| There Will I Be - SATB score and parts Violon, Violoncelle (duo) [Conducteur et Parties séparées] Beckenhorst Press
Composed by Craig Courtney. For violin and cello (or flute and bassoon). Full sc...(+)
Composed by Craig
Courtney. For violin and
cello (or flute and
bassoon). Full score and
parts. Published by
Beckenhorst Press
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adagio, WoO 35 Basson, Piano (duo) Schott
Bassoon (Cello, Violin, Flute, or Clarinet) and Piano. Composed by Louis ...(+)
Bassoon (Cello,
Violin, Flute, or
Clarinet) and Piano.
Composed by Louis Spohr
(1784-1859). Edited by
Wolfgang Birtel. Schott.
Schott Music #ED20988.
Published by Schott Music
(HL.49018690).
$20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| There Will I Be - TTBB score and parts Violon, Violoncelle (duo) Beckenhorst Press
Composed by Craig Courtney. For violin and cello (or flute and bassoon). Sacred....(+)
Composed by Craig
Courtney. For violin and
cello (or flute and
bassoon). Sacred. Full
score and instrumental
parts. Published by
Beckenhorst Press
$20.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fantaisie Basson, Piano (duo) Leduc, Alphonse
Bassoon (bassoon/piano) SKU: HL.48181173 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181173
For Bassoon and
Piano. Composed by
Eugè and ne Bozza.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL20421.
Published by Alphonse
Leduc (HL.48181173).
UPC: 888680861698.
9.0x12.0x0.058
inches. To this
day, Eugene Bozza
(1905-1991) remains one
of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Fantasy for
bassoon and piano is no
exception to the
composer's success.
During his studies at the
Paris Conservatoire,
Bozza won prizes for
violin, conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opera-Comique and became
Head of the Conservatoire
in Valenciennes, whilst
remaining a prominent
composer. Composed in
1945, Bozza's Fantasy for
bassoon and piano is a
virtuosic work,
addressing advanced
features including
complex rhythms,
chromaticism, a wide
range and articulation.
As music educationalist,
Paul Griffiths has
written of Bozza's
compositions, his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities.. $20.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gavotte Basson, Piano (duo) Schott
Bassoon and Piano. Composed by Naji Hakim (1955-). Woodwind Solo. Classical....(+)
Bassoon and Piano.
Composed
by Naji Hakim (1955-).
Woodwind Solo. Classical.
Softcover. Schott Music
#FAG38. Published by
Schott
Music
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Introduktion und Variationen, Op. 4 Basson, Piano (duo) Bote and Bock
Bassoon; Piano (Bassoon) SKU: HL.48014855 Bassoon with Piano Accompani...(+)
Bassoon; Piano (Bassoon)
SKU: HL.48014855
Bassoon with Piano
Accompaniment.
Composed by Karl
Almenraeder. Edited by
Masahito Tanaka. Boosey &
Hawkes Chamber Music.
Classical, Contemporary,
German. 16 pages. Bote &
Bock #M202516041.
Published by Bote & Bock
(HL.48014855). UPC:
073999148558.
9.0x12.0x0.097
inches. Originally
for Basson, Violin, Viola
and Cello. Arranged here
for Bassoon and Piano by
Masahito Tanaka. $35.95 - Voir plus => Acheter | | |
| Three Pieces for Euphonium and Piano Euphonium, Piano (duo) [Partie seule] - Intermédiaire/avancé Cherry Classics
By Edward Elgar (1857-1934). Arranged by Ralph Sauer. For Euphonium and Piano. R...(+)
By Edward Elgar
(1857-1934). Arranged by
Ralph Sauer. For
Euphonium and Piano.
Romantic, British.
Advanced. Solo part and
piano accompaniment.
Published by Cherry
Classics
$22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Duo Music Distribution Services
Violin and Bassoon SKU: M7.DOHR-98520 Composed by Manfred Niehaus. Sheet ...(+)
Violin and Bassoon
SKU: M7.DOHR-98520
Composed by Manfred
Niehaus. Sheet music.
Score (also performance
score). 15 pages. MDS
(Music Distribution
Services) #DOHR 98520.
Published by MDS (Music
Distribution Services)
(M7.DOHR-98520). ISBN
9790202005200. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 3 Duos WoO 27 Amadeus Verlag
Clarinet (flute, violin) and bassoon SKU: M7.BP-362 Composed by Ludwig va...(+)
Clarinet (flute, violin)
and bassoon SKU:
M7.BP-362 Composed by
Ludwig van Beethoven.
Edited by Willy Hess.
Sheet music. Score and
parts. Amadeus Verlag #BP
362. Published by Amadeus
Verlag (M7.BP-362).
ISBN
9790015036200. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Leipzig Edition of the Works of Felix Mendelssohn Bartholdy Basson, Piano (duo) Breitkopf & Härtel
Violin, cello, piano SKU: BR.SON-421 Complete Works. Composed by F...(+)
Violin, cello, piano
SKU: BR.SON-421
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Salome Reiser.
Linen. Complete Works.
Romantic period. Complete
Works. 292 pages.
Breitkopf and Haertel
#SON 421. Published by
Breitkopf and Haertel
(BR.SON-421). ISBN
9790004802663. 9 x 12
inches. Nearly an
entire decade lies
between the first mention
(1831) and the printing
(1840) of the Trio op.
49. Mendelssohn kept
trying to set it to
paper, but he was
probably again making too
many demands on this
work, his first in the
piano trio genre. Yet his
efforts were immediately
rewarded: It is the
master trio of the
present, and Mendelssohn
the Mozart of the 19th
century, proclaimed
Robert Schumann, who was
also to compose a
landmark D minor Trio
seven years later.
Mendelssohn's second Trio
op. 66 was composed with
a relatively light hand
in 1845. Over and beyond
the familiar Trios opp.
49 and 66, the
corresponding volume of
the Leipziger
Mendelssohn-Ausgabe
contains sketches and
drafts in the same
scoring, which were not
further developed. $393.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Six sonates en trio et 2 concertos - Cinq sonates en trio et un concerto 2 Hautbois (duo) Anne Fuzeau Productions
By Joseph Bodin de Boismortier. Edited by Les Etudiants Du C.E.F.E.D.E.M - Ile D...(+)
By Joseph Bodin de
Boismortier. Edited by
Les Etudiants Du
C.E.F.E.D.E.M - Ile De
France. Instrument(s) and
continuo / (2 oboes and
continuo / Oboe or flute
or violin, bassoon or
cello or viol, continuo /
Flute, violin, oboe,
bassoon and continuo /
Musette or hurdy-gurdy or
recorder and ensemble /
Oboe and ensemble). For
Bassoon, Recorder, Flute,
Oboe, Musette,
Hurdy-gurdy, Viol,
Violin, Cello, Continuo.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 108
pages
$53.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Thickly Settled Basson, Piano (duo) Peters
Clarinet, violin, cello, piano SKU: PE.EP68440 For Clarinet, Violin, V...(+)
Clarinet, violin, cello,
piano SKU:
PE.EP68440 For
Clarinet, Violin,
Violoncello and
Piano. Composed by
David Rakowski. Chamber
Quartet. Edition Peters.
Living Composer. Piano
score and parts. 20
pages. Duration 00:19:00.
Edition Peters
#98-EP68440. Published by
Edition Peters
(PE.EP68440). ISBN
9790300766799. This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Duetti Amorosi Score And Parts (2vln/vla/vc/db/cl/bsn/hn) - Intermédiaire Schott
2 violins, viola, cello, double bass, clarinet, bassoon and horn (also alpenhorn...(+)
2 violins, viola, cello,
double bass, clarinet,
bassoon and horn (also
alpenhorn) - intermediate
SKU: HL.49043935
Based on Ovid's
Metamorphoses.
Composed by Wilfried
Hiller. This edition:
Saddle stitching. Sheet
music. Ensemble.
Softcover. Composed 1999.
52 pages. Duration 20'.
Schott Music #ED21574.
Published by Schott Music
(HL.49043935). ISBN
9790001191647.
9.25x12.0x0.158
inches. Two
instruments - sometimes
two violins, sometimes
violin and double-bass or
clarinet and bassoon -
always take the lead as a
duo in the ensemble which
is arranged around the
audience. In the
love-song of Polyphem the
One-Eyed, however, the
alphorn does not find a
partner. $68.00 - Voir plus => Acheter | | |
| Clarinet Solos, Duets, Ensembles, Methods & Studies for: The Ultimate Collection Clarinette CD Sheet Music
SKU: SU.00220629 Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #0...(+)
SKU: SU.00220629
Woodwinds, Clarinet. USB
(PDF Scores). CD Sheet
Music #00220629.
Published by CD Sheet
Music (SU.00220629).
This CD Sheet
Music collection on USB
Flash Drive contains 2
complete CDSM titles: The
Clarinet Solos & Duos
collection makes
available a wealth of
music for solo clarinet
including sonatas,
concertos, and solo works
by 28 composers from the
18th, 19th and early 20th
centuries. Also included
are two complete volumes
of collected works: Easy
Duets and Album of Short
Solos by Various
Composers. Works include:
Baermann, C. (Duo
Concertante); Baermann,
H. (Adagio);
Beethoven (3 Duos for
Clarinet and Bassoon);
Berg (4 Pieces for
Clarinet & Piano);
Brahms (Sonata Nos. 1
& 2); Busoni (Elegie
for Clarinet & Piano);
Cavallini (30
Caprices for Clarinet);
Debussy (Première
Rhapsodie); Fauré
(Berceuse); Gade (4
Fantasy Pieces);
Glazunov (Saxophone
Concerto [for clarinet &
piano]); Jeanjean
(Variations on Au Clair
de la Lune); Klosé
)Souvenir); Mason
(Sonata for Clarinet &
Piano); Mendelssohn
(Concert Piece for 2
Clarinets & Piano);
Mozart, L. (Concerto
in Bb major); Mozart,
W.A. (3 Duets for 2
Clarinets); Paganini
(14 Caprices);
Pierné (Pièce
in G minor);
Prokofiev (Visions
Fugitives); Reger
(Sonata Nos. 1 & 2);
Reinecke (Sonata,
Undine);
Saint-Saëns
(Sonata in Eb major);
Schumann (Fantasy
Pieces, 3 Romances);
Spohr (Concerto Nos.
1-4); Stravinsky (3
Pieces for Clarinet
Solo); Wagner (Adagio
for Clarinet & Strings);
Weber (Fantasia &
Rondo, Grand Duo
Concertante) Easy
Duets Book 1: works
by Fodor, Pleyel,
Volckmar, Wanhal; Book 2:
works by Mazas, Bruni,
Campagnoli, Gebauer,
Geminiani, Haydn, Pleyal,
Viotti Album of Short
Solos by Various
Composers: 30
familiar works arranged
for clarinet, including
Brahms (Cradle Song),
Dvorák
(Humoreske), Fibich
(Poéme), Handel
(Largo), Giordani
(Caro mio bien),
Richter
(Seppl-Polka),
Schubert (Ave Maria),
Schumann
(Träumerei), Weber
(Bauernwalzer), and more
Also includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 1200+ pages The
Clarinet Methods, Studies
& Ensembles
collection makes
available eight essential
clarinet methods, studies
and exercises, as well as
over 30 works for
clarinet with instruments
including duos, trios and
quartets by 20 familiar
and lesser-known
composers from the 18th,
19th and early 20th
centuries. Scores and
parts are included for
many ensemble works.
Methods, Studies &
Exercises include:
Baermann (Complete
Method for Clarinet, Op.
63); Klosé
(Conservatory Method, 25
Daily Exercises, 30
Studies after Aument);
Langenus (Complete
Method for Clarinet);
Rose (32 Etudes for
Clarinet) Ensembles
include: Amberg
(Fantasiestücke, Suite
for Flute, Oboe, Clarinet
& Piano); Beethoven
(Quintet for Piano and
Winds); Brahms
(Quintet for Clarinet &
Strings, Trio for
Clarinet, Cello & Piano);
Bruch (8 Piece for
Clarinet, Cello & Piano);
Cavallini (Rêverie
Russe for Flute,
Clarinet, and Piano);
d'Indy (Trio for
Piano, Clarinet, and
Cello); Fibich
(Quintet for Clarinet,
Violin, Cello, Horn, &
Piano); Glinka (Trio
Pathétique, for
Clarinet, Cello, &
Piano); Hummel
(Serenade No. 1 for
Flute, Clarinet, Viola, &
Cello); Liadov (8
Russian Folk Dances);
Mozart (Twelve
Minuets for 2 Clarinets
or Basset Horns, Five
Divertimenti for 2
Clarinets & Bassoon),
Quintet for Clarinet &
Strings, Quintet for
Piano & Winds, Trio for
Clarinet, Viola & Piano);
Ravel (Intruduction &
Allegro); Reger
(Quintet for Clarinet &
Strings);
Rimsky-Korsakov
(Quintet for Piano &
Winds);
Saint-Saëns
(Tarantella for Flute,
Clarinet & Piano);
Schubert (Der Hirt
auf dem Felsen);
Schumann
(Märchenerzählu
ngen, for Clarinet, Viola
& Piano); Spohr
(Fantasy & Variations);
Titl (Serenade for
Violin, Clarinet &
Piano); Zemlinsky
(Trio for Clarinet,
Violin & Cello) Also
includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 2100+ pages
Published by: CD Sheet
Music. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Duo-Concertino Durand
Mixed Ensemble SKU: HL.50564054 Violin, bassoon and piano. Compose...(+)
Mixed Ensemble SKU:
HL.50564054
Violin, bassoon and
piano. Composed by
Marcel Dautremer.
Editions Durand.
Classical. Score Only.
Composed 2001. Editions
Durand #DF13988.
Published by Editions
Durand (HL.50564054).
UPC: 073999918359.
8.0x12.0x0.202
inches. $29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Times 3 Basson, Piano (duo) Schott
Violin, cello, piano SKU: HL.49045318 Score and Parts. Composed by...(+)
Violin, cello, piano
SKU: HL.49045318
Score and Parts.
Composed by Fred Lerdahl.
This edition: Folder.
Sheet music. Edition
Schott. Softcover.
Composed 2012. 172 pages.
Duration 20'. Schott
Music #ED31156. Published
by Schott Music
(HL.49045318). ISBN
9781495082535. UPC:
888680656669.
9.5x12.0x0.515
inches. The title
refers to three
instruments, three
movements, and three ways
of treating musical time.
The tone of the work is
serious yet as playful as
the title suggests.The
first movement, Ratios,
opens with a series of
seemingly unrelated ideas
in tempo ratios of 3:2
and 4:3. As the movement
proceeds, the ideas
develop, transform, and
superimpose in
increasingly wide
spirals. The slower
second movement, Cycles,
is a fantasy built on the
strict scaffolding of an
omnipresent, diatonic
cantus firmus set in
symmetrically expanding
and contracting cycles.
The quick finale, Phases,
is a moto perpetuo
tarantella in which the
instruments move in and
out of phase as they
chase one another. The
flowing eighth notes
merge and finally unify
ideas from the previous
movements. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Weather Jazz Basson, Piano (duo) Peters
Voices (Solo) in Ensemble high voice, flute, clarinet, violin, cello, piano S...(+)
Voices (Solo) in Ensemble
high voice, flute,
clarinet, violin, cello,
piano SKU:
PE.EP67712 Composed
by David Rakowski. Voices
(Solo) in Ensemble.
Edition Peters. Living
Composer. Score. 20
pages. Duration circa 3
minutes. Edition Peters
#98-EP67712. Published by
Edition Peters
(PE.EP67712). ISBN
9790300744018.
English. Weather
Jazz - (Eng)
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $43.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Duo concertant Barenreiter
2 solo violins and orchestra (2 violin-solo, 2 Flutes, 2 Oboes, 2 clarinets, 2 b...(+)
2 solo violins and
orchestra (2 violin-solo,
2 Flutes, 2 Oboes, 2
clarinets, 2 bassoons, 2
Horns, 2 Trumpets,
trombones, timpani,
percussion, piano,
Strings) SKU:
BA.BA04317 Composed
by Bohuslav Martinu.
Stapled. Study score.
Composed 1937. Duration
25 minutes. Baerenreiter
Verlag #BA04317_00.
Published by Baerenreiter
Verlag (BA.BA04317).
ISBN 9790006446889. 27
x 21 cm
inches. Print on
demand (POD). $83.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Methods, Studies and Ensembles: The Ultimate Collection CD Sheet Music
SKU: SU.00220335 Woodwinds, Clarinet. Accompanied by piano. CD (PDF Score...(+)
SKU: SU.00220335
Woodwinds, Clarinet.
Accompanied by piano. CD
(PDF Scores). CD Sheet
Music #00220335.
Published by CD Sheet
Music (SU.00220335).
This CD Sheet
Musicâ„¢ collection
makes available eight
essential clarinet
methods, studies and
exercises, as well as
over 30 works for
clarinet with instruments
including duos, trios and
quartets by 20 familiar
and lesser-known
composers from the 18th,
19th and early 20th
centuries. Scores and
parts are included for
many ensemble works.
Methods, Studies &
Exercises include:
Baermann (Complete
Method for Clarinet, Op.
63); Klosé
(Conservatory Method, 25
Daily Exercises, 30
Studies after Aument);
Langenus (Complete
Method for Clarinet);
Rose (32 Etudes for
Clarinet) Ensembles
include: Amberg
(Fantasiestücke, Suite
for Flute, Oboe, Clarinet
& Piano); Beethoven
(Quintet for Piano and
Winds); Brahms
(Quintet for Clarinet &
Strings, Trio for
Clarinet, Cello & Piano);
Bruch (8 Piece for
Clarinet, Cello & Piano);
Cavallini (Rêverie
Russe for Flute,
Clarinet, and Piano);
d'Indy (Trio for
Piano, Clarinet, and
Cello); Fibich
(Quintet for Clarinet,
Violin, Cello, Horn, &
Piano); Glinka (Trio
Pathétique, for
Clarinet, Cello, &
Piano); Hummel
(Serenade No. 1 for
Flute, Clarinet, Viola, &
Cello); Liadov (8
Russian Folk Dances);
Mozart (Twelve
Minuets for 2 Clarinets
or Basset Horns, Five
Divertimenti for 2
Clarinets & Bassoon),
Quintet for Clarinet &
Strings, Quintet for
Piano & Winds, Trio for
Clarinet, Viola & Piano);
Ravel (Intruduction &
Allegro); Reger
(Quintet for Clarinet &
Strings);
Rimsky-Korsakov
(Quintet for Piano &
Winds);
Saint-Saëns
(Tarantella for Flute,
Clarinet & Piano);
Schubert (Der Hirt
auf dem Felsen);
Schumann
(Märchenerzählungen
, for Clarinet, Viola &
Piano); Spohr
(Fantasy & Variations);
Titl (Serenade for
Violin, Clarinet &
Piano); Zemlinsky
(Trio for Clarinet,
Violin & Cello) Also
includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 2100+ pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ahava Basson, Piano (duo) Ricordi
Flute, Clarinet, Violin, Cello, Piano SKU: HL.50601654 For Flute, Clar...(+)
Flute, Clarinet, Violin,
Cello, Piano SKU:
HL.50601654 For
Flute, Clarinet, Violin,
Cello, and Piano
Score. Composed by
Adam Schoenberg. Ricordi
London. Softcover; Score.
Ricordi #RICL00039300.
Published by Ricordi
(HL.50601654). ISBN
9781540049759. UPC:
888680930448. $22.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Undecima Sonata in C Basson, Piano (duo) Doblinger
(Sonate concertate, Libro primo (1629)). By Dario Castello (1621-). Chamber Musi...(+)
(Sonate concertate, Libro
primo (1629)). By Dario
Castello (1621-). Chamber
Music (Strings, Winds &
Piano). For 2 violins,
bassoon and piano. 3.
Composed (1629). 26 pages
$27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Music for Christmas - Weihnachtsmusik - pour Noël EMB (Editio Musica Budapest)
Chamber Ensemble SKU: BT.EMBZ14946 With optional combinations of instr...(+)
Chamber Ensemble SKU:
BT.EMBZ14946 With
optional combinations of
instruments - mit
variabler Besetzung.
By András Soós. EMB
Ad Libitum. Educational
Tool. Set (Score &
Parts). Composed 2015.
102 pages. Editio Musica
Budapest #EMBZ14946.
Published by Editio
Musica Budapest
(BT.EMBZ14946).
Hungarian-English-Germ
an-French. The
volumes of the Ad libitum
series contain duos,
trios and quartets of
easy, medium and advanced
levels of difficulty,
which are playable with
various combinations of
instruments. Ad libitum
Family Edition volumes
are recommended mainly
for families or groups of
friends where at least
three people play an
instrument. Each of the
pieces included can be
performed using flexible
instrumentation, whether
there are three, four or
even five persons who
would like to play
together. This volume
contains the finest of
easily playable pieces
for Christmas and Advent.
Some can include a
singer, so that a vocal
part appears with the
instrumental ones. At
least two melodic and
oneaccompanying
instruments are required
to perform the piecesPart
I - violin / descant
recorder / flute / oboe /
clarinet / soprano
saxophone / trumpetPart
II - violin / treble
recorder / clarinet /
trumpetAccompaniment-
piano / guitarAny of the
following optional parts
can be addedVoice (ad
libitum)Percussion (ad
libitum)Bass (ad
libitum)- cello / bassoon
/ euphonium
Die
Bände der Serie Ad
libitum enthalten
leichte, mittelschwere
sowie für
Fortgeschrittene
geeignete Duos, Trios und
Quartette variabler
Besetzung. Die Bände
von Ad libitum
Familienedition sind vor
allem Familien und
Freundeskreisen zu
empfehlen, in denen
mehrere auf einem
beliebigen Instrument
spielen. Sämtliche
Stücke lassen sich in
vielfältiger Besetzung
spielen, ganz gleich, ob
man zu dritt, zu viert
oder zu fünft
musizieren möchte.
Dieser Band wurde aus den
schönsten, aber leicht
zu spielenden Advents-
und Weihnachtsstücken
zusammengestellt, zu
denen sich teilweise auch
eine Singstimme gesellen
kann. Deshalb wurde dem
Stimmenmaterial der
Instrumente auch Noten
fürdie Singstimme
beigefügt. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Grand Duo, Op. Post. 140 D 812 - Avancé Schott
For 9 Instruments Mixed Ensemble (Score & Parts) - advanced SKU: HL.49019418<...(+)
For 9 Instruments Mixed
Ensemble (Score & Parts)
- advanced SKU:
HL.49019418 Score
and Parts. Composed
by Franz Schubert.
Arranged by Gabriel
Bü and rgin. This
edition: Saddle
stitching. Sheet music.
Ensemble. Classical.
Softcover. Op. post. 140.
350 pages. Duration 40'.
Schott Music #ED21519.
Published by Schott Music
(HL.49019418). ISBN
9790001190374.
9.0x12.0x0.907
inches. It was
through piano and chamber
music that Schubert
wanted to pave the way
for himself toward 'the
great symphony' after
1820. One of these works
is the Sonata for piano
duet D 812 in C major
which has become known as
'Grand Duo' but is rarely
performed. This sonata is
now presented in a
large-scale, virtually
symphonic chamber music
version. For flute, oboe,
clarinet in B-flat,
Bassoon, violin, viola,
cello and double
bass. $133.00 - Voir plus => Acheter | | |
| Bach to the Future (Reduced Version) Wilhelm Hansen
Chamber Ensemble; Percussion (Score) SKU: HL.287425 For Two Percussion...(+)
Chamber Ensemble;
Percussion (Score)
SKU: HL.287425
For Two Percussion
Soloists and 10
Instruments Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical.
Softcover. 138 pages.
Duration 1380 seconds.
Edition Wilhelm Hansen
#WH31279. Published by
Edition Wilhelm Hansen
(HL.287425).
Per Norgard's
Bach to the Future
(reduced version) for two
Percussion soloists and
ten instruments (2010).
Commissioned by and
dedicated to Safri Duo. A
Concerto in three
movements based on
Preludes by J.S. Bach,
for Percussion Duo and
Orchestra. Reduced
version, 2010, by Steve
Ferre, approved by the
composer for Percussion
Duo (unchanged) and ten
instruments (5 woodwind,
5 strings) 1 Flute dbl.
Piccolo and Alto Flute in
G 1 Oboe dbl. Cor Anglaid
in FY 1 Clarinet in Bb
dbl. Bass Clarinet in Bb
1 Bassoon 1 Horn in F 1
Violin 1 1 Violin 2 1
Viola 1 Cello 1 Double
Bass The Score is written
in C Original version for
Percussion Duo and
Orchestra: 14003062. $76.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bach To The Future - Reduced Version Ensemble de Percussions Wilhelm Hansen
Percussion Ensemble SKU: BT.WH31279 Composed by Per Nørgård. Classi...(+)
Percussion Ensemble
SKU: BT.WH31279
Composed by Per
Nørgård. Classical.
Score Only. Composed
2012. 138 pages. Edition
Wilhelm Hansen #WH31279.
Published by Edition
Wilhelm Hansen
(BT.WH31279). ISBN
9788759821947.
English. For two
Percussion soloists and
ten instruments.
Commissioned by and
dedicated to Safri Duo. A
Concerto in three
movements based on
Preludes by J.S. Bach,
for Percussion Duo and
Orchestra. Reduced
version, 2010, by Steve
Ferre, approved by the
composer for Percussion
Duo (unchanged) and ten
instruments (5 woodwind,
5 strings) 1 Flute dbl.
Piccolo and Alto Flute in
G 1 Oboe dbl. Cor Anglaid
in FY 1 Clarinet in Bb
dbl. Bass Clarinet in Bb
1 Bassoon 1 Horn in F 1
Violin 1 1 Violin 2 1
Viola 1 Cello 1 Double
Bass The score is written
in C. $98.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lalai: Lullaby to Awaken You? Basson Schott
Bassoon SKU: HL.49019038 Bassoon Quartet Score and Parts. Composed...(+)
Bassoon SKU:
HL.49019038
Bassoon Quartet Score
and Parts. Composed
by Barbara Heller. Edited
by Christian
Muench-Cordellier. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2009. 16 pages.
Duration 7'. Schott Music
#FAG34. Published by
Schott Music
(HL.49019038). ISBN
9790001174152. In
this composition Barbara
Heller uses the song
Lalai created in Tehran
in 1973. It is a song of
resistance against the
Shah regime and is about
a mother who sings a
lullaby to her child and
tells the story of its
father. Based on this
song, Barbara Heller
composed the duo 'Lalai,
Schlaflied zum
Wachwerden?' for violin
(violoncello) and piano
in 1989 - in memory of 50
Iranian women who were
murdered under the regime
of Khomeini. 'Lalai' is
now available in a
version for 4 bassoons
for the first time. The
composer has arranged the
simple charming folk tune
and the desperate cries
for help for bassoon
ensemble with a fine
sense of detail. The
sonorous sound of the
bassoons gives the work
its very own sound
atmosphere. An impressive
work of emotional
depth. $24.99 - Voir plus => Acheter | | |
| Peggy's Minute Rag Bote and Bock
Piano Trio SKU: HL.48025393 Piano Trio. Composed by Elena Kats-Che...(+)
Piano Trio SKU:
HL.48025393 Piano
Trio. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 60
seconds. Bote & Bock
#M202536162. Published by
Bote & Bock
(HL.48025393). UPC:
196288195450. Elena
Kats-Chernin composed
this piece in its
original form for solo
piano in 1996 when
staying on a scholarship
at the former home of the
Australian composer Peggy
Glanville-Hicks (1912 -
1990), as a tribute to
the well-known colleague.
Kats-Chernin later
arranged Peggy's Minute
Rag for bassoon or
clarinet or violin with
piano, solo clarinet,
violin duo as well as
string trio. The version
for piano trio was
written in 2012 for the
Streeton Trio, which also
recorded the snappy
ragtime number on CD. $21.99 - Voir plus => Acheter | | |
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