| Audition (The Fools Who Dream) (Women's Choir) From La La Land Chorale 3 parties SSA, Piano [Octavo] Alfred Publishing
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics b...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Andy Beck.
Choral Octavo. Alfred Pop
Series. Movie; Secular.
12
pages. Published by
Alfred
Music
$2.00 $1.9 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Audition (The Fools Who Dream) (SATB choir) From La La Land Chorale SATB SATB, Piano [Octavo] Alfred Publishing
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics b...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Andy Beck.
Choral Octavo. Alfred Pop
Series. Movie; Secular.
12
pages. Published by
Alfred
Music
$2.00 $1.9 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Audition (The Fools Who Dream) (SoundTrax CD) CD Chorale [CD d'accompagnement] Alfred Publishing
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Andy Beck.
This
edition: SoundTrax CD.
CD;
Choral Octavo. Alfred Pop
Series. Movie; Secular.
Published by Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Audition (The Fools Who Dream) (3-Part Mixed Choir) From La La Land Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics b...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Andy Beck.
Choral Octavo. Alfred Pop
Series. Movie; Secular.
12
pages. Published by
Alfred
Music
$2.00 $1.9 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lang Lang Piano Academy -- mastering the piano
Piano seul - Intermédiaire Faber Music Limited
(Level 4). Composed by Lang Lang. For Piano. Book; Method/Instruction; Piano ...(+)
(Level 4). Composed by
Lang
Lang. For Piano. Book;
Method/Instruction; Piano
Method. Faber Edition.
Early
Intermediate. Published
by
Faber Music
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Village Pictures Piano seul - Débutant Forsyth Publications
Piano SKU: FP.FLJ12 Composed by Joan Last. Published by Forsyths Publicat...(+)
Piano SKU:
FP.FLJ12 Composed by
Joan Last. Published by
Forsyths Publications
(FP.FLJ12). ISBN
979-0-57050-194-6.
For many years a
professor at the Royal
Academy of Music, Joan
Last was widely admired
for her skill and vast
experience in the
teaching of young
beginners and adults
alike. This album
features seven longer
piano pieces useful for
developing sustained
concentration from
younger pupils. Suggested
grade 1-2. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La La Land CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.275238 (Choral Highlights). Composed ...(+)
Choral (ShowTrax CD)
SKU: HL.275238
(Choral
Highlights). Composed
by Benj Pasek, Justin
Hurwitz, and Justin Paul.
Arranged by Mark A.
Brymer. Pop Choral
Series. Concert, Jazz,
Medley, Movies, Musicals,
Pop. CD. Duration 420
seconds. Published by Hal
Leonard (HL.275238).
UPC: 888680743536.
5.0x5.0x0.15
inches. The musical
score for the hit movie
La La Land, won Academy
Awards for best score and
best original song. Music
is by the Broadway
sensations Justin Paul
and Benj Pasek (Dear Even
Hansen & A Christmas
Story) along with
orchestrations by Justin
Hurwitz. It is up beat,
pop and jazz driven and
full of love. Songs in
this medley include:
Another Day of Sun,
Audition, City of Stars,
Mia & Sebastian's
Theme, and Someone in the
Crowd. $49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Attis For Violin Solo Violon [Conducteur] EMB (Editio Musica Budapest)
Violin (VIOLIN SOLO) SKU: HL.50487759 (1986). Composed by Laszlo T...(+)
Violin (VIOLIN SOLO)
SKU: HL.50487759
(1986). Composed
by Laszlo Tihanyi. EMB.
Score Only. Composed
1997. Duration 11'.
Editio Musica Budapest
#Z14099. Published by
Editio Musica Budapest
(HL.50487759). ISBN
9790080140994. A/4
inches. Hungarian,
English. Laszlo
Tihanyi. The piece
was composed at the
request of violinist
Eszter Perenyi, my
colleague at the Ferenc
Liszt Academy of Music,
and was several times
amond the optional pieces
of the yearly violin
competition for students.
It was inspired by the
famous 63rd poem of
Catullus that tells the
story of Attis: the hero
of the Greek mythology
arrives at the Mount Ida
in Frygia, to the
invitation of the goddess
Cybele, and becomes her
lover. The Gallas,
certitude priests of
Cybele chase him into
delirious dance, by the
end of which he castrates
himself. On waking from
his paralysed dream he
entreats in vain for his
virility and freedom to
Cybele, he will remain
servant of the goddess
for eternity. My work
tells the story in four
parts: 1) Attis' ecstasy
2) Dance of the Gallas 3)
Attis' dream 4) Attis'
entreaty. The Catullian
galliambic metric that
first appears in the
'prologue' of the piece,
becomes the
organisational principle
of almost all musical
aspects of it.
(Hungaroton HCD
32484). $16.45 - Voir plus => Acheter | | |
| The Howard Shore Collection, Volume 2 Piano seul Alfred Publishing
Composed by Howard Shore. For Keyboard; Piano; Voice. This edition: Piano So...(+)
Composed by Howard Shore.
For Keyboard; Piano;
Voice.
This edition: Piano Solo
&
Piano/Vocal/Chords.
Artist/Personality; Book;
Piano - Personality Book;
Piano Supplemental;
Piano/Vocal/Chords.
Movie.
112 pages. Published by
Alfred Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmopolydian for Wind Band Orchestre d'harmonie Metropolis Music Publishers
Wind Band SKU: IS.WE7090EM Composed by Nico Schoeters. Ensembles - Wind B...(+)
Wind Band SKU:
IS.WE7090EM Composed
by Nico Schoeters.
Ensembles - Wind Band.
Metropolis Music
Publishers #WE7090EM.
Published by Metropolis
Music Publishers
(IS.WE7090EM). ISBN
9790365070909. Nico
Schoeters took his first
percussion lessons with
Eric Buyle in the Academy
for Music and Word in
Boom, near Antwerp, after
getting the hang of it
through private lessons
by Jozef Vervliet.
Afterwards he continued
his music studies at the
Royal Conservatory of
Antwerp, where he was
taught by Leo Ouderits,
Carlo Willems and Koen
Wilmaers. In 1998 he
graduated there with
great distinction as
Master in percussion.
After cooperating on
various projects in
Belgium and abroad as a
freelance percussionist,
Nico took up a position
as a percussionist in the
National Orchestra of
Belgium. However, despite
of all his achievements
as a percussionist, Nico
Schoeters didn’t
take his first musical
steps by playing
percussion, but by
playing the piano. His
love for the piano
remained a common thread
in his musical career.
For example, he played
numerous gigs as a
pianist with his jazz
quartet ‘Just
Friends, consisting of a
number of top musicians
who are his friends. In
addition he started
composing piano works in
2012. Cosmopolydian is my
first composition for
symphonic windband. It's
a solo piece for flute
and vibraphone which is
dedicated to Inge Smedts,
principal piccolo at the
Royal Wind Band of the
Belgian Guides. It is
written in the context of
a musical project
‘Cocktail Maison'.
This project includes a
concert on May 25th, 2017
in De Singel in Antwerp
where this work will be
premiered, a CD recording
and a concert tour. All
the pieces for this
project are new
compositions by Piet
Swerts, Jef Neve, Klaas
Coulembier, Etienne
Houben, Bart Watté,
Jan Huylebroeck, Francois
Glorieux and myself. All
the compositions are
inspired by a cocktail.
My choice is the
Cosmopolitan, but the
non-alcoholic version,
the mocktail actually.
The title Cosmopolydian
is a nod to the lydian
scale which I used as a
base for the majority of
the piece. The idea
behind the music is an
image of children
enjoying themselves,
worry-free, during the
holidays. Tired but
satisfied, they go to
sleep and have wonderful
dreams. The next day they
wake up to start a
beautiful new day.The
work is constructed in a
typical ABA form. A quick
first part:
‘sparkling
allegro', which of course
should sound very light
and playful. A slow
middle part warm adagio,
in which the beautiful
dreams become audible.
The last part is a
re-exposition of the
first part in which
eventually all the themes
merge into the final. $134.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmopolydian for Flute and Vibraphone Metropolis Music Publishers
Chamber Music SKU: IS.CM7397EM Composed by Nico Schoeters. Ensembles - Ch...(+)
Chamber Music SKU:
IS.CM7397EM Composed
by Nico Schoeters.
Ensembles - Chamber
Music. Metropolis Music
Publishers #CM7397EM.
Published by Metropolis
Music Publishers
(IS.CM7397EM). ISBN
9790365073979. Nico
Schoeters took his first
percussion lessons with
Eric Buyle in the Academy
for Music and Word in
Boom, near Antwerp, after
getting the hang of it
through private lessons
by Jozef Vervliet.
Afterwards he continued
his music studies at the
Royal Conservatory of
Antwerp, where he was
taught by Leo Ouderits,
Carlo Willems and Koen
Wilmaers. In 1998 he
graduated there with
great distinction as
Master in percussion.
After cooperating on
various projects in
Belgium and abroad as a
freelance percussionist,
Nico took up a position
as a percussionist in the
National Orchestra of
Belgium. However, despite
of all his achievements
as a percussionist, Nico
Schoeters didn’t
take his first musical
steps by playing
percussion, but by
playing the piano. His
love for the piano
remained a common thread
in his musical career.
For example, he played
numerous gigs as a
pianist with his jazz
quartet ‘Just
Friends, consisting of a
number of top musicians
who are his friends. In
addition he started
composing piano works in
2012. Cosmopolydian is my
first composition for
symphonic windband. It's
a solo piece for flute
and vibraphone which is
dedicated to Inge Smedts,
principal piccolo at the
Royal Wind Band of the
Belgian Guides. It is
written in the context of
a musical project
‘Cocktail Maison'.
This project includes a
concert on May 25th, 2017
in De Singel in Antwerp
where this work will be
premiered, a CD recording
and a concert tour. All
the pieces for this
project are new
compositions by Piet
Swerts, Jef Neve, Klaas
Coulembier, Etienne
Houben, Bart Watté,
Jan Huylebroeck, Francois
Glorieux and myself. All
the compositions are
inspired by a cocktail.
My choice is the
Cosmopolitan, but the
non-alcoholic version,
the mocktail actually.
The title Cosmopolydian
is a nod to the lydian
scale which I used as a
base for the majority of
the piece. The idea
behind the music is an
image of children
enjoying themselves,
worry-free, during the
holidays. Tired but
satisfied, they go to
sleep and have wonderful
dreams. The next day they
wake up to start a
beautiful new day. The
work is constructed in a
typical ABA form. A quick
first part:
‘sparkling
allegro', which of course
should sound very light
and playful. A slow
middle part warm adagio,
in which the beautiful
dreams become audible.
The last part is a
re-exposition of the
first part in which
eventually all the themes
merge into the final. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmopolydian for Flute and Piano Flûte traversière et Piano Metropolis Music Publishers
Flute and Piano SKU: IS.FP7396EM Composed by Nico Schoeters. Woodwinds - ...(+)
Flute and Piano SKU:
IS.FP7396EM Composed
by Nico Schoeters.
Woodwinds - Flute.
Metropolis Music
Publishers #FP7396EM.
Published by Metropolis
Music Publishers
(IS.FP7396EM). ISBN
9790365073962. Nico
Schoeters took his first
percussion lessons with
Eric Buyle in the Academy
for Music and Word in
Boom, near Antwerp, after
getting the hang of it
through private lessons
by Jozef Vervliet.
Afterwards he continued
his music studies at the
Royal Conservatory of
Antwerp, where he was
taught by Leo Ouderits,
Carlo Willems and Koen
Wilmaers. In 1998 he
graduated there with
great distinction as
Master in percussion.
After cooperating on
various projects in
Belgium and abroad as a
freelance percussionist,
Nico took up a position
as a percussionist in the
National Orchestra of
Belgium. However, despite
of all his achievements
as a percussionist, Nico
Schoeters didn’t
take his first musical
steps by playing
percussion, but by
playing the piano. His
love for the piano
remained a common thread
in his musical career.
For example, he played
numerous gigs as a
pianist with his jazz
quartet ‘Just
Friends, consisting of a
number of top musicians
who are his friends. In
addition he started
composing piano works in
2012. Cosmopolydian is my
first composition for
symphonic windband. It's
a solo piece for flute
and vibraphone which is
dedicated to Inge Smedts,
principal piccolo at the
Royal Wind Band of the
Belgian Guides. It is
written in the context of
a musical project
‘Cocktail Maison'.
This project includes a
concert on May 25th, 2017
in De Singel in Antwerp
where this work will be
premiered, a CD recording
and a concert tour. All
the pieces for this
project are new
compositions by Piet
Swerts, Jef Neve, Klaas
Coulembier, Etienne
Houben, Bart Watté,
Jan Huylebroeck, Francois
Glorieux and myself. All
the compositions are
inspired by a cocktail.
My choice is the
Cosmopolitan, but the
non-alcoholic version,
the mocktail actually.
The title Cosmopolydian
is a nod to the lydian
scale which I used as a
base for the majority of
the piece. The idea
behind the music is an
image of children
enjoying themselves,
worry-free, during the
holidays. Tired but
satisfied, they go to
sleep and have wonderful
dreams. The next day they
wake up to start a
beautiful new day. The
work is constructed in a
typical ABA form. A quick
first part:
‘sparkling
allegro', which of course
should sound very light
and playful. A slow
middle part warm adagio,
in which the beautiful
dreams become audible.
The last part is a
re-exposition of the
first part in which
eventually all the themes
merge into the final. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| City of Stars (Women's Choir) From La La Land Chorale 3 parties SSA, Piano [Octavo] Alfred Publishing
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Jay Althouse.
Choral Octavo. Alfred Pop
Series. Form: Ballade.
Movie; Secular. 8 pages.
Published by Alfred Music
$2.00 $1.9 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lux in tenebris (from Luminosity) Chester
Choral (Full Score) SKU: HL.14041981 Full Score. Composed by James...(+)
Choral (Full Score)
SKU: HL.14041981
Full Score.
Composed by James
Whitbourn. Music Sales
America. Classical.
Softcover. Composed 2012.
Chester Music #CH7350202.
Published by Chester
Music (HL.14041981).
8.25x11.75x0.491
inches. Lux In
Tenebris from Luminosity.
For SATB choir, Viola,
Tanpura, Tam-Tam, and
dance
theatre.
Luminosit
y is a multi-media work,
commissioned by the
conductor James Jordan of
Westminster Choir College
for the
WestminsterWilliamson
Voices, the women of the
Westminster Schola
Cantorum, the Blair
Academy Singers
(conductor, William
Hammer) and the
black-light dance company
Archedream, for
performance in Phildephia
Cathedral during
April2008.
The
text, compiled and edited
by the composer, centres
on the transcendent
beauty of creation
expressed by luminaries
down the ages. Texts are
taken from the writings
of St John, St Teresa of
Avila, Ryonen,
StAugustine, Julian of
Norwich, and St Isaac of
Nineveh.
Scoring SATB (with
division) Viola Tan
pura Tam-Tam Organ.
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pure Imagination (from Willy Wonka and the Chocolate Factory) Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
Composed by Leslie Bricusse and Anthony Newley. Arranged by Douglas E. Wagner. C...(+)
Composed by Leslie
Bricusse and Anthony
Newley. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band. Pop Young Band.
Form: Ballade. Movie;
Pop. Grade 2. Score only.
16 pages. Published by
Alfred Music
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chiroptera Guitare Fennica Gehrman
Guitar SKU: FG.55011-522-4 Composed by Harri Vuori. Fennica Gehrman #5501...(+)
Guitar SKU:
FG.55011-522-4
Composed by Harri Vuori.
Fennica Gehrman
#55011-522-4. Published
by Fennica Gehrman
(FG.55011-522-4). ISBN
9790550115224. Harr
i Vuori's Chiroptera
(2017) for guitar
embraces the instrument
with several
compositional solutions
born from the attributes
of the guitar. Dedicated
to Patrik Kleemola this
12 minutes work is
devided in three
movements. The textures
of Chiroptera are complex
but their build-up,
fade-out, measuring and
timing of these changes
is clearly defined and
understandable. According
to the composer the name
Chiroptera has the same
beautiful sound as the
composition in whole. In
addition he currently
lives in an area
populated with lots of
bats both in the woods
and in the atticks. Harri
Vuori (b. 1957) studied
composition with Paavo
Heininen, Eero
Hameenniemi and
Einojuhani Rautavaara at
the Sibelius Academy. He
has been composer in
residence of the Hyvinkaa
Orchestra since 1997 and
has taught in the
Department of Musicology
at the University of
Helsinki since 1993. HIs
guitar concerto Ctulhu's
Dreams (2016) based on
the Ctulhu mythology by
H.P. Lovecraft was
commissioned by the
Lappeenranta City
Orchestra and premiered
in 2016. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pure Imagination (from Willy Wonka and the Chocolate Factory) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Leslie Bricusse and Anthony Newley. Arranged by Douglas E. Wagner. Concert Ba...(+)
By Leslie Bricusse and
Anthony Newley. Arranged
by Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Pop Young
Band. Form: Ballade.
Movie; Pop. Grade 2. 120
pages. Published by
Alfred Music
$62.00 $58.9 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |