Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

Orchestra (Score)

SKU: HL.14043625

For Orchestra. Composed by Helen Grime. Music Sales America. Classical, Contemporary. Softcover. 34 pages. Chester Music #CH77847. Published by Chester Music (HL.14043625).

12.0x16.75x0.436 inches.

Spiral bound.

Composed by David Conte (1955-). For baritone voice, piano. Secular. 24 pages. Published by E.C. Schirmer Publishing

((Everyone Sang)). Composed by Craig Carnahan. For Choral (SATB Divisi). Walton Choral. 24 pages. Walton Music #WJMS1139. Published by Walton Music

Voice

SKU: HL.14022962

Arranged by Ulla Hjorth Nielsen. Music Sales America. TV-Film-Musical-Show. Book [Softcover]. Composed 2005. 213 pages. Edition Wilhelm Hansen #WH30515. Published by Edition Wilhelm Hansen (HL.14022962).

ISBN 9788759810941.

Tune s from the movie - Musical, melodrama, farce and comedy - well known film genres have through the last 70 years produced film songs, that deserve to be remembered, played and sung. Many of which have become beloved evergreens. Toner fra filmen contains 100 songs that explain why. Tunes from the movie - Toner fra filmen is the first Danish song book, that concentrates on songs written directly to the film medium - from 1932 until 2002. From swing music to a sailor's waltz, from rock'n'roll to rap music, and the publication contains 100 compositions and lyrics and with that the answer to why a specific film song book is relevant. The answer is quality and diversity.Toner fra filmen is a song book that is supposed to strengthen the joy of singing and the memory of everyone interested in songs and films. Predictable catchy tunes by eg. Sven Gyldmark standing side by side with surprises that have almost been forgotten by most but deserve a renaissance. Toner fra filmen is released now as the quality in the national film production makes people walk away from the television and into the darkness of the movie theatre to laugh and cry. Back at the television screen we enjoy the old Danish movies that make us wish to refresh the film songs. Most of us seldomly remember more than the refrain, and then the need to look at the score arises. The songs chosen to Toner fra filmen has of course been an integrated part of the movies' set up, but they can manage on their own. There are a lot of love songs, but there are also songs for every taste and temperament, nice as well as sexy, short, long, poetic etc etc. The book makes you want to sing and play and is at the same time a piece of Danish cultural history.

for Medium/High Voice and Piano. Vocal Collection. Size 9x12 inches. 160 pages. Published by G. Schirmer, Inc.

For Double Mixed Chorus, a cappella. By Dominick Argento. (SATB Double Choir). Boosey and Hawkes Large Choral. Size 8.5x11 inches. Published by Boosey & Hawkes.

Composed by Matthew D. Nielsen and Siegfried Sassoon. For Choral (SSAATTBB A CAPPELLA). Walton Choral. 16 pages. Walton Music #WW1508. Published by Walton Music

(Contains accompaniments only for: Alleluia! I Will Sing / Born a Stranger / Celebrate with Music! / Classic Alleluia Canon / Cripple Creek / The Crocodile / Everyone Sang / Exsultate, Jubilate / Give Me a Kite / Gloria (from Missa Solemnis) / Halle). Choir Secular. This edition: SoundTrax CD. CD; Choral Octavo. Choral Designs. Published by Alfred Music Publishing

Composed by Craig Carnahan. Jo-Michael Scheibe Choral Series. Sacred. Octavo. 16 pages. Walton Music #WJMS1160. Published by Walton Music (GI.WJMS1160).

By Andy Beck. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. 16 pages. Published by Alfred Music Publishing

By Paul Moravec. For Baritone or Mezzo-Soprano Solo Voice and Piano. Composed 2003. Duration 3'. Published by Subito Music Corporation

SSSATB divisi Choral (SSSATB)

SKU: HL.1197771

Composed by Richard Burchard. National/Emerson Fred Bock. Octavo. Hal Leonard #NM1079. Published by Hal Leonard (HL.1197771).

UPC: 196288135043.

The essence of Sassoon's beloved text has been beautifully captured in this delightful SSSATB setting by Richard Burchard. Beginning in the alto voice, the melody gradually gains strength and begins to soar in tandem with the piano's entrance. The music swells to a grand and lively finish with the appropriate words “such delight!”.

Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 128 pages. Published by G. Schirmer, Inc.

Singing by Numbers. (Seven Songs about Singing). By Bob Chilcott. For SATB choir, optional children's choir, and piano/orchestra ([2, 2, 2, 2-2, 2, 0, 0], strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 24 pages. Duration 10'. Published by Oxford University Press

Composed by Paul John Rudoi. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1057. Published by Santa Barbara Music Publishing (SB.SBMP-1057).

By Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 16 pages. Published by Alfred Music Publishing

Composed by Gwyneth W. Walker. E.C. Schirmer Publishing #9218. Published by E.C. Schirmer Publishing

By Andy Beck. Choir Secular. SATB choir. Choral Octavo. Choral Designs. 16 pages. Published by Alfred Music Publishing

Three TTBB Choruses

SKU: SU.YR3816V1

For Three TTBB Choruses. Composed by Eric Helmuth. Vocal/Choral, Secular Choral. Men’s Chorus. Choral Octavo. Subito Music Corporation #YR3816v1. Published by Subito Music Corporation (SU.YR3816V1).

Three TTBB choruses Composed: 2001 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

Orchestra - Grade 0.5

SKU: AP.45817

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score and Part(s). 148 pages. Duration 2:15. Alfred Music #00-45817. Published by Alfred Music (AP.45817).

UPC: 038081525501. English. Traditional Irish Tune.

All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 0.5

SKU: AP.45817S

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score. 8 pages. Duration 2:15. Alfred Music #00-45817S. Published by Alfred Music (AP.45817S).

UPC: 038081525518. English. Traditional Irish Tune.

All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.