Piano

SKU: SU.27110070

For Piano. Composed by Raymond J. Lustig. Score. Subito Music Corporation #27110070. Published by Subito Music Corporation (SU.27110070).

Ether is a solo piano piece based on the medieval English carol known as the Coventry Carol, whose unusually dark text deals with the biblical legend of King Herod’s massacre of all his kingdom’s children surrounding the birth of Christ. Solo Piano Duration: 4’ Composed: 2007 Published by: Raymond J. Lustig Music.

Flute and cello

SKU: P2.10023

Composed by Wendy Wan-Ki Lee. Chamber music, 20th century. Published by Potenza Music (P2.10023).

This piece is my musical exploration of the philosophical struggle between reality and idealism that each of us has endured in our minds--from the mishaps and social injustices that we encounter each day, to what we aspire and hope for that seems far-fetched and unattainable. Although life is always full of wonderful surprises that play with our expectations, part of what determines our everyday experiences is how much we can look beyond our earthy encounters which may not be the most desirable at times, and strive for our dreams to come true. The stronger the bonding between the two extremes--the earthy and the ethereal, the more perseverance we can have, and the closer we can get to our ideals. This piece was commissioned by the Hong Kong Composers' Guild for Musicarama 2010 and premiered on October 16, 2010 at Hong Kong City Hall Theatre by Next Mushroom Promotion, a professional new music ensemble from Japan.

Choral SSAA choir, piano accompaniment, optional flute, optional synthesized strings

SKU: CF.CM9581

Composed by Traditional Appalachian Carol Anonymous. Arranged by Ruth Elaine Schram. Fold. Performance Score. 12 pages. Duration 3 minutes, 9 seconds. Carl Fischer Music #CM9581. Published by Carl Fischer Music (CF.CM9581).

ISBN 9781491154038. UPC: 680160912537. 6.875 x 10.5 inches. Key: G minor. English. Traditional Appalachian Carol.

This arrangement of the beautiful Appalachian carol is very expressive and meant to be performed with much freedom and thoughtful attention to the words, dynamic contrasts, and tempo alterations. Once you have learned this piece and are familiar with these changes to volume and tempo indications, watch your director very carefully for cues for these subtleties. It is very important that you stay together and make these changes as a unified group. The effect will be amazing! Even though this song begins very gently, be certain to pronounce your words carefully and with good diction. There are many words that sound similar: wonder / wander / under, for example. The beauty of the poetry and alliteration will be lost on your listener if your lyrics cannot be understood. Also, the story is in the words, carried to the listener on the wings of the melody and arrangement. Always, no matter what your volume level and even at the very softest levels, pronounce, pronounce, pronounce! Enjoy the ethereal beauty and reflective musings of this meditative piece! ~ Ruth Elaine Schram.
This arrangement of the beautiful Appalachian carol is very expressive and meant to be performed with much freedom and thoughtful attention to the words, dynamic contrasts, and tempo alterations. Once you have learned this piece and are familiar with these changes to volume and tempo indications, watch your director very carefully for cues for these subtleties. It is very important that you stay together and make these changes as a unified group. The effect will be amazing!Even though this song begins very gently, be certain to pronounce your words carefully and with good diction. There are many words that sound similar: wonder / wander / under, for example. The beauty of the poetry and alliteration will be lost on your listener if your lyrics cannot be understood. Also, the story is in the words, carried to the listener on the wings of the melody and arrangement. Always, no matter what your volume level and even at the very softest levels, pronounce, pronounce, pronounce!Enjoy the ethereal beauty and reflective musings of this meditative piece!~ Ruth Elaine Schram.

Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 0.5

SKU: CF.BAS82

Composed by Kathryn Griesinger. Folio. Bas. Set of Score and Parts. 8+2+5+5+8+5+8 pages. Duration 1 minute, 39 seconds. Carl Fischer Music #BAS82. Published by Carl Fischer Music (CF.BAS82).

ISBN 9781491157619. UPC: 680160916191. 9 x 12 inches.

First-year players can reach for the stars with this easy concert piece. An ethereal theme reflecting the mysterious celestial spheres is created with simple rhythms in first position. All sections of the orchestra have interesting parts and melodic lines, supported by doubling of Violin 2/Viola and Cello/Bass. The energetic piano part is recommended and will help students hear the subdivision of the beat.
First-year players can “reach for the stars” with this easy concert piece. An ethereal theme reflecting the mysterious celestial spheres is created with simple rhythms in first position. All sections of the orchestra have interesting parts and melodic lines, supported by doubling of Violin 2/Viola and Cello/Bass. The energetic piano part is recommended and will help students hear the subdivision of the beat.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 0.5

SKU: CF.BAS82F

Composed by Kathryn Griesinger. Sws. Bas. Full score. 8 pages. Carl Fischer Music #BAS82F. Published by Carl Fischer Music (CF.BAS82F).

ISBN 9781491157442. UPC: 680160916023. 9 x 12 inches.

First-year players can reach for the stars with this easy concert piece. An ethereal theme reflecting the mysterious celestial spheres is created with simple rhythms in first position. All sections of the orchestra have interesting parts and melodic lines, supported by doubling of Violin 2/Viola and Cello/Bass. The energetic piano part is recommended and will help students hear the subdivision of the beat.
First-year players can “reach for the stars” with this easy concert piece. An ethereal theme reflecting the mysterious celestial spheres is created with simple rhythms in first position. All sections of the orchestra have interesting parts and melodic lines, supported by doubling of Violin 2/Viola and Cello/Bass. The energetic piano part is recommended and will help students hear the subdivision of the beat.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4

SKU: CF.SPS94

Composed by Cooper Minnis. Sps. Set of Score and Parts. 1+8+8+4+1+8+8+8+2+2+2+2+2 +2+2+3+3+3+2+2+2+2+3+3+3+ 3+2+3+1+2+2+1+2+2+24 pages. Duration 7:48. Carl Fischer Music #SPS94. Published by Carl Fischer Music (CF.SPS94).

ISBN 9781491161449. UPC: 680160920037.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection.  .
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection. .

SSAATTBB chorus - Medium-difficult

SKU: JK.00217

Composed by Al Jacobs. Arranged by Lowell M. Durham. Choral SATB, Difficulty Medium Hard, Piano Choir, Seasonal Music Patriotic, Patriotism. Christian, Inspirational. Duration 2:30. Jackman Music Corporation #00217. Published by Jackman Music Corporation (JK.00217).

2 Nephi 1:7, Ether 2:12.

Heartfelt arrangement for mixed chorus (SSAATTBB), of the well-loved patriotic hymn, pledging allegiance to America.

Composer: Al Jacobs
Arranger: Lowell M. Durham
Lyricist: Don Raye
Difficulty: Medium-difficult
Performance time: 2:30
Reference: 2 Nephi 1:7, Ether 2:12.

SSAATTBB chorus a cappella - Difficult / difficult acc.

SKU: JK.00008

Composed by Henry Crey. Arranged by J. Spencer Cornwall. Choral SATB, Difficulty Hard, Piano Choir, Seasonal Music Patriotic, Patriotism. Christian, Inspirational. Jackman Music Corporation #00008. Published by Jackman Music Corporation (JK.00008).

2 Nephi 1:7, Ether 2:12.

Arranged for mixed chorus (SSAATTBB), incorporates all voices with part a cappella arrangement and 4-part men's chorus. Ends with doubled harmony on all parts for a glorious finale.
Composer: Henry Crey
Arranger: J. Spencer Cornwall
Lyrics: Samuel Francis Smith
Difficulty: Difficult / difficult acc.

References: 2 Nephi 1:7, Ether 2:12.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 4

SKU: CF.SAS2

Composed by Claude Debussy. Arranged by Sam Gelfer. Folio. Cas. Set of Score and Parts. 16+10+10+5+16+12 pages. Duration 4 minutes, 36 seconds. Carl Fischer Music #SAS2. Published by Carl Fischer Music (CF.SAS2).

ISBN 9781491157725. UPC: 680160916306. 9 x 12 inches.

Reverie is one of Claude Debussy's most recognized works featured in many films and television shows, including HBO's Westworld. The main challenge of this arrangement, which can be played alongside the original solo piano piece, is connecting the moving lines through the sections to capture the elegance of a pianist's fingers. Other teaching opportunities include challenging position work, impressionistic tonalities, and advanced melodic phrasing. Directors, players, and audiences will find themselves lost and delighted in these beautiful ethereal melodies.
Reverie is one of Claude Debussy’s most recognized works featured in many films and television shows, including HBO’s “Westworld.” The main challenge of this arrangement, which can be played alongside the original solo piano piece, is connecting the moving lines through the sections to capture the elegance of a pianist’s fingers. Other teaching opportunities include challenging position work, impressionistic tonalities, and advanced melodic phrasing. Directors, players, and audiences will find themselves lost and delighted in these beautiful ethereal melodies.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 4

SKU: CF.SAS2F

Composed by Claude Debussy. Arranged by Sam Gelfer. Sws. Cas. Full score. 12 pages. Carl Fischer Music #SAS2F. Published by Carl Fischer Music (CF.SAS2F).

ISBN 9781491157527. UPC: 680160916108. 9 x 12 inches.

Reverie is one of Claude Debussy's most recognized works featured in many films and television shows, including HBO's Westworld. The main challenge of this arrangement, which can be played alongside the original solo piano piece, is connecting the moving lines through the sections to capture the elegance of a pianist's fingers. Other teaching opportunities include challenging position work, impressionistic tonalities, and advanced melodic phrasing. Directors, players, and audiences will find themselves lost and delighted in these beautiful ethereal melodies.
Reverie is one of Claude Debussy’s most recognized works featured in many films and television shows, including HBO’s “Westworld.” The main challenge of this arrangement, which can be played alongside the original solo piano piece, is connecting the moving lines through the sections to capture the elegance of a pianist’s fingers. Other teaching opportunities include challenging position work, impressionistic tonalities, and advanced melodic phrasing. Directors, players, and audiences will find themselves lost and delighted in these beautiful ethereal melodies.

Arranged by Linda R. Lamb. For handbell choir (3 octaves). Christmas, Sacred. Grade 1 . Handbell score. 8 pages. Published by Hope Publishing Company

SAATTBB chorus and piano - Medium

SKU: JK.01909

Composed by Grietje Terburg Rowley. Arranged by Kelly D. Anderson. Christian, Inspirational. Duration 3:20. Jackman Music Corporation #01909. Published by Jackman Music Corporation (JK.01909).

UPC: 093285019096. Doctrine and Covenants 112:10, Ether 12:27.

A beautiful arrangement for SAATTBB and Piano. This simple, yet fresh new take on the well-loved hymn will be appropriate in any sacred choral setting.
Composer: Grietje Terburg Rowley
Arranger: Kelly D. Anderson
Difficulty: Medium
Performance time: 3:20
Reference: Doctrine and Covenants 112:10, Ether 12:27

SSAATTB chorus and piano - Medium

SKU: JK.01863

Composed by Grietje T. Rowley. Arranged by Christine H. Davis. Choral SATB, Difficulty Medium, Piano Choir, Enduring to the End, Guidance, Humility, Prayer, Service, Spirituality. Christian, Inspirational. Duration 2:30. Jackman Music Corporation #01863. Published by Jackman Music Corporation (JK.01863).

Doctrine and Covenants 112:10, Ether 12:27.

Reverent hymn arrangement for full mixed chorus (SSAATTBB) with piano accompaniment. Key of C.
Composer: Grietje T. Rowley
Arranger: Christine H. Davis
Lyricist: Grietje T. Rowley
Difficulty: Medium
Performance time: 2:30
References: Doctrine and Covenants 112:10, Ether 12:27.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4

SKU: CF.SPS94F

Composed by Cooper Minnis. Sps. Full score. 24 pages. Duration 7:48. Carl Fischer Music #SPS94F. Published by Carl Fischer Music (CF.SPS94F).

ISBN 9781491161838. UPC: 680160920518.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, oboe, violin 1, violin 2, violin 3, cello, guitar, 2 octaves handbells, 2 octaves handchimes - Early intermediate

SKU: GI.G-8310

Composed by Chris De Silva. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #8310. Published by GIA Publications (GI.G-8310).

UPC: 785147831006. English. Text by Chris de Silva.

An ethereal gentleness starts this piece that briefly recounts the story of the shepherds and the Magi. Choral writing with a dream-like quality supports the soloist. This is a great choice for that singer in your choir who can maintain a beautiful line, but perhaps does not possess a large range—optional notes are indicated at the end, when the melody may go a bit high for some. For cantor or soloist. 2 octaves Handbells or Handchimes.

SSA chorus and piano - intermediate

SKU: BP.BP2305

Arranged by Dan Forrest. Choral, School, Church, Community, Collegiate. Christmas,With Hymn Tune. Octavo. Beckenhorst Press #BP2305. Published by Beckenhorst Press (BP.BP2305).

6.88 x 10.5 inches.

A magical carol setting that transports the listener into Christina Rosetti's beloved Christmas text written in London (listen for the subtle hints of Big Ben!). Ethereal melodic echos eventually build to soaring vocal lines before giving way to a tender final stanza of What can I give him, poor as I am.... An intimate yet deeply moving arrangement for SATB or SSA voices with piano.

Composed by Alexander Scriabin (1872-1915). Edited by Michael Schneidt and Valentina Rubcova. For Piano Solo. Henle Music Folios. Softcover. G. Henle #HN1110. Published by G. Henle

Handbell - Grade 3

SKU: BP.HB660

Composed by Brenda E. Austin. Arranged by Brenda Austin. Handbell choir music. Handbell score. Beckenhorst Press #HB660. Published by Beckenhorst Press (BP.HB660).

Written for 3 to 6 octave handbell choir and 3 octaves of handchimes. Level 3 . The ethereal opening of this original tune by Brenda Austin gives way to a wandering melody of hope underscored by flowing eighth note triplets. A lively and forceful variant on the melody ensues, which propels the piece through to its energetic conclusion. A perfect choice for advanced ensembles in either church or concert setting.

Arranged by Joel Raney. Christmas, Sacred. Synthesizer and percussion part. Published by Hope Publishing Company (HP.2731P).

SA choir and organ or piano, with optional cello - Beginning

SKU: MN.56-0089

Composed by Howard Goodall. Christmas, Lessons and Carols, 21st Century. Choral score. Duration 2 minutes, 56 seconds. MorningStar Music Publishers #56-0089. Published by MorningStar Music Publishers (MN.56-0089).

UPC: 688670220999. English.

Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:56.

Choir; rhythm

SKU: HP.C5302R

Composed by Kelly Carpenter. Arranged by Jack Schrader. Contemporary, Dedication, General Worship, Comfort, Devotion, Sacred. Rhythm Parts. Hope Publishing Company #C5302R. Published by Hope Publishing Company (HP.C5302R).

UPC: 763628143930. By Kelly Carpenter.

Popular song by Kelly Carpenter
This tremendously popular song from Kelly Carpenter has been beautifully crafted by Jack Schrader into a fully developed, artistically pleasing choral anthem. The result is a captivating, ethereal song of prayer and commitment, both poignant and powerful.

Composed by Daniel Ficarri. Pentecost, Organ Dedication. E.C. Schirmer Publishing #8987. Published by E.C. Schirmer Publishing

SATB choir

SKU: GI.G-EH1010

Composed by Elaine Hagenberg. Music Education. Octavo. 16 pages. GIA Publications #EH1010. Published by GIA Publications (GI.G-EH1010).

William Wordsworth's reflection of a time gone by acknowledges past heartaches while creating a dream world where beautiful memories reign. As the voices subtly rise and fall to trace a distant rainbow, an ethereal piano accompaniment glistens above. Then together, they soar to new heights to “find strength in what remains behind.”  .

Composed by Anders Hillborg (1954-). Brass Ensemble - Quintet; Masterworks; Part(s). Faber Edition. 20th Century; Masterwork. Published by Faber Music (AP.12-0571539920).

Choir Secular

SKU: AP.48883

Composed by Jeff Silbar and Larry Henley. Arranged by Mark Hayes. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Movie; Pop; Secular. CD. Alfred Music #00-48883. Published by Alfred Music (AP.48883).

UPC: 038081562070. English.

Bette Midler brought international fame to this power ballad from the movie Beaches. More recently, Idina Menzel recorded the instantly recognizable tune with a fresh contemporary flair, as captured in this sumptuous Mark Hayes arrangement. Rich choral parts glide effortlessly over a shimmering keyboard and string accompaniment creating an ethereal tribute to friendship, everyday heroes, graduates, front line workers, anyone who lifts us up. The impactful SoundPax includes parts for four strings.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Handbells (3-5 octaves) - Moderately Easy

SKU: LO.20-1062L

Composed by Arnold B. Sherman. Advent, Sacred. Handbell score. Lorenz Publishing Company #20/1062L. Published by Lorenz Publishing Company (LO.20-1062L).

UPC: 000308025408.

The advent tunes, HYFRYDOL and VENI EMMANUEL are masterfully melded together in this poignant expression of joyful anticipation for the Christ Child. With a variety of textures from full, rhythmic chords, to more exposed writing using mallets to create an ethereal effect, here is a perfect offering for the Sundays before Christmas.