| Dance of The Sugar Plum Fairy Piano seul - Intermédiaire The Walsh Collection
Piano - intermediate SKU: BT.WA-4113-401 Composed by Peter Ilyich Tchaiko...(+)
Piano - intermediate
SKU:
BT.WA-4113-401
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Thomas A. Johnson. The
Walsh Collection.
Educational Tool. Book
Only. 2 pages. The Walsh
Collection #WA 4113-401.
Published by The Walsh
Collection
(BT.WA-4113-401). ISBN
9789043141994.
English. This piece
is one of the best known
pieces of classical music
in the world today and is
probably the piece most
identified with
Tchaikovsky. It has been
used extensively in many
different contexts and
has become on of the most
popular concert items. A
wonderful arrangement
that provides pianists
with an opportunity to
play this celebrated
work. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Masterpieces of Solo Piano: Classical Era Piano seul - Intermédiaire Dover Publications
Composed by Haydn, Mozart, Tchaikovsky, and Bach. Book; Masterworks; Piano ...(+)
Composed by Haydn,
Mozart,
Tchaikovsky, and Bach.
Book;
Masterworks; Piano
Collection. Dover
Edition.
Masterwork. Published by
Dover Publications
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Nutcracker: Complete Ballet for Solo Piano Piano seul [Partition] - Avancé Dover Publications
By Peter Ilyich Tchaikovsky. For Piano. Piano Collection. Masterwork. Level: Adv...(+)
By Peter Ilyich
Tchaikovsky. For Piano.
Piano Collection.
Masterwork. Level:
Advanced. Book. Published
by Dover Publications.
(2)$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Dance Of The Sugar Plum Fairy Piano seul Real Musical (+)
-
Dance of the Sugar Plum
Fairy
| | |
| Dance of the Sugar-Plum Fairy (from The Nutcracker Suite) Piano seul Alfred Publishing
By Peter Ilyich Tchaikovsky. Arranged by Eric Steiner. For Piano. Piano Solo. Le...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Eric Steiner. For Piano.
Piano Solo. Level: (III
1/2) (grade III 1/2).
Sheet. 4 pages. Published
by Alfred Publishing.
(1)$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Funtime Piano Classics
Piano seul [Partition] - Intermédiaire FJH
Arranged by Nancy and Randall Faber. For Piano. PreTime to BigTime Piano Supplem...(+)
Arranged by Nancy and
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
Classics. Level: 3A-3B.
Book. Published by The
FJH Music Company Inc.
(5)$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Jazz (Jazz Piano Solos Series Vol. 63) Piano seul Hal Leonard
Jazz Piano Solos Series Vol. 63. Composed by Various. Arranged by Brent Edstro...(+)
Jazz Piano Solos Series
Vol.
63. Composed by Various.
Arranged by Brent
Edstrom.
Jazz Piano Solos. Jazz.
Softcover. 96 pages.
Duration
230 seconds. Published by
Hal
Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| FunTime Piano Classics CD Piano seul [CD] - Intermédiaire FJH
By Randall Faber, Nancy Faber. Arranged by Edwin Mclean. For Piano. PreTime! to ...(+)
By Randall Faber, Nancy
Faber. Arranged by Edwin
Mclean. For Piano.
PreTime! to BigTime!
Piano Supplementary
Library. Classics. CD.
Published by The FJH
Music Company, Inc.
Level: Grade 3A-3B.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Premier Piano Express -- Christmas, Book 1 Piano seul - Débutant Alfred Publishing
Composed by Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McA...(+)
Composed by Dennis
Alexander,
Gayle Kowalchyk, E. L.
Lancaster, Victoria
McArthur,
and Martha Mier.
Method/Instruction; Piano
-
Alfred's Premier Piano
Course. Premier Piano
Course.
Christmas; Winter. Book.
32
pages. Alfred Music #00-
47307. Published by
Alfred
Music
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Giant Book of Christmas Sheet Music Piano, Voix et Guitare Alfred Publishing
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. The
Giant
Book of Sheet Music.
Christmas; Sacred;
Secular;
Winter. 256 pages.
Published
by Alfred Music
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano for Two, Book 2 (NFMC) Piano seul [Partition] - Débutant FJH
Arranged by Carol Matz. For Piano. Contents include: The Stars and Stripes Forev...(+)
Arranged by Carol Matz.
For Piano. Contents
include: The Stars and
Stripes Forever; Simple
Gifts; La Cinquantaine
(The Golden Wedding);
Home on the Range; Dance
of the Sugar-Plum Fairy;
Mexican Festival. Level:
Elementary. Book.
Published by The FJH
Music Company, Inc.
$9.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Piano Solos - Level 5 Piano seul [Partition] - Intermédiaire Hal Leonard
Hal Leonard Student Piano Library. Arranged by Fred Kern, Phillip Keveren and Mo...(+)
Hal Leonard Student Piano
Library. Arranged by Fred
Kern, Phillip Keveren and
Mona Rejino. Educational
Piano Library. Book only.
Size 9x12 inches. 32
pages. Published by Hal
Leonard.
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Sheet Music Anthology
Piano, Voix et Guitare Hal Leonard
Over 100 Hand-Picked Holiday Essentials. Composed by Various. Piano/Vocal/Guit...(+)
Over 100 Hand-Picked
Holiday
Essentials. Composed by
Various.
Piano/Vocal/Guitar
Songbook. Christmas.
Softcover. 352 pages.
Duration
195 seconds. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Piano Solos - Level 5 - CD Piano seul [CD] - Intermédiaire Hal Leonard
Hal Leonard Student Piano Library. Arranged by Phillip Keveren. The Hal Leonard ...(+)
Hal Leonard Student Piano
Library. Arranged by
Phillip Keveren. The Hal
Leonard Student Piano
Library. CD only. Size
9x12 inches. Published by
Hal Leonard.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Piano Solos - Level 5 - GM Disk Piano seul [MIDI Disk] Hal Leonard
Hal Leonard Student Piano Library. Arranged by Phillip Keveren. Educational Pian...(+)
Hal Leonard Student Piano
Library. Arranged by
Phillip Keveren.
Educational Piano
Library. Floppy disk.
Size 9x12 inches.
Published by Hal Leonard.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Big Book of Beginner's Piano Classics Piano seul - Débutant Dover Publications
(83 Favorite Pieces in Easy Piano Arrangements). Arranged by Bergerac and David ...(+)
(83 Favorite Pieces in
Easy Piano Arrangements).
Arranged by Bergerac and
David Dutkanicz. For solo
piano. Masterworks; Piano
Collection; Piano
Supplemental. Dover
Edition. Masterwork
Arrangement. Early
Intermediate; Late
Elementary. Collection.
Published by Dover
Publications
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Famous and Fun Christmas Duets, Book 3 1 Piano, 4 mains - Débutant Alfred Publishing
(6 Duets for One Piano, Four Hands). Arranged by Carol Matz. For Piano. Book; Du...(+)
(6 Duets for One Piano,
Four Hands). Arranged by
Carol Matz. For Piano.
Book; Duet or Duo; Piano
Duet (1 Piano, 4 Hands).
Famous and Fun.
Christmas; Sacred;
Secular; Winter.
Elementary; Late
Elementary. 24 pages.
Published by Alfred Music
Publishing
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Themes for Kids Piano seul - Facile Hal Leonard
Composed by Various. Easy Piano Songbook. Children, Classical. Softcover. Pub...(+)
Composed by Various. Easy
Piano Songbook. Children,
Classical. Softcover.
Published by Hal Leonard
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Premier Piano Course: Christmas Book 1B Piano seul [Partition] Alfred Publishing
By Gayle Kowalchyk, Dennis Alexander, E. L. Lancaster. For Piano. Piano - Alfred...(+)
By Gayle Kowalchyk,
Dennis Alexander, E. L.
Lancaster. For Piano.
Piano - Alfred's Premier
Piano Course. Premier
Piano Course. Book. 24
pages. Published by
Alfred Publishing.
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Instrumental Solos - Viola (Book and CD) Alto, Piano [Livre + CD] - Facile Alfred Publishing
(Carols And Traditional) Arranged by Bill Galliford, Ethan Neuburg, Tod Edmondso...(+)
(Carols And Traditional)
Arranged by Bill
Galliford, Ethan Neuburg,
Tod Edmondson.
Instrumental solo book
and
examples/accompaniment CD
for viola. With viola
fingering chart. 96
pages. Published by
Alfred Publishing.
(1)$9.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Piano Duets: Russian Composers 1 Piano, 4 mains [Partition] Oxford University Press
By Halyna Ovcharenko. For Piano duet. Piano. Piano Duets edited by Michael Aston...(+)
By Halyna Ovcharenko. For
Piano duet. Piano. Piano
Duets edited by Michael
Aston. Other Collection.
72 pages. Published by
Oxford University Press
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Classical Piano Method - Christmas Collection Piano seul Schott
For Piano/Keyboard. Piano Collection. Softcover. 64 pages. Schott Music #ED13651...(+)
For Piano/Keyboard. Piano
Collection. Softcover. 64
pages. Schott Music
#ED13651. Published by
Schott Music
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nutcracker Suite Selections - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3.5
SKU: CF.CAS110
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Bud Caputo. Concert
String Orchestra (CAS).
Set of Score and Parts.
With Standard notation.
24+24+6+15+15+15+7+24
pages. Duration 5:57.
Carl Fischer Music
#CAS110. Published by
Carl Fischer Music
(CF.CAS110). ISBN
9781491151297. UPC:
680160908790. 9 x 12
inches. Key: E
minor. Bud Caputo
presents Nutcracker Suite
Selections for string
orchestra featuring three
abridged movements
of?Tchaikovsky's
Nutcracker Suite:?Dance
of the Sugar Plum Fairy,
March, and Trepak. These
abridged movements are
sure to be crowd-pleasers
around the?winter
holidays or a favorite
for?any time of the
year. This arrangement
will challenge students,
while fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional
8va<
span class=s4> passages,
allowing intermediate
groups to perform this in
time for the winter
holiday concert. Suitable
for Grades 3 through
5. To the
Director:
Dance
of the Sugar Plum
Fairy: A steady tempo
is critical when
performing this movement,
as students may have a
tendency to rush during
the pizzicato sections.
There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original.
It
is important to maintain
clarity and
balance in performing
these passages as seen
in
mm. 16-19, in the Basses
and m. 34 in the
Cello and Bass.
The
balancing of the chords
will be a challenge
in
the execution of the many
sforzandos
em> in this
movement.
March: Measures 2 and
4, and similar melodic
patterns that follow,
require the performers to
carefully balance their
forte/pianos
on beats 3 and 4,
along with the rapid
diminuendo. The contrasting
rhythmic patterns in mm.
5-8, and later throughout
this movement must line
up precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush,
and the upper strings
playing the
eighth-note/eight-rest
figure must
follow their section
leaders in executing this
in a unified manner.
While there is
no formal tempo change
from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the
movement to
accommodate the
technical challenge of
the double time feel that
happens in m. 41.
Trepak:
Tchaikovsky was careful
to notate the
p,
f
and
sf,
requiring the performers
to recognize the
difference between all
three markings that frame
the chief melody. The
upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando
passage to the
end. Care must
be taken to use
an
accelerando
that works for
all
the players in the
particular
ensemble.. This
arrangement will
challenge students, while
fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional
8va<
span class=s4> passages,
allowing intermediate
groups to perform this in
time for the winter
holiday concert.A
Suitable for Grades 3
through 5. To the
Director:
Dance
of the Sugar Plum
Fairy: A steady tempo
is critical when
performing this movement,
as students may have a
tendency to rush during
the pizzicato sections.
There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original.
It
is important to maintain
clarity and
balance in performing
these passages as seen
in
mm.A 16-19, in the Basses
and m.A 34A in the
Cello and Bass.
The
balancing of the chords
will be a challenge
in
the execution of the many
sforzandos
em>A in this
movement.
March: A Measures 2 and
4, and similar melodic
patterns that follow,
require the performers to
carefully balance their
forte/pianos
on beats 3 and 4,
along with the rapid
diminuendo. The contrasting
rhythmic patterns in mm.
5-8, and later throughout
this movement must line
up precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush,
and the upper strings
playing the
eighth-note/eight-restA
figure must
follow their section
leaders in executing this
in a unified manner.
While there is
no formal tempo change
from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the
movement toA
accommodate the
technical challenge of
the double time feel that
happens in m. 41.
Trepak:
A
Tchaikovsky was careful
to notate the
p,
f
and
sf,
requiring the performers
to recognize the
difference between all
three markings that frame
the chief melody. The
upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando
passage to the
end. Care must
be taken to use
an
accelerando
that works for
all
the players in the
particular
ensemble.. This
arrangement will
challenge students, while
fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional
8va<
span class=s4> passages,
allowing intermediate
groups to perform this in
time for the winter
holiday concert.A
Suitable for Grades 3
through 5. To the
Director:
Dance
of the Sugar Plum
Fairy: A steady tempo
is critical when
performing this movement,
as students may have a
tendency to rush during
the pizzicato sections.
There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original.
It
is important to maintain
clarity and
balance in performing
these passages as seen
in
mm.A 16-19, in the Basses
and m.A 34A in the
Cello and Bass.
The
balancing of the chords
will be a challenge
in
the execution of the many
sforzandos
em>A in this
movement.
March: A Measures 2 and
4, and similar melodic
patterns that follow,
require the performers to
carefully balance their
forte/pianos
on beats 3 and 4,
along with the rapid
diminuendo. The contrasting
rhythmic patterns in mm.
5-8, and later throughout
this movement must line
up precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush,
and the upper strings
playing the
eighth-note/eight-restA
figure must
follow their section
leaders in executing this
in a unified manner.
While there is
no formal tempo change
from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the
movement toA
accommodate the
technical challenge of
the double time feel that
happens in m. 41.
Trepak:
A
Tchaikovsky was careful
to notate the
p,
f
and
sf,
requiring the performers
to recognize the
difference between all
three markings that frame
the chief melody. The
upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando
passage to the
end. Care must
be taken to use
an
accelerando
that works for
all
the players in the
particular
ensemble.. This
arrangement will
challenge students, while
fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional
8va<
span class=s4> passages,
allowing intermediate
groups to perform this in
time for the winter
holiday concert. Suitable
for Grades 3 through
5. To the
Director:
Dance
of the Sugar Plum
Fairy: A steady tempo
is critical when
performing this movement,
as students may have a
tendency to rush during
the pizzicato sections.
There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original.
It
is important to maintain
clarity and
balance in performing
these passages as seen
in
mm. 16-19, in the Basses
and m. 34 in the
Cello and Bass.
The
balancing of the chords
will be a challenge
in
the execution of the many
sforzandos
em> in this
movement.
March: Measures 2 and
4, and similar melodic
patterns that follow,
require the performers to
carefully balance their
forte/pianos
on beats 3 and 4,
along with the rapid
diminuendo. The contrasting
rhythmic patterns in mm.
5-8, and later throughout
this movement must line
up precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush,
and the upper strings
playing the
eighth-note/eight-rest
figure must
follow their section
leaders in executing this
in a unified manner.
While there is
no formal tempo change
from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the
movement to
accommodate the
technical challenge of
the double time feel that
happens in m. 41.
Trepak:
Tchaikovsky was careful
to notate the
p,
f
and
sf,
requiring the performers
to recognize the
difference between all
three markings that frame
the chief melody. The
upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando
passage to the
end. Care must
be taken to use
an
accelerando
that works for
all
the players in the
particular
ensemble.. This
arrangement will
challenge students, while
fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional 8va
passages, allowing
intermediate groups to
perform this in time for
the winter holiday
concert. Suitable for
Grades 3 through 5. To
the Director: Dance of
the Sugar Plum Fairy: A
steady tempo is critical
when performing this
movement, as students may
have a tendency to rush
during the pizzicato
sections. There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original. It is important
to maintain clarity and
balance in performing
these passages as seen in
mm. 16-19, in the Basses
and m. 34 in the Cello
and Bass. The balancing
of the chords will be a
challenge in the
execution of the many
sforzandos in this
movement. March: Measures
2 and 4, and similar
melodic patterns that
follow, require the
performers to carefully
balance their
forte/pianos on beats 3
and 4, along with the
rapid diminuendo. The
contrasting rhythmic
patterns in mm. 5-8, and
later throughout this
movement must line up
precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush, and
the upper strings playing
the
eighth-note/eight-rest
figure must follow their
section leaders in
executing this in a
unified manner. While
there is no formal tempo
change from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the movement
to accommodate the
technical challenge of
the double time feel that
happens in m. 41. Trepak:
Tchaikovsky was careful
to notate the p, f and
sf, requiring the
performers to recognize
the difference between
all three markings that
frame the chief melody.
The upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando passage to
the end. Care must be
taken to use an
accelerando that works
for all the players in
the particular
ensemble. This
arrangement will
challenge students, while
fostering rhythmic
independence, execution
of bowing and pizzicato,
and the ability to
balance the melody with
the accompaniment
throughout the
arrangement. However,
ranges remain primarily
in first position with
some optional 8va
passages, allowing
intermediate groups to
perform this in time for
the winter holiday
concert. Suitable for
Grades 3 through 5.To the
Director:Dance of the
Sugar Plum Fairy: A
steady tempo is critical
when performing this
movement, as students may
have a tendency to rush
during the pizzicato
sections. There is a
regularly occurring
descending sixteenth-note
rhythmic figure that is
transcribed form the bass
clarinet part in the
original. It is important
to maintain clarity and
balance in performing
these passages as seen in
mm. 16-19, in the
Basses and m. 34 in
the Cello and Bass. The
balancing of the chords
will be a challenge in
the execution of the many
sforzandos in this
movement. March:
 Measures 2 and 4, and
similar melodic patterns
that follow, require the
performers to carefully
balance their
forte/pianos on beats 3
and 4, along with the
rapid diminuendo. The
contrasting rhythmic
patterns in mm. 5-8, and
later throughout this
movement must line up
precisely. Strings
playing the pizzicato
eight note, walking bass
line, must not rush, and
the upper strings playing
the
eighth-note/eight-restÂÂ
figure must follow their
section leaders in
executing this in a
unified manner. While
there is no formal tempo
change from mm. 40 to 41,
directors may need to
relax the tempo at the
beginning of the movement
to accommodate the
technical challenge of
the double time feel that
happens in m. 41. Trepak:
 Tchaikovsky was
careful to notate the p,
f and sf, requiring the
performers to recognize
the difference between
all three markings that
frame the chief melody.
The upper strings must be
careful to support the
melody in the lower
strings that begins in m.
33. Directors will
challenge their students
to have fun in the last
twelve measures with the
accelerando passage to
the end. Care must be
taken to use an
accelerando that works
for all the players in
the particular
ensemble.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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