| Mass b minor, BWV 232 Soli, choeur mixte et accompagnement [Reduction] Barenreiter
(New revised version). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf....(+)
(New revised version). By
Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. Arranged by
Andreas Kohs. For 2
soprano voice solos, alto
voice solo, tenor voice
solo, bass voice solo,
double SATB choir, 2
flutes, 3 oboes (2 oboes
d'amore), 2 english
horns, 2 bassoons, horn,
3 trumpets, timpani, 2
violins, viola, basso
continuo (organ) (2 Solo
Sopranos/Solo Alto/Solo
Tenor/Solo Bass/Mixed
Choir: SSAATTBB/2
Flutes/3 Oboes (2 Oboes
d'amore)/2 English
Horns/2 Bassoons/Horn/3
Trumpets or 3 Horns or 3
Clarinets/Timpani/2
Violins/Viola/Basso
continuo (Organ)). This
edition: Paperback,
Urtext edition.
Paperback. New revised
version. Level 4. Piano
reduction. Language:
Latin. BWV 232. 243
pages. Duration 2 hours,
15 minutes. Published by
Baerenreiter Verlag
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in B minor, BWV 232 Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Barenreiter
By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For 2 Soprano solo voi...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. For 2 Soprano
solo voices, Alto voice
solo, Tenor voice solo,
Bass voice solo, SSAATTBB
mixed choir, Orchestra.
Barenreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). BWV 232.
Duration 2 hours, 15
minutes. Published by
Baerenreiter Verlag
$32.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 9 in D minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Soprano Solo,
Alto Solo, Tenor Solo,
Bass Solo, Mixed
Choir-SATB, Piccolo,
Flute (2), Oboe (2),
Clarinet (B Flat) (2),
Bassoon (2),
Contrabassoon, Horn (4),
Trumpet (2), Trombone
(3), Kettledrum, Drums,
Strings. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). Op. 125.
Duration 65'. Published
by
Baerenreiter-Taschenparti
turen (German import).
$28.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Breath of Heaven Voix Moyenne Hope Publishing Company
By Chris Eaton and Amy Grant. Arranged by Lloyd Larson. For Medium Voice Solo (K...(+)
By Chris Eaton and Amy
Grant. Arranged by Lloyd
Larson. For Medium Voice
Solo (Key of D Minor).
Contemporary, Advent,
Christmas, Sacred. 8
pages. Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Mass in D minor Lord Nelson (CD only - no sheet music) [CD d'accompagnement] Rehearsal Arts, LLC
By Franz Joseph Haydn. Teaching Singer: Don Wilkinson. For Bass voice. Choral le...(+)
By Franz Joseph Haydn.
Teaching Singer: Don
Wilkinson. For Bass
voice. Choral learning
aid. SingleParts with
StudySpots. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:51:31. Published by
Rehearsal Arts, LLC.
$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(completed by Robert D. Levin). Composed by Wolfgang Amadeus Mozart (1756-1791)....(+)
(completed by Robert D.
Levin). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Robert D. Levin. For SATB
vocal soli, SATB choir, 2
basset horn, 2 bassoons,
2 clarinos/trumpets, 3
trombones, timpani, 2
violins, viola, basso
continuo. D-Moll (D
minor). Score available
separately - see item
CA.5162650. Requiem,
Mourning, death. Complete
orchestral parts.
Language: Latin. Composed
1791/1991. KV 626.
Duration 50 minutes.
Published by Carus Verlag
$264.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tyl Uilenspiegel Piano, Voix [Conducteur] Noten Roehr
Voice and piano SKU: NR.95803 Selected songs from the musical for voic...(+)
Voice and piano SKU:
NR.95803 Selected
songs from the musical
for voice and piano
(en). Composed by
Iosif Gerdzhikov. Vocal
music. Score. Noten Roehr
#95803. Published by
Noten Roehr (NR.95803).
Language: English.
Text: Veronique
Steeno. I:3: Sofia
: lyric soprano : D
major, I:3: Sofia :
dramatic soprano : C
major, I:24: Jaroslav :
baritone : c minor, II:5:
Priest : bass-baritone :
e minor, II:5: Priest :
bass : d minor, II:6:
Wanda : mezzo-soprano : F
major, II:6: Wanda :
contralto : Eb major,
III:2: Tyl : dramatic
tenor : g minor, III:2:
Tyl : lyric tenor : a
minor. $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa in Angustiis (Missa in Angustiis) Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
(Nelson-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang...(+)
(Nelson-Messe). By Franz
Joseph Haydn (1732-1809).
Edited by Hochstein,
Wolfgang. For Soprano
solo voice, Alto solo
voice, Tenor solo voice,
Bass solo voice, SATB
chorus, 3 clarinets,
timpani, 2 violins,
viola, cello/contrabass,
organ, [flute, 2 oboes, 2
clarinets, bassoon, 2
horns]. This edition:
paperbound. Hob. XXII:11.
Full score available
separately - see item
CA.4060900. Masses,
Latin. Study score.
Language: Latin. Composed
1798. 216 pages. Duration
40 min
$28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626.
Requiem; Occasions:
Mourning, Death. Score.
Language: Latin. Composed
1791/1991. 256 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
$113.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D.
Levin. By Wolfgang
Amadeus Mozart. Arranged
by Robert D. Levin. For
Soli SATB, SATB Choir, 2
Bassethorn, 2 Bassoons, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. KV 626. Full
score available
separately - see item
CA.5162650. Requiem;
Occasions: Mourning,
Death. Piano/Vocal score.
Language: Latin. Composed
1791/1991. 88 pages.
Duration 50 min.
Published by Carus Verlag
(German import).
(1)$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mary, Did You Know? Chorale SATB [Vocal Score] Hope Publishing Company
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice d...(+)
Composed by Buddy Greene.
Arranged by Jack
Schrader. For medium and
high voice duet (key of D
Minor). Hope's All-Time
Best Sellers series.
Christmas, Devotion,
Contemporary,
Contemporary Gospel.
Vocal score. 12 pages.
Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Requiem in D minor Carus Verlag
Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org SKU: CA.2732015 C...(+)
Soli SATB, Coro SATB, 3
Trb, Cor, 2 Vl, Va, Vc,
Cb, Org SKU:
CA.2732015 Composed
by Anton Bruckner. Edited
by Anselm Eber. Double
bass. Sacred vocal music,
Masses, Latin, Requiem.
Single Part, Double Bass.
WAB 39. 12 pages.
Duration 38 minutes.
Carus Verlag #CV
27.320/15. Published by
Carus Verlag
(CA.2732015). ISBN
9790007245597. Language:
Latin. Anton
Bruckner composed his
Requiem in D minor at the
young age of 24 in memory
of a friend of his
father's who was his
patron. The work was
greatly influenced by the
Viennese classical style.
He revised the work at
the age of 70 in 1894 and
held it in high regard
throughout his career,
even though his setting
never enjoyed the
popularity of similar
works by Mozart or Verdi
in the concert
repertoire. The new
edition now published
represents the revised
version, which can be
regarded as a very
personal, and at the same
time impressive
compositional testimony
to Bruckner's artistic
development on his
journey towards becoming
the great church musician
and symphonist. Bruckner
set the text of the
Requiem Mass in a
relatively compact form
in terms of extent and
scoring. The range of
compositional colors
stretches from
Alpine-influenced writing
for male voice choir
(Hostias), to a five-part
choral movement (Sanctus)
and an unaccompanied
movement (Requiem), to
movements with choir and
soloists. Score and part
available separately -
see item CA.2732000. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass in D minor Orgue Carus Verlag
Orchestra Solo Voices, SATB Chorus, Orchestra, Organ SKU: CA.2709215 Comp...(+)
Orchestra Solo Voices,
SATB Chorus, Orchestra,
Organ SKU:
CA.2709215 Composed
by Anton Bruckner. Edited
by Knut Breyer. Single
Part, double bass. WAB
26. Duration 45 minutes.
Carus Verlag #2709200.
Published by Carus Verlag
(CA.2709215). ISBN
9790007248772. Key: D
minor. Latin. Anton
Bruckner composed his
first mass, the Mass in D
minor, in 1864 in just
four months. It was not
ready in time for the
Kaiser Franz Joseph I's
birthday, as planned, but
was first performed on 20
November at the Feast of
St Cecilia in Linz
Cathedral - with great
success. The mass is one
of the first works by
Bruckner to be written in
his characteristic
symphonic style. It was
revised several times and
first published in 1892.
This edition is based on
a critical evaluation of
all the relevant sources,
and offers an improved
musical text. Score and
part available separately
- see item
CA.2709200. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mary, Did You Know?
Voix moyenne, Piano [Octavo] Hope Publishing Company
By Mark Lowry and Buddy Greene. Arranged by Jack Schrader. Sacred. Print Music S...(+)
By Mark Lowry and Buddy
Greene. Arranged by Jack
Schrader. Sacred. Print
Music Single (Medium
Voice - Key of F).
Published by Hope
Publishing Company.
(5)$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Requiem in D minor Chorale [Vocal Score] Serenissima
By Anton Bruckner (1824-1896). Edited by Robert Maria Haas. Arranged by Ludwig B...(+)
By Anton Bruckner
(1824-1896). Edited by
Robert Maria Haas.
Arranged by Ludwig
Berberich. Choir and
piano. For Soprano voice,
Alto voice, Tenor voice,
and Bass voice (Soli),
SATB Choir, Piano. This
edition: Paperback. Mass,
Liturgical, Choral,
Original Wo. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 9 in D minor (CD only - no sheet music) CD only [CD d'accompagnement] Rehearsal Arts, LLC
By Ludwig van Beethoven. Teaching Singer: Don Wilkinson. For Bass voice. Choral ...(+)
By Ludwig van Beethoven.
Teaching Singer: Don
Wilkinson. For Bass
voice. Choral learning
aid. SingleParts with
StudySpots. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:16:52. Published by
Rehearsal Arts, LLC.
$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Contrapunctus V Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7067-01 Composed by Johann Sebastian Bach. Arranged b...(+)
Grade 3 SKU:
CL.LDP-7067-01
Composed by Johann
Sebastian Bach. Arranged
by Daehn. Concert Band.
Extra full score.
Composed 2013. Duration 3
minutes, 59 seconds.
Daehn Publications
#LDP-7067-01. Published
by Daehn Publications
(CL.LDP-7067-01).
One of the most
famous fugues from
Bach’s final Magnum
Opus. The beautiful D
minor theme first appears
simply in the four voices
of a woodwind
quartet—flute, oboe,
clarinet and
bassoon—and then draws
upon all the instrumental
colors and textures to
build an ever more
dramatic and powerful
mosaic of the band’s
voices. A masterwork
transcribed
masterfully! $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contrapunctus V Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7067-00 Composed by Johann Sebastian Bach. Arranged b...(+)
Grade 3 SKU:
CL.LDP-7067-00
Composed by Johann
Sebastian Bach. Arranged
by Daehn. Concert Band.
Score and set of parts.
Composed 2013. Duration 3
minutes, 59 seconds.
Daehn Publications
#LDP-7067-00. Published
by Daehn Publications
(CL.LDP-7067-00).
One of the most
famous fugues from Bach's
final Magnum Opus. The
beautiful D minor theme
first appears simply in
the four voices of a
woodwind quartet - flute,
oboe, clarinet and
bassoon - and then draws
upon all the instrumental
colors and textures to
build an ever more
dramatic and powerful
mosaic of the band's
voices. A masterwork
transcribed
masterfully! $76.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2...(+)
Violoncello/double bass
part (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165214
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165214.
Published by Carus Verlag
(CA.5165214). ISBN
9790007313876. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165212
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165212.
Published by Carus Verlag
(CA.5165212). ISBN
9790007313852. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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