| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Highlights De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Classical
Highlights est un
recueil qui réunit six
arrangements de grands
thèmes classiques du
XVIIe au XIXe siècle.
Les parties sont
motivantes et facilement
accessibles, explorant
avec justesse
l’oeuvreoriginale.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of the Silver Birch Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.41269 Arranged by Vince Gassi. MakeMusic Clou...(+)
Orchestra - Grade 3
SKU: AP.41269
Arranged by Vince Gassi.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Folk;
Traditional. Score and
Part(s). 124 pages.
Duration 2:45.
Highland/Etling
#00-41269. Published by
Highland/Etling
(AP.41269). UPC:
038081480879. English.
Traditional Canadian Folk
Song. For a special
touch at your next
concert, feature one of
Canada's most popular
folk songs. Often sung to
keep time while canoeing
or around campfires, the
lyrics are originally
from a 19th century poem
by First Nations poet
Pauline Johnson, making
this perfect for
cross-cultural study.
Although this work can
easily be performed with
strings alone, percussion
instruments, including
timpani and bells, expand
the palette of colors,
helping to create a rich
tapestry for your
listeners. (2:45) This
title is available in
MakeMusic Cloud. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sea Songs For Sssaaatttbbb, English Schott
Mixed choir (SSSAAATTTBBB) - difficult SKU: HL.49043945 For mixed choi...(+)
Mixed choir
(SSSAAATTTBBB) -
difficult SKU:
HL.49043945 For
mixed choir. Composed
by Steve Martland. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover.
Composed 2011-2012. 106
pages. Duration 23'.
Schott Music #ED13369.
Published by Schott Music
(HL.49043945). ISBN
9790220133503.
8.25x12.0x0.3 inches.
English. Sea Songs,
commissioned jointly by
Ars Nova Copenhagen and
Glasgow Concert Halls, is
a kind of sequel to
Martland's Street Songs
(originally written for
the Kings Singers and
Evelyn Glennie). As with
the earlier piece,
Martland made use of to
the library of the
English Folk Song and
Dance Society at Cecil
Sharp House in north
London.I wanted
specifically to find
texts that were not just
the usual nautical
heave-ho sort of thing,
but instead explored the
dangers and hardships
still being experienced
by sailors as recently as
the early 19th century. I
was also very happy to
see in these texts the
sense of camaraderie and
mutual support that
existed between the
sailors. (Steve
Martland)Dance to your
Daddy sets the scene of a
sailor's wife at home,
dandling her baby son and
singing to him about his
daddy away fishing, and
about the future. Both
the tune and the words
come from the
Northumberland area
around Newcastle. This
song is very well known
in the UK and gave the
title to a famous
television series When
the boat comes in.Fire
Down Below is about the
effects of fire - a
constant danger on board
wooden ships. At the end
of this song the words
take on an extended
meaning: Fire in our
hearts for the friends
that we love.The Dead
Horse is about the
initial month of work
without pay in which all
seamen had to take part.
They referred to it as
the dead horse - hence
the expression to flog a
dead horse when something
is a waste of time. The
seamen resented this
unpaid time, and the text
expresses their
frustrations
metaphorically by listing
what they would do to the
horse! The music's
frantic gallop alludes to
the horse's
desperation.Although The
Sea Martyrs presents
itself as a ballad, this
text has a more literary
feel, and unlike the
other songs it doesn't
include a chorus refrain.
It concerns the sailors'
lack of pay, the
consequences of asking
for pay (being hanged!),
and the poverty of their
families at home. The
poem portrays the
sailors' deaths as an
almost religious
sacrifice to help future
seamen.At the end of the
work, the opening of
Dance to your Daddy
returns as a kind of
descant, sung by an angel
calling to the hanged
men. Paul Hillier,
2012. $18.99 - Voir plus => Acheter | | |
| Do It! Play Flute - Book 2 and CD Flûte traversière [CD] GIA Publications
By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 ...(+)
By James Froseth. Band
Method. Instructional
Sacred. Text language:
English. 48 pages.
Published by GIA
Publications.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Alto Clarinet - Book 1 and CD Clarinette [Partition + CD] GIA Publications
By James Froseth. For alto clarinet. Music Education - Band Method. Book and CD....(+)
By James Froseth. For
alto clarinet. Music
Education - Band Method.
Book and CD. Text
language: English.
Published by GIA
Publications . Sheet
music CD. Music
Education - Band Method.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Trombone - Book 1 and CD Trombone [CD] GIA Publications
By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 ...(+)
By James Froseth. Band
Method. Instructional
Sacred. Text language:
English. 48 pages.
Published by GIA
Publications.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 5, Part 2 - Clarinet [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 5, Part 3 - Cello/Bassoon Basson, Violoncelle [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 5, Part 1 - Clarinet [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 5, Part 1 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
(Mixed Trios). By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violi...(+)
(Mixed Trios). By
Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin. Trios.
Music for Three. Late
19th/Early 20th Century
Favorites.
Intermediate/Advanced.
Part 1
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 5 - Keyboard/Guitar [Partie séparée] Last Resort Music Publishing
(Mixed Trios). By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Tr...(+)
(Mixed Trios). By
Various. Arranged by
Daniel Kelley. For
Keyboard or Guitar.
Trios. Music for Three.
Late 19th/Early 20th
Century Favorites.
Intermediate/Advanced.
Part
$26.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Hototogisu! Orchestre [Conducteur] Faber Music Limited
Fragment of a Japonisme. Composed by Oliver Knussen (1952-). Full Orchestra; ...(+)
Fragment of a Japonisme.
Composed by Oliver
Knussen
(1952-). Full Orchestra;
Performance Music
Ensemble;
Single Titles. Faber
Edition. Form: Concerto.
20th Century; Folk.
Score.
Faber Music
#12-0571541119.
Published by Faber Music
$41.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ancient Irish Airs and Dances Piano seul [Partition] - Intermédiaire Dover Publications
(201 Classic Tunes Arranged for Piano). Edited by George Petrie. For Piano. Mast...(+)
(201 Classic Tunes
Arranged for Piano).
Edited by George Petrie.
For Piano. Masterworks;
Piano Collection. Dover
Edition. Folk;
Masterwork. Early
Intermediate;
Intermediate. Book.
Published by Dover
Publications
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4, Part 3 - Clarinet Last Resort Music Publishing
Late 19th and 20th Century Favorites. Composed by Various. Arranged by Da...(+)
Late 19th and 20th
Century Favorites.
Composed by Various.
Arranged by Daniel
Kelley. Quartets. Music
for Four series. Late
19th/Early 20th Century
Favorites. Partbook -
part 3. Published by Last
Resort Music Publishing
(LR.70433).
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4, Part 4 - Bass Clarinet Quatuor à Vent : 4 instruments à vents Last Resort Music Publishing
Late 19th and 20th Century Favorites. Composed by Various. Arranged by Da...(+)
Late 19th and 20th
Century Favorites.
Composed by Various.
Arranged by Daniel
Kelley. Quartets. Music
for Four series. Late
19th/Early 20th Century
Favorites. Partbook -
part 4. Published by Last
Resort Music Publishing
(LR.70443).
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bella Ciao Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
String Quartet - late intermediate SKU: BT.DHP-1206263-070 Arranged by An...(+)
String Quartet - late
intermediate SKU:
BT.DHP-1206263-070
Arranged by Anthony
Gröger. De Haske Pops
for String Quartet. Folk
Music. Set (Score &
Parts). Composed 2020. 8
pages. De Haske
Publications #DHP
1206263-070. Published by
De Haske Publications
(BT.DHP-1206263-070).
ISBN 9789043159111.
English-German-French-Dut
ch. ‘Bella
Ciao’ originated
as an Italian folk song,
stemming all the way from
the late 19th century.
Many versions have since
appeared over the years,
but the song now has a
new lease of life owing
to a new dance adaption
as well as its feature as
the theme for the Netflix
series La Casa de
Papel, which has
inspired Anthony
Gröger to create this
dynamic arrangement for
string
quartet.
‘Be
lla Ciao’ is van
oorsprong een aansprekend
Italiaans volksliedje uit
het einde van de 19e eeuw
waar in de loop der tijd
vele versies van zijn
gemaakt. Nu heeft het
nieuw leven ingeblazen
gekregen in een
dancevariant én als
themasong bij de
Netflixserie La Casa
de Papel. Naar
aanleiding daarvan
creëerde Anthony
Gröger dit levendige
arrangement voor
strijkkwartet.
Bella Ciao
ist ursprünglich ein
italienisches Volkslied
aus dem späten 19.
Jahrhundert. Im Laufe der
Jahrzehnte sind
zahlreiche Versionen
erschienen; in
jüngster Zeit ist das
Lied durch eine neue
Tanzadaption und die
Verwendung als Thema
für die Netflix-Serie
La casa de papel
(Haus des Geldes“)
wieder aufgelebt. Das
wiederum hat Anthony
Gröger dazu
inspiriert, dieses neue
dynamische Arrangement
für Streichquartett zu
schreiben.
l’origine,
« Bella
Ciao » est une
chanson populaire
italienne qui remonte au
XIXe
siècle. Elle a fait
l’objet de
nombreuses versions au
fil du temps, mais elle
connaît
aujourd’hui un
regain de popularité
gr ce une nouvelle
adaptation
chorégraphique, ainsi
qu’en tant que
thème de la série
diffusée sur Netflix,
La Casa de Papel,
qui a incité Anthony
Gröger écrire cet
arrangement dynamique
pour quatuor cordes. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Do It! Play Alto Clarinet - Book 2 with MP3s GIA Publications
Alto clarinet SKU: GI.G-M498 Composed by James Froseth. Band Method. Do I...(+)
Alto clarinet SKU:
GI.G-M498 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M498. Published by GIA
Publications (GI.G-M498).
ISBN 9781579992255.
English. Now
available on SmartMusic!
The Alto Clarinet book
and audio recordings (see
below) from the Do It!
Play in Band series by
James O. Froseth
includes: Modeling by
Albert Blaser (Cleveland
State Unviersity) and
Deborah Chodacki
(Louisiana State
University). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Tuba - Book 2 with MP3s Tuba GIA Publications
Tuba SKU: GI.G-M518 Composed by James Froseth. Band Method. Do It! Music ...(+)
Tuba SKU:
GI.G-M518 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M518. Published by GIA
Publications (GI.G-M518).
ISBN 9781579992354.
English. Now
available on SmartMusic!
The Tuba book and audio
recordings (see below)
from the Do It! Play in
Band series by James O.
Froseth includes:
Modeling by Fritz Kaenzig
(University of Michigan).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Bassoon - Book 2 with MP3s Basson GIA Publications
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon SKU:
GI.G-M502 Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M502. Published by GIA
Publications (GI.G-M502).
ISBN 9781579992279.
English. Now
available on SmartMusic!
The Bassoon book and
audio recordings (see
below) from the Do It!
Play in Band series by
James O. Froseth
includes: Modeling by
Richard Beene (Colburn
School Conservatory of
Music). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Baritone BC / Euphonium - Book 2 with MP3s GIA Publications
Baritone horn B.C. SKU: GI.G-M516 Composed by James Froseth. Band Method....(+)
Baritone horn B.C.
SKU: GI.G-M516
Composed by James
Froseth. Band Method. Do
It! Music Education.
Book. 48 pages. GIA
Publications #M516.
Published by GIA
Publications (GI.G-M516).
ISBN 9781579992347.
English. Now
available on SmartMusic!
The Baritone/Euphonium
book and audio recordings
(see below) from the Do
It! Play in Band series
by James O. Froseth
includes: Modeling by
Brian Bowman (Duquesne
University). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do It! Play Baritone TC / Euphonium - Book 2 with MP3s GIA Publications
Baritone horn T.C. SKU: GI.G-M514 Composed by James Froseth. Band Method....(+)
Baritone horn T.C.
SKU: GI.G-M514
Composed by James
Froseth. Band Method. Do
It! Music Education.
Book. 48 pages. GIA
Publications #M514.
Published by GIA
Publications (GI.G-M514).
ISBN 9781579992330.
English. Now
available on SmartMusic!
The Baritone/Euphonium
book and audio recordings
(see below) from the Do
It! Play in Band series
by James O. Froseth
includes: Modeling by
Brian Bowman (Duquesne
University). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4, Part 2 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Quartets. Mu...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin.
Quartets. Music for Four.
Late 19th/Early 20th
Century Favorites.
Intermediate/Advanced.
Part 2
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4, Part 4 - Cello/Bassoon [Partie séparée] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for...(+)
By Various. Arranged by
Daniel Kelley. For Cello
or Bassoon. Quartets.
Music for Four. Late
19th/Early 20th Century
Favorites.
Intermediate/Advanced.
Part 4
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4 - Keyboard/Guitar [Partie séparée] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Quartets. Music f...(+)
By Various. Arranged by
Daniel Kelley. For
Keyboard or Guitar.
Quartets. Music for Four.
Late 19th/Early 20th
Century Favorites.
Intermediate/Advanced.
Part
$26.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Four, Volume 4, Part 1 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Quartets. Mu...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin.
Quartets. Music for Four.
Late 19th/Early 20th
Century Favorites.
Intermediate/Advanced.
Part 1
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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