| Dies Irae: Fantasia, score and parts Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by Deborah Baker Monday. For string orchestra (violin I, violin II,...(+)
Composed by Deborah Baker
Monday. For string
orchestra
(violin I, violin II,
violin
III (viola T.C.), viola,
cello, bass, piano).
Score and
parts. Duration 3
minutes, 36
seconds. Published by
Carl
Fischer
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Judgement Day: Dies Irae Orchestre d'harmonie - Facile Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3 SKU:
HL.4008730 Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730). ISBN
9798350119473. UPC:
196288195238. The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $133.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Judgement Day: Dies Irae Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4008731 Concert Band, Grde...(+)
Concert Band (Score)
- Grade 3 SKU:
HL.4008731 Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731). UPC:
196288195245. The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $23.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116809 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809). ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116819 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819). ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116803 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803). ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB
choir, 2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3116805 Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805). ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo. The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal
soli, SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3116807
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807). ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo. The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dies Irae Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed b...(+)
Choral SSA Choir and
Piano SKU:
CF.CM9716 Day of
Wrath. Composed by
David (D) Smith. 12
pages. Duration 0:01:57.
Carl Fischer Music
#CM9716. Published by
Carl Fischer Music
(CF.CM9716). ISBN
9781491160954. UPC:
680160919550. Key: D
minor. Latin. Early Latin
Text. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a
manic depiction of the
fierce wrath of judgment
day. They should be sung
with fire, crisp
consonants while always
enunciating the accents
in order to realize the
full effect of this
powerful text. The entire
demeanor of the tone and
facial expressions should
change for the B-section,
mm. 30-42 as it is a plea
for mercy. The audience
should realize the change
in this contrasting
section. Translation Dies
irae, dies illa: Day of
wrath, that day Solvet
saeclum in favilla: shall
dissolve the world into
embers Teste David cum
Sibylla: As David
prophesied with the
Sibyl. Voca me cum
benedictis :Call me to be
with the blessed. Salva
me fons pietatis : Save
me, fount of pity. The
Sibyl is a reference from
a Greek word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical scholars.
About the Arranger D.
Farrell Smith is the
Director of Choirs at
Hilldale Middle School,
and Hilldale High School
in Muskogee, Oklahoma. He
holds a B.A. in Music
Education and the M.A. in
Theological Studies.
Currently the Minister of
Music at Eastern Heights
Baptist Church, he has
been a Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a manic
depiction of the fierce
wrath of judgment day.
They should be sung with
fire, crisp consonants
while always enunciating
the accents in order to
realize the full effect
of this powerful text.
The entire demeanor of
the tone and facial
expressions should change
for the B-section, mm.
30-42 as it is a plea for
mercy. The audience
should realize the change
in this contrasting
section.TranslationDies
irae, dies illa: Day of
wrath, that daySolvet
saeclum in favilla: shall
dissolve the world into
embersTeste David cum
Sibylla: As David
prophesied with the
Sibyl.Voca me cum
benedictis :Call me to be
with the blessed.Salva me
fons pietatis : Save me,
fount of pity.The
“Sibyl†is a
reference from a Greek
word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical
scholars.About the
ArrangerD. Farrell Smith
is the Director of Choirs
at Hilldale Middle
School, and Hilldale
High School in Muskogee,
Oklahoma. Â He holds a
B.A. in Music Education
and the M.A. in
Theological Studies.
Currently theÂ
Minister of Music at
Eastern Heights Baptist
Church, he has been a
Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas,
Trinity. Single Part,
Violin 2. Composed 1725.
BWV 168. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/12. Published by
Carus Verlag
(CA.3116812).
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day [Conducteur] Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas;
Trinity. Full score.
Composed 1725. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/00. Published by
Carus Verlag
(CA.3116800).
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas,
Trinity. Single Part,
basso continuo. Composed
1725. BWV 168. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/14. Published by
Carus Verlag
(CA.3116814).
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas,
Trinity. Single Part,
Violin 3. Composed 1725.
BWV 168. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/13. Published by
Carus Verlag
(CA.3116813).
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas,
Trinity. Single Part,
Violin 1. Composed 1725.
BWV 168. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/11. Published by
Carus Verlag
(CA.3116811).
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas,
Trinity. Single Part,
Organ. Composed 1725. BWV
168. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.168/49. Published
by Carus Verlag
(CA.3116849).
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Hymn to ST. Columba Chorale SATB SATB, Orgue Boosey and Hawkes
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. S...(+)
SATB and Organ. By
Benjamin Britten.
(SATB). Boosey and Hawkes
Sacred Choral. Size
7.25x10.25 inches. 12
pages. Published by
Boosey and Hawkes.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ayl Melech Yoshayv SATB/Tenorsolo Unac Chorale SATB SATB Schirmer
Behold the Day of Judgment. By Samuel Adler. (SATB). Choral. Published by G. Sc...(+)
Behold the Day of
Judgment. By Samuel
Adler. (SATB). Choral.
Published by G. Schirmer.
$0.70 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peter Maxwell Davies: Sinfonietta Accademica Orchestre Chester
Orchestra (Orchestra) SKU: HL.14008415 Composed by Sir Peter Maxwell Davi...(+)
Orchestra (Orchestra)
SKU: HL.14008415
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Post-1900.
Sheet Music, Miniature
Score. With Text
language: English. 110
pages. Chester Music
#CH55687. Published by
Chester Music
(HL.14008415). UPC:
884088808242.
8.5x11.0x0.261
inches. This work,
written by Maxwell Davies
in 1983 for chamber
orchestra, was
commissioned to celebrate
the quartercentenary of
Edinburgh University. The
first performance was
given by the Scottish
Chamber Orchestra
conducted by Edward
Harper in October 1983.
Duration c. 29mins. This
work was thought through
in outline following a
visit to the ruined
pre-Reformation church of
Hoy in Orkney, on a fine
Spring afternoon after
Maxwell Davies had played
the harmonium for the
tiny congregation in its
large bleak Victorian
replacement. The old
church was surrounded by
the graves of centuries,
the more recent ones with
familiar names, largely
of people who lived in
houses now ruinous -
crofters, fishermen,
clerics, sea-captains.
Next to it stood the
chief farmhouse, the Bu,
going back to Viking
times. He thought of the
lives and deaths
encompassed there,
expressed through
hundreds of years of
music in the church, and
in the big barn of the
farm. The plainsongs
'Dies Irae' and 'Victimae
Paschali Laudes' are used
throughout the work - the
first concerning the Day
of Judgement, from the
Mass for the Dead, the
second particular to
Easter Sunday and the
Resurrection. These are
subject to constant
transformation - the
intervallic contour
slowly changes from one
into the other, and their
notes are made to dance
through Renaissance
astrological 'magic
square' patterns. The
orchestra consists of
double woodwind, two
horns, two trumpets and
strings. $21.95 - Voir plus => Acheter | | |
| The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombones, timpani, 2
violin, viola, cello,
contrabass SKU:
CA.2300319
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Composed
1865-68. Op. 61. Duration
80 minutes. Carus Verlag
#CV 23.003/19. Published
by Carus Verlag
(CA.2300319). ISBN
9790007133849. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300. $574.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombones, timpani, 2
violin, viola, cello,
contrabass SKU:
CA.2300309
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Op. 61.
244 pages. Duration 80
minutes. Carus Verlag #CV
23.003/09. Published by
Carus Verlag
(CA.2300309). ISBN
9790007198589. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300. $182.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Contrabass SKU: CA.2300315 Oratorio. Composed by Louis S...(+)
Orchestra Contrabass
SKU: CA.2300315
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
28 pages. Duration 80
minutes. Carus Verlag #CV
23.003/15. Published by
Carus Verlag
(CA.2300315). ISBN
9790007198633. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Viola SKU: CA.2300313 Oratorio. Composed by Louis Spohr....(+)
Orchestra Viola SKU:
CA.2300313
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/13. Published by
Carus Verlag
(CA.2300313). ISBN
9790007198619. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violine 1 SKU: CA.2300311 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 1
SKU: CA.2300311
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/11. Published by
Carus Verlag
(CA.2300311). ISBN
9790007198596. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violoncello SKU: CA.2300314 Oratorio. Composed by Louis ...(+)
Orchestra Violoncello
SKU: CA.2300314
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/14. Published by
Carus Verlag
(CA.2300314). ISBN
9790007198626. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 2
SKU: CA.2300312
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/12. Published by
Carus Verlag
(CA.2300312). ISBN
9790007198602. Language:
German/English. In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dies Irae from Requiem for 6-part Trombone Ensemble w. opt. parts [Conducteur et Parties séparées] - Avancé Cherry Classics
Trombone Ensemble-6 - advanced SKU: CY.CC2542 Composed by Giuseppe Verdi....(+)
Trombone Ensemble-6 -
advanced SKU:
CY.CC2542 Composed by
Giuseppe Verdi. Arranged
by Jeremy Kempton.
Italian Romantic Opera.
Score and parts.
Published by Cherry
Classics (CY.CC2542).
Verdi dedicated
his Requiem to the poet
and novelist Alessandro
Manzoni whom he greatly
admired. The first
performance was given in
1874 on the first
anniversary of Manzoni's
death. It was a great
popular success and Verdi
toured with it all over
Europe. The Latin text
of the Dies irae or Day
of Wrath portrays the day
of judgment. The Dies
irae is, in itself, very
lengthy, in nine
sections. It has been
greatly abridged to make
it practical for
performance by
trombonists. Most
trombonists take great
pleasure and pride in
their ability to play
loud. However, to achieve
the dramatic contrasts
essential for this piece
it is necessary to focus
on extremely soft, but
still beautiful, playing
in the piano
passages. Mr. Kempton
has done a great job of
bringing this
soul-stiring work to
life. About 8 minutes in
length, this work for
advanced performers is
most effective having
more than one person on a
part. $32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Official Artist Book THE BOOK OF LOVEBITES Guitare, Basse, Batterie (trio) Yamaha
Guitar, Bass, Percussion SKU: YM.GTL01101188 Artist Folio. Artist Book, H...(+)
Guitar, Bass, Percussion
SKU:
YM.GTL01101188 Artist
Folio. Artist Book, Heavy
Metal. Book and Score.
Yamaha Music Media
#GTL01101188. Published
by Yamaha Music Media
(YM.GTL01101188). ISBN
9784636108262. 9 x 12
inches. Full of
photos, published for the
first time in this book!
This book is full of the
charm of LOVEBITES!
LOVEBITES is a Japanese
female metal band that
debuted in 2017. They
have attracted the
attention of heavy metal
fans worldwide. This is
their first artist book,
produced with the full
cooperation of the
members. It includes lots
of photos taken for this
book, a special interview
and band sheet music for
two songs. With special
content everywhere you
look, this is a must-have
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| Totentanz, S. 126 (1st version, ed. Busoni) Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263301
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble. Kalmus
Orchestra Library. Form:
Concerto. Romantic.
Score. LudwigMasters
Publications #36-A263301.
Published by
LudwigMasters
Publications
(AP.36-A263301). UPC:
660355020445.
English. The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
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