Jules Cesar Sarah Connolly, Patricia Bardon Alexander Ashworth, Danielle de Niese... Orchestra of the Age of Enlightenment William Christie Mise en scène : David McVicar

Voix et tous instruments (flute, violon, violoncelle, clavier?) Table des matières : MacCrimmon?s Lament, Cha Til MacCriman - Jane Fraser Morison Johnnie Cope - James Gillespie Laughlan?s Lilt - James Oswald Lochaber - William Thomson Etrik Banks - William Thomson Loch - Erroch Side - Thomas Oliver & George Boyd The Flower of Edinburgh - James Oswald Lady Mary Hay?s Scotch Measure - Nathaniel Gow The Fyket - Niel Gow Miss Bisset Logierait?s Reel - Malcolm McDonald Was ye at the Bridal - James Oswald The Cadgers of the Cannongate - Niel Gow Kennet ?s Dream - James Oswald The Princess Royal - Niel Gow Logan Water (For ever Fortune) - William Thomson Mrs Judge - Turlough O?Carolan John Anderson my jo (instrumental) - James Oswald John Anderson my jo (chant) - Thomas Oliver & George Boyd For our lang biding here - William Thomson Joy gae wi ?my love - Niel Gow The Flaughter Spade - David Young Patrick McDonald ?s Jig - Patrick McDonald Benney Side - James Oswald Pearlin Peggie ?s Bonny, or, The laird of Foveran - William Christie The Gum - ga ?d Aber - Gairdyn Manuscript Adew Dundee - Skene Manuscript Bonny Dundee - Variation François Lazarevitch Moc Donogh ?s Lamentation - Daniel Wright Saw na ye my Peggie (chant) - William Thomson Saw na ye my Peggie (instrumental) - William McGibbon Muirland Willie - William Thomson The Wawking of the Faulds - William Thomson I wish I wou?d marry me - Robert Bremner An caora crom - David Young Ratha Fair - Niel Gow Haud the lass till I come at her - Thomas Wilson Clean Peas Strae - Niel Gow Auteurs : Robert Bremner, William Christie, Jane Fraser Morison, James Gillespie, Nathaniel Gow, Niel Gow, Malcolm McDonald, Patrick McDonald, William McGibbon, Turlough O?Carolan, Thomas Oliver & George Boyd, James Oswald, William Thomson, Thomas Wilson, Daniel Wright, David Young Gairdyn Manuscript, Skene Manuscript Arrangements et variations : François Lazarevitch

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

for Trumpet and Guitar. Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Trompette et Guitare

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violon et Guitare

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate, capo chords are shown.The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violoncelle et Guitare

Dritter Teil: Nr. 1-120, vierter Teil: Nr. 121-294. / Recueil / Voix, Instruments

Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schütz a household name shortly after the 'Kleine geistliche Konzerte' were published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home. Unlike the 1963 edition of the 'Kleine geistliche Konzerte' (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music./ Répertoire / Chant et Basse Continue