| Rites Of Tamburo / Conductor's Score Orchestre d'harmonie [Conducteur] - Facile Belwin
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin Young
Band. Score. 28 pages.
Belwin Music #00-BD9962C.
Published by Belwin Music
(14)$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gale Force (Full Set) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Composed by Larry Neeck. For young concert band. Command Series. Grade 3. Score ...(+)
Composed by Larry Neeck.
For young concert band.
Command Series. Grade 3.
Score and set of parts.
Duration 4 minutes, 22
seconds. Published by
C.L. Barnhouse
$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rites Of Tamburo Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin Young
Band. Part(s); Score. 260
pages. Duration 3:45.
Belwin Music #00-BD9962.
Published by Belwin Music
(3)$63.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Windforce Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Composed by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single ...(+)
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Form: Overture.
Part(s); Score. 130
pages. Duration 2:00.
Belwin Music #00-44880.
Published by Belwin Music
(AP.44880).
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Overture To Colas Breugnon Full Score Orchestre d'harmonie [Conducteur] Schirmer
| | |
| Kamehameha (The Great Warrior) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By William Owens. Young Band. FJH Young Band. This dramatic work was inspired by...(+)
By William Owens. Young
Band. FJH Young Band.
This dramatic work was
inspired by the legend of
Kamehameha, the
warrior-king of Hawaii
who came to power in the
late-18th century.
Through his many
conquests and great
generosity toward
subjects, Kamehameha has
captured a significant
place in Hawaiian history
and has been called the
Napoleon of the Pacific.
Score for this title:
B1296S. Concert Band.
Level: 2. Score and Set
of Parts. Composed 2006.
Published by The FJH
Music Company Inc.
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony #4 Orchestre Symphonique [Conducteur] Carl Fischer
For Symphonic Wind Ensemble. Composed by David Maslanka. Classical. Full score (...(+)
For Symphonic Wind
Ensemble. Composed by
David Maslanka.
Classical. Full score
(study). With Standard
notation. 138 pages.
Duration 27 minutes. Carl
Fischer #O005374.
Published by Carl Fischer
$115.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
By Maxime Aulio. (Score & Parts). De Haske Concert Band Full Set. Size 8.2x11.7...(+)
By Maxime Aulio. (Score
& Parts). De Haske
Concert Band Full Set.
Size 8.2x11.75 inches.
Published by De Haske
Publications.
$166.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gale Force Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Young concert band - Grade 3 SKU: CL.011-4118-01 Composed by Neeck. Young...(+)
Young concert band -
Grade 3 SKU:
CL.011-4118-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR376). Extra
full score. Composed
2012. Duration 4 minutes,
22 seconds. C.L.
Barnhouse #011-4118-01.
Published by C.L.
Barnhouse
(CL.011-4118-01).
The forces of
nature and the sea are
portrayed in Gale Force.
A powerful introduction
leads to driving themes
that depict a tempest at
sea. A temporary calm
prevails, providing
beautiful lyrical themes
that showcase the subtly
and expressiveness of
your ensemble. Driving
rhythms then lead to a
thrilling conclusion.
Showcase the musicality
of your band in this
dramatic tour-de-force
that will excite the
imagination of your
audience and band
alike.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up, Shepherd! Carl Fischer
Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2 SKU: CF.CM9634 Com...(+)
Choral Bass 1, Bass 2,
baritone voice tenor 1,
tenor 2 SKU:
CF.CM9634 Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual. Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| G Force Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.49051S Composed by Richard Meyer. 5 or More; ...(+)
Orchestra - Grade 2
SKU: AP.49051S
Composed by Richard
Meyer. 5 or More;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 12
pages. Duration 2:50.
Alfred Music #00-49051S.
Published by Alfred Music
(AP.49051S). ISBN
9781470645656. UPC:
038081561240.
English. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
This energetic,
modern-sounding selection
was written to improve
your students' reading of
notes on the G string and
is focused on this
often-neglected lower
range of the instruments.
The minor and modal
harmonies, hard-driving
rhythms, and stunning
dynamic contrasts all
combine to give the piece
a primal and primitive
sound that students will
love. A slow,
introspective middle
section provides a
dramatic contrast to the
piece's initial surge and
will help develop bow
control and steady
pizzicato pulse. G Force
by Richard Meyer is
perfect for festival or
contest! (2:50). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. ...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053880-040
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-040.
Published by De Haske
Publications
(BT.DHP-1053880-040).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053880-140
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Score
Only. Composed 2005. 28
pages. De Haske
Publications #DHP
1053880-140. Published by
De Haske Publications
(BT.DHP-1053880-140).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
L«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| G Force Orchestre - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.49051 Composed by Richard Meyer. 5 or More; M...(+)
Orchestra - Grade 2
SKU: AP.49051
Composed by Richard
Meyer. 5 or More;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Score and
Part(s). 95 pages.
Duration 2:50. Alfred
Music #00-49051.
Published by Alfred Music
(AP.49051). ISBN
9781470645649. UPC:
038081561233.
English. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
This energetic,
modern-sounding selection
was written to improve
your students' reading of
notes on the G string and
is focused on this
often-neglected lower
range of the instruments.
The minor and modal
harmonies, hard-driving
rhythms, and stunning
dynamic contrasts all
combine to give the piece
a primal and primitive
sound that students will
love. A slow,
introspective middle
section provides a
dramatic contrast to the
piece's initial surge and
will help develop bow
control and steady
pizzicato pulse. G Force
by Richard Meyer is
perfect for festival or
contest! (2:50) This
title is available in
MakeMusic Cloud. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kaseko Fever Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 3 SKU: BT.DHP-1053821-060 Arranged by Hotze J...(+)
Accordion Orchestra -
Grade 3 SKU:
BT.DHP-1053821-060
Arranged by Hotze Jelsma.
Accordion. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053821-060. Published by
De Haske Publications
(BT.DHP-1053821-060).
English-German-French-
Dutch. Kaseko is an
original style of music
from Surinam. An unnamed
Kaseko melody from the
collection of Ronald
Snijders is the starting
point for Kaseko Fever.
In his collection the
piece was given the
number A50, which
nitially was also the
title. The swinging
melody was the
arranger’s
inspiration to produce
this fantasy; the
imaginative part of the
conga drum is the driving
force.
Kaseko is
een uit Suriname
afkomstige muziekstijl.
Een naamloze
kaseko-melodie uit de
verzameling van Ronald
Snijders is het
uitgangspunt voor
Kaseko Fever. In
de betreffende
verzameling kreeg dit
stuk het nummer A50, dat
aanvankelijkook de titel
was. De swingende melodie
inspireerde de arrangeur
tot het maken van deze
fantasie, de originele
congapartij is hierin de
drijvende
kracht.
Kaseko ist
ein originaler Musikstil,
der seinen Ursprung in
Surinam hat. Eine
Kaseko-Melodie (anonymer
Herkunft) aus der
Sammlung von Ronald
Snijders bildet den
Ausgangspunkt zu
Kaseko Fever. In
der Sammlung wurde dem
Stück die Nummer A50
gegeben, was zuerst auch
als Titel diente. Die
schwungvolle Melodie
inspirierte den
Komponisten zu dieser
Fantasie. Treibende Kraft
in diesem Stück für
Akkordeonorchester ist
die originelle
Conga-Stimme.
Le
kaseko est un style de
musique traditionnelle
originaire du Surinam.
Kaseko Fever est
basé sur une
mélodie kaseko
anonyme, extraite
d’un recueil de
Ronald Snijders (pionnier
du style), et
intitulée
l’origine
A50. Le
caractère dansant de
la mélodie a séduit
l’arrangeur qui
s’en est
inspiré pour la
réalisation de cette
fantaisie.
L’originalité
des rythmes des congas
est la force motrice du
développement de
l’œuvre. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053880-010
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-010.
Published by De Haske
Publications
(BT.DHP-1053880-010).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Joy of Freedom - Intermédiaire Hal Leonard
Score and Parts Brass Quintet (Score & Parts) - Grade 4 SKU: HL.4007976 <...(+)
Score and Parts Brass
Quintet (Score & Parts) -
Grade 4 SKU:
HL.4007976 Brass
Quintet Score and
Parts. Composed by
Nico Samitz. Concert.
Softcover. Duration 240
seconds. Hal Leonard
#SDP061-21. Published by
Hal Leonard (HL.4007976).
Nico Samitz has
been composing for
chamber ensembles since
his school days. For over
ten years he has been
writing works in a wide
variety of genres for the
BlechReiz Brass Quintet
ensemble, in which he
himself plays trumpet and
piano. His field of
expertise ranges from
classical pieces to jazz
and meditative
music–and even to
pop-oriented
compositions. While
honing his skills in
ear-training and
composition at the
Mozarteum, Salzburg, Nico
became acquainted with a
wide repertoire of works
as a trumpet player with
the Munich Symphony
Orchestra, The Munich
Philharmonic Orchestra,
and the Bavarian State
Opera, all of which have
influenced his writing
style. The driving force
behind his creative work
is a winning combination
of passion, the fun of
music-making and a desire
to express, through the
medium of music, feelings
that are difficult to put
into words. Like many of
his works, Nico composed
The Joy of Freedom for
the BleckReiz Brass
Quintet. The catchy tune
is reworked in a variety
of styles throughout the
entire work, giving it
the quality of a true
“earworm.â€.
p>
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Sprint Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Classical. Medium
Easy/Medium. Score and
Parts. Standard notation.
16 pages. Published by
Carl Fischer . Score and
Parts. classical.
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Windforce Orchestre d'harmonie [Conducteur] - Débutant Belwin
Concert Band - Grade 0.5 SKU: AP.44880S Composed by Douglas E. Wagner. Co...(+)
Concert Band - Grade 0.5
SKU: AP.44880S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Form: Overture.
Score. 16 pages. Duration
2:00. Belwin Music
#00-44880S. Published by
Belwin Music (AP.44880S).
UPC: 038081515960.
English. Wind is
one of the most important
elemental forces in
nature. This original
work musically captures
that energy with bold
melodic lines, expansive
harmony, and driving
rhythms, climaxing with a
dramatic accelerando that
brings the work to its
dramatic conclusion.
(2:00). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First We Dream Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 3 SKU: FJ.B1467S Score Only. Com...(+)
Concert Band Concert Band
- Grade 3 SKU:
FJ.B1467S Score
Only. Composed by
Erik Morales. Concert
Band. FJH Concert Band.
Score. Duration 3:30. The
FJH Music Company Inc
#98-B1467S. Published by
The FJH Music Company Inc
(FJ.B1467S).
English. From
the opening fanfare to
the powerful rhythmic
statement of the ending,
this exuberant work will
keep the audience on the
edge of their seats! The
large percussion section
is featured extensively
and provides the driving
force behind the
expansive themes. A
clever combination of
modern rhythms and
elements of popular
music.
About FJH
Concert
Band Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5 $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Quintet No. 1 for Winds [Conducteur] Carl Fischer
Chamber Music Full Score SKU: CF.WE8F For Flute, Oboe, Clarinet, Horn ...(+)
Chamber Music Full Score
SKU: CF.WE8F
For Flute, Oboe,
Clarinet, Horn and
Bassoon. Composed by
Larry Clark. SWS. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #WE8F.
Published by Carl Fischer
Music (CF.WE8F). ISBN
9780825868443. UPC:
798408068448. 9 X 12
inches. Carl
Fischer Music
Editor-in-Chief and
veteran composer Larry
Clark has penned a
beautiful quintet for
winds, commissioned by
the Ars Nova Quintet at
James Madison University
in 1991, where it was
premiered. Quartal and
quintal harmonies are the
driving force behind this
piece in three movements;
each exploring a
different style. Frolic
is inspired by
Stravinsky's use of
stacked fifths, Song is
melancholy and
thoughtful, and Rondo
goes out with a bang,
loosely following the
rondo format and ending
soundly in F major. For
advanced players. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Incantations Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Richard Meyer. Music by Richard Meyer. For String Orchestra. String Orchestra...(+)
By Richard Meyer. Music
by Richard Meyer. For
String Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 16 pages.
Published by Alfred
Publishing. Level: 4
(grade 4).
(2)$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Fencing Master - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn 1, Horn 2, Horn 3,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Trombone 1 and more. -
Grade 3 SKU:
CF.CPS275 Concert
March. Composed by
Joseph Benjamin Earp.
Arranged by Joseph
Benjamin Earp. Set of
Score and Parts. Carl
Fischer Music #CPS275.
Published by Carl Fischer
Music (CF.CPS275).
ISBN 9781491163740.
UPC:
680160922536. Origi
nally published by Carl
Fischer in 1932, The
Fencing Master by Captain
James C. Harper, former
director of the famed
Lenoir High School Band
(Lenoir, North Carolina),
is a rediscovered
treasure in the concert
march world. A fencing
master is defined as an
expert in, and teacher
of, the art and sport of
fencing. This sport uses
a sword both in an
offensive and defensive
stance. This march
embodies the idea of
fencing and the fencing
master.Captain Harper
used this march as part
of his application to the
American Bandmasters
Association where he
later served as president
of this organization in
1955 and was also a
lifetime honorary
president. Captain Harper
was also a strong driving
force in the creation of
the North Carolina
Chapter of the American
School Band Directors
Association. This chapter
of the ASBDA is one of
the oldest and largest in
the country.The famed
Lenoir High School Band
was the center of Captain
Harper’s
dedication for quality
music education. The
Lenoir High School Band
continues to be
internationally known for
a staggering
forty-two-year
consecutive streak of
Superior Ratings in Grade
VI state Concert Band
Contests. This streak was
from 1935 until the
school’s closing
in 1977 as part of a
school merger in Caldwell
County.As a fellow native
of Lenoir, North
Carolina, the
revitalization of this
concert march has been a
special project for me.
May this revived gem
serve as a tribute to the
legacy of Captain Harper
and his famed Lenoir High
School Band. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Turf War Ensemble Jazz [Conducteur et Parties séparées] C.L. Barnhouse
Composed by Erik Sherburne. Jazz Ensemble. Score and parts. Composed 2017. Durat...(+)
Composed by Erik
Sherburne. Jazz Ensemble.
Score and parts. Composed
2017. Duration 3 minutes,
13 seconds. Published by
C.L. Barnhouse
(CL.032-4534-00).
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Incantations Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Richard Meyer. Music by Richard Meyer. For string orchestra. String Orchestra...(+)
By Richard Meyer. Music
by Richard Meyer. For
string orchestra. String
Orchestra. String
Orchestra. Conductor
Score and Parts.
Published by Alfred
Publishing. Level: 4
(grade 4).
(3)$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Celtic Force (Full Score) Orchestre à Cordes - Facile Kendor Music Inc.
String Orchestra - Grade 3 SKU: KN.09991S Composed by Traditional. Arrang...(+)
String Orchestra - Grade
3 SKU: KN.09991S
Composed by Traditional.
Arranged by Steve
Frackenpohl. Solo or
Ensemble. Apex String
Orchestra. Kendor Music
Inc #09991S. Published by
Kendor Music Inc
(KN.09991S). UPC:
822795099911. This
highly-charged medley
contains four Irish
fiddle tunes arranged in
the Celtic rock style
that's so popular with
audiences today. The
nonstop eighth notes,
modal scales and driving
rhythms will be exciting
for all. Double stops
should be played
non-divisi when possible,
and Frackenpohl suggests
that the bass line will
sound best if some basses
play pizzicato instead of
arco. Duration 3:00.
Available in
SmartMusic. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Emerald Falcon Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Richard Meyer. Orchestra. Score; String Orchestra. Highland String Orchestra....(+)
By Richard Meyer.
Orchestra. Score; String
Orchestra. Highland
String Orchestra. Grade
4. 24 pages. Published by
Alfred Music Publishing
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Emerald Falcon Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Richard Meyer. Orchestra. For string. Part(s); Score; String Orchestra. Highl...(+)
By Richard Meyer.
Orchestra. For string.
Part(s); Score; String
Orchestra. Highland
String Orchestra. Grade
4. 124 pages. Published
by Alfred Music
Publishing
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ides of March [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, China Cymbal, Clarinet 1,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, China Cymbal,
Clarinet 1, Clarinet 2,
Clarinet 3, Claves, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2 and more. - Grade 3
SKU: CF.CPS142F
Composed by Sean
O'Loughlin. Concert
Performcnace Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS142F.
Published by Carl Fischer
Music (CF.CPS142F).
ISBN 9780825892899.
UPC: 798408092894. 9 x 12
inches. Key: Eb
minor. Sean
O'Loughlin's The Ides of
March is pulse-pounding
and haunting; a dramatic
composition for band.
This work celebrates the
composer's love of modern
film music and is an
exercise in economy of
musical material while
remaining wonderfully
melodic and
elegant.
Pulse-pounding and
haunting are two very
distinct characteristics
in The Ides of March.
This dramatic compo-
sition for string
orchestra celebrates my
love of modern film music
and is an exercise in
economy of musical
material. This economy is
often referred to as
minimalism, although I
would not go so far as to
include this composition
in that world. The Ides
of March is a phrase that
first appeared in the
play Julius Caesar by
William Shakespeare and
rep- resented the time
when a coup detat
happened in the Roman
government. Et tu, Brute?
is the famous line
recited by Julius Caesar
at the climactic scene.
The music reflects this
heart pounding pace and
the events leading to the
coup detat or overthrow
of the government in
power. The music starts
with a three note idea
that permeates the entire
composition. The first
section of the piece from
mm. 1-35 is essentially
one big crescendo.
Different elements get
added to the core
three-note idea to
increase its complexity.
The swells in the low
strings provide a
grounding element to the
rhythm above. The rhythm
starts to break away from
itself at m. 13 with the
addition of a
counterrhythm in the
first violin. This
counterrhythm becomes the
main driving force at m.
21 with some melodic
material introduced in
the lower strings. The
two eighth-note rhythmic
ideas unite once again at
m. 29 with a third
rhythmic idea brought
into the lower strings to
provide the final push
into m. 35. The rhythmic
cycle starts up again at
m. 36, but this time it
welcomes a lyrical line
in the first violins. The
piz- zicato notes in the
celli and basses should
have a light and spirited
quality to them. A
counterline joins the
lyrical line at m. 46
with several intriguing
moments of dissonance.
The rhythm lets up a
touch at m. 54, but
quickly returns at m. 62
with the same three note
rhythm displaced by one
beat between the violins
and the viola and celli.
A build-up follows that
releases into the big
lyrical and haunting
moment of the piece at m.
74. The sound here should
be broad, rich and
triumphant. Bring out the
eighth notes at mm. 80-81
while hav- ing the
sustained notes pull back
a bit. The soft dynamic
at m. 90 signals a return
to the rhythmic cycle. As
before, layers of rhythms
keep being added to
increase the intensity of
the moment. This
crescendo finally
releases itself at the
end. Be mindful of the
two beats of tutti rest
in m. 117 that sets up
the final climactic
gesture in the following
measure.
$13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 61 61 61 |