Composed by David M. Kellermeyer. Full score. Published by MorningStar Music Publishers (MN.30-131).

Congregation, unison voices, organ, handbells

SKU: MN.30-131HB

Composed by David M. Kellermeyer. Handbell score. MorningStar Music Publishers #30-131HB. Published by MorningStar Music Publishers (MN.30-131HB).

UPC: 688670000706.

Doxol ogy for Bells is a majestic setting of Psalm 100 (Old Hundredth), by William Kethe, that concludes with the traditional Doxology by Thomas Ken. It also includes an alternate text suitable for handbell festivals. Text is underlayed so the ringers can also sing. The double text makes this useable for worship, music celebration Sunday, a bell dedication event, or for massed ringing festivals. Organist plays from Full Score. Written for 3-5 Octave Handbells or Handchimes.

Arranged by Donald Hustad. For SATB choir and optional Brass Quartet. Devotion, Classics, Sacred. Choral octavo. 8 pages

Organ - Advanced

SKU: MN.10-927

Composed by Morgan Simmons. Non Hymn-Based, Recital Music. Instrumental part. MorningStar Music Publishers #10-927. Published by MorningStar Music Publishers (MN.10-927).

Cityscape dates from 1992 and was composed for inclusion in an organ recital of Chicago composers as part of the Fourth Presbyterian Church's annual Festival of the Arts. The theme of that year's festival was Faces of the City. This three movement work, which depicts facets of the city, is based on a three-note descending scale (C-B-A), the opening notes of the popular song, Chicago, Chicago, that Toddlin' Town. Coincidentally, this same melodic sequence marks the beginning of OLD HUNDREDTH, and a citation of that melody occurs in the third movement. The Fourth Presbyterian Church is located on the part of North Michigan Avenue which is known as The Magnificent Mile. Each of its Sunday morning services begins with the singing of OLD HUNDREDTH, sung to the text of the Doxology. The first performance of Cityscape was played by David Schrader, to whom it is dedicated.

By Various. Arranged by Harold Owen. For Instruments: 1, 2, or 3 B trumpets (varies). Inst; Coll; Org Ens; Brass Ens Sacred. 30 pages. Published by GIA Publications.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Choral SATB choir, keyboard

SKU: CF.CM9318

Composed by Ralph Vaughan Williams. Arranged by Ken Berg. SWS. Performance. With Standard notation. 12 pages. Duration 4 minutes, 29 seconds. Carl Fischer Music #CM9318. Published by Carl Fischer Music (CF.CM9318).

ISBN 9780825891991. UPC: 798408091996. 6.875 x 10.5 inches. Text: William W. How. William How.

For All the Saints is a festival anthem for general use throughout the year as well as for specific use in conjunction with All Saints' Day. (Nov. 1, or the Sunday immediately following). For All the Saints has an accessible accompaniment with appropriate modifications for any of the following instruments or combinations of them: piano, organ, or piano, 4 hands. It consists of a men’s verse, a women’s verse, and a combined verse. The ending can move easily into the Doxology, when appropriate.

SATB choir, cantor, assembly, keyboard accompaniment - Intermediate

SKU: GI.G-10314

Composed by Charles Thatcher. Advent, Christmastide, Lent, Eastertide, Ordinary Time. Sacred. 64 pages. GIA Publications #10314. Published by GIA Publications (GI.G-10314).

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.