(Genuine Electric Blues Guitar Techniques, Tips, and Concepts). By Albert Cummings. Instructional/Guitar/DVD. DVD. Guitar tablature. Published by Hal Leonard

By Peter Schickele. Text: E.E. Cummings. Published by Theodore Presser Company.

Chamber Ensemble

SKU: HL.14027980

Composed by Poul Ruders. Music Sales America. Classical. Score. 72 pages. Edition Wilhelm Hansen #WH29856. Published by Edition Wilhelm Hansen (HL.14027980).

ISBN 9788759856819. 12x16.5 inches. Danish.

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre, a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic/melodic ritual which accelerates the music. In the third part the block structure is softened gradually, different figurations and stylistic elements arise to live their own lives: distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn's Apocalipsis cum Figuris from Thomas Mann's Doctor Faustus. More likely, my piece will arouse associations as with all my music. It has to be heard in it's own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984, commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Lyrics by e.e. cummings, music by Jay Althouse, Sally K. Albrecht. Octavo for 2-Part choir choir and piano accompaniment. Series: Alfred Choral Designs. 8 pages. Published by Alfred Publishing.

High Voice & Piano

SKU: SU.91480340

For high Voice & Piano. Composed by Dan Locklair. Vocal/Choral, Solo Voice. Choral Octavo. Composed 2006. Duration 10'. Subito Music Corporation #91480340. Published by Subito Music Corporation (SU.91480340).

Text: e.e. cummings.

High voice, Piano Duration: 10' Text: e.e. cummings Composed in: 2006 Published by: Subito Music Publishing.

SATB Choir and Organ

SKU: HL.14007892

Composed by William H. Cummings. Music Sales America. Sacred. Choral Score. Music Sales #NOV440753. Published by Music Sales (HL.14007892).

Composed by e e cummings and David Dickau. For Choral (SSAA). Walton Choral. 16 pages. Walton Music #WJMS1132. Published by Walton Music

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by julian wachner and william h. cummings. Advanced/Collegiate. Catholic Year A The Nativity of Our Lord. Christmas, 21st Century. Octavo. Published by E.C. Schirmer Publishing (EC.8337).

Composed by Barton Cummings. Leduc. Classical. Softcover. 22 pages. Alphonse Leduc #AL26294. Published by Alphonse Leduc

Poem by e.e. cummings, composed by Eric Whitacre (1970-). Octavo for SSAATTBB choir (A Cappella). With piano rehearsal part. Series: Walton Choral. 16 pages. Published by Walton Music.

SATB Choir and Organ

SKU: HL.14007891

Composed by William H. Cummings. Music Sales America. Sacred. Choral Score. Music Sales #NOV440752. Published by Music Sales (HL.14007891).

(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument with accompaniment. For Voice, Piano. E. e. cummings. East Lansing, MI; Soprano, Melanie Helton, conducted by Raphael Jimenez.. Contemporary. Performance score. Standard notation. Duration 21 minutes. Published by Theodore Presser Company

SATB Choir and Organ

SKU: HL.14007893

Composed by William H. Cummings. Music Sales America. Sacred. Choral Score. Music Sales #NOV440751. Published by Music Sales (HL.14007893).

By David C. Dickau, e.e. Cummings. (SATB). This edition: WJMS1104. Walton Choral. 12 pages. Published by Walton Music.

Choral Oboe, Piano, alto voice, bass voice, solo Voices, soprano voice, tenor voice

SKU: CF.CM9565

Composed by Michael John Trotta. E.e. cummings. Mjts. Performance Score. With Standard notation. 20 pages. Duration 5 minutes, 11 seconds. Carl Fischer Music #CM9565. Published by Carl Fischer Music (CF.CM9565).

ISBN 9781491153611. UPC: 680160911110. 6.75 x 10.5 inches. Key: E minor. English. Text: E.E. Cummings. E. e. cummings. E.e. cummings.

Trotta's unique juxtaposition of texts from the past (Requiem?text in the?Liber Usualis) with the present (e.e. cummings poem?i carry your heart) results in a compelling, lush composition accessible to mixed choirs of all sizes. With optional oboe and solo or small group, i carry your heart?is appropriate for concert, festival, retirement or a special tribute. It is certain to be adored and appreciated by all. Highly recommend!.
This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song.   INSERT GRAPHIC HERE - I e mailed you on 5-14.
This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song.   INSERT GRAPHIC HERE - I e mailed you on 5-14.
This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song.   INSERT GRAPHIC HERE - I e mailed you on 5-14.
This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song.   INSERT GRAPHIC HERE - I e mailed you on 5-14.
This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song.   INSERT GRAPHIC HERE - I e mailed you on 5-14.
This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance.This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department.Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.

(from Studentenmesse). By Antonio Lotti. Arranged by Patrick M. Liebergen. (3 Part Mixed A Cappella). Discovery Choral. 8 pages. Published by Hal Leonard.

SKU: CA.2007100

Composed by Heinrich Schutz. Edited by Uwe Wolf. This edition: urtext. Cycles: Schutz: Cantiones sacrae SWV 53-92. Stuttgart Urtext Edition: Schutz. Ad Dominum Cum / Quid Detur Tibi Aut. Sacred vocal music, Motets, Psalms, Latin, Prayer. Full score. 8 pages. Carus Verlag #CV 20.071/00. Published by Carus Verlag (CA.2007100).

ISBN 9790007143886.

Composed by John Wykoff. For Choral (SATB DV A Cappella). Walton Choral. 16 pages. Walton Music #WW1542. Published by Walton Music

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Clarinet" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

Movement 3 from Gloria. Composed by Hyo-Won Woo. Hak-Won Yoon Choral Series. Sacred. Octavo. 12 pages. Published by Walton Music (GI.WW1637).

(from Studentenmesse). By Antonio Lotti. Arranged by Patrick M. Liebergen. (VoiceTrax CD). Discovery Choral. CD only. Published by Hal Leonard.

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Flute" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

SATB/SATB choir - Level 3

SKU: CA.116300

Composed by Samuel Scheidt. Edited by Ursula Herrmann. This edition: Paperbound. German title: Cum ergo fleret. Sacred, Motets; Use during church year: Easter and Eastertide. Full score. Duration 2 minutes. Carus Verlag #CV 01.163/00. Published by Carus Verlag (CA.116300).

ISBN 9790007001308. Key: G dorian. Language: Latin.

Choir; Early Music

SKU: UT.MS-47

Vol. 1: Psalms 1-8. Composed by Benedetto Marcello. Edited by Andrea Coen and Maria Antonietta Cancellaro. Paperback (Soft Cover). Benedetto Marcello - Estro Poetico-armonico. Classical. Softcover. 184 pages. Ut Orpheus #MS 47. Published by Ut Orpheus (UT.MS-47).

ISBN 9790215320345. 9 x 12 inches.

Salmo I (Beatus vir qui non abiit in consilio impiorum); Salmo II (Quare fremuerunt gentes); Salmo III (Domine quid moltiplicati sunt); Salmo IV (Cum invocarem exaudivit me Deus); Salmo V (Verba mea auribus percipe Domine); Salmo VI (Domine, ne in furore tuo arguas me); Salmo VII (Domine Deus meus in te speravi); Salmo VIII (Domine Dominus noster)