By Franklin Ashdown (1942-). For Organ Solo. General, Evening. Sacred. Moderately Easy to Medium. Collection. 16 pages

SKU: GI.G-002597

Composed by Lucien Deiss. Lent. Sacred. GIA Publications #002597. Published by GIA Publications (GI.G-002597).

UPC: 641151025971. English.

These daily meditations are designed for busy people. Each of the five morning and five evening reflections contains a song for the day, a prayer of blessing, a Scripture reading, Fr. Deiss' reflection on that Scripture, meditative music, and a closing prayer. Invite Lucien Deiss to be your spiritual director this Lent, in both song and word. A wonderful way to bring the Lenten spirit into your daily routine.

String Orchestra - Grade 2

SKU: RU.UILS30120S

Composed by Kevin Sluder. UIL Sightreading. Score. RBC Publications #UILS30120S. Published by RBC Publications (RU.UILS30120S).

9 x 12 inches.

String Orchestra - Grade 2

SKU: RU.UILS30120

Composed by Kevin Sluder. UIL Sightreading. Conductor Score & Parts. RBC Publications #UILS30120. Published by RBC Publications (RU.UILS30120).

9 x 12 inches.

By David Cherwien. For SATB choir (divisi), a cappella. National Lutheran Choir Series. Benediction/Sending, Evening. Medium. Octavo. 4 pages. Published by MorningStar Music Publishers

Composed by Victor C Johnson. For 3-part mixed choir/SAB choir with optional cello. Sing!. Octavo. Published by Chorister's Guild

Composed by Victor C Johnson. For SSA choir with optional cello. Sing!. Octavo. Published by Chorister's Guild

SAB choir, Organ or Piano - Easy/Medium

SKU: PL.0004

Composed by J. William Greene. Parish. Choral, Evensong, General. Octavo. Paraclete Press #0004. Published by Paraclete Press (PL.0004).

These delightful anthems come at a time of great interest in Celtic music and literature. Dr. Greene has composed characterful and colorful music for each of these poems that will be a joy to learn. The Tree of Life is set quite reflectively with a flute obbligato that captures the elegiac text. Patrick s Evening Hymn has long phrase lines and a chant-like flow between the organ and voices. Caedmon s Hymn is set as a lively vigorous dance that emphasizes the strength of this text. The keyboard parts are discreet and supportive throughout and the voice ranges are quite moderate in scope. These short anthems are winning additions to the SAB repertory.

Composed by Victor C Johnson. For SATB choir with optional cello. Sing!. Octavo. Published by Chorister's Guild

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193514362. Published by Oxford University Press (OU.9780193514362).

14 Reflective Arrangements by Phillip Keveren. Composed by Various. Arranged by Phillip Keveren. Piano Solo Songbook. Easy Listening, Sacred. Softcover. Published by Hal Leonard

Composed by kevin uppercue. Advanced/Collegiate. General, holy week/three days, lent, psalm setting collection, confession/forgiveness, evening, faith, grace, healing, hope/assurance, lament/grief/sorrow, prayer, trust/guidance, word of god. Octavo. Published by Galaxy Music Corporation (EC.1.3459).

8 Peaceful Piano Solos by Mona Rejino Composer Showcase Intermediate Level. Composed by Mona Rejino. Educational Piano Library. Recital. Softcover. Published by Hal Leonard

By David Ashley White. For SATB Choir and percussion. (Mixed Voices). Evening, General. Choral. Level: moderately easy. Octavo. Published by ECS Publishing.

SAATB choir and organ

SKU: OU.9780193521926

Composed by Thomas Weelkes. Edited by David Wulstan. Arranged by Wulstan. This edition: TCM96R. Services and Canticles. Tudor Church Music. 28 pages. Oxford University Press #9780193521926. Published by Oxford University Press (OU.9780193521926).

ISBN 9780193521926. 10 x 7 inches.

For SAATB and organ.

About Tudor Church Music

A series of superb anthems spanning one of the greatest periods of English music. The anthems reflect many styles ranging from simple four-part chordal anthems to elaborate motets. They cover all the main seasons and festivals of the Church's year together with many anthems for general use.

Composed by kevin uppercue. Advanced/Collegiate. General, holy week/three days, lent, psalm setting collection, confession/forgiveness, evening, faith, grace, healing, hope/assurance, lament/grief/sorrow, prayer, trust/guidance, word of god. Octavo. Published by Galaxy Music Corporation (EC.1.3458).

Orchestra String Orchestra - Grade 1.5

SKU: AP.36-52250368

Composed by R. Anne Svendsen. Performance Music Ensemble; String Orchestra. Latham Music. Score and Part(s). Latham Music Enterprises #36-52250368. Published by Latham Music Enterprises (AP.36-52250368).

ISBN 9781628761542. UPC: 746241249289. English.

This lyrical work will show off your strings expressive side. The music, set in 3/4 time, moves seamlessly between a D major and B minor tonalities, and uses the notes string players learn first and know best. It's quiet and reflective, a nice change of pace!

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2297

Arranged by Derek K. Hakes. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #2297. Published by Hope Publishing Company (HP.2297).

UPC: 763628122973.

Medle y of familiar hymns Evensong portrays the calmness of an approaching evening with this reflective setting utilizing three familiar hymn tunes. Through the use of LVs and suspended mallets, this arrangement begins and ends in quiet reflection. Special attention should be paid to the changing meters and the extensive use and placement of LVs.

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

SKU: GI.G-1054

Composed by Lori True. Sacred. GIA Publications #1054. Published by GIA Publications (GI.G-1054).

UPC: 785147005421.

With a passion for liturgical prayer, the vision of Catholic Social Teaching, and witness of Pope Francis, Lori True has created a collection of sung prayer for communities who want to embrace the unrelenting love of God and the deep challenge of Christ. Here you will find songs for gathering, communion, times of grief, doubt, action, and celebration, all fashioned with texts that foster deep reflection and her signature, accessible melodies, all ready to serve a wide variety of communal gatherings. Take some time to explore “Show By Your Life,” and discover a very unique and prophetic collection of liturgical music that the church desperately needs. CONTENTS: Show by Your Life • O Love, Ever Faithful • Take Our Hands • My Favor Rests on You • Wage Peace • My Daily Portion • In the Morning, in the Evening • Grieve Not • The Hand of Our God • Pardon Is the Instrument • I Will Give You Life • When One among Us • I Send You with the Grace of My Spirit.

SKU: GI.G-006499

Sacred. GIA Publications #006499. Published by GIA Publications (GI.G-006499).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate! For more information contact our Sales and CRM Manager, Suzanne Orland at (hymnalsandmissals@giamus ic.com) for pricing.

SKU: GI.G-006424-P1

Sacred. GIA Publications #006424-P1. Published by GIA Publications (GI.G-006424-P1).

We Celebrate is a flexible resource that combines a large-size, always up-to-date quarterly missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Quarterly Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Quarterly Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-613-8981 or email (suzanneo@giamusic.com for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. .

Trumpet & Organ

SKU: SU.80101343

For Trumpet & Organ. Composed by Carson Cooman. Brass, Trumpet, Keyboard, Organ. Score & Parts. Zimbel Press #80101343. Published by Zimbel Press (SU.80101343).

Solstice Sonata (2013) for trumpet and organ was commissioned by the American Guild of Organists for its 2014 Biennial National Convention in Boston, Massachusetts. It was premiered on June 24, 2014 at the Memorial Church, Harvard University, by trumpeter Chris Gekker and organist Christian Lane. At the solstice (summer in the Northern Hemisphere and winter in the Southern), the sun is directly aligned with the tropical latitude lines, and the longest day of the year occurs (marking the start of summer). This sonata is music of celebration and contemplation, taking the inspiration of the longest day as a starting place for both meditation both thoughtful and joyous. Take Flight soars and leaps with vigor-perhaps the image of a hang-glider's journey over a dramatic landscape under the late evening sun. The Dream of Peace is lyrical and passionate; it is perhaps night music of reflection and intensity. Glittering, Aglow begins with quiet, mystical music: a gradual awakening. A vibrant, syncopated dance breaks out, is interrupted by the quiet music again, and returns to push forward to a vibrant conclusion. The new season has begun.Instrumentation: Trumpet and Organ. Composed: 2013 Published by: Zimbel Press.

SKU: GI.G-CD-1038

Hymns, Psalms and Prayers to End the Day. Composed by Ian Callanan. Sacred. CD. GIA Publications #1038. Published by GIA Publications (GI.G-CD-1038).

UPC: 785147003823.

The service of Compline derives its name from the Latin word completorium meaning “completion.” It is a prayer of quietness and reflection, and is most effective following the completion of one’s daily work. Compline is perhaps the easiest prayer to add to your daily prayer life as it takes place right before bedtime. As Nighttime Falls is an attempt to bring the richness of Compline Prayer to a wider audience. This collection contains one complete compline service for each day of the week. Each prayer lasts about 15–20 minutes and includes an introduction, an examination of conscience, a hymn, psalmody, a scripture reading, a responsory, the Canticle of Simeon, a concluding prayer, and a blessing. Finally, each day concludes with the beautiful antiphon to the Blessed Virgin Mary, “Salve Regina.” As Nighttime Falls can be used to end youth retreats, Marriage Encounter weekends, parish missions, and other evening events. The companion 2-CD set contains seven complete compline services, one for each night of the week. You can pray in solitude just before going to sleep using the recording of As Nighttime Falls. It can also be used in communities when no pastoral musician is available. The enchanting Celtic charm of the hymn selections and psalms in this collection will engage you and draw you into this rich tradition of the church. At the end of each day let As Nighttime Falls offer you a way to give gratitude for the beauty and wonder of God.