By Crosby Stills and Nash. For Guitar. Guitar Chord Songbook. Softcover. Published by Hal Leonard

By Crosby Stills and Nash. Ukulele. Folk/Rock, Folk, Rock. Softcover. 48 pages. Published by Hal Leonard

Concert Band - Grade 5

SKU: HL.44010826

Grade 5 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. Duration 960 seconds. Anglo Music Press #AMP295010. Published by Anglo Music Press (HL.44010826).

UPC: 884088555818. 9.0x12.0x1.738 inches. English-German-French-Dut ch.

Atlantic Odyssey was commissioned by the band program at Oakton High School in Vienna, VA, and its director, Dr. Cheryl Newton. The piece is in two extended movements and seeks to portray an imaginary yacht journey off the eastern seaboard of the USA. The first movement, Sunrise at Sea and the Ocean Awakes, opens with an atmospheric depiction of dawn at sea. Floating woodwinds soar above surging brass until a climax heralds the rising sun. Daylight reveals distant horizons and the prospect of a calm voyage, but the sea is never tamed and a light breeze whips up spray around the boat until a couple of high waves rock the boat alarmingly. But the sea soon calms again and the journey continues serenely. The second movement, Homeward Bound and Spindrift, sees us turn for home, the boat scything calmly through the gentle waves in perfect sailing conditions. But once again conditions change, a stiff breeze tugs at the sails and for a moment we are once again at the mercy of the wind and waves. A moment of calm returns but we are suddenly sprayed by spindrift as a gale picks up. The boat is in danger of overturning but we manage to trim the sail and take advantage of the strong winds to enjoy and exhilarating journey home.

Concert Band - Grade 5

SKU: HL.44010827

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2010. Duration 960 seconds. Anglo Music Press #AMP295140. Published by Anglo Music Press (HL.44010827).

UPC: 884088555825. 9.0x12.0x0.25 inches. English-German-French-Dut ch.

Atlantic Odyssey was commissioned by the band program at Oakton High School in Vienna, VA, and its director, Dr. Cheryl Newton. The piece is in two extended movements and seeks to portray an imaginary yacht journey off the eastern seaboard of the USA. The first movement, Sunrise at Sea and the Ocean Awakes, opens with an atmospheric depiction of dawn at sea. Floating woodwinds soar above surging brass until a climax heralds the rising sun. Daylight reveals distant horizons and the prospect of a calm voyage, but the sea is never tamed and a light breeze whips up spray around the boat until a couple of high waves rock the boat alarmingly. But the sea soon calms again and the journey continues serenely. The second movement, Homeward Bound and Spindrift, sees us turn for home, the boat scything calmly through the gentle waves in perfect sailing conditions. But once again conditions change, a stiff breeze tugs at the sails and for a moment we are once again at the mercy of the wind and waves. A moment of calm returns but we are suddenly sprayed by spindrift as a gale picks up. The boat is in danger of overturning but we manage to trim the sail and take advantage of the strong winds to enjoy and exhilarating journey home.

C/Eb/Bb-instrument - very easy to easy

SKU: M7.MF-3614

Arranged by Uwe Bye. This edition: Saddle-wire stitching. Score with online audio files. Music Factory #MF 3614. Published by Music Factory (M7.MF-3614).

ISBN 9783795731359. German English.

Mit Easy Charts 14 erscheint eine Sammlung aktueller Hits, die Anfänger an verschiedenen Instrumenten wie Flöte, Klarinette, Saxophon oder Trompete schon nach dem ersten Unterrichtsjahr spielen können. Dabei dürfen die großen Hits angesagter Popstars natürlich nicht fehlen: Der einfühlsame Titelsong Eyes Closed von Ed Sheeran, der Ohrwurm-Hit Anti-Hero von Superstar Taylor Swift, der Chartstürmer Number 1 von Nico Santos und viele Hits mehr warten nur darauf, gekonnt in Szene gesetzt zu werden. So machen das Üben und Spielen zuhause und vor Publikum gleich noch mehr Spaß!

Mit Easy Charts 14 erscheint eine Sammlung aktueller Hits, die Anfänger an verschiedenen Instrumenten wie Flöte, Klarinette, Saxophon oder Trompete schon nach dem ersten Unterrichtsjahr spielen können - wie etwa den einfühlsame Pop-Hit Eyes Closed von Ed Sheeran.

SKU: HL.14060485

Fake Books. General Merchandise. Duration 240 seconds. Music Sales #AM1013177. Published by Music Sales (HL.14060485).

UPC: 196288099512. 4.75x7.5x0.872 inches.

C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Leonard

Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).

Flexible Wind Quintet and Percussion - early intermediate

SKU: BT.1055-03-070-MS

Composed by C. Carson Parks. Arranged by Peter Kleine Schaars. Music Box. Set (Score & Parts). Composed 2003. Music Sales #1055-03-070 MS. Published by Music Sales (BT.1055-03-070-MS).

ISBN 9789043138727.

In the sixties Frank and Nancy Sinatra had a huge hit with this delightfully titled song. More recently it has been in the charts again with a version by Robbie Williams and Nicole Kidman. This arrangement for flexible woodwind/brass ensemble will prove a most popular concert item.

Al in de jaren zestig scoorden Frank en Nancy Sinatra er een hit mee, maar velen kennen het tijdloze nummer Somethin’ Stupid in vertolking van Robbie Williams en Nicole Kidman. Roland Kernen maakte een arrangement waarmee uzeker voor de dag kunt komen bij het eerstvolgende concert!

Bereits in den 60er-Jahren des letzten Jahrhunderts landeten Frank und Nancy Sinatra einen Hit mit diesem Titel. Somethin’ Stupid ist einer der wenigen Songs, die das schnelllebige Pop-Business überleben werden. Es ist deshalb kein Wunder, dass dieser Titel auch mit Robbie Williams und Nicole Kidman wieder ein Nr. 1-Hit wurde.

Dans les années 1960, Frank et Nancy Sinatra connaissent un immense succès avec la chanson Somethin’ Stupid, un duo aux délicats accents du cha-cha. Plus récemment, l’interprétatio n de Robbie Williams et de l’actrice Nicole Kidman a conquis les hit-parades du monde entier.Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Si♭ Cl. Alto Sax. T. Cor Trb Euph. Part 4 Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba Opt. Mallets Batt. Perc

Nel 1960, Frank e Nancy Sinatra conoscono un immenso successo con la canzone Somethin’ Stupid, un duo con delicati accenti cha-cha. Recentemente, l’interpretazione di Robbie Williams e Nicole Kidman conquista le hit-parades di tutto il mondo.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.