(Canaanite Fantasy No. 3). By Yinam Leef. Standard notation. Duration 8 minutes, 30 seconds. Published by Theodore Presser Company

Chamber Music Solo Oboe

SKU: PR.114422530

Composed by Chen Yi. 4 pages. Duration 3 minutes. Theodore Presser Company #114-42253. Published by Theodore Presser Company (PR.114422530).

ISBN 9781491137307. UPC: 680160688036.

Chen Yi’s ELEGY was composed in 2020 both as her own response to the covid pandemic, and in conjunction with the Saint Paul Chamber Orchestra’s series of solo commissions for their performers offered through the SPCO’s website. Musically inspired by a common bond with oboist Cassie Pilgrim’s cultural heritage from southern China, Chen Yi drew from Cantonese folk music materials, whose Yifan mode is particularly sad and mournful.
Elegy was commissioned by the Saint Paul Chamber Orchestra for its principal oboist Cassie Pilgrim who premiered the work at Ordway Hallin St. Paul, MN on November 28, 2020.Since Cassie and I share the same cultural heritage from Southern China, ELEGY has a strong influence from Cantonese folk music material, including the folk tunes in Yifan Mode, which sound sad and sentimental. This solo piece expresses a deep nostalgia for our loved ones, as well as our painful mourning for thousands of people who lost their lives around the world during the Covid-19 pandemic.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4

SKU: CF.SPS87

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2 +2+2+3+3+3+4+4+4+4+3+3+3+ 6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87).

ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4

SKU: CF.SPS87F

Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F).

ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 11:10. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor Full Score. Duration 11:10. Published by Manhattan Beach Music.

SATB Choir, Orchestra

SKU: HL.14021035

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Studyscore. Composed 2005. 44 pages. Chester Music #CH66253. Published by Chester Music (HL.14021035).

ISBN 9780711998001. Lyrics by George Mackay Brown.

A haunting setting of four elegies from the writing of George Mackay Brown, composed by Peter Maxwell Davies. Completed in 1998, this powerful and unsettling work is based upon four short verses that explore the more sinister, tragic and even supernatural qualities of the oceans and tides. Composed for soloists, mixed chorus and Orchestra, the work was commissioned by the Scottish Chamber Orchestra to celebrate its 25th anniversary. The work was first performed in December 1998 at Queen's Hall, Edinburgh, conducted by the composer. The vocal score is available using product code CH61504.

SKU: ST.PC5

Composed by Various. Edited by Alan Howard. Library Volumes. Purcell Society Companion Series Vol 5.. Edited by Alan Howard. Hardback. Score. Stainer & Bell Ltd. #PC5. Published by Stainer & Bell Ltd. (ST.PC5).

ISBN 9790220223440.

An extraordinary acknowledgement of the esteem with which the composer was regarded in his lifetime, the three surviving odes on the death of Henry Purcell are also in themselves among the finest works by his English contemporaries. John Blow's extended elegy 'Mark how the lark and linnet sing', which sets a poem by Dryden, modestly scored for two voices, two recorders and continuo, is a masterpiece displaying both the contrapuntal skill which Blow had taught Purcell and the florid declamatory style which Purcell had brought to perfection in such numbers as ''Tis Nature's voice' in Hail! bright Cecilia. Henry Hall's 'Yes my Aminta', laid out for similar forces, is an eloquent and finely crafted pastoral dialogue in the pathetic style, with words probably written by the composer himself. Grandest in conception is 'Come, come along for a dance and a song', by Jeremiah Clarke. Setting a conventional pastoral elegy penned by an unknown hand, it marshals three solo voices, chorus and full baroque orchestra in a sequence of contrasting movements - including both the song and the dance to which the title refers - which together form a lament at once arresting and poignant. The three works have not hitherto been presented together, and the Clarke appears for the first time in a modern critical edition - together with Godfrey Finger's hitherto unpublished 'Farewell' Suite in G minor, probably from his own lost ode on Purcell's death.

(Voluntaries (with Pedal)). For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 192 pages. Published by Alfred Music Publishing

Composed by Felix Mendelssohn, edited by Constantin Von Sternberg. For piano. Schirmer Library, volume 58. Format: piano solo book. With fingerings, introductory text and thematic index. Romantic period. 150 pages. 9x12 inches. Published by Schirmer.

Composed by Various. Classical. Textbook. Trinity College London #TCL020598. Published by Trinity College London

By Felix Mendelssohn. Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Book. 192 pages. Published by Alfred Publishing.

4 Saxophones SATBar

SKU: AP.1-ADV7427

For SATB Saxophone Quartet. Composed by Maurice Ravel. Arranged by Christoph Enzel. Masterworks; Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Form: Suite. Impressionistic; Masterwork Arrangement. Score and Part(s). Advance Music #01-ADV7427. Published by Advance Music (AP.1-ADV7427).

ISBN 9783892215813. UPC: 805095074277. English.

For Ravel, the year 1917 was marked by his mother's death and the death of many of his friends who lost their lives in World War I. Hence, the suite he finished that same year can be considered as an elegy. Due to its classical, sonatina-like character, this piece does not radiate an atmosphere of mourning, but rather a light, cool serenity. This arrangement for SATB saxophone quartet is faithful to the original orchestral version. Titles: I. Prélude * II. Forlane * III * Menuet * IV. Rigaudon.