26 chansons extraites de 9 comédies musicales des studios Disney ont été adaptées pour Piano/Voix/Guitare. Retrouvez les grands standards de Broadway avec Written in the Stars (from A´da) - Proud of Your Boy (from Aladdin) - If I Can't Love Her (from Beauty and the Beast) - True Love (from Frozen) - They Live in You (from The Lion King) - One Step Closer (from The Little Mermaid) - Anything Can Happen (from Mary Poppins) - Watch What Happens (from Newsies) - Two Worlds (from Tarzan) et bien plus encore. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

21st Century Malaysian Piano Works. Malaysia's very first anthology of piano compositions truly describes the growing pool of Malaysian piano compositions written over the past decade. This pioneer collection of original works spans composers from different backgrounds and ages, from various parts of the country from Kuala Lumpur to Kota Kinabalu in the east to Penang in the north. This musical survey, which has been in the planning for several years, was the culmination of the country's first ever contemporary composers piano festival Free Hand 2019, featuring BBC Music Magazine's Best Newcomer award winner of 2013, Mei Yi Foo, who premiered a number of works in this volume. The musical styles are asdiverse as Malaysia's people themselves, colourful, contrasting, exciting and refreshing. From post minimalist to neo expressionist and beyond, the breadth of the compositions here provides an insightful glimpse into the world of 21st Century music in a country so young. The sound world ranges from rhythmically potent to broadly contemplative, traversing worlds of colour, emotion, sonic exploration and the stretching of compositional forms and techniques handed down from past generations of classical composers. 'A range of wonderful oriental flavours and colours. These pieces are distinctly personal and fluid.” Mei Yi Foo, pianist / Pédagogie / Recueil / Piano

In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who had been his student in earlier years and who, even today, is one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades- however, since then he has used this collection - expanded over 32 years since by Kurtág - whenever he plays pieces from Games in concert. Since the time of this 1974 concert, as he writes: I didnt know that the spiral notebook I received at the premi?re would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the worlds most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being copied with love - it would include works and sketches for which this notebook would become the principal source. The manuscript gives a glimpse into Kurtágs workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtágs handwriting about the composers intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score. The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsiss own personal preface, as well as András Wilheims essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued. This edition has been published for György Kurtágs 90th birthday. (Tünde Szitha) / Piano

FINER IN MINOR. Par . With beautiful, easy to moderately difficult, familiar and above all not so familiar pieces, our bestseller Finer in Minor has now been a companion for many generations on their way to the wonderful works of major piano literature. In the meantime, the sister edition Greater in Major (EB 8936) expands the sound palette, showing that playing the piano in a major key is, of course, just as beautiful as playing in a minor key! In the course of preparing it, the desire for freshness and renewal of the well-established minor-key edition developed. Editors and publishing house finally gave in and decided on a revised and expanded new edition. The outer appearance has been adapted to its major-key twin, and inside the edition, things look new and different, too. New composers and even more pieces expand the range of minor-key music to include new worlds of sound and feeling. / Date parution : 2022-02-15/ Recueil / Piano

Hits arranged for keyboard include: Love Walked In, Amanda, Stairway To Heaven and more. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Création 10/07/2017 - Aix-en-Provence, Hôtel Meynier d'Oppède - Académie du Festival d'Aix Commanditaire Académie du Festival d'Aix et ProQuartet Notice Lyrae est une oeuvre pour quatuor à cordes, harpe et percussions (grosse caisse, marimba, vibraphone et tamtam). Elle s'inspire d'une des étoiles les plus fascinantes de la constellation de la Lyre. Il s'agit en réalité d'une double-étoile dont chacune des entités exerce des forces cosmiques sur l'autre. S'attirant puis se repoussant, elles créent une sorte de ?halo?, de brume stellaire autour d'elles. Nimbées de poussière cosmique très énergétique, elles peuvent cependant s'éclipser l'une l'autre. J'ai donc conçu la pièce d'un seul tenant, comme un véritable pas de deux du couple d'étoiles. Menant la danse à tour de rôle, elles se meuvent et rayonnent dans l'espace, illuminant ainsi le ciel de leurs faisceaux aux forces distinctes. Une introduction présente un espace sombre, aussi mystérieux que menaçant. La matière gronde, se désagrège, et se transforme au fur et à mesure en poussière lumineuse et scintillante. Un épisode plus lyrique émerge de cette brume stellaire floue, avant de retrouver l'obscurité angoissante initiale. Tout l'enjeu de cette oeuvre était de représenter musicalement ces deux facettes de Lyrae - non pas comme des entités différentes, mais comme deux mondes entremêlés qui s'enchaînent et se fondent l'un dans l'autre sans jamais s'affronter. Camille Pepin