SKU: HL.144042

ISBN 9781495030062. UPC: 888680060688. 5x5 inches. Pamela Stewart/John Purifoy.

This moving cantata is a worship service of contemplation and reflection. Based on the classic Evensong service, the work is appropriate for choirs looking for a something that is both traditional and yet very innovative. A profound blending of message and music, the writers have provided a moving invitation to quietly consider the advent moment from an ancient yet relevant perspective, while the narration for multiple readers and congregation poignantly weaves everything together. Though brief, this powerful work will be an inspiring moment as your church prepares for the Christmas event. Truly inspired!

Songs include: 'Tis the Winter of Our Longing; O Come, Thou Wisdom; O Come, Thou Branch of Jesse's Tree; O Come, Thou Key of David; O Savior, Open Heaven Wide; Come, Thou Long-Expected Jesus; Wake, Awake, for Night Is Flying; O Come, O Come, Emmanuel. Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

SKU: HL.144043

ISBN 9781495030093. UPC: 888680060695. 5x5 inches. Pamela Stewart/John Purifoy.

This moving cantata is a worship service of contemplation and reflection. Based on the classic Evensong service, the work is appropriate for choirs looking for a something that is both traditional and yet very innovative. A profound blending of message and music, the writers have provided a moving invitation to quietly consider the advent moment from an ancient yet relevant perspective, while the narration for multiple readers and congregation poignantly weaves everything together. Though brief, this powerful work will be an inspiring moment as your church prepares for the Christmas event. Truly inspired!

Songs include: 'Tis the Winter of Our Longing; O Come, Thou Wisdom; O Come, Thou Branch of Jesse's Tree; O Come, Thou Key of David; O Savior, Open Heaven Wide; Come, Thou Long-Expected Jesus; Wake, Awake, for Night Is Flying; O Come, O Come, Emmanuel. Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

SKU: UT.QC-1

ISBN 9788881094509. 6.5 x 9.5 inches.

Saggi di Eva Badura-Skoda, Otto Biba, Federico Celestini, Andrea Coen, Dorothy de Val, Anselm Gerhard, Alberto Iesuè, Roberto Illiano, Leon Plantinga, David Rowland, Luca Sala, Massimiliano Sala, Rohan H. Stewart-MacDonald


L’Istituto Storico Austriaco a Roma, in collaborazione con la Sezione di Storia della Musica dell’Istituto Storico Germanico a Roma, il Comitato Scientifico degli Opera omnia di Muzio Clementi e il Da Ponte-Institut für Librettologie, Don Juan-Forschung und Sammlungsgeschichte di Vienna, ha organizzato dal 4 al 6 dicembre 2002 un symposium internazionale di studi dal titolo Muzio Clementi. Cosmopolita della musica, che ha inteso riunire nella città natale dell’autore i maggiori esperti di Clementi in occasione del 250° anniversario della nascita del compositore.
I numerosi interventi del symposium si sono articolati in complessive 4 sezioni (Muzio Clementi nel 250^o anniversario della nascita; Clementi: un romano a Londra; L’altro Clementi; Clementi e la «Wiener Klassik»), svoltesi presso la sede dell’Istituto Storico Austriaco (5 e 6 dicembre).
La manifestazione ha messo in luce soprattutto la dimensione europea degli interscambi culturali dovuti al fenomeno delle migrazioni dei musicisti, dei rapporti internazionali inerenti all’editoria, all’impresariato e al commercio degli strumenti a tastiera.

SKU: UT.QC-4

ISBN 9788881094783. 6.5 x 9.5 inches.

Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner Lott


The career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys.
The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition.
This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.

SKU: HL.35032507

UPC: 888680893095. 6.75x10.5 inches. Pamela Stewart/David Foley.

An exquisitely beautiful poem entwines with a stunning melody in this octavo of praise to the Creator. The lyric paints the glory of nature with vivid hues and the music has a soundtrack of expressiveness that is especially endearing. Picturesque piano writing supports the concept and the text moves steadily toward our response of praise to God. Concluding with quiet shimmering alleluias, this is a singular anthem!

SKU: UT.APS-5

ISBN 9788881094684. 6.5 x 9.5 inches.

Saggi di Luca Aversano, Claudio Bacciagaluppi, Carmela Bongiovanni, Andrea Cardone, Jen-yen Chen, Simone Ciolfi, Andrea Coen, Therese Ellsworth, Joël-Marie Fauquet, Florence Gétreau, Consuelo Giglio, Outi Jokiharju, Roe-Min Kok, Paul R. Laird, Marie Sumner Lott, Simon McVeigh, Elio Matassi, Russ Manitt, Jenny Nex, Leon Plantinga, Alban Ramaut, Rudolf Rasch, David Rowland, Laure Schnapper, Rohan H. Stewart-MacDonald, Renata Suchowiejko, Maria Alice Volpe


In this volume we wanted to investigate the intersection between the Industrial Revolution and the aesthetic-musical field. In particular, we aimed to explore the European dimension of the cultural exchanges caused by the phenomenon of musical migration, together with the international relationships generated by the music printing industry, entrepreneurship and the market for musical instruments. The later eighteenth and earlier nineteenth centuries were a time of fundamental change in European life, proceeding from the revolutionary implications of the ideologies of Enlightenment, and reverberating in market economies, methods of manufacturing and agriculture, modes of travel, and population distribution. The development of new technologies resulted in the enlargement and improvement of the music printing industry, and in the widespread diffusion of music in private and public spheres. The Industrial Revolution brought about the ‘modernization†™ of productive processes and, as a consequence, engendered a kind of ‘globalization†™ of the musical market.

SKU: GI.G-10730