Music Minus One Clarinet. Composed by Ludwig van Beethoven (1770-1827) and Carl Maria von Weber (1786-1826). Sheet music. Music Minus One. Classical. Softcover Audio Online. 12 pages. Music Minus One #MMO3204. Published by Music Minus One

Composed by Carl Maria von Weber (1786-1826). Arranged by Kathryn Vedder. For bass clarinet and piano. Classical; romantic period. Piano score and part. 26 pages (score); 10 pages (part). Published by Alea Publishing

(Clarinet and Piano Charles Neidich 21st Century Series for Clarinet). By Carl Maria von Weber (1786-1826). Edited by Charles Neidich. For Clarinet, Piano Accompaniment (Score and Solo Part). LKM Music. 34 pages. Hal Leonard #S131011. Published by Hal Leonard

(Clarinet and Piano). By Carl Maria von Weber (1786-1826). Edited by Arthur H. Christmann. For Bb clarinet solo and piano accompaniment (Clarinet). This edition: LB1819. Woodwind Solo. Classical Period. Difficulty: difficult. Clarinet solo single. Solo part, piano reduction, introductory text and performance notes. 16 pages. Published by G. Schirmer

(for Clarinet). By Carl Maria von Weber (1786-1826). Arranged by Marco Tamanini. For Clarinet and Concert Band. Grade 4. Full score and set of parts. Duration 9:00

By Carl Maria von Weber. Arranged by Denise Schmidt. clarinet in bb, piano and CD. Published by Carl Fischer.

Composed by Carl Maria von Weber (1786-1826). Masterworks; Solo; Solo Small Ensembles; Woodwind - B-flat Clarinet Solo. Kalmus Edition. Masterwork; Romantic. Part(s). 16 pages. Kalmus Classic Edition #00-K03936. Published by Kalmus Classic Edition

Clarinet - Intermediate

SKU: FH.WC6

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 68/32 pages. The Frederick Harris Music Company #WC6. Published by The Frederick Harris Music Company (FH.WC6).

ISBN 978-1-55440-582-4.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
A Canticle for Ryan, op. 127 - Michael Conway Baker
Canzonetta in E flat Major, op. 19 - Gabriel Pierne
Clarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly Hajdu
Grande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier Gleichauf
Concertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille Rose
Lyrical Repertoire:
Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl Baermann
Sonatina for Clarinet: Second Movement - Joseph Horovitz
Sonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-Saens
Clair matin (Idylle pour clarinette et piano) - Paul Jeanjean
Concertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond Meylan
Lied - Luciano Berio
Bee Navigation - Libby Larsen.

Composed by Carl Maria von Weber (1786-1826). Arranged by Dalton Ringey. For bass clarinet and piano. Classical; romantic period. Solo part and piano reduction. 15 pages (score); 4 pages (part). Published by Alea Publishing

By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Concert Band. Grade 4. Full score and set of parts. Duration 20:00. Published by Baton Music . Full score and set of parts.

Composed by Carl Maria von Weber (1786-1826). Set of performance parts for clarinet and piano. 15 pages. Published by Carl Fischer.

By Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Concert Band. Grade 4. Score. Duration 20:00

By C. M. von Weber (1762-1826). For Clarinet. DOWANI 3 Tempi Play Along - Clarinet. Level: Advanced. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2.5

SKU: CF.YPS237

Composed by Quincy C. Hilliard. Set of Score and Parts. 21+16+2+8+8+4+2+6+4+4+4+4 +4+4+6+6+4+6+6+2+1+4+3+3 pages. Duration 4 minutes, 25 seconds. Carl Fischer Music #YPS237. Published by Carl Fischer Music (CF.YPS237).

ISBN 9781491159538. UPC: 680160918126.

Rejoi ce, Dolce, and Dance is written in three different and distinct styles. Rejoice is fanfare-like in quality and should be played in a bold majestic manner; balance is important in this section. Care should be taken to not let the battery percussion overpower the ensemble The forzandos are very important to the character of the fanfare and should be carefully observed. Dolce is slow and more lyrical in manner. This section should be played in a legato style. The director is encouraged to add his own interpretative elements in this section. The Dance is fast and light in character. Keep the tempo moving and pay special attention to the articulations and dynamics. Phi Beta Mu International Bandmasters Fraternity is an honorary fraternity for band directors. There are currently 35 active chapters in the United States, Canada, and Brazil. Phi Beta Mu is a non-political, non-profit fraternity promoting fellowship among its members, encouraging the building of better bands, developing better musicians throughout the world, fostering a deeper appreciation for quality wind literature, and encouraging widespread interest in band performance. Consortium Members: Commissioned by the International Bandmasters Fraternity, Phi Beta Mu   Alpha Chapter (Texas) Theta Chapter (South Carolina) Delta Chapter (Mississippi) Omicron Chapter (Arkansas) Alpha Theta Chapter (Nebraska) Alpha Gamma Chapter (North Dakota) Gamma Chapter (Indiana) Nu Chapter (Pennsylvania) Psi Chapter (Kentucky) Mu Alpha Chapter (Alberta, Canada) Lambda Iota (Ontario, Canada) Iota Chapter (Kansas) Kappa Chapter (Colorado) Eta Chapter (Tennessee) Zeta Chapter (Georgia) Keith and June Bearden (Alpha Chapter) Steven Moss (Alpha Chapter) Jay Watkins (Omega Chapter) Anonymous, David Lambert for his service to Phi Beta Mu International Anonymous, Scott Coulson, for his service to Alpha Chapter Jacqueline Gilley (Beta Chapter), In Memoriam, Francis McBeth Dennis Beck, (Lambda Iota Chapter) In Memoriam, Donald McKeller Brek Hufnus (Xi Chapter), In Memory of David Wuersig, Roosevelt Middle School, River Forest, IL, 1974-2014 David and Sheryl Gary Lambert (Alpha Chapter), In Memory of James D Gary, John Foster Dulles High School, Sugar Land, TX 1959-1968 Phil Min (Rho Chapter), In Honor of William T. Robinson Julia Reynolds (Omicron Chapter), In Honor of Wendell O. Evanson Julia Reynolds (Omicron Chapter), In Honor of Hal D. Cooper, Senior Steve Shoop (Alpha Chapter) In Honor of Patsy Dickerson Nelson David L. Wenerd (Nu Chapter), In Honor of the Chambersburg Area Senior High School Band    .
Rejoice, Dolce, and Dance is written in three different and distinct styles. Rejoice is fanfare-like in quality and should be played in a bold majestic manner; balance is important in this section. Care should be taken to not let the battery percussion overpower the ensemble The forzandos are very important to the character of the fanfare and should be carefully observed. Dolce is slow and more lyrical in manner. This section should be played in a legato style. The director is encouraged to add his own interpretative elements in this section. The Dance is fast and light in character. Keep the tempo moving and pay special attention to the articulations and dynamics.Phi Beta Mu International Bandmasters Fraternity is an honorary fraternity for band directors. There are currently 35 active chapters in the United States, Canada, and Brazil. Phi Beta Mu is a non-political, non-profit fraternity promoting  fellowship among its members, encouraging the building of better bands, developing better musicians throughout the world, fostering a deeper appreciation for quality wind literature, and encouraging widespread interest in band performance.  Conso rtium Members:Commissioned by the International Bandmasters Fraternity, Phi Beta Mu   Alpha Chapter (Texas)  Theta Chapter (South Carolina) Delta Chapter (Mississippi)  Omicron Chapter (Arkansas) Alpha Theta Chapter (Nebraska) Alpha Gamma Chapter (North Dakota)  Gamma Chapter (Indiana)  Nu Chapter (Pennsylvania) Psi Chapter (Kentucky) Mu Alpha Chapter (Alberta, Canada) Lambda Iota (Ontario, Canada) Iota Chapter (Kansas) Kappa Chapter (Colorado) Eta Chapter (Tennessee)  Zeta Chapter (Georgia) Keith and June Bearden (Alpha Chapter)  Steven Moss (Alpha Chapter) Jay Watkins (Omega Chapter) Anonymous, David Lambert for his service to Phi Beta Mu International Anonymous, Scott Coulson, for his service to Alpha Chapter Jacqueline Gilley (Beta Chapter), In Memoriam, Francis McBeth Dennis Beck, (Lambda Iota Chapter) In Memoriam, Donald McKeller Brek Hufnus (Xi Chapter), In Memory of David Wuersig, Roosevelt Middle School, River Forest, IL, 1974-2014  David and Sheryl Gary Lambert (Alpha Chapter), In Memory of James D Gary, John Foster Dulles High School, Sugar Land, TX 1959-1968 Phil Min (Rho Chapter), In Honor of William T. Robinson Julia Reynolds (Omicron Chapter), In Honor of Wendell O. Evanson Julia Reynolds (Omicron Chapter), In Honor of Hal D. Cooper, Senior Steve Shoop (Alpha Chapter) In Honor of Patsy Dickerson Nelson David L. Wenerd (Nu Chapter), In Honor of the Chambersburg Area Senior High School Band  .

E-flat Major / Mi bémol Majeur / Es-Dur. Composed by Carl Maria von Weber. Arranged by Jens Schlichting. Dowani 3 Tempi Play Along. Book with Part and Audio-Online. Composed 2023. 20 pages. Dowani #DOW 07505-404. Published by Dowani

(1.2.0.2/2.2.0.0,timp,str ,clarinet solo)

SKU: TM.00771SET

Composed by Carl M. von Weber. Set Type: D. Set of parts. Lucks Music Library #A2264. Published by Lucks Music Library (TM.00771SET).

Instrumentation in modern keys/clefs. sol/pf.

(1.2.0.2/2.2.0.0,timp,str ,clarinet solo)

SKU: TM.00771SC

Composed by Carl M. von Weber. Score. Lucks Music Library #A2264. Published by Lucks Music Library (TM.00771SC).

Instrumentation in modern keys/clefs. sol/pf.

SKU: TM.00771TPS

Composed by Carl M. von Weber. Transposed Score. Lucks Music Library #A2264. Published by Lucks Music Library (TM.00771TPS).

Instrumentation in modern keys/clefs. sol/pf.

Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15126

Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Full score. 60 pages. Duration 20'. Breitkopf and Haertel #PB 15126. Published by Breitkopf and Haertel (BR.PB-15126).

ISBN 9790004214275. 10 x 12.5 inches.

Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.

From the early years of the clarinet concerto.

Viola (2.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15126-19

Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15126-19. Published by Breitkopf and Haertel (BR.OB-15126-19).

ISBN 9790004341902. 10 x 12.5 inches.

Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.

From the early years of the clarinet concerto.