(10 Elegant Settings of Inspirational Solos). Arranged by Thomas Fettke. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Communion; Sacred; Spiritual. Early Advanced. 36 pages. Published by Alfred Music

Composed by American Spiritual. Arranged by Michael Engelhardt. For Bass, Choral, Percussion (SSAATTBB). Walton Choral. 24 pages. Walton Music #WW1530. Published by Walton Music

Arranged by Beatrice A. Miller. African-American Spiritual. For Piano. Piano Trio (One Piano, Six Hands). Spiritual. Level: Early Intermediate. Sheet. Published by Alfred Publishing.

2 Saxophones

SKU: AP.1-ADV7012

For 2 Saxophones. Composed by Mike Curtis. Duet or Duo; Solo Small Ensembles; Woodwind - Saxophone Duet. Advance Music. Jazz; Standard. Score. Advance Music #01-ADV7012. Published by Advance Music (AP.1-ADV7012).

ISBN 9783892214298. UPC: 805095070125. English.

These well-loved tunes have been around for a long time. Perhaps the oldest is Nobody Knows the Trouble I've Seen, a Negro spiritual that may have been written by slaves. Others come from the latter half of the 19th century and from the turn-of-the-century era that produced the precursors of jazz. The unifying factor in selecting these particular tunes, apart from the fact that every American seems to know them, is that they have been constantly recreated by jazz performers, from the birth of jazz to the present day. There is an immediate link from the improvisor to the mood, structure, or chord structure (sometimes all three!) of these tunes that allows for a free-flowing personal variation on these timeless themes.

Titles: Down By The Riverside * Little Brown Jug * Bill Bailey * Peg O' My Heart * A Tisket, A Tasket * Take Me Out To The Ballgame * Nobody Knows The Trouble I've Seen * Frankie & Johnny.

By Various; African American Spirituals; Early American Hymns. Arranged by Ann Buys. For Piano. Inst; Piano Sacred. Level: easy/medium. 38 pages. Published by GIA Publications.

Folk, Saddle-stitched. Christmas. Book and online audio. Mel Bay Publications, Inc #30918M. Published by Mel Bay Publications, Inc

String Orchestra string orchestra with opt. 3rd Violin/Viola TC 1 and piano - Grade 1.5

SKU: KN.08719S

Composed by Traditional. Arranged by Robert S. Frost. Solo or Ensemble. Accent String Orchestra. Kendor Music Inc #08719S. Published by Kendor Music Inc (KN.08719S).

UPC: 822795087192.

As one of the best-known early American spirituals, this song embodies in word and music the emotions and convictions of the African-American people during the 19th century. The music is well suited to the ability of young players, both harmonically and rhythmically, and offers a wide range of dynamic levels. Duration 2:10. Available in SmartMusic.

Choral 3-part choir mixed Voices, Piano

SKU: CF.CM9643

Composed by Traditional Spiritual. Arranged by Catherine DeLanoy. Fold. Performance Score. 12 pages. Duration 2:30. Carl Fischer Music #CM9643. Published by Carl Fischer Music (CF.CM9643).

ISBN 9781491157152. UPC: 680160915712. 6.875 x 10.5 inches. Key: F major. English, English. Traditional Spiritual.

For the emerging mixed choir, Delanoy's arrangement of this timeless spiritual favorite offers energy, variety and is sure to inspire through its uplifting melody of hope and determination for a better life -no matter the obstacle. Concert and festival approved!.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle. Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle.Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral SATB Choir, Bass Guitar, Percussion, Piano

SKU: CF.CM9743

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743).

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

8-part trombone ensemble - advanced

SKU: CY.CC2603

Composed by Traditional. Arranged by James Markey. African-American Spiritual. Score and parts. Published by Cherry Classics (CY.CC2603).

Joshua F'it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f'it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies.

Put into perspective, Joshua's battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era.

This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.

The mp3 sound clip is taken from Mr. Markey's solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht.

Violin Solo and piano - intermediate advanced

SKU: JK.01761

Composed by African-American Spiritual. Arranged by Kelly D. Anderson. Difficulty Medium Hard, Instrumental Violin, Piano Choir, Seasonal Music Christmas, Christmas, Jesus Christ - Birth, Jesus Christ - Shepherd. Christian, Inspirational. Duration 2:29. Jackman Music Corporation #01761. Published by Jackman Music Corporation (JK.01761).

Luke 2:8-14.

African -American Christmas spiritual arranged for early-advanced violin solo and piano.
Composer: African-American Spiritual
Arranger: Kelly D. Anderson
Difficulty: intermediate advanced
Performance time: 2:29
Reference: Luke 2:8-14.

SATB choir, piano reduction - Early intermediate

SKU: GI.WW1718

Composed by Alice Parker. Arranged by Alice Parker. Church, School. Cameron LaBarr. Classical. Octavo. 8 pages. Walton Music #WW1718. Published by Walton Music (GI.WW1718).

UPC: 785147014263. English. Text Source: 19th c. American Spiritual. 19th c. American Spiritual.

Alice Parker has created a setting of this beautiful American song that is simple, authentic, and warm. A good chance to feature a soloist, with accompanimental choral parts beneath.

SATB choir, voice solo, assembly, keyboard accompaniment, C instrument, oboe, cello, guitar - Early intermediate

SKU: GI.G-7832

Arranged by Lori True. Lent, Christ the King A. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #7832. Published by GIA Publications (GI.G-7832).

UPC: 785147783206. English. Text Source: African American spiritual.

This contemporary adaptation of an African American spiritual will have many uses in your church—during Lent, when themes of conversion are emphasized, services of reconciliation, ordinary time. It is also extremely versatile in its presentation, adjusting to your available forces and the willingness of the congregation to participate. C instrument or Oboe .

Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #50-6144. Published by MorningStar Music Publishers

Organ

SKU: SU.80101473

For Organ. Composed by Christian Carey. Keyboard, Organ. Score. Zimbel Press #80101473. Published by Zimbel Press (SU.80101473).

This anthology contains 12 varied works for organ useful for service or concert. Includes: Spirituals Variations I (on three early American hymns), Spiritual Variations II (Where I May Wander), Spiritual Variations III (I'm Gonna Live So God Can Use Me), Chanson Variations, Prelude on Add One More Seat to the Table, Chorale Prelude and Fugue on a Lullaby, Offertorium, Postludium, Golgotha, Fantasy on Rondeau Carol, and Three and a Half Little Carol Settings. Two of the works are based on original hymn tunes by the composer, and the hymns are included for congregational use. Instrumentation: Organ Composed: 2008-2020 Published by: Zimbel Press.

SATB choir, keyboard accompaniment - Early intermediate

SKU: GI.G-8191

Composed by Sondra K. Tucker. Arranged by Sondra K. Tucker. Lent. Choral. Sacred. Octavo. 12 pages. GIA Publications #8191. Published by GIA Publications (GI.G-8191).

UPC: 785147819103. English. Text Source: African American spiritual. Text by Sondra K. Tucker.

Whether you use this text and melody for Lent or for other times that emphasize our cry for the mercy of God and the ongoing invitation to discipleship, this arrangement of the familiar spiritual will prove to be a fine choice for your choir! Its driving piano accompaniment coupled with an accessible and satisfying 4-part choral arrangement will make it a favorite of your accompanist and your singers.

SATB choir, voice solo, keyboard accompaniment - Early intermediate

SKU: GI.G-10733

Arranged by Norah Duncan, IV. Lent. Choral. Tune Name: Sojourner. Sacred. Octavo. 8 pages. GIA Publications #10733. Published by GIA Publications (GI.G-10733).

English. Text Source: African American spiritual.

Right from the unsettling opening notes in the keyboard, it's clear that this arrangement of the traditional spiritual is something special. The yearning for comfort in times of trouble (breaking heart, sorrow) on the journey through life is underlined by delicate, sensitive scoring that is nonetheless easy to learn. A stunning work, a powerful musical message.

SATB choir, assembly, keyboard accompaniment, flute, B-flat clarinet, trumpet 1 in B-flat: trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, double bass, bass guitar, guitar, 3 or 5 octaves handbells - Early intermediate

SKU: GI.G-8700

Arranged by Rob Glover. Choral. Choral. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #8700. Published by GIA Publications (GI.G-8700).

UPC: 785147870005. English. Text Source: African American spiritual, Vv. Rob Glover. Text by Rob Glover.

Bring new life to your congregation’s sung prayer with this bluesy arrangement of the cherished spiritual. “Wade in the Water” will provide a new, energetic option for the sprinkling rite at Sunday Mass. Flexibly written for cantor and assembly or full choir (accompanied or a cappella). The Double Bass/Bass Guitar parts are optional.

SATB choir, piano reduction - Early intermediate

SKU: GI.WW1929

Arranged by Roland M. Carter. Classical. Octavo. 12 pages. Walton Music #WW1929. Published by Walton Music (GI.WW1929).

UPC: 785147042266. English. Text source: Traditional spiritual.

The African American Spiritual, I Want to Die Easy, is arranged with expertise by Roland Carter.

SATB choir, soprano voice solo - Early intermediate

SKU: GI.G-10618

Composed by Rowland Hugh Prichard. Arranged by Brandon Waddles. Advent. African American Church Music Series. Tune Name: Hyfrydol. Sacred. Octavo. 20 pages. GIA Publications #10618. Published by GIA Publications (GI.G-10618).

UPC: 785147061816. English. Text Source: African American spiritual. Text by Charles Wesley.

SATB choir and keyboard - Early Intermediate

SKU: MN.50-1222

Composed by Wayne L Wold. African American Heritage. MorningStar Music Publishers #50-1222. Published by MorningStar Music Publishers (MN.50-1222).

UPC: 688670512223. English.

An uplifting and traditional African-American spiritual about meeting in the heavenly home. Rhythmically challenging. Equally effective in concert or worship settings.

Arranged by John O'reilly. Orchestra. Score; String Orchestra. Sound Innovations for Strings. Folk. Grade 2. 8 pages. Published by Alfred Music Publishing

SAB choir and piano - Early Intermediate

SKU: MN.50-5333

Composed by David M. Cherwien. Spirituals. Baptism of Our Lord, 21st Century, Baptism. Instrumental part. MorningStar Music Publishers #50-5333. Published by MorningStar Music Publishers (MN.50-5333).

UPC: 688670553332. English.

This SAB setting of the African American spiritual is varied and creative, with vocal percussion and a chill but supportive piano part. Not difficult, although the three vocal lines are sometimes quite independent. Duration: 2:00.

SATB, a cappella choir - Early Intermediate

SKU: AU.9781506495293

Composed by Undine Smith Moore. Advent, Lent. St. Olaf Choral Library. Christian. Octavo. Augsburg Fortress #9781506495293. Published by Augsburg Fortress (AU.9781506495293).

ISBN 9781506495293. 7 x 10.25 inches.

Originally published in 1978, this expressive and dynamic anthem from Undine Smith Moore is ideal for Lent or anytime a choral setting of the Kyrie is needed, and it has now been re-released in the St. Olaf Choral Series. Editor Anton Armstrong notes that Undine Smith Moore was often referred to as the “Dean of Black Women Composers, and while many of her compositions are concert arrangements of African American spirituals, this piece is an original work written in the harmonic and melodic style of a spiritual. Suggestions by the editors provide tips for smaller choirs who wish to sing this anthem.

SATB choir, piano accompaniment - Early intermediate

SKU: GI.G-9776

Arranged by Norah Duncan, IV. Choral. Sacred. Octavo. 12 pages. GIA Publications #9776. Published by GIA Publications (GI.G-9776).

UPC: 785147977605. English. Text Source: African American spiritual.

SATB choir - early intermediate

SKU: AU.9781506492506

Composed by Undine Smith Moore. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506492506. Published by Augsburg Fortress (AU.9781506492506).

ISBN 9781506492506. 7x10.25 inches.

Undine Smith Moore's arrangement of this African American spiritual is both accessible and gorgeous. Perfect for the First Sunday in Lent or as a companion anthem whenever Psalm 23 is scheduled. Originally published in the collection I Will Trust in the Lord..

Organ, flute - Early intermediate

SKU: GI.G-8184

Arranged by Kenneth Dake. Tune Name: I Want To Be A Christian. Sacred. 4 pages. GIA Publications #8184. Published by GIA Publications (GI.G-8184).

UPC: 785147818496.

Kenne th Dake’s arrangement for flute and organ is based on the familiar African American spiritual “Lord, I Want to Be a Christian.” This charming piece is highly accessible for both parts and offers endless expressive possibilities for interpretation. Perfect for a brief moment of reflection and meditation. .