| Hal Leonard Acoustic Guitar Tab Method - Combo Edition Guitare notes et tablatures Guitare acoustique [Partition + Accès audio] Hal Leonard
Books 1 and 2 with Online Audio, Plus Bonus Material. By Various. Guitar Tab ...(+)
Books 1 and 2 with Online
Audio, Plus Bonus
Material.
By Various. Guitar Tab
Method. Acoustic,
Instruction. Softcover
Audio
Online. With guitar
tablature. 82 pages.
Published by Hal Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hal Leonard Acoustic Guitar Tab Method - Book 2 Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
For Guitar. Guitar Tab Method. Softcover Audio Online. Guitar tablature. 32 ...(+)
For Guitar. Guitar Tab
Method. Softcover Audio
Online. Guitar tablature.
32
pages. Published by Hal
Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Music of Nashville: Season 1, Volume 1 Piano, Voix et Guitare Hal Leonard
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. Publ...(+)
By Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook. Softcover.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Praise and Worship Fake Book - 2nd Edition Instruments en Do [Fake Book] Hal Leonard
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. ...(+)
For C Instruments.
Composed by Various. Fake
Book. Softcover. 456
pages. Published by Hal
Leonard (HL.160838).
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Praise and Worship Fake Book
Instruments en Sib [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship
Fake Book (B Flat
Edition). By Various. For
Bb Instruments. Fake
Book. Softcover. 432
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sing & Praise Piano seul Music Sales
| | |
| Serenata [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Güiro, Horn,
Mallet Percussion,
Maracas, Oboe, Percussion
1, Percussion 2,
Percussion 3, Snare Drum,
Timpani, Trombone and
more. SKU:
CF.FPS171F Composed
by Joseph Compello. Full
score. 16 pages. Carl
Fischer Music #FPS171F.
Published by Carl Fischer
Music (CF.FPS171F).
ISBN 9781491163979.
UPC:
680160922765. Seren
ata is a first-year band
piece with a Latin dance
flavor. It is an
excellent study in
independent part-playing
for young bands. Balance
is crucial among the
following parts:1.
Percussion must be steady
and not overpowering. The
cowbell should be played
with a mallet or stick
that will prevent its
sound from being dominant
in the percussion
section.2. The bass line
will require a delicate
staccato articulation.3.
Clarinets and horns must
play the ostinato
beginning at m. 5 in two-
or four-measure phrases.
This line must always
feel unbroken.4. Trumpets
must also use a delicate
staccato at m. 17.
Straight mutes are a nice
touch if the section is
big enough. Cup mutes are
even better. A small
trumpet section may play
open.5. Flutes and alto
saxes should always play
legato when carrying the
melody.The contrasting
middle section, beginning
at m. 28, should be
articulated smoothly by
the whole band. The
alternating melodic lines
should have tonal
contrast, but should be
the same dynamically. The
bass line should fade
into the background at
this point.A first-year
band can play Serenata
for their Spring
Concert.Thank you for
choosing this selection.
I hope you and your
students find it
instructive and
enjoyable. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenata - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Güiro, Horn,
Mallet Percussion,
Maracas, Oboe, Percussion
1, Percussion 2,
Percussion 3, Snare Drum,
Timpani, Trombone and
more. - Grade 1.5 SKU:
CF.FPS171 Composed by
Joseph Compello. Set of
Score and Parts. Carl
Fischer Music #FPS171.
Published by Carl Fischer
Music (CF.FPS171).
ISBN 9781491163573.
UPC:
680160922369. Seren
ata is a first-year band
piece with a Latin dance
flavor. It is an
excellent study in
independent part-playing
for young bands. Balance
is crucial among the
following parts:1.
Percussion must be steady
and not overpowering. The
cowbell should be played
with a mallet or stick
that will prevent its
sound from being dominant
in the percussion
section.2. The bass line
will require a delicate
staccato articulation.3.
Clarinets and horns must
play the ostinato
beginning at m. 5 in two-
or four-measure phrases.
This line must always
feel unbroken.4. Trumpets
must also use a delicate
staccato at m. 17.
Straight mutes are a nice
touch if the section is
big enough. Cup mutes are
even better. A small
trumpet section may play
open.5. Flutes and alto
saxes should always play
legato when carrying the
melody.The contrasting
middle section, beginning
at m. 28, should be
articulated smoothly by
the whole band. The
alternating melodic lines
should have tonal
contrast, but should be
the same dynamically. The
bass line should fade
into the background at
this point.A first-year
band can play Serenata
for their Spring
Concert.Thank you for
choosing this selection.
I hope you and your
students find it
instructive and
enjoyable. $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata for Oboe and Piano Hautbois, Piano (duo) Imagine Music
| | |
| Strings Attached Hal Leonard
SKU: HL.124967 One Tough Teacher and the Gift of Great Expectations(+)
SKU: HL.124967
One Tough Teacher and
the Gift of Great
Expectations. Book.
Biography / Music Bisac,
String Reference, Teacher
Resource. Hardcover. 352
pages. Published by Hal
Leonard (HL.124967).
ISBN 9781401324667.
UPC: 884088986100.
6.0x8.5x1.036 inches.
Joanne Lipman and Melanie
Kupchynsky. If
you're lucky, somewhere
in your past is that one
person who changed your
life forever. The one who
pushed you to dream
bigger and to reach
higher, and who set you
straight on what matters
in life. For Joanne
Lipman and Melanie
Kupchynsky, that person
was a public-school music
teacher, Jerry
Kupchynsky, known as Mr.
K - a Ukrainian-born
taskmaster who yelled and
stomped and screamed, and
who drove his students
harder than anyone had
ever driven them before.
Through sheer force of
will, he made them better
than they had any right
to be. Strings Attached
tells the inspiring,
poignant, and powerful
story of this remarkable
man, whose life seemed to
conspire against him at
every turn and yet who
was able to transform his
own heartache into
triumph for his students.
Lyrically recounted by
two former students -
acclaimed journalist
Joanne Lipman and Mr. K's
daughter, Chicago
Symphony Orchestra
violinist Melanie
Kupchynsky - Strings
Attached takes you on a
journey that spans from
his days as a forced Nazi
laborer and his later
home life as a husband to
an invalid wife, to his
heart-breaking search for
his missing daughter,
Melanie's sister. This is
an unforgettable tale - a
captivating narrative
that is as absorbing as
fiction - about the power
of a great teacher, but
also about the legacy
that remains long after
the last note has faded
into silence: lessons in
resilience, excellence,
and tough love. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Worship Songs for Violin Violon Hal Leonard
Violin SKU: HL.360036 Composed by Various. Instrumental Folio. Chris...(+)
Violin SKU:
HL.360036 Composed by
Various. Instrumental
Folio. Christian, General
Worship, Worship.
Softcover. 120 pages.
Published by Hal Leonard
(HL.360036). ISBN
9781705122822. UPC:
840126947168. 9.0x12.0
inches. This
glorious collection
provides hours of
repertoire for
instrumentalists.
Includes: Amazing Grace
(My Chains Are Gone)
â?¢ As the Deer â?¢
The Blessing â?¢ Build
My Life â?¢ Do It Again
â?¢ Draw Me Close â?¢
Everlasting God â?¢
Goodness of God â?¢
Great Are You Lord â?¢
Here I Am to Worship
(Light of the World)
â?¢ How Great Is Our
God â?¢ In Christ Alone
â?¢ Living Hope â?¢
Mighty to Save â?¢
Oceans (Where Feet May
Fail) â?¢ Open the Eyes
of My Heart â?¢ Shout
to the Lord â?¢ 10,000
Reasons (Bless the Lord)
â?¢ This Is Amazing
Grace â?¢ Way Maker
â?¢ Yet Not I but
Through Christ in Me
â?¢ Your Name â?¢ and
many more! $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carol of the Birds Chorale 3 parties SAB, Orgue Augsburg Fortress
Composed by J. William Greene. For SAB choir, organ. Published by Augsburg Fortr...(+)
Composed by J. William
Greene. For SAB choir,
organ. Published by
Augsburg Fortress
$1.80 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Risen Indeed! - Performance CD Lorenz Publishing Company
Moderately Easy SKU: LO.99-1505L An Easter Cantata for Choir and Worsh...(+)
Moderately Easy SKU:
LO.99-1505L An
Easter Cantata for Choir
and Worship Leader.
Composed by Lani Smith.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Performance CD. Lorenz
Publishing Company
#99/1505L. Published by
Lorenz Publishing Company
(LO.99-1505L). UPC:
000308055528. An
eloquent, thoughtful text
is interwoven with
equally passionate music
in this exploration of
the most important week
in the Christian
calendar--Holy Week and
Easter. As the hosannas
fade into crucify we are
led to wonder what we
might have done, what we
have said, had we been
there. What would our
reaction have been to the
shadow of the cross or
the shock of the empty
tomb? It is good to
wonder, but it is better
to know that because of
the events of Holy Week,
life eternal is the
promise. For that Christ
paid the ultimate price,
so that on Easter Sunday
all Christians can
respond to the
traditional Easter
greeting, The Lord is
Risen, with the
affirmative response, He
is Risen Indeed! From the
quiet moments of
introspection at the
Lord's table to the
terrible agony of the
cross, and culminating
with the joyous
resurrection, this
cantata is a moderately
easy, yet completely
satisfying and
inspirational implement
for worship. Indeed, He
is Risen! Duration:
approximately 40
minutes. $15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Voices in the Shadows Orchestre à Cordes [Conducteur] - Facile FJH
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6346S Score Only. C...(+)
Orchestra String
Orchestra - Grade 3
SKU: FJ.ST6346S
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH String
Orchestra. Score.
Duration 4:30. The FJH
Music Company Inc
#98-ST6346S. Published by
The FJH Music Company Inc
(FJ.ST6346S).
English. Explori
ng mature harmonies while
a single note lingers
throughout the entire
work, this powerful piece
will leave you
breathless. Orchestrated
for strings and piano,
the music moves through a
series of sections that
become increasingly
intense, all while the
note G sounds nonstop
from the first measure
until the final chord.
The haunting sound of
voices (members of the
ensemble) eventually fade
into a soft hum before
the music reaches is
final chord and ultimate
resolution. Simply
stunning.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Balmages : Voices in the Shadows Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3....(+)
Composed by Brian
Balmages. For string
orchestra. FJH String
Orchestra. Grade 3. Score
and parts. Duration 4
minutes, 30 seconds.
Published by The FJH
Music Company Inc
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Darkness Fades Away Carl Fischer
Choral SA choir and piano SKU: CF.CM9715 Composed by Mark A Henry. Mjts. ...(+)
Choral SA choir and piano
SKU: CF.CM9715
Composed by Mark A Henry.
Mjts. 8 pages. Duration 3
minutes, 3 seconds. Carl
Fischer Music #CM9715.
Published by Carl Fischer
Music (CF.CM9715).
ISBN 9781491160947.
UPC: 680160919543. Key: F
major.
Original. Darkness
Fades Away is written as
an accessible song for
young voices that speaks
to our hopes for a kinder
and more empathetic
world. The melody
utilizes a subtle meter
change from 2 /4 to 3/4
in order to emphasize the
second beat and allow it
space to grow into the
next note. When the
optional counter-melody
is introduced, the rhythm
relies on an off-beat
pattern, but be sure not
to accent those notes.
Both melody and
counter-melody are meant
to flow gently with a
little movement
throughout. Note the
repeated use of a 7th
(low sol to fa) to
introduce the main motif.
The ending section grows
to its climax (m. 80-82)
with optional notes for
higher voices that feel
comfortable in that
range. After the voices
echo and repeat the main
theme, the rallentando
and subsequent caesura
(m. 104-106) allow for
some freedom in direction
until the piano
reinforces the original
tempo before itself
fading away. Darkness
Fades Away is written as
an accessible song for
young voices that speaks
to our hopes for a kinder
and more empathetic
world. The melody
utilizes a subtle meter
change from 2 /4 to 3/4
in order to emphasize the
second beat and allow it
space to grow into the
next note. When the
optional counter-melody
is introduced, the rhythm
relies on an off-beat
pattern, but be sure not
to accent those notes.
Both melody and
counter-melody are meant
to flow gently with a
little movement
throughout. Note the
repeated use of a
7th (low sol to fa) to
introduce the main
motif.The ending section
grows to its climax (m.
80-82) with optional
notes for higher voices
that feel comfortable in
that range. After the
voices echo and repeat
the main theme, the
rallentando and
subsequent caesura (m.
104-106) allow for some
freedom in direction
until the piano
reinforces the original
tempo before itself
fading away. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Wings of Flight - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS244 Composed by
Michael Boo. Folio. Cps.
Set of Score and Parts.
1+8+8+4+8+8+2+2+4+4+2+2+8
+8+4+4+6+6+3+2+1+2+1+1+1+
4+4+2+20 pages. Duration
3 minutes, 16 seconds.
Carl Fischer Music
#CPS244. Published by
Carl Fischer Music
(CF.CPS244). ISBN
9781491157985. UPC:
680160916580. 9 x 12
inches. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On Wings of Flight [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS244F Composed
by Michael Boo. Sws. Cps.
Full score. 20 pages.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CPS244F. Published
by Carl Fischer Music
(CF.CPS244F). ISBN
9781491157992. UPC:
680160916597. 9 x 12
inches. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Complete Chord Songbook Music Sales
| | |
| Jason Robert Brown : The Bridges of Madison County (Vocal Selections) Piano, Voix Hal Leonard
(Vocal Selections - Vocal Line with Piano Accompaniment). Composed by Jaso...(+)
(Vocal Selections - Vocal
Line with Piano
Accompaniment). Composed
by
Jason Robert Brown. For
Vocal. Vocal Selections.
Softcover. 128 pages.
Published by Hal Leonard
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Desert Caravan Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4171-01 Composed by Neeck. Young Conce...(+)
Concert band - Grade 2
SKU:
CL.011-4171-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR379). Extra
full score. Composed
2013. Duration 2 minutes,
51 seconds. C.L.
Barnhouse #011-4171-01.
Published by C.L.
Barnhouse
(CL.011-4171-01).
Imagine an
oasis in the desert. Far
in the distance a caravan
is sighted. The air is
filled with excitement
and anticipation, the
quiet desert becoming
louder and more animated
as the large caravan
approaches and passes.
This scene is musically
depicted in Larry
Neeck’s Desert
Caravan, which provides
numerous opportunities
for your band to work
with melody, dynamics,
and drama. Transport your
audience to a faraway
place, as the sounds of
the camels and their
herdsman slowly die away,
and the caravan fades
into the distance. A
delightful musical
journey!
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Bridges of Madison County Piano, Voix [Vocal Score] Hal Leonard
Composed by Jason Robert Brown. Vocal Score. Broadway. Softcover. 240 pages. ...(+)
Composed by Jason Robert
Brown. Vocal Score.
Broadway.
Softcover. 240 pages.
Published by Hal Leonard
$70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Remembrance Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Concert band - Grade 3 SKU: DH.DP200504-SC Composed by Larry Daehn. Score...(+)
Concert band - Grade 3
SKU:
DH.DP200504-SC
Composed by Larry Daehn.
Score only. Duration 4
minutes, 22 seconds.
Published by Daehn
Publications
(DH.DP200504-SC).
A beautiful In
Memoriam piece
reminiscent of the
composer's A Song for
Friends. A gorgeous 3/4
melody emerges from the
low voices, is joined by
an ethereal woodwind
choir, develops into a
majestic, noble
utterance, and then fades
into quietness. A nice
piece to remember someone
in your school or
community. $6.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Remembrance Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7227-00 Composed by Daehn. Concert Band. Score and se...(+)
Grade 3 SKU:
CL.LDP-7227-00
Composed by Daehn.
Concert Band. Score and
set of parts. Composed
2014. Daehn Publications
#LDP-7227-00. Published
by Daehn Publications
(CL.LDP-7227-00).
A beautiful In
Memoriam piece
reminiscent of the
composer’s A Song for
Friends. A gorgeous 3/4
melody emerges from the
low voices, is joined by
an ethereal woodwind
choir, develops into a
majestic, noble
utterance, and then fades
into quietness. A tender
piece to remember someone
in your school or
community. Touching and
beautiful! $72.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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