| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Creation Will Be at Peace Chorale SATB SATB [Octavo] - Intermédiaire Alfred Publishing
By Anna Laura Page and J. Paul Williams. For Choir. (SATB). Choral Octavo. Leve...(+)
By Anna Laura Page and J.
Paul Williams. For Choir.
(SATB). Choral Octavo.
Level: Level 3 (grade
L3). Choral Octavo. 8
pages. Published by
Alfred Publishing.
(2)$2.40 $2.28 (- 5%) Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Want of Peace Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280). ISBN
9781491137925. UPC:
680160692613. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.70 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Song of Peace Chorale SATB SATB, Orgue [Octavo] Choristers Guild
By Johnnie Carl. For SATB choir and organ (piano) (with optional orchestra (bras...(+)
By Johnnie Carl. For SATB
choir and organ (piano)
(with optional orchestra
(brass quintet,
percussion)). Sacred
Anthem. Choral octavo.
Published by Chorister's
Guild
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Top 300 Contemporary Christian Songs Voix seule Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Praise and Worship Fake Book
Instruments en Sib [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship
Fake Book (B Flat
Edition). By Various. For
Bb Instruments. Fake
Book. Softcover. 432
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Deep Peace Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, piano reduction - Early intermediate SKU: GI.G-9410 Composed ...(+)
SATB choir, piano
reduction - Early
intermediate SKU:
GI.G-9410 Composed by
Sexton Bernar. Choral.
Sacred. Octavo. 4 pages.
GIA Publications #9410.
Published by GIA
Publications (GI.G-9410).
UPC: 785147941002.
English. Text source:
Gaelic blessing,
alt. “Deep
Peace†by Irish
composer Bernard Sexton
is an exquisite choral
miniature. e familiar
Gaelic blessing invokes
all of creation, and
nally Christ, to bestow
blessing. is gem will be
a great addition to your
choir’s
repertoire. $2.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One World Chorale SATB SATB, Piano Boosey and Hawkes
Baritone; Mezzo-Soprano; Mixed Choir; Piano Accompaniment; Soprano (SATB with Pi...(+)
Baritone; Mezzo-Soprano;
Mixed Choir; Piano
Accompaniment; Soprano
(SATB with Piano) SKU:
HL.48025302
Soloists (Soprano,
Mezzo-Soprano, Baritone),
Choir, and Piano
Reduction. Composed
by Karl Jenkins. BH Large
Choral. Choral,
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060140365. Published by
Boosey & Hawkes
(HL.48025302). UPC:
196288174806.
7.25x10.25x0.413
inches. One World
deals with a fractured
world (populist
governments, plagues,
climate change, human
trafficking, disrespect
for basic humanrights,
terrorism, war) and
heralds a vision of a
peaceful and egalitarian
planet. The work is best
encapsulated by one of
the textsset:
“Tikkun
Olamâ€, Hebrew for
“repair the
worldâ€, a Jewish
concept of stewardship
over GodÂ’s creation.
Scored for soloists,
chorus and orchestra in
Jenkins's inimitable
style familiar from such
works as Adiemus: Songs
of Sanctuary, The Armed
Man: A Mass for Peace,
Requiem and The
Peacemakers. His vision
for One World takes
inspiration from diverse
texts including the
Bible, the Hindu Gayatri
Mantra, the poetry of the
English Romantic Percy
Bysshe Shelley,
African-American
abolitionist Frances
Harper (c1850) and
Lebanese-American writer
Kahlil Gibran. As in many
of Jenkins's works, Carol
Barratt contributes
impactful text and
adaptations. Recorded on
Decca by Lucy Crowe
soprano, Kathryn Rudge
mezzo-soprano, Roderick
Williams baritone, the
World Choir for Peace,
The Stay At Home Choir
and the World Orchestra
for Peace, conducted by
Karl Jenkins. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heaven and Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.GOB-000304-010
Composed by Jan Bosveld.
Set (Score & Parts). 26
pages. Gobelin Music
Publications #GOB
000304-010. Published by
Gobelin Music
Publications
(BT.GOB-000304-010).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Gobelin
Music Publications. $196.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Heaven and Earth Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.GOB-000304-140
Composed by Jan Bosveld.
Score Only. Gobelin Music
Publications #GOB
000304-140. Published by
Gobelin Music
Publications
(BT.GOB-000304-140).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Gobelin
Music Publications. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blest Are We GIA Publications
SKU: GI.G-CD-585 Full CD-set. Sacred. CD. GIA Publications #585. P...(+)
SKU: GI.G-CD-585
Full CD-set.
Sacred. CD. GIA
Publications #585.
Published by GIA
Publications
(GI.G-CD-585).
This
ground-breaking new
collection for young
people, grades
K–8, features all
the music found in the
Silver Burdett Ginn
school catechetical
series, Blest Are We. All
music (grades 1–6)
found here will be
included in the new
hymnal, Gather
Comprehensive, Second
Edition. Using Blest Are
We music in classrooms
and religious education
settings is a great
unprecedented way to
connect youth activities
to the larger Sunday
Eucharist. This eight-CD
set is available for this
collection and includes
both fully performed
tracks as well as
instrumental backing
tracks for each song.
There are also bonus
meditation and
catechetical
tracks—perfect for
classroom learning!
CONTENTS: Blest Are
We - We Praise You
DAMEANS - Come All You
People ARR. BELL - He
Came Down ARR. BELL - If
You Believe and I Believe
ARR. BELL - Laudate
Dominum BERTHIER - You
Have Put on Christ HUGHES
- Psalm 51: Be Merciful,
O Lord HAUGEN - Go and
Listen to the Word of God
BATASTINI - Eat This
Bread BERTHIER - Celtic
Alleluia O'CARROLL /
WALKER - We Are One ARR.
FOSTER - Jesus, Heal
Us - Gather Round This
Table HAUGEN - Jubilate
Servite BERTHIER - Bring
Forth the Kingdom HAUGEN
- All You Works of God
HAUGEN - Blest Are
They - O Breathe on
Me, O Breath of God
GAELIC HYMN - Hands of
Healing HAUGEN - Song of
the Body of Christ -
The Lord's Prayer CHANT -
Sing Out, Earth and Skies
HAUGEN - Who Calls You by
Name - I Am the Bread
of Life / Yo Soy el Pan
de Vida TOOLAN - The Hand
of God - The Summons
BELL - I Say Yes / Digo
SÃ, Señor PEÑA
- Wade in the Water
SPIRITUAL - Let Us Go
Rejoicing JONCAS - We Are
Climbing Jacob's Ladder
SPIRITUAL - Creator of
the Stars of Night CHANT
- With You by My
Side - Come, Emmanuel
ALONSO - We Are the Hope
TATE - In Remembrance of
You TATE - Hold Us in
Your Mercy: Penitential
Litany COONEY/DAIGLE -
Send Us Your Spirit -
Hope at the Crossroads
MAHLER - We Are Called -
Give Us Your Peace MAHLER
- I Have Been Anointed
ROSE WARNER - Shelter
Your Name ROSE - Send
Down the Fire HAUGEN - We
Have Been Told -
Gloria CHANT - Glory to
God (from Mass of
Creation) HAUGEN - Come
to the Table ALONSO - God
Is ROSE - Set Your Heart
on the Higher Gifts
WARNER. $120.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| There Was A Child Went Forth Every Day Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419290 From Terra Nostra...(+)
Choral Children's choir,
Piano SKU:
PR.312419290 From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes, 35 seconds.
Theodore Presser Company
#312-41929. Published by
Theodore Presser Company
(PR.312419290). ISBN
9781491137932. UPC:
680160692620. Texts from
The King James Bible,
creation myths from
India, North America, and
Egypt; Edna St. Vincent
Millay, Percy Bysshe
Shelley, Walt Whitman,
Lord Byron, Esther
Iverem, William
Wordsworth, Wendell
Berry, Lord Alfred
Tennyson, Charles Mackay,
William . Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Thine Own Child Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419260 From Terra Nostra...(+)
Choral Children's choir,
Piano SKU:
PR.312419260 From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2:45.
Theodore Presser Company
#312-41926. Published by
Theodore Presser Company
(PR.312419260). ISBN
9781491137901. UPC:
680160692590. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270). ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymnal Companion For Woodwinds, Brass And Percussion [Partition] Concordia Publishing House
By Rose. For keyboard/instruments. Lent; Easter. Level: Easy-Moderately Easy. Pu...(+)
By Rose. For
keyboard/instruments.
Lent; Easter. Level:
Easy-Moderately Easy.
Published by Concordia
Publishing House.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More Colors of Music Santorella Publications
SKU: SP.TS572 Composed by Tony Santorella. Collection; Recreational. Book...(+)
SKU: SP.TS572
Composed by Tony
Santorella. Collection;
Recreational. Book.
Santorella Publications
#TS572. Published by
Santorella Publications
(SP.TS572). ISBN
9781585607587. The
next book in this
exciting series has
arrived! The popularity
of coloring books for the
middle school aged to
adult artist, while
relatively recent, has
become one of the faster
growing recreational
activities for artists of
all skill levels. It took
the innovation of the
publisher you've known
for many years, however,
to marry the visual arts
with music in this never
seen before original
concept and series,
exclusively available
from Santorella
Publications. Experience
the high quality you've
come to expect from
Santorella Publications
in More Colors of Music,
with over 60 musical
instruments from around
the world depicted with
intricate background
patterns. Each image is
printed on heavy stock on
only one side of the page
to avoid bleed-through.
Printed in the larger 9 x
12 size, with Santorella
s lay-flat binding, the
book is designed to last
for years, while each
page is perforated for
easy removal and
coloring. Every
illustration, while a
work of art on its own,
will become a
one-of-a-kind original
piece with your personal
touch; a work of art
truly suitable for
framing. The foreword
from, More Colors of
Music. The Colors of
Music began the journey.
Artist and musicians
experienced a new level
of meditative creativity
with over 60 familiar
musical instruments to
color and make their own.
More Colors of Music
continues this journey
with over 60 additional
images dedicated to
instruments from around
the world. This
collection of unusual
instruments, both past
and present offers an
additional cultural
context, reminding us how
art and music not only
enable us to share
cultural similarities,
but also explore our
differences in a way
which makes the world a
little smaller. From the
dawn of time, coloring
has been one of the most
basic forms of
self-expression and is
often the first creative
process which many of us
experience. Taking an
existing image or pattern
and making it our own is
a uniquely personal
experience. We decide
which creative implements
to use, perhaps crayons,
pencils, or markers, and
which colors to apply. As
we color, we find we are
in control of the entire
process, limited only by
our imagination, and when
we are done, we have an
artistic embodiment of
our own personality, as
unique and individual as
each of us is to the
other. It makes no
difference if we are
relatively skilled or
unskilled; we express
what is in our heart and
mind each and every time
we set pencil to paper.
As we become more
experienced and skilled,
we acquire the power
through technique and
style to more freely
express what is so clear
in our imagination. In
time, our creations
become freely expressed
works of art. Both art
and music have creativity
at their core. They allow
the artist or musician,
both young and old, to
freely express feelings
within while providing a
sense of joy,
tranquility, and
meditative focus. The
Colors of Music and More
Colors of Music literally
remind us that art and
music are on the same
page. This highly
sought-after series, by
Santorella Publications,
will provide both the
artist and musician with
yet another creative
channel for
self-expression and
individualism, as well as
the opportunity for some
much-needed downtown from
the hard work of
practicing and the rigors
of everyday life.
Experience the fun and
satisfaction of The
Colors of Music and More
Colors of Music for
yourself, and turn each
page to discover the
endless possibilities and
opportunities for
creativity and
relaxation, as you
nurture and cultivate
your inner spirit, while
feeding your soul with
peace, tranquility,
color, and harmony. The
journey continues, so
have some fun! $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymnal Companion For Woodwinds, Brass And Percussion Concordia Publishing House
Composed by Rose. Pentecost; General. Published by Concordia Publishing House (C...(+)
Composed by Rose.
Pentecost; General.
Published by Concordia
Publishing House
(CR.97-6715U1).
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two Preludes on British Hymns Orgue
Composed by John Ignatowski. For organ. Great preludes on two very popular Briti...(+)
Composed by John
Ignatowski. For organ.
Great preludes on two
very popular British hymn
tunes. General. Published
by CanticaNOVA
Publications
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anthems Old & New for SA Men Chorale [Livre] - Intermédiaire Kevin Mayhew
Arranged by Kevin Mayhew (editor). For Choir. SA Men. Sacred. Intermediate. Book...(+)
Arranged by Kevin Mayhew
(editor). For Choir. SA
Men. Sacred.
Intermediate. Book.
Published by Kevin Mayhew
Publishers
$30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Beginnings Hope Publishing Company
SKU: HP.742 Composed by Brian Wren. This edition: Complete. Author Collec...(+)
SKU: HP.742
Composed by Brian Wren.
This edition: Complete.
Author Collections. Brian
Wren Hymn Collection.
General Worship, Sacred.
Hymn Texts. 96 pages.
Hope Publishing Company
#742. Published by Hope
Publishing Company
(HP.742). UPC:
763628107420. This
is a collection of 33
hymns written by the
author between 1989 and
1992. New musical
settings are also
included. $9.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Seasons of Grace - Volume 8 GIA Publications
SKU: GI.G-9967 Arranged by Paul Tate. Tune Name: Laudes Domini, Un Flambe...(+)
SKU: GI.G-9967
Arranged by Paul Tate.
Tune Name: Laudes Domini,
Un Flambeau, St. Agnes,
St. Columba, Resignation,
Noël Nouvelet, Land Of
Rest, Simple Gifts.
Sacred. 52 pages. GIA
Publications #9967.
Published by GIA
Publications (GI.G-9967).
UPC:
785147996767. The
eighth volume in the
Seasons of Grace series
features a delightful mix
of chant and traditional
hymnody along with
several popular
contemporary liturgical
songs. The beautiful
melodies of Michael
Joncas are featured in
two pieces (his
well-loved “As
Morning Breaks†as
well as one of his newest
creations, “Deep
and Lasting
Peaceâ€). The
dynamic pieces
“’Tis the
Gift to Be Simple,â€
“Noel
Nouvelet,†and
“Bring a Torch,
Jeanette,
Isabella,†dance
along with sparkling
eighth and sixteenth
notes. Newer liturgical
titles include pieces by
Jeanne Cotter, Chris de
Silva, Rory Cooney, Zach
Stachowski, and
Paul’s “Life
Is Changed, Not
Ended.†The
collection is rounded out
by two more of
Paul’s popular
interludes, both of which
are created for flexible
use with optional repeats
laid out on two
easy-to-read pages. Most
pieces are at the
intermediate level, with
only a few moments of
more advanced technique
that may require extra
preparation. Complete
your collection with
Volume 8 today!
Contents:Â A Morning
Breaks • Bring a
Torch, Jeanette,
Isabella • A
Shepherd's Medley with
Shepherd of Souls, The
King of Love My Shepherd
Is and My Shepherd Will
Supply My Need •
noël
nouvelet •
Jerusalem, My Happy
Home • Interlude
No. 15 • Life Is
Changed, Not
Ended • Deep and
Lasting Peace •
The Lord Is Kind and
Merciful • This
Is How •
Interlude No.
16 • God Never
Tires • 'Tis the
Gift to Be
Simple • I Am
for You. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seasons of Grace—Volume 8 GIA Publications
SKU: GI.G-1074 Composed by Paul Tate. Seasons of Grace. Sacred. CD. GIA P...(+)
SKU: GI.G-1074
Composed by Paul Tate.
Seasons of Grace. Sacred.
CD. GIA Publications
#1074. Published by GIA
Publications (GI.G-1074).
UPC:
785147007425. The
eighth volume in the
Seasons of Grace series
features a delightful mix
of chant and traditional
hymnody along with
several popular
contemporary liturgical
songs. The beautiful
melodies of Michael
Joncas are featured in
two pieces (his
well-loved “As
Morning Breaks†as
well as one of his newest
creations, “Deep
and Lasting
Peaceâ€). The
dynamic pieces
“’Tis the
Gift to Be Simple,â€
“Noel
Nouvelet,†and
“Bring a Torch,
Jeanette,
Isabella,†dance
along with sparkling
eighth and sixteenth
notes. Newer liturgical
titles include pieces by
Jeanne Cotter, Chris de
Silva, Rory Cooney, Zach
Stachowski, and
Paul’s “Life
Is Changed, Not
Ended.†The
collection is rounded out
by two more of
Paul’s popular
interludes, both of which
are created for flexible
use with optional repeats
laid out on two
easy-to-read pages. Most
pieces are at the
intermediate level, with
only a few moments of
more advanced technique
that may require extra
preparation. Complete
your collection with
Volume 8 today!
Contents:Â A Morning
Breaks • Bring a
Torch, Jeanette,
Isabella • A
Shepherd's Medley with
Shepherd of Souls, The
King of Love My Shepherd
Is and My Shepherd Will
Supply My Need •
noël
nouvelet •
Jerusalem, My Happy
Home • Interlude
No. 15 • Life Is
Changed, Not
Ended • Deep and
Lasting Peace •
The Lord Is Kind and
Merciful • This
Is How •
Interlude No.
16 • God Never
Tires • 'Tis the
Gift to Be
Simple • I Am
for You. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Dameans Songbook - 25th Anniversary edition GIA Publications
This giant book contains the best of the music of the Dameans, 59 titles newly a...(+)
This giant book contains
the best of the music of
the Dameans, 59 titles
newly arranged and edited
for inclusive language.
The perfect opportuni- ty
to discover what has made
this music so popular, or
to reacquaint yourself
with the sheer power of
The Dameans’
music.Â
$28.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Year of Grace Hope Publishing Company
Composed by Carl Daw, Jr.. This edition: Complete. Author's Collections. Sacred,...(+)
Composed by Carl Daw,
Jr.. This edition:
Complete. Author's
Collections. Sacred,
General. Hymn Texts.
Published by Hope
Publishing Company
$14.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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