Advanced Blues Reharmonizations and Melodic Ideas for Guitar. Composed by Bruce Saunders. Perfect binding. Mel Bay's Private Lessons. Book and online audio. Published by Mel Bay Publications, Inc (MB.20415M).

Score and Parts Jazz Ensemble (Score and Parts) - Grade 4

SKU: HL.7014177

By Horace Silver. Arranged by Mark Taylor. Little Big Band Series. Jazz, Latin, Standard. Softcover. Published by Hal Leonard (HL.7014177).

UPC: 196288175780.

This jazz standard by Horace Silver from 1956 features an exotic and captivating Latin jazz groove along with a distinctive melodic line and chord progression. Mark Taylor uses elements from Horace's original quintet recording, but then takes full advantage of the 6-horn format. A classic!

SKU: HL.3710490

18-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1932618. Published by Hal Leonard (HL.3710490).

UPC: 697643115033. 18.0x18.0x0.103 inches.

Series Description: Paiste first pioneered color coated cymbals with COLORSOUND 5 in 1984 as a means for artistic expression during the time period when popular music became visual in music videos on television. In the 1990s VISIONS made an appearance, and in recent years certain Artist Inspiration models feature color coating – Stewart Copeland's Blue Bell Ride, Aquiles Priester's Giga Bell Ride and Danny Carey's Dry Heavy Ride. Throughout, the Color Sound finish was available for custom orders, including cymbals featured by international top artists Joey Jordison, Tico Torres and Paul Bostaph. With Color Sound 900 Paiste launches the latest incarnation in the color cymbal saga. Color Sound 900 cymbals are based on the range of models in the concurrently launched 900 Series. While they feature essentially corresponding sound and function, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack. Significantly, the same flexibility and giving feel as in the 900 Series is present. Extensive research and design efforts have resulted in the most stunningly beautiful finishes: luminous translucent colors preserve the natural appearance of grooves and hammer marks and present a vibrantly radiant appearance. Notably, decades of experience have proven the Color Sound finish to be exceedingly tough and durable – the finish will not ever crack, chip or peel. Size: 18-inches Weight: Medium thin Volume: Medium to loud Stick Sound: Washy, trashy Intensity: Lively Sustain: Medium Bell character: Integrated Sound character: Fairly dark, energetic. Medium wide range, complex mix. Explosive, shattering crash. Exotic stick sound over a complex, trashy wash. Assertive china for exotic effects. While Color Sound 900 feature essentially the same sound and function as the 900 Series, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack.

(Over 50 Common and Exotic Scales and Modes For Bass). By Mark John Sternal. For bass guitar. DVD. Duration 44 minutes 45 seconds. Published by MJS

Concert Band (Score) - Grade 4

SKU: HL.4003031

Composed by Robert Buckley. MusicWorks Grade 4. Contest, Festival. Score. 40 pages. Published by Hal Leonard (HL.4003031).

UPC: 884088546427. 9x12 inches.

This exciting, innovative new work from Robert Buckley was commissioned by the Troy University Symphony Band in honor of the 37th annual Southeastern United States Concert Band Clinic in Alabama. Using a recurring two-measure loop, this uniquely constructed piece is built up around various musical building blocks that are constantly evolving and transforming. The music is dramatic and dynamic, with full-blown ensemble passages suddenly dropping to quiet, powerful moments without ever losing the music's continuous drive. Following an exotic, bluesy middle section the piece builds, accelerating to a thrilling, rhythmic, percussive finish. A real tour de force! Duration: 7:00.

Book/Audio Online Guitar; Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.48025055

Violin and Piano Book/Audio Online. Composed by Various. Edited by Edward Huws Jones. Boosey and Hawkes Chamber Music. Blues, Jazz, Ragtime. Softcover Audio Online. 68 pages. Boosey and Hawkes #M060138935. Published by Boosey and Hawkes (HL.48025055).

ISBN 9781784547042. UPC: 196288024316. 9.0x12.0x0.235 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chords); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

(The John Coltrane Real Book). By John Coltrane. For C Instruments. Fake Book. Softcover. 144 pages. Published by Hal Leonard

Composed by John Coltrane. For C instrument. Format: fakebook (spiral bound). With lead melody, chord names and introductory text. Jazz. 125 pages. 9x12 inches. Published by Hal Leonard.

Jazz ensemble - Grade 4

SKU: LO.60-1067H

Composed by Fred Sturm. Jazz. Conductor's score. Heritage Music Press #60/1067H. Published by Heritage Music Press (LO.60-1067H).

UPC: 000308076639.

This new composition redefines the jazz ensemble ballad. Exotic timbres and vertical sonorities evoke cerulean blue colors that make this true chamber music for your ensemble. Using effects drawn from Romantic music of the late nineteenth century, muted Brass, saxophones, guitar, bass and drums combine to create lush backdrops for the showcased tenor sax and piano soloists.

Concert Band - Grade 5

SKU: ML.013780090

Composed by Valdemar Gomes. Full set. Molenaar Edition #013780090. Published by Molenaar Edition (ML.013780090).

The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.

What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the salero of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the grand finale, in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.

Het Spaans oorlogsgaljoen met 64 kanonnen, gebouwd in Cuba tussen 1770 en 1771 voor een Engelse reder in dienst van de koning van Spanje vertrok in 1784 vanuit Peru naar Cádiz met een enorme lading koper, goud, zilver en andere kostbaarheden aan boord. Er waren ook meer dan 400 mensen aan boord, waaronder passagiers, bemanning en Inca gevangenen na een opstand. De oversteek van de Atlantische Oceaan verliep vlot, waarbij Portugal werd gepasseerd om te profiteren van gunstige winden. De schipbreuk bij Peniche was het resultaat van een menselijke fout, blijkbaar te wijten aan Franse kaarten met dramatische fouten in de positie van de eilanden Berlengas en naburige eilandjes. Op 2 februari 1786 was de zee kalm en de nacht helder, maar ze raakten de rotsformatie Papoa en de romp brak onmiddellijk in tweeën. De bodem zonk snel, terwijl het dek nog enige tijd bleef drijven. 128 mensen verloren het leven, waaronder veel indianen die vastzaten in de kelder. Dit scheepswrak wordt beschouwd als een van de belangrijkste in de maritieme geschiedenis.

Wat de componist wil overbrengen, en wat men kan voelen als men luistert, is allereerst het geluid van macht, van hoop, van de glorie van verovering, van de pracht van rijkdom. Dit wordt gevolgd door de perceptie van de maritieme omgeving, de harmonie met de zachtheid van de oceaan, het glijden van de romp in het schuim van de zee op zonnige, blauwe dagen. Maar samen met deze rust hoor je al snel een ritmische ketting die je een voorstelling geeft van de drukte, van de drukke bemanning, van het harde werk van een zeeman, van de wanhoop van een exotisch volk dat gevangen zit in een donkere, vochtige kelder. Een duidelijk ritme dat ons doet denken aan de salero van Andalusië, met zijn Arabische invloeden en zijn mensen, het sussen van de berusting van anderen die gedwongen worden zich te onderwerpen. Dan horen we duidelijk een crescendo dat ons de lijdensweg doet voorstellen van de aanvaring die voorafgaat aan de schipbreuk. Het breken van de romp, het water dat alles overspoelt, de wanhoop, het botsen van lichamen op de rotsen, de tragedie die komen gaat. Vóór de grote finale, waarin de terugkeer van de muzikale zachtheid ons eraan herinnert dat het verhaal voorbij is. De overmacht van de natuur over de hebzucht van de mens. De golven, hoewel zacht, vegen het wrak, de levens en de schatten van de Nieuwe Wereld naar de bodem van de zee.

Le galion de guerre espagnol de 64 canons, construit à Cuba entre 1770 et 1771 pour un armateur anglais au service du roi d'Espagne, a quitté le Pérou pour Cadix en 1784 avec à son bord une énorme cargaison de cuivre, d'or, d'argent et d'autres objets de valeur. Il y avait également plus de 400 personnes à bord, dont des passagers, des membres d'équipage et des prisonniers incas à la suite d'une révolte. La traversée de l'Atlantique s'est déroulée sans encombre, en passant par le Portugal pour profiter des vents favorables. Le naufrage au large de Peniche est le résultat d'une erreur humaine, apparemment due à des cartes françaises comportant des erreurs dramatiques dans la position des îles de Berlengas et des îlots voisins. Le 2 février 1786, alors que la mer est calme et la nuit claire, le navire heurte la formation rocheuse de Papoa et la coque se brise immédiatement en deux. Le fond coule rapidement, tandis que le pont reste à flot pendant un certain temps. 128 personnes ont perdu la vie, dont de nombreux Indiens qui étaient coincés dans les sous-sols. Ce naufrage est considéré comme l'un des plus importants de l'histoire maritime.

Ce que le compositeur veut transmettre, et ce que l'on ressent à l'écoute, c'est d'abord le son de la puissance, de l'espoir, de la gloire de la conquête, de la splendeur de la richesse. C'est ensuite la perception de l'environnement maritime, l'harmonie avec la douceur de l'océan, le glissement de la coque dans l'écume de la mer par des journées bleues et ensoleillées. Mais à côté de cette tranquillité, on entend bientôt une chaîne rythmique qui nous fait ressentir une représentation de l'agitation, de l'équipage affairé, du dur labeur d'un marin, du désespoir d'un peuple exotique emprisonné dans une cave sombre et humide. Un rythme distinct qui nous rappelle le salero d'Andalousie, avec ses influences arabes et son peuple, l'apaisement de la résignation des autres qui sont obligés de se soumettre. Puis on entend clairement un crescendo qui nous fait imaginer l'agonie de la collision qui précède le naufrage. La rupture de la coque, l'eau qui envahit tout, le désespoir, le choc des corps sur les rochers, la tragédie à venir. Avant le grand final, où le retour de la douceur musicale nous rappelle que l'histoire est terminée. La suprématie de la nature sur la cupidité humaine. Les vagues, bien que douces, emportent les épaves, les vies et les trésors du Nouveau Monde au fond de la mer.

Die spanische Kriegsgaleone mit 64 Kanonen, die zwischen 1770 und 1771 auf Kuba für einen englischen Reeder im Dienste des spanischen Königs gebaut wurde, verließ Peru 1784 in Richtung Cádiz mit einer riesigen Ladung Kupfer, Gold, Silber und anderen Wertgegenständen an Bord. An Bord befanden sich auch mehr als 400 Menschen, darunter Passagiere, Besatzungsmitglieder und Inka-Gefangene nach einem Aufstand. Die Atlantiküberquerung verlief reibungslos, wobei Portugal passiert wurde, um die günstigen Winde zu nutzen. Der Schiffbruch vor Peniche war das Ergebnis menschlichen Versagens, das offenbar auf französische Karten zurückzuführen war, die in Bezug auf die Position der Inseln Berlengas und der benachbarten Eilande dramatische Fehler enthielten. Am 2. Februar 1786 stießen sie bei ruhiger See und klarer Nacht auf die Felsformation Papoa und der Rumpf brach sofort entzwei. Der Boden sank schnell, während das Deck noch einige Zeit über Wasser blieb. 128 Menschen kamen ums Leben, darunter viele Indianer, die im Keller eingeschlossen waren. Dieses Schiffswrack gilt als eines der bedeutendsten

Was der Komponist vermitteln will und was man beim Zuhören spürt, ist zunächst der Klang der Macht, der Hoffnung, des Ruhms der Eroberung, des Glanzes des Reichtums. Es folgt die Wahrnehmung der maritimen Umgebung, die Harmonie mit der Sanftheit des Meeres, das Gleiten des Schiffsrumpfes im Schaum des Meeres an sonnigen, blauen Tagen. Doch neben dieser Ruhe hört man bald eine rhythmische Kette, die die Hektik, die geschäftige Mannschaft, die harte Arbeit eines Seemanns, die Verzweiflung eines exotischen Volkes, das in einem dunklen, feuchten Keller gefangen ist, wiedergibt. Ein ausgeprägter Rhythmus, der an den Salero Andalusiens erinnert, mit seinen arabischen Einflüssen und seinen Menschen, der die Resignation der anderen besänftigt, die gezwungen sind, sich zu fügen. Dann hören wir deutlich ein Crescendo, das uns die Qualen des Zusammenstoßes, der dem Schiffbruch vorausgeht, erahnen lässt. Das Zerbrechen des Rumpfes, das Wasser, das alles überflutet, die Verzweiflung, das Aufeinanderprallen der Körper auf den Felsen, die bevorstehende Tragödie. Vor dem großen Finale, in dem die Rückkehr der musikalischen Sanftheit uns daran erinnert, dass die Geschichte zu Ende ist. Die Vorherrschaft der Natur über die menschliche Gier. Die Wellen, so sanft sie auch sein mögen, spülen die Trümmer, das Leben und die Schätze der Neuen Welt auf den Grund des Meeres.

Jazz ensemble jazz band - Grade 4

SKU: LO.60-1066H

Composed by Fred Sturm. Jazz. Score and set of parts. Heritage Music Press #60/1066H. Published by Heritage Music Press (LO.60-1066H).

UPC: 000308059151.

This new composition redefines the jazz ensemble ballad. Exotic timbres and vertical sonorities evoke cerulean blue colors that make this true chamber music for your ensemble. Using effects drawn from Romantic music of the late nineteenth century, muted Brass saxophones, guitar, bass and drums combine to create lush backdrops for the showcased tenor sax and piano soloists.

A Fun and Comprehensive Overview of Rock Bass Playing. By Dan Bennett. For Bass Guitar. Bass Guitar Method or Supplement. Rock. Book & CD. 128 pages. Published by Alfred Publishing.

A Guide to Knowing What Notes to Play - and Why!. Guitar Educational. Scales and Chords. Softcover Audio Online. With chord names, guitar chord diagrams, instructional text and introductory text. 40 pages. Published by Hal Leonard

By Troy Stetina. Pocket Guide. With notes and tablature. Size 4.5x12 inches. 64 pages. Published by Hal Leonard.

String Quartet

SKU: AY.PCMP102

Composed by Sonny Burnette. Ensembles - Chamber Music. Pine Castle Music Publishing #PCMP102. Published by Pine Castle Music Publishing (AY.PCMP102).

ISBN 9790302118770.

Gers hwin... Lost in Tunisia is a jazz-oriented composition that makes use of exotic scale patterns as well as Gershwinian blues motifs. Vacillating between the two genres, the piece attempts to meld them into a unique stylistic composite.

Composed by Mike Christiansen. Saddle-stitch. Complete. 60 pages. Published by Mel Bay Publications, Inc

By Mike Christiansen. For Guitar (All). Technique. Qwik Guide Series. All Styles. Level: Multiple Levels. Book. Size 5.5x8. 56 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: BT.MUSME0184

Collection 3D (Play Music). Tuition. Book, CD and DVD. Composed 2016. Play Music Publishing #MUSME0184. Published by Play Music Publishing (BT.MUSME0184).

English.

No more trouble with whole- and half-tone calculations, no more bother with scale transpositions and visualizations either! This coursebook provides fretboard diagrams (24 frets) for every existing scale (be it major, minorpentatonic, major pentatonic, blues, melodic minor, harmonic minor, exotic or symmetric) and what’s more, for every existing key. It also provides sample chords over which these scales (solos, improvisations or riffs) may beplayed and brief instructions for their use.

The DVD attached to the coursebook makes learning even easier. It shows you all the positions of the different scales and the essential points of reference in the 12 keys.Theabove-average backing tracks provided on the CD give you the opportunity to put the newly-learned scales into practice in every key and in every musical style(!)

18 Formula 602 Modern Essentials China

SKU: HL.3710285

18-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1142618. Published by Hal Leonard (HL.3710285).

UPC: 697643111141. 17.0x17.0x0.104 inches.

Forged from the legendary “602 Bronze” (CuSn20), offering a complete new wide and dynamic sound dimension, developed in close collaboration with Vinnie Colaiuta, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to Vinnie's uncompromising sound concepts for a wide all-round application. Formula 602 Modern Essentials cymbals combine the essence of the Formula 602 Classic Sounds models – transparency and stick definition – with the richness, warmth, darkness and a bit of complexity of the Signature Traditionals series besides providing slightly more pizzazz than its Classic Sounds siblings. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings; especially well-suited for recording, live; extremely versatile cymbals for a wide range of music styles such as pop, rock, jazz, fusion, blues, R&B, country, folk, and acoustic music Sound: Deep, full, rich, warm, lively, silvery, dynamic, controlled and precise; Cymbals that combine clarity, consistency with deepness and warmth, yet providing a modern versatile sound character with dynamic, potent, well balanced qualities and a responsive, soft feel SPLASHES Size: 18-inches Weight: medium thin Volume: medium low to loud Stick Sound: washy Intensity: lively Sustain: long Bell Character: integrated Sound Character: Dark, warm, strong, exotic, sizzling, earthy. Wide range, slightly complex and dense mix. Fairly soft, responsive feel. Great for explosive, strong, dark accents. Complex, washy ride sound. A modern China cymbal with a wide spectrum for various musical applications.

Over 200 Licks in All Styles. Hal Leonard Guitar Method. Soloing. Softcover instructional book and online audio (examples only). With introductory text, standard guitar notation, guitar tablature and musical examples. 47 pages. Published by Hal Leonard

Piano - Early Intermediate

SKU: FJ.FJH2330

3. Composed by Mary Leaf. Piano Collection; Piano Supplemental. Composers in Focus. Space, Sky, and Stars. Book. The FJH Music Company Inc #98-FJH2330. Published by The FJH Music Company Inc (FJ.FJH2330).

ISBN 9781619282711. UPC: 241444407136. English.

In Book 3, Mary Leaf provides pieces that expand a pianist's concepts of rhythm and harmony. Students experience a solar eclipse with unusual harmonies, express an exotic melody at a caravanserai in the deserts of Africa, play a bit of the blues followed by a Baroque-styled piece, and convey a gorgeous cloudy day. Most of the nine pieces are 3 pages, and teachers will find this a very useful book-good teaching material.

by Peter Fischer. AMA Verlag. Level: Beginning. Book/CD Set. Size 8.25x11.75. 184 pages. Published by AMA Verlag.