Arranged by Mark Hayes. Shawnee Press. Concert. Octavo. 24 pages. Published by Shawnee Press

Choral (SAB Choir)

SKU: HL.35032482

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032482).

ISBN 9781540038166. UPC: 888680888329. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (SSA Choir)

SKU: HL.35032484

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032484).

ISBN 9781540038180. UPC: 888680888343. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (TTB Choir)

SKU: HL.35032485

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. 16 pages. Published by Shawnee Press (HL.35032485).

ISBN 9781540038197. UPC: 888680888350. 6.75x10.5 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (TTB Choir)

SKU: HL.294996

Arranged by Mark Hayes. Shawnee Press. Concert. Octavo. 24 pages. Published by Shawnee Press (HL.294996).

ISBN 9781540054968. UPC: 888680944681. 6.75x10.5 inches.

Mark Hayes captures the Old West with musical finesse and humor in this fantastic medley now available in new voicings! Songs included are The Old Chishom Trail, Red River Valley, Home On the Range, and The Yellow Rose of Texas. Instrumental parts available to add some “kiyi yippy kiay” to your performance!

Saxophone - Grade 3

SKU: RM.ROLI05368

Composed by Etienne Rolin. Saxophone and piano. Instrumental music. Editions Robert Martin #ROLI05368. Published by Editions Robert Martin (RM.ROLI05368).

ISBN 9790231053685.

By Todd Stalter. Concert Band. Concert Band. Young Symphonic. Grade 3. Conductor Score and Parts. 252 pages

Piano

SKU: HG.ECB-6040

Technik ist keine Zauberei. Composed by Tamaki Takeda-Caspers. Archives. Con Brio #ECB 6040. Published by Con Brio (HG.ECB-6040).

ISBN 9790202860403.

Tech nik ist zwar keine Zauberei, doch mit diesen Ubungen und Stucken lassen sich technische Feinheiten und Finessen besser und schneller bewaltigen. Jedes Stuck zielt auf ein bestimmtes klavierspezifisches Detail ab und dennoch macht es so viel Spass, dass man gar nicht merkt, dass es sich dabei eigentlich um versteckte Etuden handelt. Zahlreiche Originalkompositionen aus verschiedenen Jahrhunderten sorgen fur Abwechslung und Kurzweil. Band 3.

Flute (NOTEN+CD) - intermediate

SKU: HL.49032841

Composed by O'neill. This edition: Paperback/Soft Cover. Sheet music with CD. Edition Schott. Die Jazzmethode fur Flote zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis hin zu klassischen Monk-, Parker- und Rollins-Themen. Edition with CD. 96 pages. Schott Music #ED 8890. Published by Schott Music (HL.49032841).

ISBN 9783795753887. German.

Die Jazzmethode fur Flote zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis hin zu klassischen Monk-, Parker- und Rollins-Themen. Mit einer schrittweisen Einfuhrung und speziell fur diese Schule geschriebenen Stucken werden die grundlegenden Elemente einer soliden Floten-Technik zusammen mit den rhythmischen Finessen der Jazzmusik erklart. Durch das systematische Studium von Tonleitern, Arpeggien, Akkordfolgen und Tipps zur Gehorbildung wird der Schuler von Anfang an zum Improvisieren ermuntert. Die Begleit-CD liefert den musikalischen Hintergrund fur alle Stucke, so dass der Schuler von Anfang an durch das Spielen mit einer erstklassigen Rhythmusgruppe in den Genuss eines authentischen Jazz-Sounds kommt. Eine Bibliographie und eine Diskographie machen die Jazzmethode fur Flote zu einem idealen Begleiter, sowohl fur Schuler, die im Selbstunterricht lernen wollen, als auch fur diejenigen, die zusatzlich Unterricht bei einem Lehrer nehmen.

Orchestra String Orchestra - Grade 3.5

SKU: FJ.ST6061S

Score Only. Composed by Felix Bartholdy Mendelssohn. Arranged by Robert D McCashin. Series; String Orchestra. FJH String Orchestra. Masterwork Arrangement. Score. Duration 3:34. The FJH Music Company Inc #98-ST6061S. Published by The FJH Music Company Inc (FJ.ST6061S).

English.

This superb arrangement features the third movement of Mendelssohn's Symphony No. 5 (Reformation). Arguably one of the most memorable melodies Mendelssohn ever wrote, this version for strings retains all the beauty and finesse of the original. An ideal opportunity to teach phrasing and develop the slow bow control necessary for languid, singing passages. This is fantastic music.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

SKU: NR.108176

Books/Poster/Art. Score. Noten Roehr #108176. Published by Noten Roehr (NR.108176).

ISBN 9783814223933.

978- 3-8142-2393-3, Heinemann, Michael, 1956- , ed, Reale, Roberto, 1974- , ed, Meine Mutter : jeden Tag höre ich ihre Stimme /, Nausicaa Marbe, Myriam Marbe : über mich selbst /, Gisela Gronemeyer, Und trotzdem ist es besser als im Winter : Myriam, Marbe in den Erinnerungen Violeta Dinescus /, Kadja Grönke, Erinnerungen an Myriam Marbe / Violeta Dinescu ;, Eva Maria Houben, Interview mit Myriam Marbe / Laura Manolache, Begegnungen mit Myriam Marbe / Christel Nies, Myriam Marbe und die Beziehungen ihres Schaffens, zur rumänischen Volksmusik / Corneliu Dan, Georgescu, Myriam Marbe und die Suche nach Archetypen, in der rumänischen zeitgenössischen Musik /, Corneliu Dan Georgescu, Die Aufhebung der Zeit in ausgewählten, Kompositionen von Myriam Marbe /, Eva Maria Houben, Myriam Marbe oder die Musik der Hoffnung /, Laura Manolache, Skandierte Rufe Myriam : Marbe komponiert für, Kinder / Thomas Beimel, Das Ritual pentru Setea Pamantului = Ritual für, die durstige Erde von Myriam : Marbe im, Musikunterricht einer 8. Klasse / Monika Jäger, Analytische Aspekte der Kantate In Erinngerung, von Myriam Marbe und das kompositorische Debüt, der rumänischen Komponistinnen des 20. und 21., Jahrhunderts / Corinna Kiss, Oszillierend diskursiv : Myriam Marbes Sonata, betrachtet unter dem Aspekt der Räumlichkeit /, Martin Kowalewski, Toujours avec finesse : zum 1. Streichquartett, Musiques compatibles von Mariam Marbe /, Roberto Reale, Ritual für den Durst der Erde von Myriam Marbe /, Cornelia Tautu, Myriam Marbe : Musik für den Durst der Erde /, Jeremias Schwarzer, Anfangen als Prinzip : zu Myriam Marbes Ecoul unui, omagiu für Violine und Klavier / Michael Heineman, Alter Bund und neue Klänge : zu Myriam Marbes, Arc en ciel / Michael Heinemann, Selbstzeugnisse / Myriam Marbe.

Fanfare Band - Grade 3

SKU: BT.DHP-0910314-020

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910314-020. Published by De Haske Publications (BT.DHP-0910314-020).

In diesem Werk widmet sich Jan Van der Roost Schottland und dessen berühmten Hochland. In musikalisch gekonnter Weise verbindet er die charakteristischen Eigenarten der schottischen Volksmusik mit seiner eigenen kompositorischen Kreativität. Mit der Highland Rhapsody gelang es Jan Van der Roost, die Atmosphäre dieser rauen, aber wunderschönen Landschaft einzufangen und damit ein einzigartiges Konzertwerk zu schaffen, das Musiker und Publikum begeistern wird.

C’est de l’imagination de Jan Van der Roost, compositeur connu travers le monde entier, qu’est née cette pièce dansante, expressive et facile jouer. En associant les caractéristiques de la musique traditionnelle écossaise son talent de compositeur, Jan Van der Roost nous dépeint avec finesse et légèreté la beauté subtile des paysages de cette région montagneuse du Nord de l’Écosse, les Highlands.

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Grade 3

SKU: CL.011-4757-00

Descent Into Darkness. Composed by Neeck. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4757-00. Published by C.L. Barnhouse (CL.011-4757-00).

Maelstrom: Descent Into Darkness is an intense and powerful work featuring brisk melodic themes underpinned by propulsive low brass/low woodwind and percussion lines. Very musical mixed meters, and special woodwind and percussion effects heighten the intensity of this work. The lyrical themes of the ethereal middle section provide a resonant contrast to the propulsive nature of the rest of the music. Perfect for contest or concert, this dynamic work will showcase the musical capability and finesse of your entire band.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0910314-010

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910314-010. Published by De Haske Publications (BT.DHP-0910314-010).

After Israel (Rikudim), Hungary (Puszta) and France (Suite Provencale) it was Scotland, with its famous highlands, that was to be a source of inspiration for Jan Van der Roost. In a musically impressive way the composer combines the caracteristics of Scottish folk-music with his own creativity. As may be expected from Jan Van der Roost ‘A Highland Rhapsody’ developed into a gripping concert piece, which will be appreciated by both players and audiences.

In diesem Werk widmet sich Jan Van der Roost Schottland und dessen berühmten Hochland. In musikalisch gekonnter Weise verbindet er die charakteristischen Eigenarten der schottischen Volksmusik mit seiner eigenen kompositorischen Kreativität. Mit der Highland Rhapsody gelang es Jan Van der Roost, die Atmosphäre dieser rauen, aber wunderschönen Landschaft einzufangen und damit ein einzigartiges Konzertwerk zu schaffen, das Musiker und Publikum begeistern wird.

C’est de l’imagination de Jan Van der Roost, compositeur connu travers le monde entier, qu’est née cette pièce dansante, expressive et facile jouer. En associant les caractéristiques de la musique traditionnelle écossaise son talent de compositeur, Jan Van der Roost nous dépeint avec finesse et légèreté la beauté subtile des paysages de cette région montagneuse du Nord de l’Écosse, les Highlands.

Dall’immag inazione di Jan Van der Roost, compositore estremamente versatile, è nato questo brano danzante, espressivo e facile da eseguire. Associando le caratteristiche della musica tradizionale scozzese al suo talento, Jan Van der Roost ci dipinge con delicatezza la sottile bellezza dei paesaggi delle Highlands, regione montagnosa del nord della Scozia.

Concert Band - Grade 5

SKU: BT.DHP-1033505-040

Gulliver's Travels. Composed by Maxime Aulio. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033505-040. Published by De Haske Publications (BT.DHP-1033505-040).

9x12 inches.

Duration: 19:00 minutes

Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.

1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.

(Score) - Grade 3

SKU: HL.4000868

Composed by John Williams. Arranged by Jay Bocook. Young Concert Band. 36 pages. Published by Hal Leonard (HL.4000868).

UPC: 888680631048. 9x12 inches.

Featuring marvelous new themes from “Harry Potter and the Sorcerer's Stone,” the beautiful “Theme from A.I.” and the powerful main title from “The Patriot,” here is a medley of the best recent film work from master composer John Williams. Jay Bocook brings it to the concert band stage with finesse and style.

Grade 3

SKU: CL.033-0275-00

Composed by Hooper. Jazz Ensemble. Score and set of parts. Composed 1983. C.L. Barnhouse #033-0275-00. Published by C.L. Barnhouse (CL.033-0275-00).

A medium tempo swing oriented piece with ensemble figures and harmonic sculpture out of the ``cool school’’ of jazz. Finesse is the key word, and a bit of underselling is needed to execute the chart properly.

Grade 3

SKU: CL.033-0275-01

Composed by Hooper. Jazz Ensemble. Extra full score. Composed 1983. C.L. Barnhouse #033-0275-01. Published by C.L. Barnhouse (CL.033-0275-01).

A medium tempo swing oriented piece with ensemble figures and harmonic sculpture out of the ``cool school’’ of jazz. Finesse is the key word, and a bit of underselling is needed to execute the chart properly.

Grade 3

SKU: CL.011-4757-01

Descent Into Darkness. Composed by Neeck. Young Concert Band. Extra full score. C.L. Barnhouse #011-4757-01. Published by C.L. Barnhouse (CL.011-4757-01).

Maelstrom: Descent Into Darkness is an intense and powerful work featuring brisk melodic themes underpinned by propulsive low brass/low woodwind and percussion lines. Very musical mixed meters, and special woodwind and percussion effects heighten the intensity of this work. The lyrical themes of the ethereal middle section provide a resonant contrast to the propulsive nature of the rest of the music. Perfect for contest or concert, this dynamic work will showcase the musical capability and finesse of your entire band.