Alte Armee- und beliebte volkstümliche Märsche. Vieux Armée Marche Et Marches Folkloriques Populaires/ Recueil / Piano

Deux marches nuptiales pour Quintette à vent à instrumentation variable : Marche nuptiale extraite de l'opéra Lohengrin (Wagner) - Marche nuptiale extraite du Songe d'une nuit d'été (Mendelssohn). / Quintette A Vent / 12 pages / niveau : Facile - Elémentaire / Set (Conducteur et parties séparées)

The long-awaited sequel to Vol. 1, this second volume of The New Real Book features jazz classics, contemporary jazz and many choice standards – songs made famous by John Coltrane, Horace Silver, Bill Evans, Wayne Shorter, Benny Golson, Duke Ellington, Miles Davis, CHick Corea, Billy Childs, Eddie Gomez, John Scofield, Michael Brecker, Bob Berg, John Patitucci, and a host of others. Available in C, Bb and Eb versions. / Instrumental Music / Recueil / Instruments en Mib

Par VAN DER ROOST JAN. In the course of the two centuries following the death of Henry Purcell in 1695, no British composer of any statue was apparent. Consequently, the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century, was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar’s music and on the occasion of the fiftieth anniversary of the composer’s death in 1984 he composed the “CeremonialMarch”. Van der Roost was inspired by the most famous and frequently played works from Elgar’s catalogue of works, the characteristic “Pomp and Circumstances” marches, and decided to add his own, sixth march to the existing collection. / Niveau : 5 / Marche / Répertoire / Fanfare

Par VAN DER ROOST JAN. In the course of the two centuries following the death of Henry Purcell in 1695, no British composer of any statue was apparent. Consequently, the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century, was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar’s music and on the occasion of the fiftieth anniversary of the composer’s death in 1984 he composed the “CeremonialMarch”. Van der Roost was inspired by the most famous and frequently played works from Elgar’s catalogue of works, the characteristic “Pomp and Circumstances” marches, and decided to add his own, sixth march to the existing collection. / Niveau : 5 / Répertoire / Concert Band ou Harmonie

Track Clear ~ Laisser Passez !. Par STRAUSS EDUARD. Eduard Strauss, the third son of Johann Strauss the Elder, was born on March 15, 1835, in Vienna. Originally, Eduard looked for employment in the diplomatic service, but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862, he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers, his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear), which he wrote in 1869, and a handful of other fast polkas (he excelled in this particular dance form), his music is not as well known as that of his brothers. / Niveau : 2.5 / Transcription / Date parution : 1905-06-26/ Répertoire / Concert Band ou Harmonie