| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 256 pages.
Published by Hal Leonard.
(2)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231). ISBN
9781491153314. UPC:
680160910816. Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...(+)
By Various. For C
Instruments. Fake Book.
Softcover. 560 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Top 300 Contemporary Christian Songs Voix seule Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Death Ballads Piano, Voix [Vocal Score] Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st Century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8454).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Death Ballads Piano, Voix Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8455).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5 SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71). ISBN
9781491143544. UPC:
680160901043. Key: G
minor. Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak . $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Way to Heaven Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.AMP-426-010
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Set
(Score & Parts). Composed
2017. Anglo Music Press
#AMP 426-010. Published
by Anglo Music Press
(BT.AMP-426-010).
English-German-French-
Dutch. The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to Heaven
beginnt mit einer
unruhigen Figur in den
Holzbläsern und mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt, um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way
to Heaven est une
commande des services de
musique de la Royal Air
Force. 2015 a marqué
le 75e anniversaire de la
Bataille
d’Angleterre qui
eut lieu de juillet
octobre 1940, et durant
laquelle les courageux
pilotes de chasse de
laRoyal Air Force
entravèrent les
ambitions d’Hitler
d’envahir le
Royaume-Uni. The
Way to Heaven
commence par des motifs
tremblants pour bois et
des fanfares de cuivres
qui se développent
vers une apogée ;
ensuite une modulation
introduit une courte
citation de
l’hymne national
polonais, Mazurek
Dbrowskiego. Alorsque ces
idées
s’affaiblissent,
on entend le signal pour
décoller en urgence,
puis le son rauque des
moteurs Merlin de
l’escadron mis en
marche, avant que les
avions ne
s’alignent pour
décoller. Ceci mène
au matériel
thématique principal
de l’œuvrequi
dépeint le vol vers le
ciel de l’escadron
303 alors qu’il
monte pour intercepter
les Messerschmitt 109
entrants. Une brève
allusion l’hymne
national polonais mène
la fin triomphante de
l’œuvre. Way to Heaven
(La strada per il
Paradiso) è stata
commissionato dai Servizi
Musicali della Royal Air
Force britannica. Nel
2015 è stato ricordato
il 75° anniversario
della Battaglia
d'Inghilterra, che ebbe
luogo tra luglio e
ottobre del 1940, quando
i coraggiosi piloti della
RAF impedirono le
ambizioni di Hitler, che
voleva invadere il Regno
Unito. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Way to Heaven Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.AMP-426-140
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Score
Only. Composed 2017.
Anglo Music Press #AMP
426-140. Published by
Anglo Music Press
(BT.AMP-426-140).
English-German-French-
Dutch. The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven<+O> is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to
Heaven beginnt mit
einer unruhigen Figur in
den Holzbläsern und
mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way
to Heaven est une
commande des services de
musique de la Royal Air
Force. 2015 a marqué
le 75e anniversaire de la
Bataille
d’Angleterre qui
eut lieu de juillet
octobre 1940, et durant
laquelle les courageux
pilotes de chasse de
laRoyal Air Force
entravèrent les
ambitions d’Hitler
d’envahir le
Royaume-Uni. The
Way to Heaven
commence par des motifs
tremblants pour bois et
des fanfares de cuivres
qui se développent
vers une apogée ;
ensuite une modulation
introduit une courte
citation de
l’hymne national
polonais, Mazurek
Dbrowskiego. Alorsque ces
idées
s’affaiblissent,
on entend le signal pour
décoller en urgence,
puis le son rauque des
moteurs Merlin de
l’escadron mis en
marche, avant que les
avions ne
s’alignent pour
décoller. Ceci mène
au matériel
thématique principal
de l’œuvrequi
dépeint le vol vers le
ciel de l’escadron
303 alors qu’il
monte pour intercepter
les Messerschmitt 109
entrants. Une brève
allusion l’hymne
national polonais mène
la fin triomphante de
l’œuvre. Way to Heaven
(La strada per il
Paradiso) è stata
commissionato dai Servizi
Musicali della Royal Air
Force britannica. Nel
2015 è stato ricordato
il 75° anniversario
della Battaglia
d'Inghilterra, che ebbe
luogo tra luglio e
ottobre del 1940, quando
i coraggiosi piloti della
RAF impedirono le
ambizioni di Hitler, che
voleva invadere il Regno
Unito. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano White Pages
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
The Largest Collection of Piano/Vocal/Guitar Arrangements. Performed by Various....(+)
The Largest Collection of
Piano/Vocal/Guitar
Arrangements. Performed
by Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Published
by Hal Leonard.
(4)$29.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Lyric Library: Contemporary Christian Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 6x9 inches. 228
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| La Bayadere: Act II Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 4.2.3.0: Timp.Perc(2): Harp: Str (4-4-3-3-3 in ...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.3.0:
Timp.Perc(2): Harp: Str
(4-4-3-3-3 in set)
SKU: AP.36-A888801
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801). ISBN
9798888529911. UPC:
659359989490.
English. The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Songs for Praise and Worship Piano, Voix et Guitare Hal Leonard
(253 of the finest praise and worship songs). Composed by Various. For voice, pi...(+)
(253 of the finest praise
and worship songs).
Composed by Various. For
voice, piano and guitar
(chords only). Sacred
Folio. Gospel and
Worship. Difficulty:
medium. Songbook (spiral
bound). Vocal melody,
piano accompaniment,
lyrics and chord names.
420 pages. Hal Leonard
#080689006395. Published
by Hal Leonard
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Easy Eighties Fake Book Instruments en Do [Fake Book] Hal Leonard
(100 Songs in the Key of C). By Various. Fake Book. Softcover. 256 pages. Publis...(+)
(100 Songs in the Key of
C). By Various. Fake
Book. Softcover. 256
pages. Published by Hal
Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Images Piano seul [Conducteur] Barenreiter
(1st series). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. ...(+)
(1st series). By Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. For
piano. This edition:
Stapled, Urtext edition.
Score. Text Language:
German/English/French. 27
pages. Published by
Baerenreiter Verlag
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Images Piano seul [Conducteur] Barenreiter
(2e serie). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. Fo...(+)
(2e serie). By Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. For
piano. This edition:
Stapled, Urtext edition.
Score. Text Language:
German/English/French. 28
pages. Published by
Baerenreiter Verlag
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Wayne Charvel Legend [Partition + CD] Centerstream
Book/CD Pack SKU: HL.121352 Reference. Biography/Composers & Musicians, G...(+)
Book/CD Pack SKU:
HL.121352 Reference.
Biography/Composers &
Musicians, Guitar
Reference. Softcover with
CD. 60 pages. Published
by Centerstream
Publications (HL.121352).
ISBN 9781574242935.
UPC: 884088922344.
8.5x11.0x0.21 inches.
Frank Green Featuring
Sons Michael Charvel and
the Charvel Twins - Bob &
Rick - 2nd
Generation. Wayne
Charvel started Charvel
Manufacturing in San
Dimas, California and has
been designing and
building guitars for 49
years, working for B.C.
Rich and Gibson, and for
Fender in the 1970s.
Wayne has built guitars
for a who's who of
players, including Eddie
Van Halen, Billy Gibbons,
John Kay, Paul Gilbert,
Pete Townsend, Warren
Haynes, Hank Williams
Jr., Jim Root, Joe Perry
and many others. The
Charvel name on the
headstock of a solid-body
electric guitar is a mark
of value for buyers and
collectors; the brand -
which has been sold and
re-sold and is now owned
by Fender - has taken its
place among other premium
American brands. Under
the Wayne logo, Wayne
Charvel continues to
build high-end guitars
made in the USA. Here is
the whole story, told by
Wayne and his sons. As a
bonus, the book includes
a CD of songs by The
Charvel Twins, Bob and
Rick! $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Diane Warren: Completely Diane Warren - An Anthology Of Music, Volume 2 Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Composed by Diane Warren. Songbook for voice, piano and guitar chords. 164 pages...(+)
Composed by Diane Warren.
Songbook for voice, piano
and guitar chords. 164
pages. Published by
Alfred Publishing.
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Collected Edition Vol.5 Orchestre Promethean Editions
Orchestra SKU: PO.PEP05S Works for String Orchestra. Composed by L...(+)
Orchestra SKU:
PO.PEP05S Works
for String Orchestra.
Composed by Larry Pruden.
Perfect. Collection -
Full Score. Promethean
Editions #PEP05S.
Published by Promethean
Editions (PO.PEP05S).
ISBN
9781877218057. Pref
ace to the Collected
EditionOver the span of
his composing career,
Larry Carrol Pruden
(1925-82) completed some
60 works, including music
for piano, chamber
ensemble, orchestra,
stage and film. The scope
of the ten-volume
Collected Edition
incorporates every work
that the composer is
known to have considered
complete, and a very few
incomplete works which
the editors felt
warranted inclusion. The
works in the latter
category are either
virtually complete or
have been deemed worthy
of inclusion due to the
significance that the
composer is known to have
attached to
them.Throughout Pruden's
output, whether the music
is modest in scale and
purely functional (civic
fanfares and radio
advertising jingles, for
example) or more extended
and overtly serious in
tone (such as the larger
works for orchestra and
strings), his vivid
response to urban society
and rural life in New
Zealand is revealed. With
Douglas Lilburn, John
Ritchie and others, Larry
Pruden belongs to the
earliest generation of
New Zealand composers to
discover a genuine
vernacular, and in his
music is reflected the
trail-blazing spirit of
the pioneers, their
passion for creativity
and their rebelliousness
of spirit.The scores in
the Collected Edition are
based on Pruden's
underlying autograph or
holograph manuscripts,
which have been consulted
extensively throughout
the editorial process.
Comparison has been made
to all extant forms of
each title, published and
unpublished. In some
cases, several variants
exist, and the goal has
been to determine as far
as possible the
composer's final
intention and to convey
this comprehensively in
the published score.
Emendations have been
made to account for the
composer's revisions and
for certain errors and
inconsistencies, and each
volume includes a short
commentary and editorial
notes on the source
materials.In consultation
with the Estate of Larry
Pruden, Promethean
Editions appointed an
Editorial Panel and an
Advisory Panel to oversee
publication of the
Collected Edition. The
role of the Editorial
Panel has been to
undertake the research
into the composer's
archival and manuscript
materials and to make the
necessary editorial
decisions and ensure the
accuracy of the musical
and textual content of
the Edition. The Advisory
Panel has been
responsible for
monitoring the overall
approach to the project
and for ensuring the
maintenance of a wider
perspective. $76.25 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Solo a Sunday - Volume 2
Piano seul [Partition] - Intermédiaire Word Music
Piano Solo. By Various Artists. This edition: 080689395383. Book (not sheet musi...(+)
Piano Solo. By Various
Artists. This edition:
080689395383. Book (not
sheet music). Softcover.
144 pages. Published by
Word Music.
(3)$32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Aeolian Song Theodore Presser Co.
Chamber Music Piano, alto Saxophone, soprano Saxophone SKU: PR.114423760 ...(+)
Chamber Music Piano, alto
Saxophone, soprano
Saxophone SKU:
PR.114423760 Composed
by Warren Benson. Set of
Score and Parts. 8+1+1
pages. Duration 5
minutes. Theodore Presser
Company #114-42376.
Published by Theodore
Presser Company
(PR.114423760). ISBN
9781491137352. UPC:
680160690077. The
slow movement from
Benson’s
Concertino, Aeolian Song
has long been a standard
in the saxophone
repertoire, and for good
reason. It is
entrancingly beautiful,
and a joy to play.
Typically heard for alto
saxophone and piano, this
publication introduces
Benson’s alternate
version adding an equally
gratifying soprano
saxophone part in dialog
with the alto. This
newly-available version
is fully compatible with
the existing
accompaniments for
orchestra and for wind
ensemble. Of the many
solo works composed for
Sigurd Raschèr, the
saxophone’s
original pioneer and
virtuoso, few have
attained the popularity
of Warren Benson’s
CONCERTINO, and in
particular, its second
movement.Marked slowly,
peacefully, this
drone-based tour de force
of harmony, unchanging
yet remaining ever-fresh,
has taken on a thriving
life of its own as a solo
work in scorings with
wind ensemble, orchestra,
and piano reduction,
known by the
movement’s
original subtitle,
AEOLIAN SONG.Less
familiar is an extra
bonus Benson added when
creating the orchestral
version of the
concertino. While the
first and third movement
were adapted as a direct
rescoring of the original
wind ensemble
accompaniment, the
composer added a soprano
saxophone obbligato in
the second movement of
the orchestral version,
specifically as an
opportunity for the
soloist’s
daughter, the equally
celebrated saxophonist
and pedagogue Carina
Raschèr, to perform
alongside her father. The
added soprano part works
beautifully in dialog
with the standard solo
alto part, and is equally
compatible with all three
scorings of the
movement.Theodore Presser
Company is grateful to
Professor Stephen C. Page
of The University of
Texas at Austin, for
rediscovering and
encouraging us to publish
the resulting version for
two saxophones and the
original piano reduction,
and for his supervision
of this edition.A
performance of this
version featuring Dr.
Page may be heard on all
major streaming
platforms. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carl Martin DC Factory Pedal Hal Leonard
SKU: HL.438866 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0228. Pu...(+)
SKU: HL.438866
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0228. Published by Hal
Leonard (HL.438866).
UPC: 852940000936.
6.25x10.25x2.259
inches. Whether you
are an international
touring musician, or a
weekend warrior, you
should be very concerned
with the power you are
supplying to your
pedals.....and because
you are, the Carl Martin
“DC Factoryâ€
Power Supply was designed
just for you! With the
constant addition of very
'power hungry' digital
pedals on the market, we
designed the DC Factory
to address that very
need. Highly powered and
totally noise free, the
DC Factory doesn't take
up too much realestate on
your pedalboard and
literally weighs about
2/3 of a kilogram (1.5
lbs). To meet these
goals, we had to forget
about the standard
toroidal transformers and
design a fully digital
switch mode power supply!
The benefits go beyond
ample power, the size and
weight are reduced and
most importantly, there
is no radiation of hum to
Wah pedals or certain
analog drive pedals.
Inside the attractive
grey anodized housing are
5, 100% isolated and
separated, 500 mA power
supplies, four with two
9v DC output jacks, and 1
with two 12v DC output
jacks. These 10 output
jacks supply a massive
2500mA of pure clean
power for your effects.
Most digital pedals
require somewhere between
300-400mA of power, and
your standard analogue
pedals somewhere around
20-50mA, so you have the
option to run up to 5
analog pedals and 5
digital pedals
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that, using the Current
Doubler Cable, you can
plug into 2 DC Outputs
(as shown in the diagram)
for 18v of power! The DC
Factory is fine to use on
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compatible with
PedalTrain PT-VDL-MK
(mounting brackets not
included). Power supply
set up... The DC Factory
can power up to 5 digital
pedals when you plug one
of each into the five
separated and isolated
digital power supplies,
and also 5 analogue
effects when you plug
them into the second jack
in each of the 5 power
supplies, as long as the
power demand for the two
pedals in each PSU does
not exceed 500mA. $179.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Four Dances from Clorinda Agonistes (Full Score) Quatuor à cordes: 2 violons, alto, violoncelle Schirmer
String quartet SKU: EC.LMP046 Composed by Kareem Roustom. E.C. Schirmer P...(+)
String quartet SKU:
EC.LMP046 Composed by
Kareem Roustom. E.C.
Schirmer Publishing
#LMP046. Published by
E.C. Schirmer Publishing
(EC.LMP046).
These
Four Dances from
CLORINDA AGONISTES
(Clorinda the warrior)
are taken from a recently
completed dramatic work;
a hybrid opera & dance
theatre work currently of
the same title. The name
Clorinda comes from
Monteverdi’s opera
Il Combattimento di
Tancredi e Clorinda
, whose libretto is from
the epic poem by Tasso
titled, Gerusalemme
Liberata (Jerusalem
Liberated). The dramatic
work, which was
commissioned by the
London based Shobana
Jeyasingh Dance company,
the Sadler’s Wells
Theatre and the Royal
Philharmonic Society, was
composed as a companion
piece to
Monteverdi’s
Il
Combattimento.
Contents: I.
Transitions II.
Pursuit III. Shawq
شوق
(Yearning) IV. Unity
(We dance together)
$27.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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