Early and Late Version. By Robert Schumann. Edited by Wolfgang Boetticher. Piano...(+)
Early and Late Version.
By Robert Schumann.
Edited by Wolfgang
Boetticher. Piano
(Harpsichord), 2-hands.
Pages: Early Version =
47, Late Version = 36.
Urtext edition-paper
bound. Published by G.
Henle.
Composed by Franz Schubert (1797-1828), edited by Paul Mies. Collection for Pian...(+)
Composed by Franz
Schubert (1797-1828),
edited by Paul Mies.
Collection for Piano
(Harpsichord), 2-hands.
With introductory text.
Urtext edition-paper
bound. 27 pages.
Published by G. Henle.
Violin and Piano SKU: BT.EMBZ4618 No. 2. L'estate RV 315 (F.I. No. 23,...(+)
Violin and Piano
SKU:
BT.EMBZ4618
No. 2.
L'estate RV 315 (F.I. No.
23, P.V. 336).
Composed by Antonio
Vivaldi, Imre Sulyok, and
Vilmos Tatrai. Book Only.
Composed 1967. 34 pages.
Editio Musica Budapest
#EMBZ4618. Published by
Editio Musica Budapest
(BT.EMBZ4618).
Composed by English
Carol. Arranged by Ken
Berg. Fold. Performance
Score. 12 pages. Duration
3 minutes, 52 seconds.
Carl Fischer Music
#CM9578. Published by
Carl Fischer Music
(CF.CM9578).
ISBN
9781491154007. UPC:
680160912506. 6.875 x
10.5 inches. Key: E
minor. English. William
C. Dix.
This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sureall
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.The
consonant combination th
is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout.The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word.To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty.Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your listeners.
Piano SKU: HL.50493455 Dal Sogno D'Una Notte D'Estate - Facilitata - P...(+)
Piano
SKU:
HL.50493455
Dal
Sogno D'Una Notte
D'Estate - Facilitata -
Per Pianoforte. By M.
Chiesa. By Felix
Bartholdy Mendelssohn.
MGB. Score Only. Ricordi
#NR107507. Published by
Ricordi (HL.50493455).
DAL SOGNO D'UNA
NOTTE D'ESTATE -
FACILITATA - PER
PIANOFORTE.
Organ SKU: BR.EB-8626 Prelude and Fuga. Composed by Johann Nepomuk...(+)
Organ
SKU:
BR.EB-8626
Prelude
and Fuga. Composed by
Johann Nepomuk David.
Edited by Ulrich
Bremsteller. Solo
instruments; Softcover.
Edition Breitkopf. Among
the most noteworthy
events marking the Johann
Nepomuk David centennial
(100th birthday on 30
November 1995) is the
discovery of an authentic
organ manuscript from the
estate of Günter
Ramin. Early modern.
Score. Composed 1931. 12
pages. Breitkopf and
Haertel #EB 8626.
Published by Breitkopf
and Haertel (BR.EB-8626).
ISBN 9790004179987. 12
x 9 inches.
Among
the most noteworthy
events marking the Johann
Nepomuk David centennial
(100th birthday on 30
November 1995) is the
discovery of an authentic
organ manuscript from the
estate of Gunter Ramin.
David's score fell into
oblivion after Ramin gave
the first performance of
the work in Leipzig's
Thomaskirche in February
1932.
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
Volume
50: Annales Hindemith
2021/L. Edited by
Hindemith-Institute.
Classical. Softcover. 208
pages. Schott Music
#BN161. Published by
Schott Music
(HL.49046904).
ISBN
9781705168929. UPC:
196288082033.
The
Hindemith-Jahrbuch /
Annales Hindemith has
been published since
1971, being one of the
few series dedicated to a
20th-century composer.
Containing articles on
the life and work of the
composer as well as
documentary material from
the composer's estate,
this series forms the
basis for scholarly
studies of the composer.
The series is edited by
the Hindemith Institute
in Frankfurt on behalfof
the Fondation
Hindemith.
Urtext. Composed
by Karl Ditters von
Dittersdorf and Karl
Ditters von Dittersdorf.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 12 pages. Duration
12'. Breitkopf and
Haertel #OB 15117-15.
Published by Breitkopf
and Haertel
(BR.OB-15117-15).
ISBN
9790004340417. 10 x 12.5
inches.
The Urtext
edition of what is
arguably the most often
played double-bass work
of all was long overdue.
The work was previously
available only in an
abridged and arranged
form. The edition departs
from the sole extant
source, a set of parts
from the estate of the
composer and double-bass
virtuoso Johannes
Sperger. The score and
orchestral parts as well
as the piano reduction
are printed in E major as
well as D major so as to
make the work playable
both in orchestral or
Viennese tuning as well
as in solo tuning. The
piano reduction contains
additional cadenzas by
the editor.I hope players
will convert to this
edition.(Clifford
Bartlett, in: Early Music
Review, No. 142, June
2011)An exciting addition
to the bassist's library.
This definitive score
will assist teachers and
performers alike.(Marian
Heckenburg, AUSTA
Stringendo).
Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
Cantolopera Collection. By Francesco Paolo Tosti. This edition: R138938. Cantolo...(+)
Cantolopera Collection.
By Francesco Paolo Tosti.
This edition: R138938.
Cantolopera Series.
Collection and
Performance/Accompaniment
CD. Published by Ricordi.
Concert Band (Score & Parts) - Grade 3.5 SKU: HL.4004715 Composed by Mich...(+)
Concert Band (Score &
Parts) - Grade 3.5
SKU: HL.4004715
Composed by Michael Oare.
MusicWorks Grade 3.
Festival. Softcover.
Published by Hal Leonard
(HL.4004715).
UPC:
888680617233. 9x12
inches.
Commissione
d by the Virginia Band
and Orchestra Directors
Association to
commemorate its 75th
anniversary,
Presidential Suite
recognizes the rich
historical heritage of
Virginia, particularly as
the birthplace of eight
United States presidents.
Using a suite format, the
work focuses on three of
the founding fathers. The
first movement, Mount
Vernon, is a serene
musical impression of the
home of George
Washington.
Monticello is the
second movement and
portrays the stately
style of music typical of
Thomas Jefferson's time.
The suite concludes with
Montpelier, the
home of James Madison,
and uses bold and
majestic motifs to
portray the broad and
magnificent landscape of
Madison's estate.
Duration: c 5:30.
Summer Dance.
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:30. Belwin Music
#00-43762S. Published by
Belwin Music (AP.43762S).
UPC: 038081496405.
English.
Here is an
energetic original
composition that will
remind us all of the joys
of summer, even when in
the grip of a hard
winter. The Italian name,
meaning summer dance,
brings to mind
Mediterranean beaches.
Keep warm and enjoy!
(2:30).
String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle University Of York Music Press
String Quartet SKU: BT.MUSM570367016 Composed by Anne Boyd. Classical. Se...(+)
String Quartet
SKU:
BT.MUSM570367016
Composed by Anne Boyd.
Classical. Set of Parts.
University of York Music
Press #MUSM570367016.
Published by University
of York Music Press
(BT.MUSM570367016).
English.
Anne
Boyd 's String Quartet
No. 3 was commissioned
for Musica Viva Australia
by Geoff Stearn. It was
premiered by Orava String
Quartet, Huntington
Estate Music Festival,
29th November 2015. This
work is dedicated in
memory to the late
composer, Peter
Sculthorpe.
By James Curnow. Brass Band. For Brass Band. Stunning concert opener. Light Conc...(+)
By James Curnow. Brass
Band. For Brass Band.
Stunning concert opener.
Light Concert. Medium.
Condensed Score and
Parts. Standard Notation.
Duration 3:15
2 guitars - advanced SKU: M7.KC-2070 Six Venezuelan Dances from the 19...(+)
2 guitars - advanced
SKU: M7.KC-2070
Six Venezuelan Dances
from the 19th
Century. Arranged by
Alfonso Montes and Irina
Kircher. This edition:
Saddle-wire stitching.
Sheet music. 32 pages.
MDS (Music Distribution
Services) #KC 2070.
Published by MDS (Music
Distribution Services)
(M7.KC-2070).
ISBN
9782843944277. English
French
Spanish.
Vicente
Emilio Sojo is not only
one of the most
significant figures in
the cultural history of
Venezuela but also a
Moral and intellectual
reference of the highest
importance. Sojo was Born
in 1887 in Guatire, near
the estate of Padre Sojo,
who was himself the
creator of the 18th
Century Musical movement
known as the Chacao
School. Vicente Emilio
Sojo died in Caracas in
1974.
Violin 1 Part Violin 1 (Parts) SKU: HL.51481551 For String Orchestra V...(+)
Violin 1 Part Violin 1
(Parts)
SKU:
HL.51481551
For
String Orchestra Violin 1
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 17
pages. G. Henle #HN1551.
Published by G. Henle
(HL.51481551).
UPC:
196288207160.
9.25x12.0x0.082
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)