Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic Rock, Rock. Softcover. 48 pages. Published by Hal Leonard

Piano Duet Play-Along Volume 20 NFMC 2020-2024 Selection. Composed by Stephen Schwartz. Arranged by Carol Klose. Piano Duet Play-Along. Broadway, Duet. Softcover Audio Online. 80 pages. Published by Hal Leonard

Trombone duet - intermediate

SKU: CY.CC2502

Composed by Jason Beghtol. Arranged by Jason Beghtol. Contemporary. Parts and score. Published by Cherry Classics (CY.CC2502).

Brothers is a composition by Jason Beghtol, written for his sons, both budding young Trombonists. The 3 minute work has a feeling of adventure and action. This is an excellent work to train young intermediate level Trombonists to count, listen, move the slide quickly and have fun!

Good work Jason!

Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Piano Duet

SKU: HL.14023265

Composed by Hanne Mulvad. Music Sales America. Tuition. Choral Score. Composed 2005. 32 pages. Edition Wilhelm Hansen #WH30488. Published by Edition Wilhelm Hansen (HL.14023265).

ISBN 9788759810866. Danish.

From the preface:

The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading
(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark, Norway, Sweden, Finland and the
Faroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressive
possibilit ies of the piano, and being good representatives of the rich and atmospheric Nordic musical heritage.
When one practises sight-reading on one’s own it is tempting to stop as onegoes along, because the desire to play
the correct notes is often given priority at the expense of the rhythm and expression.
Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure, and the
stream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing,
where the teacher supports the pulse and rhythm.
In many other publications of four-handed duets the secundo part is written in two bass clefs, and the primo part in two
treble clefs. Reading this untrained combination of clefs, along with the stressful fact that the music has never been
seen nor heard before, can confuse the pupil.
In volumes 1 and 2 the secundo part, which is intended for the pupil, is therefore notated in a treble clef and bass
clef, as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied, but in most
of the pieces improvisation is an interposed element in the primo part, being therefore a good challenge for the pupil.
In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point, but here too the
pupil is encouraged to experiment with, for example, the shift between major and minor thirds, and between the high and
low sixth and seventh.

Arranged by Pam Wedgwood. For Piano. Book; Piano Collection; Piano Supplemental. Faber Edition: After Hours. Christmas; Secular; Winter. Early Intermediate; Intermediate; Late Intermediate. 32 pages. Published by Faber Music

Composed by Jonathan Annis. Score. Imagine Music Publishing #VMW186. Published by Imagine Music Publishing

Soprano voice solo, SSA choir, cello, organ, and synthesizer - Intermediate

SKU: MN.56-0022

Composed by Howard Goodall. 21st Century. Duration 4 minutes, 44 seconds. MorningStar Music Publishers #56-0022. Published by MorningStar Music Publishers (MN.56-0022).

UPC: 688670220272. Latin. Luke 10:33; Isaiah 66:13.

Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati” can be taken as a sort of “Blessed are they” prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near him”) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort you”). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44

2 solo voices, SSA choir, cello, organ, and synthesizer - Early Intermediate

SKU: MN.56-0023

Composed by Howard Goodall. 21st Century. Duration 4 minutes, 10 seconds. MorningStar Music Publishers #56-0023. Published by MorningStar Music Publishers (MN.56-0023).

UPC: 688670220289. Latin. Matthew 5:3-11.

Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soprano soloists and SA treble chorus (marked Soprano I and Soprano II in the score), cello, organ, and synthesizer, the music has a light, ethereal feeling. The Beatitudes text is set here entirely in Latin. Beginning in a meditative chant-like style, the music moves to a sort of dialogue duet, sometimes between the two soprano sections and sometimes between the two soloists. The music is sweet, lyrical, and calm. Duration 4:10