A great repertoire resource, outside of what one finds in piano methods and standard classical repertoire, this book provides both young and adult beginners a fresh collection of modern compositions. These pieces are simply fun to play, relaxing and are sure to be received by any audience. Fantasy Piano contains 20 imaginative, easy-to-play, and catchy piano pieces such as Regenbogen-Fee [Rainbow Fairy], Drachenreiter [Dragon Rider] and Traumfänger [Dream Catcher]. All pieces are recorded on the accompanying CD for the student to familiarise themselves. / Piano

Par SARASATE PABLO DE. Célèbre pour son jeu fougueux, énergique et passionné, espagnol violoniste Pablo de Sarasate (1844-1908) était également connue pour la douceur et la pureté de son timbre et sa technique impeccable. Ses oeuvres sont plongés dans les traditions colorées de son pays natal, en s'appuyant sur des airs espagnols et des danses pour afficher la profondeur et la richesse des fonctionnalités du violon. Cette édition pratique et de performance avec un séparé, violon amovible contient trois des meilleurs morceaux et les plus difficiles du compositeur pour violon et piano: Zigeunerweisen (Airs gitans)- Carmen Fantasy, op. 25, sur la base de l'opéra de Georges Bizet, et l'introduction exaltante et Tarantella. Reproduit à partir des éditions faisant autorité, ces travaux sont essentiels au répertoire de tous les violonistes graves. / Niveau : Avancé / Répertoire / Violon et Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Chromatic Fantasy and Fugue d minor BWV 903 and 903a qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1163. / Piano / Chanson En Séparée

Cette loi dynamique enregistré certaines des chansons plus mémorables et mélodieuses jamais de frapper les charts pop. Trois de leurs plus grands hits sont combinés en ce medley de concert pour bande - septembre, After The Love Has Gone et Fantasy. Facultatifs pièces pour guitare, clavier, basse et batterie sont inclus pour donner un vrai son d'EW and F. / Orchestre D'Harmonie

28 piano solos for the music that envelops you as you lose yourself in the world of video games, including: Angry Birds Theme - Assassin's Creed Revelations - Battlefield Theme - Dragonborn (Skyrim Theme) - Elder Scrolls: Oblivion - Main Theme from Final Fantasy I - Overture from God of War III - Mass Effect: Suicide Mission - Minecraft: Sweden - Rage of Sparta from God of War III - Uncharted Theme - and more./ Recueil / Piano

Par JEANBOURQUIN MARC. Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef d’orchestre la possibilité de mettre en avant un soliste de l’ensemble. Mais déjà, le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy . / Niveau : 2 / Musique légère originale / Répertoire / Concert Band ou Harmonie ou Fanfare

for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre

Par SARASATE PABLO DE. George Bernard Shaw once remarked that although there are many composers of music for the Violin, there are only a few composers of Violin music. But where Pablo de Sarasate (1844-1908) is concerned, Shaw declared that the Spanish musician's talents as both a performer and composer 'left criticism gasping miles behind him. ' Famous for his fiery, forceful, and passionate playing, Sarasate was equally renowned for the sweetness and purity of his tone and his impeccable technique. As a composer steeped in the colorful music of his native land, he was well known for his many Violin works inspired by Spanish airs and dances, written to display the instrument'scapabilitie. Carmen Fantasy, Op. 25, is Sarasate 's much-loved Violin fantasy based on Bizet's Carmen. It includes excerpts of different movements from the Carmen suite, including the familiar Habanera and opening movement. Sarasate 's popular arrangement and variations on the opera's themes are staples of the Violin repertoire. This full-score version stands as the most affordable available, and it offers both performers and listeners extra insights into a celebrated work. Reprint of an early authoritative edition./ Répertoire / Orchestre

In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. / Date parution : 1905-07-10/ Recueil / Flûte Traversière et Piano

Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano

Comme le président de la Juilliard, William Schuman a demandé une pièce majeure de son ami proche de la célébration du cinquantième anniversaire de l'école. Copland pensé le Juilliard anniversaire un idéal occasion pour la première de 'Piano Fantasy' dont il rédigeait en l'honneur de William Kapell. Copland a admis qu'il était difficile d'écrire, ' notamment les sections rapides. ' Il a expliqué, ' mon but était de suggérer la qualité de la fantasy, une séquence préméditée et spontanée d'événements que devait transporter l'écouteur le long, alors qu'à il même temps illustrent clairement, si quelque peu non conventionnelles, principes structurels. ' Bien que le travail n'était pas prêt à la date pour laquelle il a été commandé, Schuman a organisé un concert spécial pour la création par le pianiste William Masselos. Copland, a commenté, ' Lucky pour moi que le président de la Juilliard était un compositeur! ' / Piano