Composed by Charles Francois Gounod (1818-1893). Arranged by John R. Bourgeois...(+)
Composed by Charles
Francois
Gounod (1818-1893).
Arranged
by John R. Bourgeois.
Bourgeois Series. This
march, along with the
marches from Wagner's
"Tannhauser" and Verdi's
"Aida," are among the
most
beloved of operatic
marches.
Concert, Contest. Score
and
Parts. Wingert-Jones
Publications #3018391.
Published by
Wingert-Jones
Publications
Fauststands
for the composer Gounod
himself, who was torn
between the expression of
excessive sensuality and
a deep spirituality which
he was searching for in
his Catholic faith. As
such, in this most
important musical setting
of Goethe's drama, the
work was given a deeply
personal interpretation.
With a detailed
Foreword (Fr/Eng/Ger)
this new edition presents
the genesis of the work
with its various, during
Gounod's lifetime,
completely sung
versions.
The main
version of our edition
was performed at the
Paris Opera on 3 March
1869. However, simple
cross references in the
score enable a
reconstruction of the
earlier and later stages
of this work for
performance. Rounding off
this publication is a
critical edition of the
libretto. All available
sources are described and
the Critical Commentary
provides information
about any changes made to
the individual
numbers.
The two
earlier Faust versions
with spoken dialogue will
be included in a separate
volume within this series
(in preparation, BA
8714).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). The
Faust Overture in its
First Urtext Edition.
Overture; Romantic. Study
Score. 36 pages. Duration
7'. Breitkopf and Haertel
#PB 5545-07. Published by
Breitkopf and Haertel
(BR.PB-5545-07).
ISBN
9790004213551. 6.5 x 9
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-27. Published by
Breitkopf and Haertel
(BR.OB-5362-27).
ISBN
9790004341452. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
8 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-15. Published by
Breitkopf and Haertel
(BR.OB-5362-15).
ISBN
9790004341414. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-16. Published by
Breitkopf and Haertel
(BR.OB-5362-16).
ISBN
9790004341421. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-23. Published by
Breitkopf and Haertel
(BR.OB-5362-23).
ISBN
9790004341445. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Viola (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5362-19 Overture to ...(+)
Viola (2.2.2.2 - 4.2.3.0
- timp - str)
SKU:
BR.OB-5362-19
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-19. Published by
Breitkopf and Haertel
(BR.OB-5362-19).
ISBN
9790004341438. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
This Book and CD collection of Volume 2 of Les Plaisirs Du Bel Canto(+)
This Book and CD
collection of Volume 2 of
Les Plaisirs Du
Bel Canto
features a selection of
songs for singers that
have been taken from the
classic repertoire of the
great operas. For
Mezzo-SopranoVoic
e.
<
br>
Fo
r professional singers,
students, enthusiasts and
music schools, this
varied repertoire is a
great way to enter into
the joyous world of
singing. The CD features
Pianoaccompaniment as it
appears transcribed in
the book.
Song List
(6)
Habanera (Carmen)
[Bizet, Georges]
La Lettre
(Veronique)
[Messager, Andre]
La Maison Grise
(Fortunio)
[Messager, Andre]
La Reine De La Nuit
(La Flute
Enchantee) [Mozart,
Wolfgang Amadeus]
Opera in five acts. Composed by Charles Francois Gounod (1818-1893). Edited by...(+)
Opera in five acts.
Composed
by Charles Francois
Gounod
(1818-1893). Edited by
Paul
Prevost. Arranged by
Karl-
Heinz Muller. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Version
with recitatives. Vocal
Score. Baerenreiter
Verlag
#BA08713-90. Published by
Baerenreiter Verlag
Orchestra SKU: HL.49009585 Composed by Charles Francois Gounod. Edited by...(+)
Orchestra
SKU:
HL.49009585
Composed
by Charles Francois
Gounod. Edited by Bill
Hopkins. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. 102 pages.
Eulenburg Edition #ETP
1380. Published by
Eulenburg Edition
(HL.49009585).
ISBN
9783795766740. UPC:
841886000735.
5.25x7.5x0.272 inches.
German -
English.
Gounod's
Faust opera (libretto by
Michel Carre and Jules
Barbier) is based on the
love story of Faust and
Marguerite which is but a
part of Goethe's Faust
drama. Consequently the
title of the opera is
unacceptable in Germany
where it is renamed
Margarethe, after the
heroine.
By Fanny Mendelssohn Hensel. Edited by Suzanne Summerville. Goethe. For soprano,...(+)
By Fanny Mendelssohn
Hensel. Edited by Suzanne
Summerville. Goethe. For
soprano, women's choir
(SSAA) and piano. First
Publication. Level:
intermediate. Full score.
Duration 12'. Published
by Furore-Verlag (German
import).
Clarinet Quartet SKU: IS.CQ7692EM Composed by Karel Van Marcke. Woodwinds...(+)
Clarinet Quartet
SKU:
IS.CQ7692EM
Composed
by Karel Van Marcke.
Woodwinds - Clarinet.
Metropolis Music
Publishers #CQ7692EM.
Published by Metropolis
Music Publishers
(IS.CQ7692EM).
ISBN
9790365076925.
The
suite Faust was
commissioned by puppet
theatre Tejooter
Aabazjoer (Aalst,
Belgium) in 2015. The
eight pieces reflect four
moods: happy, dance, open
and introverted. Play the
works in any order. Each
time, the titles will
combine to form a
different poem. Do you
play Faust live? Please
publish your chosen order
of the pieces and thus
your self-formed poem in
your programme
booklet.
Composed
by Charles Francois
Gounod. Set Type: D. Set
of parts. Lucks Music
Library #A2816. Published
by Lucks Music Library
(TM.02142SET).
Act V No. 19,
20 (in vs; No. 30 & 31 in
sc), and Finale Alerte
Alerte, through end of
opera. Key in C. Also
contains #03500: Angel
Chorus - Christ est
ressuscite, Finale to
opera. Sung by Margarite,
Faust, Mephistaphele, and
Angel Chorus.
Soprano voice and piano SKU: LM.28896 Composed by Jacqueline Bonnardot. C...(+)
Soprano voice and piano
SKU: LM.28896
Composed by Jacqueline
Bonnardot. Classical.
Score and CD. 68 + 3
pages. Editions Henry
Lemoine #28896. Published
by Editions Henry Lemoine
(LM.28896).
ISBN
9790230988964.
MOZA
RT W.A. : Recitatif et
air de Zerlina (Don
Giovanni) - FAURE G. :
Ici-bas ! - TELEMANN G.P.
: Trauer-Kantate Du aber,
Daniel, gehe hin - GOUNOD
Ch. : Recitatif et air de
Stephano (Romeo et
Juliette) - BRAHMS J. :
Liebestreu - MOZART W.A.
: Air de Giunia (Lucio
Silla) - Gounod Ch. : Air
de Siebel (Faust) -
HAENDEL G.F. : Recitatif
et air de Cleopatre
(Giulio Cesare) - RAMEAU
J.P. : Air de Telaire
(Castor et Pollux) - LALO
E. : Air de Rozenn (Le
Roi d'Ys).
By Michael F. Moody. Lyricist: James E. Faust and Jan Pinborough. For Male Choru...(+)
By Michael F. Moody.
Lyricist: James E. Faust
and Jan Pinborough. For
Male Chorus and Piano.
(TTBB). Sacred, Choral.
Level: Medium. Octavo.
Duration 3:00:00.
Published by Sonos Music
Resources, Inc.
(Violin and Piano). Composed by Henri Wieniawski (1835-1880). For Violin, Piano ...(+)
(Violin and Piano).
Composed by Henri
Wieniawski (1835-1880).
For Violin, Piano
Accompaniment. PWM.
Softcover. 40 pages.
Polskie Wydawnictwo
Muzyczne #7823030.
Published by Polskie
Wydawnictwo Muzyczne
Chorale SATB SATB [Octavo] Jackman Music Corporation
By Michael F. Moody. Arranged by Darwin Wolford. Text: James E. Faust. For SATB ...(+)
By Michael F. Moody.
Arranged by Darwin
Wolford. Text: James E.
Faust. For SATB Choir.
Duration 2:30. Published
by Jackman Music
Corporation. Level:
Medium / Medium-Difficult
(accompaniment).
