| Jazz melodies for children No. 5 Piano seul [Conducteur] - Facile Beuscher
Piano - Level 2 SKU: LM.PB131 Composed by Jack Dieval. Pop, jazz. Score. ...(+)
Piano - Level 2 SKU:
LM.PB131 Composed by
Jack Dieval. Pop, jazz.
Score. Paul Beuscher
#PB131. Published by Paul
Beuscher (LM.PB131).
ISBN
3137990001315. En
cabriolet - En diligence
- En roadster - La Carpe
- La Carriole - La
Gazelle - La Renoncule -
Le Coach - Le Renard - Le
Scarabee - Le Serin - Le
Tourniquet. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Contes de Grand-Mere - Volume 2 Piano seul [Conducteur] - Intermédiaire Lemoine, Henry
Piano - Level 3 SKU: LM.24327 Composed by Christian Manen. Classical. Sco...(+)
Piano - Level 3 SKU:
LM.24327 Composed by
Christian Manen.
Classical. Score.
Editions Henry Lemoine
#24327. Published by
Editions Henry Lemoine
(LM.24327). ISBN
9790230943277. Un
Jour au bois de Boulogne
- Quand passait la
diligence - Le Vase de
Chine du cousin Alphonse
- Oncle Bill - La Foret
aux oiseaux - Tante Julie
et Tante Virginie - Le
Manege - La Cousine
Josephine - Ce Bon
Monsieur Chopin - Poupee
russe. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Chops Trombone Carl Fischer
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to
Building Tone Technique
and Flexibility). By
Frank T. Williams. For
trombone. Softcover book.
64 pages. Published by
Carl Fischer
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Violin 1 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Violin 1 (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-15
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-15. Published by
Breitkopf and Haertel
(BR.OB-5562-15). ISBN
9790004342282. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - ...(+)
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str) SKU:
BR.PB-5596-07
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Study Score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5596-07. Published by
Breitkopf and Haertel
(BR.PB-5596-07). ISBN
9790004214060. 6.5 x 9
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 20 Ans De Succes 1940-1960 Piano, Voix [Conducteur] Beuscher
| | |
| Sur la diligence Cor et Piano [Conducteur] - Facile Combre
Horn and piano - Level 2 SKU: LM.P03127 Composed by Robert Clerisse. Clas...(+)
Horn and piano - Level 2
SKU: LM.P03127
Composed by Robert
Clerisse. Classical.
Score. Editions Combre
#P03127. Published by
Editions Combre
(LM.P03127). ISBN
9790230331272. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| La Petite Diligence Billaudot
By Marcel Jorand. Arranged by Jean-Jacques Di Tucci. For Percussion. Standard no...(+)
By Marcel Jorand.
Arranged by Jean-Jacques
Di Tucci. For Percussion.
Standard notation
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in c K. 427 (417a) [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - ...(+)
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str) SKU:
BR.PB-5562 Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Full score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5562. Published by
Breitkopf and Haertel
(BR.PB-5562). ISBN
9790004213728. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $119.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| L' Arrivee de la diligence Orchestre d'harmonie Andel
Concert band SKU: ND.RPHR220-CSC Composed by Debaeremaeker. Repertoire ha...(+)
Concert band SKU:
ND.RPHR220-CSC
Composed by
Debaeremaeker. Repertoire
harmonia. Repertoire
Harmonia. Conductor's
score. Published by
Edition Andel
(ND.RPHR220-CSC).
$10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Violin 2 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Violin 2 (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-16
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-16. Published by
Breitkopf and Haertel
(BR.OB-5562-16). ISBN
9790004342299. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ich lerne Klarinette spielen 1 Clarinette - Débutant EMB (Editio Musica Budapest)
Clarinet - very easy, easy SKU: BT.EMBZ12282 Composed by Béla Kovác...(+)
Clarinet - very easy,
easy SKU:
BT.EMBZ12282 Composed
by Béla Kovács.
Studies & Exercises. Book
Only. Composed 1983. 80
pages. Editio Musica
Budapest #EMBZ12282.
Published by Editio
Musica Budapest
(BT.EMBZ12282).
English-German-Hungari
an. 'The two
volumes of I Learn to
Play the Clarinet
(Z.12282 and Z.13291)
have been written for
beginners and contain the
material for the first
3-4 years. It has been
avoided to arrange the
material according to
yearly divisions for
several reasons. On one
hand the rate of progress
depends on the pupil's
aptness, diligence, age
and musical
pre-education, so a
strictly handled
curriculum could be
either too small or too
great a task for the
pupil. On the other hand
by using this method it
may be easier achieved
that quality replace
quantity.' (Béla
Kovács). $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Seitseteist Eesti Pulmalaulu Chorale SATB SATB A Cappella Boosey and Hawkes
17 Estonian Wedding Songs. By Veljo Tormis. (SATB A Cappella). Boosey and Hawke...(+)
17 Estonian Wedding
Songs. By Veljo Tormis.
(SATB A Cappella). Boosey
and Hawkes Secular
Choral. Size 8.2x11.75
inches. 30 pages.
Published by Boosey &
Hawkes.
$17.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Overture (Suite) No. 3 in D Major, BWV 1068 Orchestre [Conducteur d'étude / Miniature] Eulenburg
Study Score. By Johann Sebastian Bach. Arranged by Harry Newstone. (Study Score...(+)
Study Score. By Johann
Sebastian Bach. Arranged
by Harry Newstone.
(Study Score). Schott. 60
pages. Published by
Eulenburg.
$13.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| L' Arrivee de la diligence Orchestre d'harmonie [Conducteur et Parties séparées] Andel
Concert band SKU: ND.RPHR220-SET Composed by Debaeremaeker. Repertoire ha...(+)
Concert band SKU:
ND.RPHR220-SET
Composed by
Debaeremaeker. Repertoire
harmonia. Repertoire
Harmonia. Score and set
of parts. Published by
Edition Andel
(ND.RPHR220-SET).
$64.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Woodwinds (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str)...(+)
Woodwinds (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-30
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Set of parts.
116 pages. Duration 52'.
Breitkopf and Haertel #OB
5562-30. Published by
Breitkopf and Haertel
(BR.OB-5562-30). ISBN
9790004342329. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $113.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Jazz melodies for children n°5 Piano seul - Facile Beuscher
Piano - Grade 2 SKU: BT.PB131 Composed by Jack Dieval. Jazz. Book Only. 3...(+)
Piano - Grade 2 SKU:
BT.PB131 Composed by
Jack Dieval. Jazz. Book
Only. 31 pages. Paul
Beuscher #PB131.
Published by Paul
Beuscher (BT.PB131).
French. En
cabriolet - En diligence
- En roadster - La Carpe
- La Carriole - La
Gazelle - La Renoncule -
Le Coach - Le Renard - Le
Scarabée - Le Serin -
Le Tourniquet. $20.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Viola (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Viola (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-19
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-19. Published by
Breitkopf and Haertel
(BR.OB-5562-19). ISBN
9790004342305. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Basso (cello/double bass) (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - t...(+)
Basso (cello/double bass)
(solos: SSTB - choir:
SATBSATB - 1.2.0.2 -
2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-26
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-26. Published by
Breitkopf and Haertel
(BR.OB-5562-26). ISBN
9790004342312. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Un siecle de chansons francaises 1939-1949 Piano, Voix et Guitare [Conducteur] Beuscher
| | |
| Henry the Steinway and the Piano Recital GIA Publications
SKU: GI.G-10342 Composed by Laura Friedman, Peter Goodrich, and Sally Cov...(+)
SKU: GI.G-10342
Composed by Laura
Friedman, Peter Goodrich,
and Sally Coveleskie.
Music Education. GIA
Publications #10342.
Published by GIA
Publications
(GI.G-10342). ISBN
9781622775088. Spri
ng is in the air and
the annual piano recital
is only a week away! How
will our young pianist
learn her music in time?
This delightful tale
introduces Ana and her
special friend Henry the
Steinway—a
grandfatherly piano who
speaks to her! Ana learns
from Henry that she must
first hear the music.
Then, she must find the
music in her heart. Soon,
Ana’s tears of
frustration turn to pure
joy, as she delights in
the playing of her music
and her new friendship
with Henry the Steinway.
This story will resonate
with piano students and
piano lovers of all ages!
A wonderful book that
teaches kids about
practice, concentration,
and fortitude. Â A
charming account of an
ageless story, the bond
of friendship between
pianists of all ages and
their pianos. —Dr.
Robert Blocker, Dean,
Yale School of Music For
all who understand the
diligence required to
master an instrument,
these books will delight
and inspire. They shall
remain in my home by the
piano for my children as
a respite from those
frustrating moments at
practice, and as a
reminder to me of the
great skills passed on to
me by my dedicated
teachers.
—Renée Fleming
Henry the Steinway is a
wonderful series of books
about your best friend
who is always by your
side. I concertize in
every corner of the globe
and have been called a
citizen of the world.
Wherever I go I can
depend on Henry the
Steinway to be there with
me. Teachers, children
and parents will delight
in this gentle story of
making beautiful music,
never giving up and
becoming the best you can
be. —Lang Lang
Henry the Steinway is a
wonderful book. It
teaches kids about
practice, concentration,
and fortitude. Where can
I find a piano like
Henry? —Wynton
Marsalis. $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Francis Poulenc : Promenades for Piano Piano seul Chester
By Francis Poulenc. For Piano. Classical. Sheet Music. Published by Chester Musi...(+)
By Francis Poulenc. For
Piano. Classical. Sheet
Music. Published by
Chester Music.
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Learn To Play The Clarinet - Débutant EMB (Editio Musica Budapest)
Clarinet, Clarinet (CLARINET SOL) - very easy-intermedia SKU: HL.50487544 ...(+)
Clarinet, Clarinet
(CLARINET SOL) - very
easy-intermedia SKU:
HL.50487544
Fragment. Composed
by Béla Kovács.
EMB. Volume 2. Studies,
Method, Tutor. Book Only.
Editio Musica Budapest
#Z13291. Published by
Editio Musica Budapest
(HL.50487544). ISBN
9790080132913. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Bela
Kovacs. ''The two
volumes of I Learn to
Play the Clarinet
(Z.12282 and Z.13291)
have been written for
beginners and contain the
material for the first
3-4 years. It has been
avoided to arrange the
material according to
yearly divisions for
several reasons. On one
hand the rate of progress
depends on the pupil's
aptness, diligence, age
and musical
pre-education, so a
strictly handled
curriculum could be
either too small or too
great a task for the
pupil. On the other hand
by using this method it
may be easier achieved
that quality replace
quantity|'' (Bela
Kovacs). $22.45 - Voir plus => Acheter | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2....(+)
Chorus (with soloists)
and piano (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.EB-8654 Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound. Edition
Breitkopf. The Missa in c
was so dear to Mozart
that he cited it as
evidence of the reality
of my vow to marry his
beloved Constanze and to
complete the only
half-finished mass.
Nevertheless, one of
Mozart's greatest
masterpieces remained a
torso. Mass; Classical.
Piano/Vocal Score. 116
pages. Duration 52'.
Breitkopf and Haertel #EB
8654. Published by
Breitkopf and Haertel
(BR.EB-8654). ISBN
9790004184882. 7.5 x 10.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $23.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417A) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - ...(+)
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str) SKU:
BR.PB-5596 Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Study Score.
Duration 52'. Breitkopf
and Haertel #PB 5596.
Published by Breitkopf
and Haertel (BR.PB-5596).
ISBN 9790004214060.
6.5 x 9 inches. The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Adagio from 'Bizet Symphony' [Conducteur et Parties séparées] - Intermédiaire G and M Brand Music Publishers
Soloist(s) with Concert Band (piccolo, flute 1-2, oboe 1-2, Bb clarinet 1-3, Eb ...(+)
Soloist(s) with Concert
Band (piccolo, flute 1-2,
oboe 1-2, Bb clarinet
1-3, Eb alto clarinet, Bb
bass clarinet, bassoon
1-2, alto saxophone 1-2,
Bb tenor saxophone, Eb
baritone saxophone, Bb
cornet 1-3, horn in F
1-4, trombone 1-3,
euphonium, baritone Tc,
tuba, string bass,
timpani) - grade 4
SKU: CN.R10232
Alto Saxophone
Feature. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 9:30. Published
by G & M Brand Music
Publishers (CN.R10232).
Advancing alto
saxophonists will enjoy
being featured on this
expressive movement from
Bizet's Symphony! The
timbre of the alto
saxophone is perfectly
suited to bring out the
slightly exotic colors of
the melody, yet the band
accompaniment remains in
a classic style, the
combination of which is
intriguing to the ear.
The overall result is
very flattering to the
capabilities of skilled
saxophonists.
The
great French Composer,
Georges Bizet, began
writing his symphony in
October 1855 and finished
it in November of the
same year. A remarkable
achievement. In spite of
his diligence, Bizet
never heard his symphony
performed. It was not
heard until February of
1935 in Basel,
Switzerland. The symphony
is in four movements, of
which the Adagio is the
second. $90.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Essential Guide to Irish Flute and Tin Whistle Flûte irlandaise [Partition + Accès audio] Mel Bay
Composed by Grey Larsen. Perfect binding. Book and online audio. Published by Me...(+)
Composed by Grey Larsen.
Perfect binding. Book and
online audio. Published
by Mel Bay Publications,
Inc (MB.98214M).
$49.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 60 Studies For Horn Cor Leduc, Alphonse
Horn (Horn) SKU: HL.48182227 Composed by Lucien Thévet. Leduc. Classic...(+)
Horn (Horn) SKU:
HL.48182227 Composed
by Lucien Thévet.
Leduc. Classical.
Softcover. 21 pages.
Alphonse Leduc #AL23275.
Published by Alphonse
Leduc (HL.48182227).
UPC: 888680837068.
9.0x12.0x0.127
inches. â??Lucien
Thévet (1914-2007), a
virtuoso Horn player of
his day, provides 60
progressive studies and
exercises for the Horn.
60 Studies for Horn is
essential to all Horn
advanced players seeking
to improve their
technique on the
instrument. Thévet's
book focuses on elements
including scales,
chromaticism, intervals,
arpeggios, diligence,
articulation, tone,
vibrato, dynamics, legato
passages, ornamentation
and extended techniques,
among other musical
aspects. Moreover, 60
Studies for Horn also
contains exercises in a
range of key and time
signatures to ensure
versatility. Thévet's
60 Studies for Horn is
crucial to the progress
of any advanced Horn
player seeking to improve
their entire
technique.â?. $30.15 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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