Unison/2-part children's choir (1 adult male, 10 children's speaking parts) - difficulty: moderate

SKU: LP.765762231108

Composed by Celeste Clydesdale. Arranged by David Clydesdale. Children's musical. Christmas. Bulletin blanks (pack of 100). Published by Lillenas Publishing Company (LP.765762231108).

ISBN 7-65762-23110-8. UPC: 765762231108.

When two teams go head-to-head in a game show contest designed to help needy families at Christmas, they also come face-to-face with big character lessons. They learn the value of teamwork, the danger of pride, how Jesus helps us overcome fear - and that when we apply truth to our lives, God changes our hearts through the power of Jesus Christ. With fun, kid-friendly arrangements and a wide variety of speaking roles for children, this fast-paced 42-minute musical is sure to be a hit among adults and children alike. The Director's Resource includes lesson plans, full demonstration DVD, movement demonstration DVD, backstage walkthrough and a multimedia option.

Composed by Celeste Clydesdale. Arranged by David Clydesdale. For unison/2-part children's choir (1 adult male, 10 children's speaking parts). Children's musical. Christmas. Difficulty: moderate. Choral score. 120 pages. Published by Lillenas Publishing Company

Composed by Celeste Clydesdale. Arranged by David Clydesdale. For unison/2-part children's choir (1 adult male, 10 children's speaking parts). Children's musical. Christmas. Difficulty: moderate. Book and CD. Published by Lillenas Publishing Company

Piano

SKU: HG.ECB-6098

19 Galaktische Klavierstucke. Composed by Felix Janosa and Jorg Hilbert. Book & CD. Con Brio #ECB 6098. Published by Con Brio (HG.ECB-6098).

ISBN 9790202860984.

Neua usgabe mit CD Im Science-Fiction-Piano verknupft Felix Janosa aktuelle Popmusik mit europaischer Musiktradition und lasst eine fantastische, musikalisch gehaltvolle Klangwelt entstehen: Von Hip-Hop und Techno, uber bekannte Ohrwurm-Assoziationen, bis hin zu romantischen und spharischen Klangen, die in ferne Galaxien katapultieren. Die beiliegende CD mit aussergewohnlichen Vollversionen und Playbacks, arrangiert und eingespielt von Felix Janosa selbst, beamt Spieler und Zuhorer in eine faszinierende Weltraum-Atmosphare..

Easy Piano

SKU: BT.MUSAM980441

Really Easy Piano. TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM980441. Published by Wise Publications (BT.MUSAM980441).

ISBN 9781844495702. English.

Easy piano arrangements with song lyrics and chord symbols complete with song background notes and playing hints and tips. Films include Against All Odds, Finding Nemo, Moulin Rouge, Grease, The Lord Of The Rings,PulpFiction and The Godfather.

Concert Band - Grade 3

SKU: ML.013768060

Theme from Pulp Fiction. Composed by Traditional. Arranged by Henk Ummels. Full set. Molenaar Edition #013768060. Published by Molenaar Edition (ML.013768060).

Misirlou became very popular in Western culture because of Dick Dale's American surf rock version in 1962. After that, several versions were recorded and in 1994 Quentin Tarantino reused Dick Dale's version in his film Pulp Fiction. Arguably the most iconic musical moment in this film.

Misirlou werd erg populair in de westerse cultuur door de Amerikaanse surfrockversie van Dick Dale in 1962. Daarna zijn er verschillende versies opgenomen en in 1994 hergebruikte Quentin Tarantino Dick Dale's versie in zijn film Pulp Fiction. Ongetwijfeld het meest iconische muzikale moment in deze film.

Misirlou est devenue très populaire dans la culture occidentale grâce à la version surf rock américaine de Dick Dale en 1962. Par la suite, plusieurs versions ont été enregistrées et, en 1994, Quentin Tarantino a réutilisé la version de Dick Dale dans son film Pulp Fiction. Il s'agit sans doute du moment musical le plus emblématique de ce film.

Misirlou wurde in der westlichen Kultur durch die amerikanische Surf-Rock-Version von Dick Dale im Jahr 1962 sehr populär. Danach wurden mehrere Versionen aufgenommen und 1994 verwendete Quentin Tarantino die Version von Dick Dale in seinem Film Pulp Fiction. Das ist wohl der ikonischste musikalische Moment in diesem Film.

Flute, oboe and clarinet (Flute Oboe and Clarinet) - Easy

SKU: FT.FM865

Composed by Graham Lynch. English pastoral suite. Classical. Score and Parts. Forton Music #FM865. Published by Forton Music (FT.FM865).

ISBN 9790570487646. 21 x 30 cm inches.

Fictions and Folksongs mixes together fragments of traditional British folksongs with original material in a similar style. The music is full of strong melodies, with harmonies that are both evocative and inventive, and with rewarding parts for each player.
The first piece of the set, The Last Wicket, has a lively quality and a sparkle to it, with short melodic motifs passing between the instruments. This is followed by The Green Bed, in which each instrument takes it in turn to play a slow and beautiful melody. Finally comes On the Moorland, a more desolate and agitated piece that also includes contrasting passages of lighter music.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-494-140

Composed by Philip Sparke. Debut Series (Anglo). Concert March. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 494-140. Published by Anglo Music Press (BT.AMP-494-140).

English-German-French- Dutch.

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie� � boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.

Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.

Ma rch of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-494-010

Composed by Philip Sparke. Debut Series (Anglo). Concert March. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 494-010. Published by Anglo Music Press (BT.AMP-494-010).

English-German-French- Dutch.

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie� � boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.

Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.

Ma rch of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final.

(Music from Cult Films). Arranged by Richard Harris. For Flute and Piano. Book; Woodwind - Flute Method or Collection. Faber Edition. Intermediate. Published by Faber Music

Cult Classics for Clarinet (Music from Cult Films). Arranged by Richard Harris. For Clarinet and Piano. Book; Woodwind - Clarinet Method or Collection. Faber Edition. Intermediate. Published by Faber Music

(Music from Cult Films). Arranged by Richard Harris. For Alto Saxophone and Piano. Book; Woodwind - Saxophone Method or Collection. Faber Edition. Intermediate. Published by Faber Music

Orchestra - Grade 3.5

SKU: AP.41259S

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Novelty. Score. 24 pages. Highland/Etling #00-41259S. Published by Highland/Etling (AP.41259S).

ISBN 9781470664718. UPC: 038081480688. English.

The word steampunk refers to a genre of science fiction that features steam-powered machinery. Works of fiction in this style are most often set in the 19th century British Victorian era or the American Wild West. Machines and technology found in the works of Jules Verne and H.G. Wells would be good examples of steampunk-style inventions. The piece itself follows no specific narrative, but rather is meant to capture the spirit and mood of this hearty, highly imaginative, industrial-based movement. This title is available in MakeMusic Cloud.

(Music from Cult Films). Arranged by Richard Harris. For Piano Solo. Book; Piano Collection; Piano Supplemental. Faber Edition. Early Intermediate; Intermediate. Published by Faber Music

Composed by Richard Meyer. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Grade 3.5. 132 pages. Published by Highland/Etling

From the ALL FOR ONE Sextet Combo Series. By Jim Rotondi. (Score and Parts). Second Floor Music - Jazz. Published by Second Floor Music.

The Cinema of Cool. By Jeff Dawson. Applause Books. Size 6.1x9.3 inches. 214 pages. Published by Applause Books.

Concert Band Concert Band - 3 (Medium Easy) (grade 3)

SKU: AP.29606S

Composed by Vince Gassi. Concert Band. Belwin Concert Band. Form: Overture. Score. 28 pages. Duration 4:25. Belwin Music #00-29606S. Published by Belwin Music (AP.29606S).

UPC: 038081328270. English.

Journey to Aldebaran is a bright new overture of intergalactic proportions. Aldebaran is the brightest star in the constellation Taurus and one of the brightest starts in the night sky. The composition is reminiscent of science fiction movie themes but scored for the contemporary concert band. The wide variety of styles, from pensive melodic passages to driving dynamic bursts of energy, ensures that this bright new work will be a meaningful contribution to the concert band literature. (4:25).

String Quartet

SKU: SU.29000015

For String Quartet. Composed by Chick Corea. Chamber Music, String Trio/Quartet/Quintet. Set of Parts. Subito Music Corporation #29000015. Published by Subito Music Corporation (SU.29000015).

Composer's Note: This quartet was written by a relatively inexperienced writer for strings (me) so, technically, my notation may be unorthodox (or standardly wrong). But I find that most string quartet players, knowing that, will go ahead and make the proper adjustments themselves. This is better than trying to alter the musical concept to fit the correct technical point. Hippocrates is the name of a little robot in a science fiction series by L. Ron Hubbard. There are 7 stories in the 2 volume series entitled Ole Doc Methuselah. — Chick Corea String Quartet Duration: 21' Composed: 2004 Published by: Crystal Silence Music Also Available:.

Concert Band - Grade 1

SKU: AP.49548

(from Area 51). Composed by Ralph Ford (ASCAP). Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: March. Light Concert. Score and Part(s). Duration 2:06. Belwin Music #00-49548. Published by Belwin Music (AP.49548).

ISBN 9781470649166. UPC: 038081569949. English.

March of the Martians by Ralph Ford is a dynamic, exciting march written in a cinematic style for young performers reminiscent of science fiction movies from the 1950s to the video games of today. To be performed in a menacing and deliberate manner, this march builds in intensity from the first note to the final climactic ending as the Martians advance towards Las Vegas inflicting terror among the citizens as they scream and run amok through the city to avoid their fate! This fun piece works well as an opening or closing piece for your next concert or festival and would also be an engaging addition to any Halloween program. Head for the hills, it's a Martian invasion from the top secret government base in Area 51! (2:06) This title is available in MakeMusic Cloud.

Orchestra

SKU: BT.MUSM570366699

Composed by Ed Hughes. Score Only. 62 pages. University of York Music Press #MUSM570366699. Published by University of York Music Press (BT.MUSM570366699).

English.

Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes.

Concert Band - Grade 2

SKU: AP.42175S

Composed by Ralph Ford. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Score. 20 pages. Duration 2:15. Belwin Music #00-42175S. Published by Belwin Music (AP.42175S).

UPC: 038081483511. English.

Inspired by science fiction writers from the 1900s, the ability to travel faster than the speed of light is musically depicted in this energy-packed original composition. Lightly repeated eighth notes join forces with a supercharged percussion section to propel your students and audiences through space. Buckle up! (2:15).

Vocal Score. By Giuseppe Verdi. Arranged by Peter Fuchs. (Vocal Score). Vocal Score. Book only. Size 7.5x10.7 inches. 264 pages. Published by G. Schirmer, Inc.

Voice and Piano

SKU: BT.MUSAM92045

TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM92045. Published by Wise Publications (BT.MUSAM92045).

ISBN 9780711941755.

Some of the most memorable, poignant, shocking or side-splitting film moments are captured in this specially selected anthology of silver-screen songs for Piano, Voice and Guitar. From classic movies such as CasablancaandGr ease to modern-day masterpieces like Donnie Darko and Moulin Rouge, a great film song is often so much more than just a soundtrack, with many of the songs featured here becoming huge chart-topping hitsintheir own right!

Whether you're looking for that tear-jerking ballad, sensational show-stopper or vintage heart-warmer, you'll find that magical movie-song right here.

Guitar, Bass, Drum - Intermediate

SKU: YM.GTL01094422

Guitar/Bass/Drum. Artist Folio. Sheet music. Yamaha Music Media #GTL01094422. Published by Yamaha Music Media (YM.GTL01094422).

ISBN 9784636949681.

CD matching score for their 1st album CAVU

1. days; 2. Terminal; 3. medley; 4. fiction; 5. Higher; 6. swim; 7. Grasshopper; 8. knife; 9. teleport; 10. me?; 11. Any; 12. milk; 13. Buster call.

Guitar/Bass/Drum Ji Ta /Bei Si /Gu. Book. Yamaha Music Media #GTL01097152. Published by Yamaha Music Media

Real Stories, Real Strategies, Real Solutions. Composed by Ann Kaczkowski Kimpton and Paul Kimpton. Music Education. 162 pages. GIA Publications #9216. Published by GIA Publications

Band Concert band - Grade 1.5

SKU: CF.FPS103F

Composed by Sean O'Loughlin. First Plus Performance Series. Full score. With Standard notation. 16 pages. Carl Fischer Music #FPS103F. Published by Carl Fischer Music (CF.FPS103F).

ISBN 9780825892394. UPC: 798408092399. 9 x 12 inches.

Dominion is a composition for the developing band that captures emotions during the time of war. The term dominion is often used in history to describe British rule, and in science fiction, t is used to describe certain ruling factions in space. Either way, a call to action is necessary to preserve the dominion's rule. Sean O'Loughlin taps into the student's love for forceful, cinematic-type music with this exceptional piece.