Arranged by Mac Huff. (SAB score). Secular Christmas Choral. Size 9x12 inches. 80 pages. Published by Hal Leonard.

By Glee Cast. By Gloria Shayne and Noel Regney. Arranged by Adam Anders, Jay Bocook, and Peer Astrom. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard

(Solo with String Orchestra). By Gloria Shayne And Noel Regney. Arranged by Robert Longfield. (Score and Parts). Pop Specials for Strings. Published by Hal Leonard.

5-8 Octave Handbells - Grade 5

SKU: BP.HB756

Composed by Sandra Eithun. Handbell music. Score. Beckenhorst Press #HB756. Published by Beckenhorst Press (BP.HB756).

Written for 5 to 8 octave handbell choir. Level 5+.

Sandra Eithun has masterfully woven together the tune Creator of the Stars of Night with Do You Hear What I Hear? in this new addition to The Legacy Series. Changing meters and driving rhythms abound as listeners and ringers are treated to various styles and moods as the piece progresses. The tune rises in intensity and complexity before coming back to the opening feeling of rest and hopeful anticipation. A glorious choice for the advanced ensemble this holiday season!

Arranged by Mac Huff. (SATB score). Secular Christmas Choral. Size 9x12 inches. 80 pages. Published by Hal Leonard

Arranged by Mac Huff. (2 Part Score). Secular Christmas Choral. Size 9x12 inches. 80 pages. Published by Hal Leonard.

Correlates with Book 2 of the Essential Elements 2000 Band Method. Arranged by James Curnow, John Moss, John Higgins, Paul Lavender, Michael Sweeney. (Score). Essential Elements Band Folios. 196 pages. Published by Hal Leonard.

((Value Pak - 37 Part Books/Conductor/CD)). Kit of score and part books. Essential Elements Band Folios. Grade 2

(A Christmas Musical for Senior Adult Choir). Composed by Marty Parks. For SATB choir, piano accompaniment. Senior Adult Musical. Simply Word. Christmas. Difficulty: easy. Choral score. Duration ca. 37 minutes. Published by Word Music

Composed by Gloria Shayne Baker. Arranged by Chris Sharp. For concert band. FJH Young Band. Grade 2.5. Score and parts. Duration 2 minutes, 30 seconds. Published by The FJH Music Company Inc

(A Christmas Musical for Every Choir). Arranged by Camp Kirkland. For SATB choir. This edition: Paperback. Musical. Excel Series. Adult Christmas Musical; Collection for choir, congregation, and/or ensemble. Sacred. Moderate. Choral score. 108 pages. Duration 36 minutes. Published by Lillenas Publishing Company

By Regney, Shayne. Arranged by Harry Simeone. Two-part. Christmas Music, Popular Standards/Show Tunes. Published by Shawnee Press.

By Gloria Shayne and Noel Regney. Arranged by Harry Simeone. For SATB Choir (SATB). Shawnee Press. Choral, Sacred, Christmas. 8 pages. Shawnee Press #A0708. Published by Shawnee Press

By Regney, Shayne. Arranged by Harry Simeone. Choral - SSA. Christmas Music, Popular Standards/Show Tunes. Published by Shawnee Press.

By Regney, Shayne. Arranged by Harry Simeone. Choral - SAB. Christmas Music, Popular Standards/Show Tunes. Published by Shawnee Press.

Handbells Handchimes, Percussion - Level 2

SKU: HP.2971

Arranged by Joel Raney. Hymntune, Hymn Arrangements, Christmas. Handbell score. 12 pages. Hope Publishing Company #2971. Published by Hope Publishing Company (HP.2971).

UPC: 763628129712.

Famil iar Christmas Song Mystical harmonies, a variety of techniques, and adventuresome rhythms are all woven together in this delightful setting sure to engage and awe ringers and listeners in worship and concert.

Composed by Traditional. Arranged by Lisa Albrecht. For Trombone Quartet w opt. Drums. Traditional Christmas. Advanced. Score and parts. Published by Cherry Classics

Handbells 4-6 octave handbell choir - Level 3

SKU: HP.2143

Composed by Regney Shayne. Arranged by Tammy Waldrop. Christmas, Sacred. Handbell score. Hope Publishing Company #2143. Published by Hope Publishing Company (HP.2143).

UPC: 763628121433. By Noel Regney & Gloria Shayne.

Popular Christmas carol by Noel Regney & Gloria Shayne The title's question is asked by four entities: The night wind, a little lamb, a shepherd boy and a mighty king. Each stanza of this arrangement reflects the mood and intensity of each question. The flute is not optional, rather an integral part as it partners with the bells to inspire and motivate. The flute part is included in the folio with permission to copy. Measures total 85.

Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and spoken text. 55 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mac Huff. (2-part score). Broadway Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SAB score). Broadway Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

A Collection for Group Singing for All Occasions. By Mitch Miller. P/V/C Mixed Folio. Traditional Pop. Vocal score book. With vocal score notation and chord names. 128 pages. Alfred Music #00-CN0027. Published by Alfred Music

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. Arranged by August Ferdinand Hermann Kretzschmar. For 2 Soprano voices, 2 Alto voices, Tenor voice, and 2 Bass voices (Soli), SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1846. 200 pages. Duration 131 minutes

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS150

Composed by Larry Clark. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+2+8+2+5+5+5+8 pages. Duration 3 minutes, 54 seconds. Carl Fischer Music #YAS150. Published by Carl Fischer Music (CF.YAS150).

ISBN 9781491143568. UPC: 680160901067. Key: G major.

A heartfelt piece that is dedicated to the memory of a lost student, the music is both emotional and beautiful. It is meant to depict the life of the person lost, not the sadness. In typical Larry Clark fashion, the piece has memorable melodies, interesting lush harmonies and is well-scored. This will be a great vehicle to improve the musicianship of your students.
Heartstrings began its life as the main musical material for a piece I wrote called Forever Climbing. It was a concert band work that was commissioned by the Boulder Creek High School Band under the direction of James O'Haloran. It was dedicated to the memory of Trevor Crouse who died tragically in a climbing accident. When Ifinished that piece, I just knew that I was not finished with the main musical ideas and decided it would work very nicely for strings.Certainly in the face of losing a loved one it would pull on your heartstrings, but when I was composing this piece I also wanted to bring about the love that we have for our close friends and family members. I hope that you will hear love in the piece along with a touch of sadness. Certain harmonic choices and dissonances in the melody to the harmonies were used to bring about this emotional feeling. I take great pride in writing music for young people that stretches their musicianship. When I work with students, I ask them to put their emotions into the music stretch phrasing, push lines,and giving things shape; make the music more than what is on the page. Bring it to life and make the audience feel something with their performance. It is my sincere hope that it will inspire them to do so and expand their musical horizons. I continue to honor the memory of Trevor and the memory of those loved ones I have lost as well.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2016.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
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