(1+1.2.2.2/4.2.3.1,timp,s tr,voice duet)

SKU: TM.02829SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3082. Published by Lucks Music Library (TM.02829SC).

Act IV Scene 3 No. 14 Finale ultimo - scene ultimo. Madre non, dormi Azacena and Maurico Duet.

SKU: TM.03208SET

Composed by Wolfgang Amadeus Mozart. Set Type: D. Set of parts. Lucks Music Library #A3148. Published by Lucks Music Library (TM.03208SET).

Act IV Scene 3 No. 14 Finale ultimo - scene ultimo. Madre non, dormi Azacena and Maurico Duet.

(1+1.2.2.2/4.2.3.1,timp,s tr,voice duet)

SKU: TM.02829SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A3082. Published by Lucks Music Library (TM.02829SET).

Act IV Scene 3 No. 14 Finale ultimo - scene ultimo. Madre non, dormi Azacena and Maurico Duet.

SKU: TM.03208SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A3148. Published by Lucks Music Library (TM.03208SC).

Act IV Scene 3 No. 14 Finale ultimo - scene ultimo. Madre non, dormi Azacena and Maurico Duet.

SKU: TM.14786SET

Composed by Amilcare Ponchielli. Set Type: D. Set of parts. Published by Lucks Music Library (TM.14786SET).

End of opera. Includes: Scene IV Aria 22: Scene and Duetto Finale. Scene V: Ora posso morir. Scene Ultimo: Cosi mantienti il patto! Ebbrezza! delirio! Sc pg 529-544.

SKU: TM.14786SC

Composed by Amilcare Ponchielli. Score. Published by Lucks Music Library (TM.14786SC).

End of opera. Includes: Scene IV Aria 22: Scene and Duetto Finale. Scene V: Ora posso morir. Scene Ultimo: Cosi mantienti il patto! Ebbrezza! delirio! Sc pg 529-544.

Lyrics by Richard Maltby, music by David Shire. Vocal score for 3 male voices, 2 female voices and piano accompaniment. From the musical "Closer Than Ever". With standard notation, vocal melody, lyrics and performance notes. 272 pages. Published by Alfred Publishing.

By Richard Rodgers, Lorenz Hart. Vocal Score. 184 pages. Published by Hal Leonard.

(1+1.2.2.2/4.2.3.1,timp,p erc,hp,str,STB soli)

SKU: TM.03837SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3843. Published by Lucks Music Library (TM.03837SC).

No. 18 (through end of opera). Scena e terzetto Finale ultimo. Io muojo. Sc pg 588-614.

SKU: TM.04580CHS

Composed by Bedrich Smetana. Choral Score. Lucks Music Library #A2336. Published by Lucks Music Library (TM.04580CHS).

No. 18. Scena e terzetto Finale ultimo.

(1+1.2.2.2/4.2.3.1,timp,p erc,hp,str,STB soli)

SKU: TM.03837SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A3843. Published by Lucks Music Library (TM.03837SET).

No. 18 (through end of opera). Scena e terzetto Finale ultimo. Io muojo. Sc pg 588-614.

Vocal Selections. Composed by Alan Menken, Stephen Schwartz. Vocal Selections. Broadway, Disney. Softcover. 104 pages. Published by Hal Leonard (HL.234732).

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-001207-010

Composed by Brian Connery. Challenger Series. Set (Score & Parts). Composed 2013. 56 pages. Gobelin Music Publications #GOB 001207-010. Published by Gobelin Music Publications (BT.GOB-001207-010).

9x12 inches. English.

This cheerful and varied piece is characterised by its ABA form. The first motif is developed with energy and vigour right from the start. The second movement is more serious and exudes an air of romance too. The third and final movement takeselements of the introduction, which together with a rather complex rhythmic line, lead to a triumphant conclusion.

Dit opgewekte, afwisselende stuk is geschreven in ABA-vorm. Het eerste motief wordt van het begin af aan op energieke en resolute wijze gespeeld. Het tweede deel is serieuzer van karakter, met een vleugje romantiek. Het derde en laatste deel omvatelementen uit de inleiding, die gecombineerd met een complexe ritmische lijn naar een triomfantelijk slot voeren.

In diesem unterhaltsamen und abwechslungsreichen Stück ist eine klare ABA Form erkennbar. Das kraftvolle Auftaktthema, das sich im ersten Satz entwickelt, wird im zweiten Satz zunächst durch eine getrageneres, beinahe romantisches Thema abgelöst,kehrt dann aber im dritten Satz in einer stärker rhythmisierten Form wieder und beschert dem Stück schließlich ein strahlendes Finale.

La forme ABA est mise en évidence dans cette composition agréable et variée. En effet, trois thèmes composent cette oeuvre. Dès les premières mesures, un motif énergique et soutenu est exploité. Le deuxième mouvement est plus serein et quelque peuromantique. S’ensuit le dernier mouvement qui reprend les éléments de l’introduction, appuyés par une rythmique relativement développée jusqu’au finale triomphant.

Questo pezzo allegro e movimentato è caratterizzato dalla sua forma ABA. Il primo motivo viene sviluppato sin dall’inizio con energia e incisivit . Il secondo tema, invece, è più serio e trasmette un tocco di romanticismo. Il terzo e ultimo temariprende elementi dell’introduzione che, insieme a una linea ritmica piuttostocomplessa, conduce a un finale trionfale.