Composed by Kenneth Hesketh. Score; Wind Band. Faber Edition: Faber Wind Band Se...(+)
Composed by Kenneth
Hesketh. Score; Wind
Band. Faber Edition:
Faber Wind Band Series.
Form: Dance. 20th
Century; Masterwork.
Published by Faber Music
(AP.12-0571570496).
Dance Suite was written at the Christmas vacation of 1955-56 for the pianist Ado...(+)
Dance Suite was written
at the Christmas vacation
of 1955-56 for the
pianist Adolph Hallis. No
attempt is made at
evoking the stylised
courtly dances of the
Baroque suite: the dance
element here is an once
more generalised and less
sophisticated, veering
from the sinuous and
balletic (nos. 2 &
4), to the folk-like and
primitive (nos. 3 &
5). All the five pieces
are studies in rhythm of
various kinds, some slow
(nos. 2 & 4), some
fast (nos. 1, 3 & 5);
some regular in metre
(nos. 1, 2 & 4), some
irregular (nos. 3 &
5). In no. 3 the basic
time signature is 7/8; in
no. 5 the time signature
changes every bar. ~ John
Joubert
By Tylman Susato [Tielman Susato]. By Tylman Susato. Arranged by David Marlatt. ...(+)
By Tylman Susato [Tielman
Susato]. By Tylman
Susato. Arranged by David
Marlatt. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Eighth Note
Publications. Form:
Dance; Suite. Masterwork
Arrangement; Renaissance.
Score. Eighth Note
Publications
#81-CB16305S. Published
by Eighth Note
Publications
(AP.81-CB16305S).
Unaccompanied Alto Saxophone - advanced to difficult SKU: HL.49018734 ...(+)
Unaccompanied Alto
Saxophone - advanced to
difficult
SKU:
HL.49018734
For
Alto Saxophone (or other
Saxophones) Solo.
Composed by Raaf Hekkema.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Fur
Alt-Saxophon solo.
Contemporary. Softcover.
Composed 1992. 12 pages.
Schott Music #ED20972.
Published by Schott Music
(HL.49018734).
ISBN
9790001174503. UPC:
841886015883.
9.0x12.0x0.062
inches.
Traditional
form meets modern melody:
Raaf Hekkema's 'Suite' is
based on the classical
form of Bach's French
dance suite with Prelude,
Allemande, Courante,
Saraband, Minuet, and
Gigue. Hekkema gives each
movement its own modern
character: The Prelude is
based on a free melody,
like the tradition
librement opening of a
French suite for lute
from the 17th century. In
the Allemande, an
improvisatory melody
develops over an ostinato
bass whereas the Courante
is a fast, softly
swinging movement. The
Saraband with multiphonic
chords resembles a
thoughtful etude, and the
Minuet plays with the
complexity of three long
musical eras. The final
dance, the Gigue, turns
out to be really
'funky'.
Score Only Concert Band (Full Score) - Grade 4-5 SKU: HL.50486971 Compose...(+)
Score Only Concert Band
(Full Score) - Grade 4-5
SKU: HL.50486971
Composed by Aram Ilyich
Khachaturian. Arranged by
Kenneth Snoeck. G.
Schirmer Band/Orchestra.
Classical. Softcover. 56
pages. Published by G.
Schirmer (HL.50486971).
ISBN 9781423474982.
UPC: 884088393700.
10.5x14.0x0.225
inches.
Selected
from the Gayaneh Ballet,
these three colorful
examples of Aram
Khachaturian's writing
for ballet are based on
rhythms and melodic
motives from different
ethnic groups, ranging
from the very Slavic
Ukranian Gopak (Hopak) to
the Armenian Dance of the
Maidens and the Kurdish
Mountaineers' Dance. They
vary in instrumental
color and tension from
festive and party-like,
through sultry and
romantic, to tense and
almost angry. These may
be performed in any
combination - a single
stand-alone dance
movement, a contrasting
pair, or all three in a
complete set. A
culturally rich and
unique experience for
players and audience
alike. Dur: 7:45 (Grade
5).
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.114419490 Comp...(+)
Chamber Music Bassoon,
Clarinet, Flute, Horn,
Oboe
SKU:
PR.114419490
Composed
by Amanda Harberg. Folio.
Set of Score and Parts.
40+16+16+16+12+12 pages.
Duration 18 minutes.
Theodore Presser Company
#114-41949. Published by
Theodore Presser Company
(PR.114419490).
ISBN
9781491131435. UPC:
680160677320. 9 x 12
inches.
The depth
and inventiveness of
Amanda Harberg’s
SUITE FOR WIND QUINTET
can only be described as
remarkable. Harberg
combines the rich
tradition of renaissance
and baroque dance suites
with her own American
voice, stirring up
dramatic, exciting sounds
and stories. Cantus uses
the imitative entries of
renaissance motets as a
jumping off point into a
more contemporary world.
The playfully virtuosic
Furlana refers to the
Italian folk dance rhythm
in 6, punctuated by lots
of unexpected 5’s.
Fantasia hints at being a
lullaby with an animated
and jazz-influenced
middle section, and the
closing Cabaletta is true
to its 19th-century
meaning of a rousing
closing section following
beautiful lyricism. SUITE
FOR WIND QUINTET was
commissioned and
premiered by the Dorian
Wind Quintet. Amanda
Harberg’s Suite
for Wind Quintet was
commissioned by the
Dorian Wind Quintet in
2017. The piece was the
result of a conversation
in a bar between Harberg,
Dorian’s flutist
Gretchen Pusch and
Pusch’s husband
Richard Bayles, on the
occasion of
Dorian’s
clarinetist Ben
Fingland’s 40th
birthday party. A year
and a half later, the
Dorian Wind Quintet gave
the world premiere of
Harberg’s quintet
at Bargemusic, and has
incorporated it into
their repertoire ever
since. Suite for Wind
Quintet is in four
movements- 1. Cantus, 2.
Furlana, 3. Fantasia and
4. Cabaletta. The melodic
material heard in the
very opening of the piece
can be heard recurring
and transforming
throughout the four
movements, until it
unites triumphantly in
the final coda with the
theme of the concluding
movement. The piece was
inspired by the concept
of placing Renaissance
and Baroque-inspired
dance suites into
Harberg’s idiom as
a 21st century
composer.
Concert Band Wind Band - Intermediate SKU: AP.12-0571570488 Composed by K...(+)
Concert Band Wind Band -
Intermediate
SKU:
AP.12-0571570488
Composed by Kenneth
Hesketh. 5 or More;
Performance Music
Ensemble; Solo Small
Ensembles; Wind Band.
Faber Edition: Faber Wind
Band Series. Form: Dance.
20th Century; Masterwork.
Score and Part(s). Faber
Music #12-0571570488.
Published by Faber Music
(AP.12-0571570488).
ISBN 9780571570485.
English.
This
second set of Danceries
continues the format
established in Danceries
(Set I), namely in using
material taken from
Playford's Dancing
Master, a collection of
folk and popular tunes
published in the
seventeenth century, to
form the basis of an
extended dance suite. In
this set, the melodies
are more abstract and
project only a distant
echo of their original
forms, but as before,
each movement is
self-contained, colorful
and direct, with its own
distinct mood. The outer
movements---Jennie's
Bawbee and Peascod's
Galliarda----share a use
of driving percussion
writing with a military
air. Tom Tinker's Toye
and Heart's Ease
(movements two and three)
are both settings of
original melodies. All
movements are more
extended than in the
first set, with a freer
use and approach to the
material; melodies now
occur in various keys and
are supported by a
greater variety of
harmonic coloring. The
result is a richer, even
more exhilarating set of
dances. Danceries has
come of age! Arranged for
wind band.
2 violins and continuo, 2 flutes and continuo, 2 oboes and continuo SKU: FZ.5...(+)
2 violins and continuo, 2
flutes and continuo, 2
oboes and continuo
SKU: FZ.5906
Composed by Jean-Joseph
Mouret. Edited by
Department De Musique
Ancienne Du C.N.S.M De
Paris. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5906).
ISBN
9790230659062. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Jean-Joseph Mouret is
part of our French
classical music
collection. Edition :
Paris, l'Auteur, Boivin,
Leclerc, 1737. Preface:
Early music department of
the C. N. S. M. D. de
Paris (class of Irene
Ginger and Jean
Saint-Arroman): links
between danse and music -
choreographic proposals
for certain dances -
Mouret's ornamentation -
Proposed ornamentation
for the repeats of a
saraband. Three separate
instrumental parts:
premier dessus, second
dessus, continuo
(instrumentation ad
libitum , violins, flutes
or oboes). These works
are written as trio and
may be performed by two
dessus (violins, flutes
or oboes) and basso
continuo. They may also
be played with a chamber
orchestra formation. As
the dance suites of
theatrical works are
artificial, 18 th century
suites, written specially
for dance, are rare.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
23 Tanze, Suiten, Sonaten und andere Spielstucke aus 4 Jahrhunderten zur Schulun...(+)
23 Tanze, Suiten, Sonaten
und andere Spielstucke
aus 4 Jahrhunderten zur
Schulung des
Zusammenspiels von Flote
(V,S-Vagb,Fid,Ob) und
Klavier. Edited by
Gumbel, Martin. For
Flute, Piano/Harpsichord.
Tanz, Suiten (Dance,
Suites). Collection;
Playing Score; Single
Part. Published by
Baerenreiter-Ausgaben
(German import).
Piano SKU: SU.96010580 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010580
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010580. Published by
Subito Music Corporation
(SU.96010580).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Six Country
Dances, K. 462
(originally for 2 oboes,
2 Horns, 2 Violins,
Violoncello/Contrabass) Three German
Dances, K. 605
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Bassoons, 2 Horns
(Posthorn,) 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani, Tuned Bells)
Six German Dances,
K. 571 (originally for 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani, Tambourine,
Cymbals)
Six
German Dances, K. 600
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani)
Four
Minuets, K. 601
(originally for 2 Flutes,
2 Oboes, 2 Clarinets, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Bass,
Timpani)
Instrumentation:
Piano Duration:
Composed: Published
by: Subito Music
Publishing.
Piano SKU: SU.96010560 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010560
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010560. Published by
Subito Music Corporation
(SU.96010560).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Six Landler,
K. 606 (Originally for 2
Violins,
Violoncello/Contrabass) Five Country
Dances, K. 609
(originally for Flute, 2
Violins,
Violoncello/Contrabass
Two Minuets, K.
463 (originally for Oboe,
Bassoon, 2 Horns, 2
Violins,
Violoncello/Contrabass) Six German
Dances, K. 567
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass) Six German
Dances, K. 509
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass)In
strumentation: Piano
Alto Saxophone; Piano - intermediate SKU: HL.49003183 Alto Sax and Pia...(+)
Alto Saxophone; Piano -
intermediate
SKU:
HL.49003183
Alto
Sax and Piano.
Composed by Má, s
Seiber, and tyá.
Arranged by Stefan de
Haan. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, Contemporary.
18 pages. Schott Music
#ED12424. Published by
Schott Music
(HL.49003183).
ISBN
9790220116124. UPC:
841886021365.
9.0x12.0x0.069
inches.
The Dance
Suite for alto saxophone
and piano is an
arrangement of selected
pieces from Matyas
Seiber's Easy Dances,
originally composed as
piano pieces on the
popular dance-styles of
the 1920s and 30s and
focusing particularly on
the rhythmic
characteristics of each.
Seiber's life and work
linked and developed many
diverse musical
influences, from the
Hungarian tradition of
Bartok and Kodaly, to
Schoenberg and Serial
Music, to jazz, folksong,
film and lighter music
(rewarded by an Ivor
Novello Prize for 'By The
Fountains of Rome'). A
late collaboration with
John Dankworth produced
the 'Improvisations for
Jazz Band and Orchestra'.
Tango 1 * Tango 2
(Habanera) * Waltz *
Blues * Charleston *
Foxtrot * Cake-Walk.
Piano SKU: SU.96010570 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010570
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010570. Published by
Subito Music Corporation
(SU.96010570).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Four German
Dances, K. 602
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani)
Twelve
German Dances, K. 586
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins,
Violoncello/Contrabass,
Tambourine, Timpani)
Minuet, K. 409
(originally for 2 Flutes,
2 Oboes, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins, Viola,
Violoncello/Contrabass) Les Petits Riens
(excerpts,) K. 299b
(originally for 2 Flutes,
2 Oboes, 2 Clarinets, 2
Bassoons, 2 Horns, 2
Trumpets, 2 Violins,
Viola,
Violoncello/Contrabass,
Timpani)
Instrumentation:
Piano
And Two Suites in A Minor and E-flat Minor. Composed by Johann Sebastian Bach (1...(+)
And Two Suites in A Minor
and E-flat Minor.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dr. Hans Bischoff.
Masterworks; Piano
Collection. Kalmus
Edition. Form: Suite.
Baroque; Masterwork.
Book. 64 pages. Kalmus
Classic Edition
#00-K03041. Published by
Kalmus Classic Edition
Concert Band Brass Band SKU: AP.12-0571570771 Composed by Kenneth Hesketh...(+)
Concert Band Brass Band
SKU:
AP.12-0571570771
Composed by Kenneth
Hesketh. 5 or More; Brass
Band; Masterworks;
Performance Music
Ensemble; Solo Small
Ensembles. Faber Edition.
Form: Dance. 20th
Century; Masterwork.
Score and Part(s). Faber
Music #12-0571570771.
Published by Faber Music
(AP.12-0571570771).
ISBN 9780571570775.
English.
Danceries
Set II was commissioned
by Keith Allen and
Birmingham Symphonic
Winds, supported by PRS
for Music Foundation and
the RVW Trust. The world
première of this work
was given by Birmingham
Symphonic Winds,
conducted by Keith Allen,
at the CBSO Centre,
Birmingham in 2011. This
second set of Danceries
continues the format
established in Danceries
(Set I), namely in using
material taken from
Playford's Dancing
Master, a collection of
folk and popular tunes
published in the
seventeenth century, to
form the basis of an
extended dance suite. In
this set, the melodies
have been more abstracted
and project only a
distant echo of their
original forms, but as
before, each movement is
self-contained, colorful,
and direct---with its own
distinct mood. Arranged
for brass band.
Concert Band Brass Band SKU: AP.12-057157078X Composed by Kenneth Hesketh...(+)
Concert Band Brass Band
SKU:
AP.12-057157078X
Composed by Kenneth
Hesketh. 5 or More; Brass
Band; Masterworks;
Performance Music
Ensemble; Solo Small
Ensembles. Faber Edition.
Form: Dance. 20th
Century; Masterwork.
Score. Faber Music
#12-057157078X. Published
by Faber Music
(AP.12-057157078X).
ISBN 9780571570782.
English.
Danceries
Set II was commissioned
by Keith Allen and
Birmingham Symphonic
Winds, supported by PRS
for Music Foundation and
the RVW Trust. The world
première of this work
was given by Birmingham
Symphonic Winds,
conducted by Keith Allen,
at the CBSO Centre,
Birmingham in 2011. This
second set of Danceries
continues the format
established in Danceries
(Set I), namely in using
material taken from
Playford's Dancing
Master, a collection of
folk and popular tunes
published in the
seventeenth century, to
form the basis of an
extended dance suite. In
this set, the melodies
have been more abstracted
and project only a
distant echo of their
original forms, but as
before, each movement is
self-contained, colorful,
and direct---with its own
distinct mood. Arranged
for brass band.
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).
Orchestra SKU: HL.14010879 Composed by Manuel de Falla. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14010879
Composed
by Manuel de Falla. Music
Sales America. 20th
Century. Book
[Softcover]. 102 pages.
Chester Music #CH61762.
Published by Chester
Music (HL.14010879).
ISBN 9780711991644.
9.0x12.0x0.294
inches.
New edition
2001 Study Score. Suite
2, Three Dances from The
Three-Cornered Hat, a
Ballet in two acts by G.
Martinez Sierra after a
story by D. Pedro Antonio
de Alarcon. Conductor's
score and orchestral
parts are available on
hire from the
publishers.
In this suite of four Christmas songs written in 1950, Rowley's Organizing princ...(+)
In this suite of four
Christmas songs written
in 1950, Rowley's
Organizing principle is
dance rhythm. The first
movement sets The Holly
and The Ivy in a lilting
6/8 Sicilian rhythm. The
second movement combines
The Holly and The Ivy
with The Cherry Tree
Carol in a sharply
contrasting minuet. The
third movement fughetta
setting of The Little
Room gives the dancers a
breather before the
fourth movement's bourree
setting for On Christmas
Night and The Moon Shines
Bright.Twentieth century
British composer Alec
Rowley was also an
Organist, pianist and
dedicated teacher. Many
of his compositions are
miniatures and works
appropriate for amateur
musicians, though he also
gained renownthrough his
large-scale works
performed at the
Promenade Concerts and
elsewhere