Easy Cello Duets. Composed by Polly Waterfield. Duet or Duo; Solo Small Ensembles; String - Cello Duo. Faber Edition. Book. Faber Music #12-0571514901. Published by Faber Music

Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Guitar, Bass, Drum - Intermediate-Advanced

SKU: YM.GTL01096479

Guitar/Bass/Drum. Artist Folio. Sheet music. Yamaha Music Media #GTL01096479. Published by Yamaha Music Media (YM.GTL01096479).

ISBN 9784636964790.

CD maching score of rock heroine LiSA, who was appointed as a main vocalist of the Rock Band Group Girls Dead Monster in the TV animation program Angel Beats! in Sprint, 2010. After her debut as a slolo singer in Spring, 2011 with mini CD, she has sung many title songs for Japanese animation like Fate/ZeroSword Art Online and Underachiever in Magic High School; 8 pages for photographes and her messages to each song requested for this book.
Ben Shu Pei He LiSADe Yao Gun Ying Xiong Zhuan Ji Fa Xing . LiSAZai 2010Nian Chun Ji De Dian Shi Dong Hua Tian Shi De Xin Tiao Zhong De Yao Gun Le Dui Girls Dead MonsterBan Yan Zhu Chang De Jiao Se . 2011Nian Chun Fa Xing Mi Ni Zhuan Ji ,Yi Dan Ren Ge Shou Shen Fen Chu Dao . Yan Chang Guo Hen Duo Ri Ben Dong Man De Zhu Ti Ge ,Bi Ru Ming Yun Zhi Ye Qian Chuan , Dao Jian Shen Yu Yi Ji Mo Fa Ke Gao Xiao De Lie Deng Sheng . Ben Shu Ling Bao Han 8Ye De Ge Ren Xie Zhen Ji Zhuan Fang . Fen Si Bi Ru .

1. Rising Hope; 2. crossing field; 3. Datte Atashi no Hero(Because He is my Hero); 4. Shirushi; 5. Axxxis; 6. Empty MERMAID; 7. Jet Rocket; 8. BRIGHT FLiGHT; 9. traumerei; 10. L.Miranic; 11. ID; 12. LiTTLE DEViL PARADE; 13. WiLL; 14. Believe in myself.

ANISON KAMIKYOKU - Intermediate Piano Solo. Composed by Various. ANISON KAMIKYOKU. Anime Song; J-Pop. Book. Yamaha Music Media #GPP01101140. Published by Yamaha Music Media

Piano Pop and Vocal. Animation Songs. Sheet music. Yamaha Music Media #GTP01096281. Published by Yamaha Music Media

Classical Piano Style Arrangements. Composed by Various. Arranged by Animenz. Animenz Popular Anime Songs. Japanese Anime; Game; J-POP. Book. Yamaha Music Media #GTP01097836. Published by Yamaha Music Media

By Donald Campfield. (SATB). H.T. Fitzsimons Co. Size 6.7x10.5 inches. 4 pages. Published by H.T. FitzSimons Company.

Classroom

SKU: BT.9781408114544

Book with CD. Collins Music Publishing #9781408114544. Published by Collins Music Publishing (BT.9781408114544).

ISBN 9781408114544. English.

Cl ap Your Hands Follow Me is one of three new Earlybirds music activity packs, guaranteed to get under-fives moving, listening and having fun with music. Each pack has twelve songs, a CD andcross-curricular activity plans. Earlybirds develop singing, dancing and musical understanding in a practical, easy-to-use format. Enjoy!

The packs includes a CD with full performance tracks for all twelvesongs, lyrics for all twelve songs, and activity plans with cross-curricular activities for all twelve songs.

October/November 2017. Composed by Alan Menken, Irving Berlin, John Jacobson, Rollo Dilworth, Wolfgang Amadeus Mozart. Arranged by Emily Crocker, John Higgins, Mac Huff, Roger Emerson. Music Express. Classroom Resources, Choreography, Young Choir, Children's Choir, Elementary, Children, Cross-Curricular. Softcover Media Online. Published by Hal Leonard (HL.234087).

By Patricia Shehan Campbell, Ana Lucia Frega. Edited by Gayle Giese. Multicultural. World: Latin. Level: pre-k - adult. 96 pages. Published by Alfred Publishing.

Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus

SKU: CF.CM9735

Jubilate Agno. Composed by Z. Randall Stroope. 16 pages. Duration 0:03:05. Carl Fischer Music #CM9735. Published by Carl Fischer Music (CF.CM9735).

ISBN 9781491161159. UPC: 680160919741. Key: A minor. Latin, English. Christopher Smart and ZRS.

Origins of the Tarantella The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (little spider), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the poison, the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship. Origins of the Text Christopher Smart (1722-1771), also known as Kit Smart or Jack Smart, was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke's Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor's prison, was common during this period if one's debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [Rejoice in the Lamb] was set to music by English composer, Benjamin Britten.) Smart's writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart's Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance: theraphosa [teh-rah-fo-sa] a genus of tarantula spiders bellicose [beh-lee-ko-sah] hostile; aggressive odiosa [o-dee-o-sa] hateful; vexation tenebrosa [teh-neh-bro-sa] creeping; dark nemorosa [neh-mo-ro-sa] wooded; shady lapidosa [lah-pee-do-sa] stony area; gritty The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work. About the Composer Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico. Performance Notes Text: In Latin, the r is flipped; use s instead of z on endings such as phosa, cosa, and so on; the Latin o is a cross between oh and aw; in the transliteration above, I chose to simply use an o for consistency. The director will blend the oh and aw in the rehearsals to his/her own preference. Lastly, tarantula is pronounced tah-rah-n-too-lah (avoid teh-ran-choo-luh) within the confines of this text. Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.
The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (“little spider”), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the “poison,” the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship.Christopher Smart (1722-1771), also known as “Kit Smart” or “Jack Smart,” was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke’s Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor’s prison, was common during this period if one’s debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [“Rejoice in the Lamb”] was set to music by English composer, Benjamin Britten.) Smart’s writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart’s Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance:The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work.Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico. In Latin, the “r” is flipped; use “s” instead of “z” on endings such as “phosa,” “cosa,” and so on; the Latin “o” is a cross between “oh” and “aw”; in the transliteration above, I chose to simply use an “o” for consistency. The director will blend the “oh” and “aw” in the rehearsals to his/her own preference. Lastly, “tarantula” is pronounced “tah-rah-n-too-lah� �€ (avoid “teh-ran-choo-luhâ €) within the confines of this text.Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.
The tarantella is a popular southern Italian dance with origins in the 11th century. (There is even some mention of the tarantella in ancient Greek mythology.) Of the possible sources of the dance, the most popular comes from the villages of Tanto and Tarentum (“little spider”), Italy. During harvest, workers in the field were sometimes bitten by the tarantula spider. To combat the “poison,” the afflicted workers went into a frenetic, almost musical exorcism to sweat the venom out of their pores. In the millennium since, the very energetic nature of the dance has remained, although the curative focus of the dance has given way to more enjoyable endeavors, even stately courtship.Christopher Smart (1722-1771), also known as “Kit Smart” or “Jack Smart,” was born in Kent, England and suffered from what is now believed to be acute asthma and other health issues as a child. As such, he did not work in the fields, but spent much time reading and writing, a passion that he nurtured for a lifetime. Well known in London literary circles, his career as a writer floundered due to mounting debts and his falling out of favor with the literary establishment: Sadly, he was forced to confinement at St. Luke’s Hospital for Lunatics, though this was based on his mounting debt, and not on insanity. (Confinement, or debtor’s prison, was common during this period if one’s debts could not be paid.) During his confinement, he worked on two of his most famous works, Jubilate Agno and A Song of David. (Part of Jubilate Agno [“Rejoice in the Lamb”] was set to music by English composer, Benjamin Britten.) Smart’s writing style (which, at times, bordered on the absurd), along with his many obsessions, lead to frequent misperceptions of his work and his lucidity. In this present work, portions of Smart’s Jubilate Agno were used in mm. 24-31, 103-110 and 149-156. The remaining text was gathered by the composer, including the rapid, almost patter-like, delivery of words from A-Z in the alphabet. (Christopher Smart had a preoccupation with the alphabet.) These words both rhyme and accentuate the frenetic nature of the spider dance:The convergence, then, of the medieval tarantella (spider dance), the writings of a brilliant poet who bordered on the absurd, and the infusion of strong, descriptive and otherwise random, rhyming words, synthesizes to make dramatic lyrics for this work.Z. Randall Stroope is an American composer and conductor. He has served as Professor of Music at three universities (an Endowed Professor at two), conducted 47 all-state choirs, and directed over 40 times at Carnegie Hall, among other American venues. Randall guest conducts full-time, and composes from his home studios on Merritt Island, Florida and in Sandia Park, New Mexico.In Latin, the “r” is flipped; use “s” instead of “z” on endings such as “phosa,” “cosa,” and so on; the Latin “o” is a cross between “oh” and “aw”; in the transliteration above, I chose to simply use an “o” for consistency. The director will blend the “oh” and “aw” in the rehearsals to his/her own preference. Lastly, “tarantula” is pronounced “tah-rah-n-too-lah� �€ (avoid “teh-ran-choo-luhâ €) within the confines of this text.Stomp: This can be done by the entire chorus, or just the first row. It is as much visual as it is auditory. The string quartet is preferred over piano when that option affords itself. I created a piano score that is a viable option and included it in the piano/vocal score if a performance uses chorus/piano.

By James Mansfield. Organ. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company.

Lyrics/Chord Symbols/Ukulele Chord Diagrams Ukulele

SKU: HL.249573

Composed by Various. Ukulele Chord Songbook. Pop, Rock. Softcover. 176 pages. Published by Hal Leonard (HL.249573).

ISBN 9781540005571. UPC: 888680711528. 6.0x9.0x0.396 inches. Ukulele Chord Songbook.

This series features convenient 6″ x 9″ books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page, and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This easy collection features 60 songs you can play with just four chords: Brave • Careless Whisper • Cecilia • Drift Away • Every Rose Has Its Thorn • Fields of Gold • Good Riddance (Time of Your Life) • Hey, Soul Sister • Ho Hey • Last Kiss • Let It Be • Mean • Peaceful Easy Feeling • Renegades • Stand by Me • Teach Your Children • Toes • Viva La Vida • What's Up • Zombie • and many more.

By James Mansfield. Piano. Sacred Piano. Published by Lorenz Publishing Company.

By Lani Smith. Piano 4-hand. Sacred Piano. Published by Lorenz Publishing Company.

For Reading, Writing and More. Composed by Susan Brumfield. ExpressiveArts. Kodaly, Elementary, Collection. Softcover Audio Online. 72 pages. Published by Hal Leonard

Flute and Piano

SKU: HL.14036068

Composed by Philip Wilby. Music Sales America. Post-1900. Score Only. Chester Music #SOS00535. Published by Chester Music (HL.14036068).

Work for Flute and Piano premiered at the 1995 Huddersfield Contemporary Music Festival.

Arranged by Sherri Porterfield. For Choir. (2-Part/SSA). Choral Octavo. Choral Designs. Latin; Multicultural, World: Latin. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB choir, tenor voice solo, piano accompaniment - Early intermediate

SKU: GI.G-9772

Composed by Ralph Hudson. Arranged by Thomas Whitfield. African American Church Music Series. Tune Name: Hudson. Sacred. Octavo. 12 pages. GIA Publications #9772. Published by GIA Publications (GI.G-9772).

UPC: 785147977209. English. Text Source: Alas! and Did My Savior Bleed, Isaac Watts, 1674-1748, alt. Text by Isaac Watts.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Violin and Orchestra (Score)

SKU: HL.14008406

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 94 pages. Chester Music #CH60978. Published by Chester Music (HL.14008406).

ISBN 9780711948716.

A work for solo violin and orchestra, commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow, by James Clark and the Scottish Chamber Orchestra conducted by Maxwell Davies. The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.' Davies's dancing concerto imagines the fiddler following a route from field to field, from dance to dance, accompanied by a bunch of companions in the form of an orchestra. As the music goes on, so it gets brighter and livelier, moving from the dark colouring of clarinets, bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion, as if the dancers as much as the fields were beginning to glow with new life. Score (miniature). Duration c. 20mins.

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.