| Everybody Needs Somebody De Haske Publications
Brass Trio - easy SKU: BT.DHP-1185985-070 As performed by The Blues Br...(+)
Brass Trio - easy SKU:
BT.DHP-1185985-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Brass Series.
Pop & Rock. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185985-070. Published by
De Haske Publications
(BT.DHP-1185985-070).
ISBN 9789043156486.
International. Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
‘Everybody Needs
Somebody to Love’
is loved by young and
old. This easy version
can be performed by as
few as three players to
create an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit ‘Everybody
Needs Somebody to
Love’ is populair
bij jong en oud. Deze
eenvoudige versie voor
drie spelers is ideaal om
een feestje te bouwen!
Schwarzer Anzug
und Krawatte, weißes
Hemd, Hut und dunkle
Sonnenbrille: Das sind
natürlich die kultigen
Blues Brothers! Der
Superhit Everybody Needs
Somebody to Loveâ€
ist bei Jung und Alt
beliebt. Diese einfache
Version für drei
Musiker eignet sich
bestens, um eine spontane
Party steigen zu lassen!
Costume et
cravate noirs, chemise
blanche, chapeau et
lunettes de soleil
foncées : on parle des
Blues Brothers, bien s r
! Leur tube énorme
Everybody Needs
Somebody to Love est
apprécié par toutes
les générations.
Cette version facile peut
être interprétée
dès trois musiciens
pour créer une
ambiance festive
immédiate ! $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everybody Needs Somebody 3 Saxophones (trio) De Haske Publications
Saxophone Trio - easy SKU: BT.DHP-1185984-070 As performed by The Blue...(+)
Saxophone Trio - easy
SKU:
BT.DHP-1185984-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Saxophone
Series. Pop & Rock. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185984-070. Published by
De Haske Publications
(BT.DHP-1185984-070).
ISBN
9789043156479. Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
‘Everybody Needs
Somebody to Love’
is loved by young and
old. This easy version
can be performed by as
few as three players to
create an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit ‘Everybody
Needs Somebody to
Love’ is populair
bij jong en oud. Deze
eenvoudige versie voor
drie spelers is ideaal om
een feestje te bouwen!
Schwarzer Anzug
und Krawatte, weißes
Hemd, Hut und dunkle
Sonnenbrille: Das sind
natürlich die kultigen
Blues Brothers! Der
Superhit Everybody Needs
Somebody to Loveâ€
ist bei Jung und Alt
beliebt. Diese einfache
Version für drei
Musiker eignet sich
bestens, um eine spontane
Party steigen zu lassen!
Costume et
cravate noirs, chemise
blanche, chapeau et
lunettes de soleil
foncées : on parle des
Blues Brothers, bien s r
! Leur tube énorme
Everybody Needs
Somebody to Love est
apprécié par toutes
les générations.
Cette version facile peut
être interprétée
dès trois musiciens
pour créer une
ambiance festive
immédiate ! $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everybody Needs Somebody 3 Clarinettes (trio) De Haske Publications
Clarinet Trio - easy SKU: BT.DHP-1185983-070 As performed by The Blues...(+)
Clarinet Trio - easy
SKU:
BT.DHP-1185983-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Clarinet Series.
Pop and Rock. Set (Score
and Parts). Composed
2018. De Haske
Publications #DHP
1185983-070. Published by
De Haske Publications
(BT.DHP-1185983-070).
ISBN
9789043156462. Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
â??Everybody Needs
Somebody to Loveâ?? is
loved by young and old.
This easy version can be
performed by as few as
three players to create
an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit â??Everybody
Needs Somebody to
Loveâ?? is populair bij
jong en oud. Deze
eenvoudige versie voor
drie spelers is ideaal om
een feestje te bouwen!
Schwarzer Anzug
und Krawatte, weiÃ?es
Hemd, Hut und dunkle
Sonnenbrille: Das sind
natürlich die kultigen
Blues Brothers! Der
Superhit Everybody Needs
Somebody to Loveâ? ist
bei Jung und Alt beliebt.
Diese einfache Version
für drei Musiker
eignet sich bestens, um
eine spontane Party
steigen zu lassen!
Costume et
cravate noirs, chemise
blanche, chapeau et
lunettes de soleil
foncées : on parle des
Blues Brothers, bien s r
! Leur tube énorme
Everybody Needs
Somebody to Love est
apprécié par toutes
les générations.
Cette version facile peut
être interprétée
dès trois musiciens
pour créer une
ambiance festive
immédiate ! $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everybody Needs Somebody De Haske Publications
Flute Trio - easy SKU: BT.DHP-1185982-070 As performed by The Blues Br...(+)
Flute Trio - easy SKU:
BT.DHP-1185982-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Flute Series.
Pop & Rock. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185982-070. Published by
De Haske Publications
(BT.DHP-1185982-070).
ISBN
9789043156455. Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
‘Everybody Needs
Somebody to Love’
is loved by young and
old. This easy version
can be performed by as
few as three players to
create an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit ‘Everybody
Needs Somebody to
Love’ is populair
bij jong en oud. Deze
eenvoudige versie voor
drie spelers is ideaal om
een feestje te bouwen!
Schwarzer Anzug
und Krawatte, weißes
Hemd, Hut und dunkle
Sonnenbrille: Das sind
natürlich die kultigen
Blues Brothers! Der
Superhit Everybody Needs
Somebody to Loveâ€
ist bei Jung und Alt
beliebt. Diese einfache
Version für drei
Musiker eignet sich
bestens, um eine spontane
Party steigen zu lassen!
Costume et
cravate noirs, chemise
blanche, chapeau et
lunettes de soleil
foncées : on parle des
Blues Brothers, bien s r
! Leur tube énorme
Everybody Needs
Somebody to Love est
apprécié par toutes
les générations.
Cette version facile peut
être interprétée
dès trois musiciens
pour créer une
ambiance festive
immédiate ! $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everybody Needs Somebody De Haske Publications
Variable Wind Trio with Percussion Ad. Lib. - easy SKU: BT.DHP-1084533-070(+)
Variable Wind Trio with
Percussion Ad. Lib. -
easy SKU:
BT.DHP-1084533-070
Variable wind trio
(with percussion ad
lib.). Composed by B.
Russel, Jerry Wexler, and
S. Burke. Arranged by
Eric J. Hovi. Music Box.
Pop & Rock. Set (Score &
Parts). Composed 2009. 8
pages. De Haske
Publications #DHP
1084533-070. Published by
De Haske Publications
(BT.DHP-1084533-070).
ISBN 9789043133258.
9x12 inches.
English-German-French-Dut
ch. Part 1 Fl Ob Kl
B S-Sax A-Sax Trp Part 2
Fl Cor Ang Kl B Alt-Kl
A-Sax Trp Hrn Part 3
T-Sax B-Sax Fg Pos Euph
Tuba Kb Opt. Drum
Diese flotte
Nummer aus dem Film
The Blues Brothers
klingt in dieser Fassung
für variables
Bläsertrio
hervorragend, da im
Original auch Bläser
mitspielen.Part 1 Fl Ob
Kl B S-Sax A-Sax Trp Part
2 Fl Cor Ang Kl B Alt-Kl
A-Sax Trp Hrn Part 3
T-Sax B-Sax Fg Pos Euph
Tuba Kb Opt. Drum. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Reflections Piano seul Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Cornemuse - Intermédiaire Paterson Ltd
| | |
| Dan Coates - Complete Advanced Piano Solos
Piano seul [Partition] - Avancé Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
(80)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Of Skies, Rivers, Lakes and Mountains Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-340-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-340-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 44 pages.
Anglo Music Press #AMP
340-140. Published by
Anglo Music Press
(BT.AMP-340-140). 9x12
inches.
English-German-French-Dut
ch. Of Skies,
Rivers, Lakes and
Mountains was
commissioned by the
Northern California Band
Directors' Association to
honour their 50th
Anniversary in 2012. The
first performance was
given by the
Association’s 2012
Honor Band, conducted by
Dr Royce Trevis, in the
Harlen Adams Theater,
California State
University, Chico,
California, on 4th
February that year.The
brief for the commission
asked for a piece that
celebrated the United
States’ natural
resources and composer
Philip Sparke turned to
Katharine Lee
Bates’s lyrics for
the song America the
Beautiful, of which
the first and last verses
are:O beautiful for
spacious skies,For amber
waves of grain,For
purplemountain
majestiesAbove the
fruited plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaThe three
movements each take their
title from these
verses:1. O Beautiful
for Spacious Skies:
Opening with filigree
woodwind figuring, this
movement aims to recreate
the light and lightness
of a spring sky, birds
and blossoms floating on
gentle breezes.2. From
Sea to Shining Sea: A
vivacious celebration of
water bubbling in
streams, rivers and
lakes.3. For Purple
Mountain Majesties: A
slow final movement
representing an
awe-inspiring range of
mountains
Of
Skies, Rivers, Lakes and
Mountains is
geschreven in opdracht
van de Northern
California Band
Directors' Association,
ter gelegenheid van het
vijftigjarig jubileum van
deze organisatie, dat in
2012 werd gevierd. De
première werd op 4
februari van dat jaar
onder leiding van
dirigent Royce Trevis
uitgevoerd door de
Association’s 2012
Honor Band, in het Harlen
Adams Theater, California
State University, Chico,
Californië.De
componist kreeg het
verzoek een werk te
schrijven dat een lofzang
zou zijn op alles wat de
natuur van Verenigde
Staten te bieden heeft.
Philip Sparke gebruikte
de tekst van Katharine
Lee Bates voor de song
America the
Beautiful, waarvan
heteerste en laatste
couplet als volgt
luiden:O beautiful for
spacious skies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDe titels van
de drie delen van de
compositie zijn ontleend
aan deze coupletten:1.
O Beautiful for
Spacious Skies: Dit
deel, dat opent met
verfijnde figuren in het
hout, is een poging om
het licht en de lichtheid
van een lentehemel te
herscheppen, met
vogeltjes en bloesems die
wiegen in een milde
bries.2. From Sea to
Shining Sea: Een
levendige ode aan water
dat stroomt in beken,
rivieren en meren3.
For Purple Mountain
Majesties: Een
langzaam laatste deel
waarin het beeld wordt
opgeroepen van een
indrukwekkende bergketen
Of Skies,
Rivers, Lakes and
Mountains wurde von
der Northern California
Band Director’s
Association
(Dirigentenverband
Nord-Kaliforniens) zum
50-jährigen
Jubiläum im Jahr 2012
in Auftrag gegeben. Die
Uraufführung mit dem
Ehrenorchester 2012 des
Verbands fand am 4.
Februar desselben Jahre
unter der Leitung von Dr.
Royce Trevis im Halen
Adams Theater an der
California State
University, Chico
Kalifornien) statt.Der
Kompositionsauftrag
verlangte ein Stück zu
Ehren der Reichtümer
der Natur Amerikas. Der
Komponist Philip Sparke
wählte daher die erste
und letzte Strophe aus
Katherine Lee
Bates’ Text zum
Lied America the
Beautiful, die da
lauten:O beautiful for
spaciousskies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDie Titel der
drei Sätze stammen
alle aus diesen
Strophen:1. O
Beautiful for Spacious
Skies (O
wunderschön, der weite
Himmel): Mit filigranen
Figuren im Holz
beginnend, will dieser
Satz das Licht und die
Leichtigkeit des
Frühlingshimmels, die
Vögel und von einer
sanften Brise getragene
Blüten zum Leben
erwecken.2. From Sea
to Shining Sea (Vom
Meer zum strahlenden
Meer): Mit lebhafter
Musik wird hier in
Flüssen, Bächen und
Seen sprudelndes Wasser
zelebriert.3. For
Purple Mountain
Majesties (Die
Erhabenheit der purpurrot
leuchtenden Berge): Der
langsame Schlusssatz
richtet den Blick auf
ehrfurchtgebietende
Gebirge.
Of
Skies, Rivers, Lakes and
Mountains est une
commande de la Northern
California Band
Directors' Association
pour marquer son 50e
anniversaire, en 2012.
Cette œuvre a
été créée par
le Honor Band 2012 de
l’Association sous
la direction du Dr Royce
Trevis au thé tre
Harlen Adams de
l’université de
Californie Chico,
Californie, le 4
février de cette
même année.La
commande stipulait que la
pièce devait
célébrer les
ressources naturelles des
États-Unis. Le
compositeur Philip Sparke
s’est donc
inspiré des paroles de
Katharine Lee Bates pour
la chanson America the
Beautiful, dont voici
les premier et dernier
couplets :O beautiful for
spacious skies,For
amberwaves of grain,For
purple mountain
majestiesAbove the
fruited plain!(Oh belle
pour tes vastes cieux,Tes
vagues de grains
ambrés,La majesté
de tes montagnes
violettesDominant des
plaines fruitées
!)America! America!God
shed His grace on
thee,And crown thy good
with brotherhoodFrom sea
to shining
sea(Amérique !
Amérique !Dieu
t’a donné sa gr
ceCouronnée de la
fraternité des
hommesDe la mer la mer
étincelante)Les trois
mouvements empruntent
chacun leur titre ces
couplets :1. O
Beautiful for Spacious
Skies:
S’ouvrant avec des
figures en filigrane
jouées par les bois,
ce mouvement cherche
recréer la lumière
et la légèreté
d’un ciel
printanier,
d’oiseaux et de
fleurs flottant au gré
d’une douce
brise.2. From Sea to
Shining Sea: Plein de
vivacité, ce mouvement
évoque les
frémissements de
l’eau des
ruisseaux, des
rivières et des
lacs.3. For Purple
Mountain Majesties:Le
dernier mouvement, lent
et majestueux, dépeint
une impressionnante
chaîne de
montagnes. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Scottish Fiddle Encyclopedia Violon [Partition] - Intermédiaire Mel Bay
By Bonnie Rideout. For Fiddle. Solos. Encyclopedia. Scottish. Level: Intermediat...(+)
By Bonnie Rideout. For
Fiddle. Solos.
Encyclopedia. Scottish.
Level: Intermediate.
Book. Size 8.75x11.75.
136 pages. Published by
Mel Bay Publications,
Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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