842. Published by BriLee Music (CF.BL842).

By Marti Lunn Lantz. For Opt. Percussion and C-Instruments. (2-Part). Choral Octavo. Choral Designs. Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Nathan Smith. For unison/2-part choir with piano, woodblock and triangle. General. Octavo. 8 pages. Published by Chorister's Guild

String Quartet

SKU: BR.PB-5708

Urtext. Composed by Joachim Raff. Edited by Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5708. Published by Breitkopf and Haertel (BR.PB-5708).

ISBN 9790004216453. 6.5 x 9 inches.

When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany's most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he had already established himself as one of the most prolific and versatile suite composers of the 19th century, as is evident here in the various suite conceptions: Opus 192 No. 1 (in C minor), as Suite in the ancient style, has with Baroque labels stylized dance movements follow one another. Die schone Mullerin [The Fair Maid of the Mill] op. 192 No. 2 (in D major), on the other hand, interprets the suite as a sequence of chapters in a musical narrative and thus becomes probably the first tone poem in string quartet scoring. In the third quartet (in C major), of which Raff the artist was proudest, other genre designations mix in among the dance movements, and with its free succession of different movement types, not usual for a sonata, it preserves structural openness. In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

Study score

SKU: BR.PB-5708-07

Urtext. Composed by Joachim Raff. Edited by Stefan Konig. Chamber music. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5708-07. Published by Breitkopf and Haertel (BR.PB-5708-07).

ISBN 9790004216453. 6.5 x 9 inches.

When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany's most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he had already established himself as one of the most prolific and versatile suite composers of the 19th century, as is evident here in the various suite conceptions: Opus 192 No. 1 (in C minor), as Suite in the ancient style, has with Baroque labels stylized dance movements follow one another. Die schone Mullerin [The Fair Maid of the Mill] op. 192 No. 2 (in D major), on the other hand, interprets the suite as a sequence of chapters in a musical narrative and thus becomes probably the first tone poem in string quartet scoring. In the third quartet (in C major), of which Raff the artist was proudest, other genre designations mix in among the dance movements, and with its free succession of different movement types, not usual for a sonata, it preserves structural openness. In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.