| Lou Harrison Guitar Book Guitare Guitare classique Columbia
| | |
| Sabbath Song - low voice [Livre + CD] Jackman Music Corporation
By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Ro...(+)
By Marcus Smith, H. R.
Palmer, Murray Boren,
David A. Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Tracy
Y. Cannon, Robert
Cundick, Charles H.
Gabriel, Harrison
Millard, Lorin F.
Wheelwright And Philip
Paul Bliss. Arranged by
Compiled By Clayne W.
Robison - Settings By
Marcus Smith, Robert Lee
Rowberry, Murray Boren,
David Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Robert
Cundick, Daniel Bradwhaw,
Murray Boren, Ronald
Staheli. Text: John
Jacques, Robert Morris,
Robert Keen, Virginia
Maughan, Marcus Smith,
John 15:1, 2, 4-6, Orson
Hyde, attributed to
Bernard of Clairvaux,
Robert Galbraith,
Revelation 7:13-17, Frank
I. Kooyman, Job
14:14;19:25,26, Charles
H. Gabriel, Anne Steele,
Laurie M. Hofford, Lorin
F. Wheelwright and Philip
Paul Bliss. For Vocal
Songbook. Published by
Jackman Music
Corporation. Level:
Varied.
(2)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sabbath Song - med. high voice [Livre + CD] Jackman Music Corporation
By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Ro...(+)
By Marcus Smith, H. R.
Palmer, Murray Boren,
David A. Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Tracy
Y. Cannon, Robert
Cundick, Charles H.
Gabriel, Harrison
Millard, Lorin F.
Wheelwright And Philip
Paul Bliss. Arranged by
Compiled By Clayne W.
Robison - Settings By
Marcus Smith, Robert Lee
Rowberry, Murray Boren,
David Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Robert
Cundick, Daniel Bradwhaw,
Murray Boren, Ronald
Staheli. Text: John
Jacques, Robert Morris,
Robert Keen, Virginia
Maughan, Marcus Smith,
John 15:1, 2, 4-6, Orson
Hyde, attributed to
Bernard of Clairvaux,
Robert Galbraith,
Revelation 7:13-17, Frank
I. Kooyman, Job
14:14;19:25,26, Charles
H. Gabriel, Anne Steele,
Laurie M. Hofford, Lorin
F. Wheelwright and Philip
Paul Bliss. For Vocal
Solo Book. Published by
Jackman Music
Corporation. Level:
Varied.
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Track: 13 Ensemble Works For Key Stage 4 [Conducteur et Parties séparées] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison...(+)
Chamber Ensemble SKU:
BT.MUSM570209088
On Track. By Sadie
Harrison. Set (Score &
Parts). 15 pages.
University of York Music
Press #MUSM570209088.
Published by University
of York Music Press
(BT.MUSM570209088).
English. 13
specially commissioned
pieces which aim to
breathe new life into a
largely neglected
component of the GCSE/Key
Stage 4 Music syllabus,
Ensemble Performance. On
Track comes complete with
a CD-Rom containing all
the parts for all the
pieces and transpositions
for any instrument, and
these parts come with a
licence for printing as
many copies as needed,
directly from the CD-Rom.
A separate 'audio' CD
also contains recordings
of every piece. The book
contains scores for each
piece and extended notes
by the composers to aid
in the preparation of the
music: there are 5 pieces
for fixed ensembles and 8
pieces for flexible
ensembles. The editor of
the compilation, Sadie
Harrison, comments:
Playing in an ensemble
with one's peers is
perhaps the most
rewarding and satisfying
thing to do as a young
performer, and it is
crucial to nurture this
element of GCSE courses
to reflect this. On Track
is a fantastic collection
of many different styles,
approaches and sounds.
There is something in
here for everybody, at
whatever level, and on
whatever instrument. This
is what GCSE Music
teachers are crying out
for, and finally here is
something that really
hits the mark. Harrison's
comments are echoed by
recent examiners' reports
from EdExcel, one of the
largest examiners of GCSE
music. They describe how
the music they heard in
examinations demonstrated
'an extreme range of
standards and revealed
evidence of the very wide
range of instruments in
use'. The AQA (Assessment
and Qualification
Alliance) Examiners'
report in 2004 warns
schools against allowing
their students to present
solo music with a piano
accompaniment played by a
teacher or with a CD
accompaniment for the
ensemble performance
component. It continues,
saying that it is of
utmost importance that
the chosen ensemble
allows the candidate to
show rapport with the
other player(s). This is
a significant requirement
with which many
[examination] centres did
NOT comply. Fixed
Ensembles Sadie Harrison
— On the run!for
clarinet in Bb, violin,
'cello, piano Ed Hughes
— Matthew's Mazurkafor
piano duet Jeremy Dale
Roberts — 'Takes
three...' for trumpet,
'cello, piano Matthew
Roddie — Gone Clubbin'
for violin, 'cello Thomas
Simaku — From Across
the Sea for 2 flutes,
clarinet in Bb Flexible
Ensembles David Blake —
Piece for Luis and Justin
for four instruments
Anthony Gilbert — U-GO
for Arirang for four
instruments Jo Kondo —
A Birthday Toast for any
number of instruments
David Lumsdaine — A
tree dances for Orpheus
for three instruments
Paul Mealor — Swing
Slow for two instruments
Robert Saxton — There
and Back for three
instruments John Stringer
— Duo for two
instruments Lu s Tinoco
— Diversion for four
instruments. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pianthology Piano seul University Of York Music Press
Piano SKU: BT.MUSM570360413 By Nicky Losseff. Classical. Book Only. Unive...(+)
Piano SKU:
BT.MUSM570360413 By
Nicky Losseff. Classical.
Book Only. University of
York Music Press
#MUSM570360413. Published
by University of York
Music Press
(BT.MUSM570360413).
English. Piantho
logy is a new collection
of seven contemporary
Piano works by living
composers which includes
a recording of each of
the works performed by
Nicky Losseff, the
volume's editor. Nicky
Losseff, who combines a
Senior Lectureship at the
University of York with
an active career as a
concert pianist, has
written extensive
performance and analysis
notes on all of the
works, giving helpful
suggestions about the
study and performance os
each piece in turn. The
anthology is aimed at
university and
conservatiore level Piano
students, but will serve
as an excellent
introduction to new music
for the Piano for any
dedicated player looking
to broaden their range.
The worksincluded in
Pianthology are: Anthony
Gilbert - Three Papillon
Postcards Sadie Harrison
- Impresa Amorosa Ed
Hughes - Third Orchid Jo
Kondo - A Dance For
Piano, 'Europeans' David
Lumsdaine - Six Postcard
Pieces Hilda Paredes -
Caligrama Thomas Simaku -
Des Pas Chromatiques
Pianthology was launched
at the York University
Spring New Music Festival
on May 8th 2008, when all
seven works were
performed, some by Nicky
Losseff and some by her
students from the
University of York.
Includes Nicky Losseff's
recordings of all works.
Three Papillon Postcards
Impresa Amorosa 1. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Not-So-Sonatine [Conducteur et Parties séparées] University Of York Music Press
Double Bass and Piano SKU: BT.MUSM570367078 Composed by Sadie Harrison. C...(+)
Double Bass and Piano
SKU:
BT.MUSM570367078
Composed by Sadie
Harrison. Classical. Set
(Score & Parts). 29
pages. University of York
Music Press
#MUSM570367078. Published
by University of York
Music Press
(BT.MUSM570367078).
English. Sadie
Harrison 's A
Not-So-Sonatine for
Double Bass and Piano.
Composed in 2013 and
revised and published in
2016. Duration: 10
minutes. A
Not-So-Sonatine is
so called as it is rather
more than a sonatine,
being
uncharacteristically
virtuosic for both Double
Bass and Piano. This is a
light-hearted piece which
references the plethora
of accessible
mid-twentieth century
sonatines with delight!
The second movement is
also known as
Josie’s Piece ,
premiered by Josie
Jobbins in 2014 at the
Taunton Young Musician of
the Year Final. A
Not-So-Sonatine is
dedicated to the virtuoso
bassist, David Heyes. The
work is in four
movements: Molto moto!
Moltocantabile Molto
scherzando Molto
brillante! A
Not-So-Sonatine was
premiered at the
Auditorio de
Almuñecar
(Granada, Spain) on 30th
November 2015 by bassist
Frano Kakarigi and
pianist Juan José
Muñoz
Cañivano. Watch a
video of this
performance:  . $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Songs for the Twenty-First Century University Of York Music Press
Voice and Accompaniment SKU: BT.MUSM570361922 By Michael Hooper. Book Onl...(+)
Voice and Accompaniment
SKU:
BT.MUSM570361922 By
Michael Hooper. Book
Only. 4 pages. University
of York Music Press
#MUSM570361922. Published
by University of York
Music Press
(BT.MUSM570361922).
English. The
song repertoire has its
origins in the late
nineteenth century when
every household had a
piano and for much of the
twentieth century,
singers and their pianist
collaborators were able
to create recital
programmes from a deep
reservoir of European and
North American song. The
recital genre became more
sophisticated as the
century progressed and
metamorphosed from a
miscellaneous collection
of lollipops to something
altogether more
sophisticated, often
featuring elaborate
themes which would enable
the music to be presented
in a variety of new
contexts. In the twenty
first century
opportunities for
recitalists are fewer and
programmes still tend to
focus on the much-loved
butwell-explored
repertoire. We hope this
collection will
contribute to a
broadening of
possibilities for
recitalists or anyone who
just wants something new
to sing. There are
several songs for voice
and piano but some
require other
instruments. There is a
wide range of styles. We
have resisted the
temptation to grade them
by difficulty, as our
criteria were more
broadly performative and
musical rather than
didactic. All selected
composers have a
particular sympathy for
the singing voice, so
there is nothing that
cannot be sung by a
competent performer. The
songs generally have a
designated voice type,
but this shouldn't be
thought of as
prescriptive; they are
designed to be flexible
and to offer the maximum
opportunity for creative
interpretation. They
range from the curious
and quirky to the
virtuosic and
challenging, the intense
and mysterious to the sad
and the light-hearted. We
hope that many performers
will find their tastes
represented here.
Compiled by David Blake
and John Potter. Edited
by Michael Hooper. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lessons with the Hudson Greats - Volume 1 Batterie Hudson Music
(Featuring Instruction from Jason Bittner, John Blackwell, Keith Carlock, David ...(+)
(Featuring Instruction
from Jason Bittner, John
Blackwell, Keith Carlock,
David Garibaldi and
more). By David
Garibaldi, Jason Bittner,
John Blackwell, and Keith
Carlock. For Drum.
Percussion. Softcover
with DVD. 104 pages.
Hudson Music #HDBK36.
Published
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Confessions of a Vintage Guitar Dealer Hal Leonard
| | |
| A Final Fling [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band and Euphonium Solo - Grade 4 SKU: BT.AMP-233-030 Euphonium ...(+)
Brass Band and Euphonium
Solo - Grade 4 SKU:
BT.AMP-233-030
Euphonium Solo.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2007.
Anglo Music Press #AMP
233-030. Published by
Anglo Music Press
(BT.AMP-233-030). 9x12
inches.
English-German-Dutch.
A Final Fling was
written at the request of
David Childs for a CD
recording with a Celtic
theme, which he released
in 2007. The phrase
‘a final
fling’ means a
last quick effort at
doing something, perhaps
when this item is used as
an encore, and also, a
fling is a type of
Scottish Highland dance,
which tied in with the
Celtic theme. A light-
hearted piece, A Final
Fling starts in the mood
of a folk dance and
quotes from The Irish
Washerwoman before flying
to a close. A perfect way
to put your euphonium
player in the
spotlight.
A
Final Fling wurde
für David Childs
geschrieben, für eine
CD mit einem keltischen
Thema, die 2007
herauskam. A Final Fling
bedeutet soviel wie eine
letzte, schnelle
Anstrengung und bot sich
damit als idealer Titel
für eine Zugabe an;
ein Fling ist außerdem
ein schottischer Tanz,
was sich wiederum gut in
das keltische Thema
einfügt, wenn das
Stück auch einen eher
irischen Charakter hat.
Das fröhliche Stück
bietet eine gute
Gelegenheit, das
Euphonium ins Rampenlicht
zu rücken. $75.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Final Fling [Conducteur] - Intermédiaire Anglo Music
Brass Band and Euphonium Solo - Grade 4 SKU: BT.AMP-233-130 Euphonium ...(+)
Brass Band and Euphonium
Solo - Grade 4 SKU:
BT.AMP-233-130
Euphonium Solo.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Score Only.
Composed 2007. 20 pages.
Anglo Music Press #AMP
233-130. Published by
Anglo Music Press
(BT.AMP-233-130). 9x12
inches.
English-German-Dutch.
A Final Fling was
written at the request of
David Childs for a CD
recording with a Celtic
theme, which he released
in 2007. The phrase
‘a final
fling’ means a
last quick effort at
doing something, perhaps
when this item is used as
an encore, and also, a
fling is a type of
Scottish Highland dance,
which tied in with the
Celtic theme. A light-
hearted piece, A Final
Fling starts in the mood
of a folk dance and
quotes from The Irish
Washerwoman before flying
to a close. A perfect way
to put your euphonium
player in the
spotlight.
A
Final Fling wurde
für David Childs
geschrieben, für eine
CD mit einem keltischen
Thema, die 2007
herauskam. A Final Fling
bedeutet soviel wie eine
letzte, schnelle
Anstrengung und bot sich
damit als idealer Titel
für eine Zugabe an;
ein Fling ist außerdem
ein schottischer Tanz,
was sich wiederum gut in
das keltische Thema
einfügt, wenn das
Stück auch einen eher
irischen Charakter hat.
Das fröhliche Stück
bietet eine gute
Gelegenheit, das
Euphonium ins Rampenlicht
zu rücken. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guitarist's Treasury of Classic Themes Guitare notes et tablatures Guitare classique [Partition] - Débutant Mel Bay
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By D...(+)
A Collection of Popular
Classical Themes Arranged
for Guitar. By David Coe.
By David Coe. For Guitar
(All). Tune Book. Archive
Edition. Classic. Level:
Beginning. Book. 168
pages. Published by Mel
Bay Publications, Inc.
(1)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bmmg Vol. 35telemann/frankfurt Schott
(TEXT) SKU: HL.49008251 Bericht uber das Symposium Frankfurt am Main a...(+)
(TEXT) SKU:
HL.49008251
Bericht uber das
Symposium Frankfurt am
Main am 26./27. April
1996. Composed by
CAHN. Edited by Peter
Cahn. This edition:
Hardback/Hard Cover.
Book. Edition Schott. Ein
reprasentativer Uberblick
uber den aktuellen Stand
der Telemann-Forschung
mit
Erstveroffentlichungen
neuer Quellen. Classical.
284 pages. Schott Music
#ED 8992. Published by
Schott Music
(HL.49008251). ISBN
9783795713379.
7.0x9.75x0.743 inches.
German. Georg
Philipp Telemanns Wirken
als stadtischer
Musikdirektor in
Frankfurt/Main
(1712-1721) hat im
Musikleben der Stadt
bleibende Spuren
hinterlassen. Im Zentrum
dieser Veroffentlichung
steht sein umfangreiches
Kantatenwerk, dessen
Gliederung nach
Jahrgangen anhand neuer
Quellenfunde nunmehr
ermoglicht wird. In
Beitragen namhafter
Telemann-Forscher werden
ausserdem sein
Konzertschaffen, die
Brockes-Passion (1716),
Festmusiken und Opern,
die Kammermusik und die
Asthetik Telemanns
behandelt. Als bisher
unbekanntes Dokument
enthalt der Band
Telemanns
Bewerbungsschreiben
(1712), ferner den
Abdruck zweier Arien aus
den verlorenen
'Davidischen Oratorien'
(1718), die aus einer
Parodie des Frankfurter
Patriziers Johann
Friedrich Armand von
Uffenbach rekonstruiert
werden konnten. $51.00 - Voir plus => Acheter | | |
| Guild Repertoire - Elementary C and D
Piano seul [Partition] - Facile
(Piano Music Appropriate for the Auditions of the National Guild of Piano Teache...(+)
(Piano Music Appropriate
for the Auditions of the
National Guild of Piano
Teachers) Edited by
Ardella Schaub, June
Davidson, Leo Podolsky.
Collection for easy solo
piano. 48 pages.
Published by
Summy-Birchard Inc.
(1)$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Technic Is Fun Book 4 Piano seul [Partition] - Intermédiaire Alfred Publishing
By David Hirschberg. For Piano. Piano - Hirschberg Method. Hirschberg Fun Series...(+)
By David Hirschberg. For
Piano. Piano - Hirschberg
Method. Hirschberg Fun
Series. Level: Late
Intermediate. Book. 64
pages. Published by
Alfred Publishing.
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| After Colonna Violoncelle, Piano [Conducteur et Parties séparées] University Of York Music Press
Cello and Piano SKU: BT.MUSM570201778 Composed by Sadie Harrison. Classic...(+)
Cello and Piano SKU:
BT.MUSM570201778
Composed by Sadie
Harrison. Classical. Set
(Score & Parts). 28
pages. University of York
Music Press
#MUSM570201778. Published
by University of York
Music Press
(BT.MUSM570201778).
English. After
Colonna was expertly
composed, in 2001, by
Sadie Harrison . First
performed at Hampstead
Town hall in March 2001
by Miriam Lowbury and
David Carhart . After
Colonna later featured on
Harrison ’s 2002 album,
No Title Required .
Australian born freelance
composer and performe,
Sadie Harrison ’s
unique fusion of elements
from indigenous
Lithuanian music and
poetry with her own
modernist, often abrasive
style, have led her to be
compared with Bartok, but
with her own warmth and
grandeur. Since 2012
Harrison has been working
along side a long list of
well accomplished
musicians; Paul Carey,
Peter Sheppard Skaerved,
Sergej Okrushko, Alex
South, Duncan Honeybourne
are among many whohave
had the privilege to work
with Harrison so far.
Performances of Harrison
's works have been given
across the world by
Lontano, London Chamber
Symphony, Music Projects/
London, Ixion, Okeanos,
Bournemouth Sinfonietta,
Kokoro and the St.
Christopherus Chamber
Orchestra, and many
others. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Connecting Practice, Measurement, and Evaluation GIA Publications
SKU: GI.G-9140 Selected papers from the Fifth International Symposium ...(+)
SKU: GI.G-9140
Selected papers from
the Fifth International
Symposium on Assessment
in Music Education.
Edited by Timothy S.
Brophy. Assessment. Music
Education. 608 pages. GIA
Publications #9140.
Published by GIA
Publications (GI.G-9140).
ISBN 9781622771783.
English. With
Contributions byFrank
Abrahams Â
 Michael L.
Alexander Â
 Kimberly Lansinger
AnkneyEdward
Asmus   Rafael
Guerini Atolini Â
 William BauerElaine
Bernstorf Â
 Leonardo
Borne   Pamela
BurnardFrederick
Burrack   Paul
Chapin Â
 Jian-Jun
Chen-EdmundWilliam
Cirullo Â
 Richard
Colwell Â
 Rachel E.
CopelandBaisheng
Dai   Paul F.
Doerksen Â
 Cláudia Elisiane
Ferreira dos SantosDavid
Edmund Â
 Jian-Jun
Chen-Edmund Â
 Jan EdwardsGeorge
Engelhard, Jr. Â
 José Carlos
Godinho   Sandy
GoldieChristina
Haaf   Dee
Hansen   Jason
HawkinsMichele L.
Henry   René
Human   Ryan
JohnSangmi Kang Â
 Don Lebler Â
 Kathleen A.
MelagoJennifer S.
McDonel   M.
David Miller Â
 Tobias S. MonteGlenn
Nierman Â
 Helena de Souza
Nunes   Denese
OdegaardDouglas C.
Orzolek   Kelly
A. Parkes Â
 Phillip PayneJohn
Peasant, Jr. Â
 Jared R.
Rawlings   Gary
K. RitcherMaria Gleice
Rodrigues Â
 Maria Runfola Â
 Shelley
SandersonEdilson
Schultz Â
 Ronald G.
Sherwin   Scott
C. ShulerTimothy W.
Smith   Nathan
St. Pierre Â
 Stephanie
StanderferCynthia L.
Wagoner Â
 Dennis Ping-Cheng
Wang   Jeffrey
WardBrian C.
Wesolowski Â
 Stefanie A.
Wind Â
 Chia-Chieh WuBrian C.
Wuttke   Hyesoo
YooThe 5th International
Symposium on Assessment
in Music Education was
hosted by the University
of Florida, James Madison
University, and The
Shenandoah Conservatory
of Shenandoah University.
The symposium brought
together 288 participants
from 17 nations and six
continents to learn of
each other’s work,
establish collaborations
and professional
networks, and shape new
directions for research
in this important area of
music education in
Williamsburg, Virginia,
from February 18-21,
2015. The four keynote
addresses and 37 papers
published in this volume
document music assessment
practice and the
measurement and
evaluation of music
learning across the world
in local, state, and
national contexts at all
levels. The attendees
also attended special
work sessions to discuss
the key questions of the
symposium, and their
discussions are
summarized in this
collection. As music
educators across the
world come to terms with
increased expectations
for accountability of
learning in music, the
scholars and
practitioners who have
contributed to this
volume provide insight to
guide their work.About
the EditorsTimothy S.
Brophy is Professor of
Music Education and
Director of Institutional
Assessment at the
University of Florida in
Gainesville. Florida.
Jeffrey Marlatt is
Associate Professor of
Music Education and
Assistant Dean for
Student Learning,
Director of Music
Education, and holds the
Charlotte A. & Verne E.
Collins Endowed
Professorship at the
Shenandoah Conservatory
of Shenandoah University,
Winchester, Virginia.
Gary Ritcher is Professor
and Coordinator of Music
Education at James
Madison University,
Harrisonburg,
Virginia. $47.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Who Is Bob Dylan? Livre - Pas de partitions Biographie [Livre] Alfred Publishing
SKU: AP.74-0448464619 Composed by Nancy Harrison, [Bob Dylan] By Jim O'Co...(+)
SKU:
AP.74-0448464619
Composed by Nancy
Harrison, [Bob Dylan] By
Jim O'Connor, and
illustrated by John
O'Brien. Reference
Textbooks; Textbook -
General. Blues; Folk;
Rock. Book. Alfred Music
#74-0448464619. Published
by Alfred Music
(AP.74-0448464619).
ISBN 9780448464619.
English. [Bob Dylan] By
Jim O'Connor; illustrated
by John O'Brien; Nancy
Harrison. A
singer-songwriter,
musician, and artist, Bob
Dylan is an American
icon. In the past five
decades, Dylan's work has
influenced everyone from
John Lennon, Bruce
Springsteen, and David
Bowie to rapper Eminem.
Young music lovers will
be fascinated by this
great artist's life! $5.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Half Man Half Goat - Intermédiaire Forton Music
Clarinet and piano - Intermediate SKU: FT.FM424 Composed by David Osbon. ...(+)
Clarinet and piano -
Intermediate SKU:
FT.FM424 Composed by
David Osbon. Clarinet and
Piano. Score and part.
Forton Music #FM424.
Published by Forton Music
(FT.FM424). ISBN
9790570483235. In
the early 1990s I
composed a work for
clarinet and piano
entitled 'The Revenge of
Marsyas' which was a very
political work inspired
by the ancient Greek
legend of Apollo, Marsyas
and the theft of the
'gift' of music. All of
which I discovered whilst
working as Music Director
on 'The Trackers of
Oxyrinchus' at the
National Theatre Studio.
What I loved about this
play, by Tony Harrison,
was the brilliant use of
comedy for dramatic
effect. And that is what
I've tried to bring to
these two works. In
Cabaret Song we have the
rather comic antics of
Marsyas and his fellow
Satyrs then, in Marsyas
Dances, the main
protagonist - represented
by the clarinet -
performs a dance that
celebrates the liberation
of music from the Gods,
so that it can be shared
amongst the rest of
society. It didn't end
well for Marsyas, but at
least the rest of us get
to keep the music! $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mimih University Of York Music Press
Chamber Ensemble (Parts) SKU: HL.50602103 Set of Parts. Composed b...(+)
Chamber Ensemble (Parts)
SKU: HL.50602103
Set of Parts.
Composed by Sadie
Harrison. Music Sales
America. Classical.
Softcover. University of
York Music Press
#M570367658. Published by
University of York Music
Press (HL.50602103).
ISBN 9781540063717.
UPC:
888680964085. Mimih
was commissioned as part
of a Residency with
Kunstler Bei Wu, its
first performance taking
place on 24th June 2017
in theChamber Music Hall
of the Kunstler Bei Wu
Sculpture Park,
Wesenberg. The concert
marked the inauguration
of Bei Wu's Indigenous
ustralian Art Gallery, in
collaboration with the
Australia Now Festival
and Australian Embassy.
The Residency was
supported by an Arts
Council England/British
Council International
Development Grant. The
work is dedicated with
gratitude to David Ng and
Peter Wilmot Thompson.
Also available as a full
score HL#286982. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mimih - Full Score [Conducteur] University Of York Music Press
Flute, Violin, Cello, Piano and Clapsticks SKU: BT.MUSM570367665 Composed...(+)
Flute, Violin, Cello,
Piano and Clapsticks
SKU:
BT.MUSM570367665
Composed by Sadie
Harrison. Classical.
Score Only. University of
York Music Press
#MUSM570367665. Published
by University of York
Music Press
(BT.MUSM570367665).
English. Mimih
was commissioned as part
of a Residency with
Künstler Bei Wu, its
first performance taking
place on 24th June 2017
in the Chamber Music Hall
of the Künstler Bei
Wu Sculpture Park,
Wesenberg. The concert
marked the inauguration
of Bei Wu’s
Indigenous Australian Art
Gallery, in collaboration
with the Australia Now
Festival and Australian
Embassy. The Residency
was supported by an Arts
Council England/British
Council International
Development Grant. The
work is dedicated with
gratitude to David Ng and
Peter Wilmot Thompson.
Also available in Parts
M570367658. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Trombone Position Chart Trombone Chester
Trombone SKU: HL.14041704 Composed by David Harrison. Music Sales America...(+)
Trombone SKU:
HL.14041704 Composed
by David Harrison. Music
Sales America.
Instruction, Technique.
Softcover. Composed 2011.
6 pages. Chester Music
#CH79464. Published by
Chester Music
(HL.14041704). ISBN
9781780385044. UPC:
884088640309.
8.25x11.75x0.04
inches. This chart
includes advice on
instrument care, notation
guide and a photo/diagram
of the instrument. $4.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Advanced Independence and Polyrhythms Batterie [DVD] Hudson Music
(Ultimate Drum Lessons Series). By Various. For Drum. DVD. DVD. Hudson Music #HD...(+)
(Ultimate Drum Lessons
Series). By Various. For
Drum. DVD. DVD. Hudson
Music #HDDVDAI21.
Published by Hudson Music
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Christmas Tree Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-020 Arranged by David Well. Set...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-020
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000854-020. Published by
Gobelin Music
Publications
(BT.GOB-000854-020).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Christmas Tree Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-120 Arranged by David Well. Sco...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-120
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000854-120. Published by
Gobelin Music
Publications
(BT.GOB-000854-120).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af. $22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
Page suivante 1 31 |