Trout-Quintet - for Violin, Viola, Violoncello, Double Bass and Piano. By Franz Schubert. Edited by W. Haug-Freienstein. Piano Qunitets. Pages: Score = XV and 82 * Vl Part = 19 * Va Part = 16 * Vc Part = 14 * DB Part = 15. Urtext edition-paper bound. Published by G. Henle.

Edited by J. Peter Close/Holger Sassmannshaus. For double bass and piano. Stapled. Barenreiter's Double Bass Collection. Level 2. Piano reduction, part(s). Text Language: German/English. 32/64 pages. Published by Baerenreiter Verlag

Composed by Zoltán Kodály. Arranged by Norbert Duka. For Double Bass, Piano Accompaniment. EMB. Softcover. 12 pages. Editio Musica Budapest #Z14896. Published by Editio Musica Budapest

for Violoncello and Continuo or Two Violoncellos. By Various. Arranged by Pejtsik, Vigh. EMB. Size 9x12 inches. 19 pages. Published by Editio Musica Budapest.

(String Quartet and Double Bass; or Chamber Orchestra Set of Parts (String Quartet and Double Bass)). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter Seiffert. Henle Music Folios. Softcover. 44 pages. G. Henle Verlag #HN1005. Published by G. Henle Verlag

Double bass

SKU: BR.OB-5509-27

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27).

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

For Violoncello. Includes an authoritative, newly engraved music score printed on high-quality ivory paper, and two compact discs containing: a complete version with both soloists; then a second version in digital stereo of the orchestral accompaniment, minus the 'cellist; and a third version minus both soloists. Published by Music Minus One.

(for Violoncello). By Louis R. Feuillard. For cello. This edition: ED1117. Essential Exercises. Instructional and Studies. Instructional book. 44 pages. Published by Schott Music

By Gioachino Rossini. Edited by Philip Gossett. For Violoncello, Contrabass. This edition: Urtext Edition; Stapled. Score; Set of Parts. Published by Baerenreiter Verlag (German import).

Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David. Arranged by Paul Horn. For SATB/SATB Choir, 2 Violins, 4 Trombones (4 Viola da Gamba or 3 Violas, Cello or 2 Violas, 2 Violoncello), Basso continuo. Full score available separately - see item CA.4043700. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Morning, Midday, Evening; Use during church year: Christmas. Part: Violoncello. Language: Latin. Composed 1640. 2 pages. Duration 13 min. Published by Carus Verlag (German import).

Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Arnold Feil. For Violin, Viola, Violoncello, Contrabass; Piano. Playing Score; Set of Parts; Urtext Edition. Op.post.114. Published by Baerenreiter-Ausgaben (German import). ISBN M006472741.

For Violin, Violoncello and Orchestra. By Johannes Brahms. STUDY EDITION. Pages: XI and 192. Urtext edition (Paper-bound). Published by G. Henle.

(Trios in Es-dur und B-dur. (1. Stimme jeweils fur Viola und Violine beigegeben)). By Florian Leopold Gassmann (1729-1774). Edited by Wolfgang Sawodny. For Viola 1/Violin, Viola 2, Violoncello/Contrabass. Hortus Musicus. Set of Parts

By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SATB-SATB, 2 oboe, english horn (bassoon I) bassoon II, 2 violin, viola, violoncello, contrabass, cembalo. BWV 226.Figured bass realized by Fritz Oberdoerffer,instrumental parts edited by Hugh Ross(Eng-Ger). Sacred Choral Works. Duration 9'. Published by C.F. Peters.

(Offertorium de venerabili sacramento). By Wolfgang Amadeus Mozart (1756-1791). Edited by Klaus Hofmann. Arranged by Paul Horn. For SATB/SATB Choir, Basso continuo, [2 Violins, 3 Trombones]. KV 260 (248a). Full score available separately - see item CA.4004100. Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during chuch year: Corpus Christi. Part: Violoncello/Contrabass. Language: Latin. Composed 1776. 4 pages. Duration 6 min

Violoncello Part. By Karl Ditters Von Dittersdorf. Arranged by Franz Tischer-Zeitz. Schott. 4 pages. Published by Schott.

Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David. Arranged by Paul Horn. For SATB/SATB Choir, 2 Violins, 4 Trombones (4 Viola da Gamba or 3 Violas, Cello or 2 Violas, 2 Violoncello), Basso continuo. Full score available separately - see item CA.4043700. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Morning, Midday, Evening; Use during church year: Christmas. Choral score. Language: Latin. Composed 1640. 20 pages. Duration 13 min. Published by Carus Verlag (German import).

Double bass

SKU: BA.BA04675-85

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. This edition: urtext edition. Stapled. Single part. Hob. VIIb:2. 7 pages. Duration 22 minutes. Baerenreiter Verlag #BA04675_85. Published by Baerenreiter Verlag (BA.BA04675-85).

ISBN 9790006501977. 32.5 x 25.5 cm inches. Key: D major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David. Arranged by Paul Horn. For SATB/SATB Choir, 2 Violins, 4 Trombones (4 Viola da Gamba or 3 Violas, Cello or 2 Violas, 2 Violoncello), Basso continuo. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Morning, Midday, Evening; Use during church year: Christmas. Score. Language: Latin. Composed 1640. 56 pages. Duration 13 min. Published by Carus Verlag (German import).

(arrangiert von Johann Sebastian Bach). By Johann Kaspar Kerll (1627-1689). Arranged by Johann Sebastian Bach. For SATB/SATB Choir, 2 Oboes (2 Oboe d'Amore), Bassoon, 2 Violins, 3 Viola, Basso continuo. Full score available separately - see item CA.3530300. Mass Sections. Part: Violoncello/Contrabass. Language: German/Latin. 2 pages

By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SATB-SATB, 2 oboe, english horn (bassoon I), bassoon II, 2 violin, viola, violoncello, contrabass, cembalo. BWV 229.Figured bass realized by Fritz Oberdoerffer,instrumental parts edited by Hugh Ross(Eng-Ger). Sacred Choral Works. Duration 10. Published by C.F. Peters.

Adapted from the original violoncello version. By Hans Werner Henze. Arranged by Lucas Drew. Schott. Size 9x12 inches. 8 pages. Published by Schott.

2 cellos,2 violins,viola,Basso (Violoncellos (2), Violins (2), Viola, Basso)

SKU: BA.BA10946

Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. RV 531. Baerenreiter Verlag #BA10946_00. Published by Baerenreiter Verlag (BA.BA10946).

ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.

The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.

The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Cello and Piano - Grade 4

SKU: BT.EMBZ14895

Composed by Zoltan Kodaly. Educational Tool. Book and Part(s). Composed 2014. 12 pages. Editio Musica Budapest #EMBZ14895. Published by Editio Musica Budapest (BT.EMBZ14895).

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911 Adagio for viola and piano: Z. 14894 Adagio for violoncello and piano: Z. 14895 Adagio for double bass and piano: Z. 14896 (The former catalogue number was Z. 768.)

Zoltán Kodály (1882-1967) komponierte sein Adagio für Violine und Klavier im Jahre 1905 und widmete es dem hervorragenden Geigenvirtuosen Imre Waldbauer. 1910 schuf Kodály Fassungen für Viola sowie Violoncello: für Kontrabass wurde das Werk von Norbert Duka bearbeitet. 2014 wurden alle vier Fassungen des Adagios in einer neuen Edition in Einzelausgaben veröffentlicht.