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Ungaresca (Concert Band) (GYORFFY ISTVAN)
229.71
Ungaresca (Concert Band) (GYORFFY ISTVAN)
Orchestre d'harmonie
[Partition]
EMB (Editio Musica Budapest)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and...
(+)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band
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Ungaresca (Concert Band Score) (GYORFFY ISTVAN)
18.60
Ungaresca (Concert Band Score) (GYORFFY ISTVAN)
Orchestre d'harmonie
[Partition]
EMB (Editio Musica Budapest)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and...
(+)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band
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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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The Bill Ochs Tin Whistle Handbook (OCHS BILL)
28.80
The Bill Ochs Tin Whistle Handbook (OCHS BILL)
Flûte irlandaise
[Partition + Accès audio]
-
Facile
Mel Bay
Par OCHS BILL. The age-old sounds of Ireland, England, Scotland and early Americ...
(+)
Par OCHS BILL. The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio. This tin whistle book is compatible with all tin whistles, pennywhistles and flageolets in the key of D. Renowned author/musician Bill Ochs has gone to great lengths to create a package that truly has something for everyone. The lessons are so clear and easy to follow that a complete beginner can learn to play a simple tune at first sitting. Intermediate and advanced players will enjoy exploring this book's exciting collection of traditional music. There are 83 pieces in all - gigs, reels, hornpipes, fife tunes, slow airs, Highland flings, morris dances andlots more. Each piece is played on the online audio by renowned New York tin whistle teacher, Bill Ochs. An advanced ornamentation tutorial is also included with key of D. Includes access to online audio. For Beginning Players: An Easy-To-Use Learning Method - No previous knowledge of music is required. Using tablature based on the first seven letters of the alphabet, the complete beginner can learn to play a simple tune in a matter of minutes. Then through a specially selected series of folk tunes, beginners are carefully guided through all the basics of playing, one step at a time. For Intermediate Players: A Great Collection of Traditional Music - Those who already know the basics are sure to enjoy exploring the book's outstanding selection of traditional tunes — rollicking pieces such as The Muckin' O' Geordie's Byre, The Oyster Wives' Rant, Rufty Tufty, Hot Punch, For the Sakes of Old Decency and many, many more. The tunes have been specially chosen to demonstrate the wide range of the tin whistle's musical possibilities. For Advanced Players: A Clear and Concise Guide to Ornamentation - For players who want to dress up their music, here's a chance to learn the secrets of all those cuts, rolls, crans and strikes that give tin whistle playing its distinctive flavor. These techniques are thoroughly explained and demystified. A series of advanced lessons contains step-by-step breakdowns of each ornament, as well as tunes in which to practice the techniques. The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio. This tin whistle book is compatible with all tin whistles, pennywhistles and flageolets in the key of D. Renowned author/musician Bill Ochs has gone to great lengths to create a package that truly has something for everyone. The lessons are so clear and easy to follow that a complete beginner can learn to play a simple tune at first sitting. Intermediate and advanced players will enjoy exploring this book's exciting collection of traditional music. There are 83 pieces in all - gigs, reels, hornpipes, fife tunes, slow airs, Highland flings, morris dances and lots more. Each piece is played on the online audio by renowned New York tin whistle teacher, Bill Ochs. An advanced ornamentation tutorial is also included with key of D. Includes access to online audio. For Beginning Players: An Easy-To-Use Learning Method - No previous knowledge of music is required. Using tablature based on the first seven letters of the alphabet, the complete beginner can learn to play a simple tune in a matter of minutes. Then through a specially selected series of folk tunes, beginners are carefully guided through all the basics of playing, one step at a time. For Intermediate Players: A Great Collection of Traditional Music - Those who already know the basics are sure to enjoy exploring the book's outstanding selection of traditional tunes - rollicking pieces such as The Muckin' O' Geordie's Byre, The Oyster Wives' Rant, Rufty Tufty, Hot Punch, For the Sakes of Old Decency and many, many more. The tunes have been specially chosen to demonstrate the wide range of the tin whistle's musical possibilities. For Advanced Players: A Clear and Concise Guide to Ornamentation - For players who want to dress up their music, here's a chance to learn the secrets of all those cuts, rolls, crans and strikes that give tin whistle playing its distinctive flavor. These techniques are thoroughly explained and demystified. A series of advanced lessons contains step-by-step breakdowns of each ornament, as well as tunes in which to practice the techniques. / Niveau : Facile / Pédagogie / Date parution : 2019-05-27/ Méthode / Tin Whistle
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Acis And Galatea Hwv 49B
50.40
Acis And Galatea Hwv 49B
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
Handel régler le mythe de l'amour du berger Acis pour la Galatée de mer nymphe...
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Handel régler le mythe de l'amour du berger Acis pour la Galatée de mer nymphe de la Ovide 'Métamorphoses' d'un total de trois fois: dans la cantate 'Aci, Galatea e Polifemo' HWV 72 (1708), le masque 'Acis et Galatée' HWV 49a (1718) et enfin le pastiche de type sérénade 'Acis et Galatée' HWV 49b (1732) dont la version originale est maintenant disponible dans sa forme complète pour la première fois.Un charme particulier est fourni par l'utilisation de deux langues dans la sérénade. Le travail a été conçu à l'origine en anglais, comme cela a été nécessaire pour la première représentation. Cependant, chanteurs italiens de Haendel ont été critiqués pour leur mauvaise maîtrise de l'anglais, - alors à la fin, de nombreux numéros ont été chantées en italien.L'annexe à la grande partition vocale comprend les arias supplémentaires et des mouvements nouvellement composés pour les versions utilisées dans les 1734 et 1736 représentations.- Edition Urtext fondée sur l ''Edition Halle Handel'- Anglais et Italien texte original avec la traduction allemande chantable- Vaste préface en deux langues (Ger / Eng)- Clair, réduction pour piano facile / Piano
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Mozart Sonata In D Major (2P4H)
15.70
Mozart Sonata In D Major (2P4H)
1 Piano, 4 mains
Alfred Publishing
This sonata for two pianos, four hands was written in 1781 for performance by Mo...
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This sonata for two pianos, four hands was written in 1781 for performance by Mozart and Josephine von Aurnhammer, one of his finest students. The first and third movements are fast and brilliant, contrasted by a gently flowing second movement. This edition includes editorial fingering and performance suggestions. / Piano Duo
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Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
139.20
Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
2 Pianos, 4 mains
[Partition]
EMB (Editio Musica Budapest)
New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand d...
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New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos
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A Tuneful Introduction To The Third Position (MACKAY NEIL)
13.30
A Tuneful Introduction To The Third Position (MACKAY NEIL)
Violon
[Partition]
Stainer and Bell
Par MACKAY NEIL. A Tuneful Introduction To The Third Position does not deal with...
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Par MACKAY NEIL. A Tuneful Introduction To The Third Position does not deal with the changing of position of the Left Hand. The only movement is the initial one from First to Third Position. Once this has been achieved, the hand remains in place throughout each melody. Students should remember to keep the thumb opposite the forefinger when the hand is in Third Position./ Etude / Violon
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Room On The Third Floor
31.50
Room On The Third Floor
Piano, Voix et Guitare
[Sheet music]
-
Intermédiaire
Amsco Wise Publications
All the songs from the first album by the Smash Hits and Brit Award-winning pop ...
(+)
All the songs from the first album by the Smash Hits and Brit Award-winning pop sensation. An ace in the pop pack, McFly's Room On The Third Floor was released in 2004 and perfectly demonstrated their energy, jangly guitars and modern take on 1960s pop stylings. As one of the hot bands of 2005, McFly took the charts by storm with their singles That Girl, Obviously and Colours In Her Hair , which are included in this collection of terrific songs, along with ten others, all accurately arranged for Piano, Voice and Guitar. / Piano/Vocal/Guitare (PVG)
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Free Arrangements and Technical Exercises (LISZT FRANZ)
126.51
Free Arrangements and Technical Exercises (LISZT FRANZ)
Piano seul
EMB (Editio Musica Budapest)
Complete Edition. Par LISZT FRANZ. Supplementary Volume 16 of the New Liszt Edit...
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Complete Edition. Par LISZT FRANZ. Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832, the second a copy in an unidentified hand from the same period or slightly later, and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes./ Etude / Piano
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Life Times And Music Of Hardback
69.30
Life Times And Music Of Hardback
Guitare
Music Sales
La version livre relié cette évaluation complète et approfondie. Initialement...
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La version livre relié cette évaluation complète et approfondie. Initialement publié en 1958, étude classique de Donal O'Sullivan de Turlough O Carolan est devenu un phare historique et musical pour tous ceux intéressés par le passé de l'Irlande et du présent. C'est un outil indispensable pour les musiciens irlandais, qui, par le biais de ce volume remarquable de la recherche, peuvent aller au-delà de la musique elle-même et engross eux-mêmes dans le monde coloré de ce musicien unique voyageant dans une Irlande encore largement féodale des XVIIe et XVIIIe siècles. Cette nouvelle édition contient tous les articles originaux, avec toutes les 213 mélodies, les annotations, les mélodies, o ' Neill les mémoires d'Arthur, index complets et une importante nouvelle annexe qui tunes de fonctionnalités supplémentaires et les faits qui ont été découverts depuis la publication originale pour la première fois. / Harpe / 378 pages / Partition
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The Complete Guitar Player Songbook - Omnibus Edition 1
35.30
The Complete Guitar Player Songbook - Omnibus Edition 1
Ligne De Mélodie, (Paroles) et Accords
[Partition + CD]
-
Facile
Amsco Wise Publications
The Complete Guitar Player series has taught hundreds of thousands how to play a...
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The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many other top artists. Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics and even strumming patterns! Over 180 great songs! Perfect for all players and singers! The bonus CD contains backing tracks to 16 of the songs in the book. / Ligne Mélodique, Paroles Et Accords, Guitar Tab
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Oboe Trios (Score And Parts)
36.50
Oboe Trios (Score And Parts)
3 Hautbois
[Sheet music]
-
Intermédiaire
Chester
This is a performing score which should be used by the third oboe.Separate parts...
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This is a performing score which should be used by the third oboe.Separate parts are provided for the first and second oboes.Edited by James Brown. Includes music by Aber, Vogt, Sellner and Halevy. / Ensemble A Vent Et Hautbois
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Jurassic Blue (Violin And Piano) (WEDGWOOD PAM / LUMSDEN C)
12.50
Jurassic Blue (Violin And Piano) (WEDGWOOD PAM / LUMSDEN C)
Violon et Piano
[Partition]
-
Facile
Faber Music Limited
Par WEDGWOOD PAM / LUMSDEN C.. Jurassic Blue follows on directly from Jackaroo ,...
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Par WEDGWOOD PAM / LUMSDEN C.. Jurassic Blue follows on directly from Jackaroo , it begins with a revision of the first finger and then moves on to second and third fingers. Each piece introduces a new rhythmic or technical point, with useful suggestion boxes for the teacher. There's also the chance to create you own dinosaurs too, inspired by Drew Hillier's wacky illustrations. Monstrous pieces for beginners by Caroline Lumsden and Pam Wedgwood. / Niveau : Facile / Date parution : 2002-09-19/ Recueil / Violon et Piano
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New School Of Violin Studies. Book 3 (CARSE ADAM)
15.10
New School Of Violin Studies. Book 3 (CARSE ADAM)
Violon
[Partition]
Stainer and Bell
Par CARSE ADAM. First and Third position studies for Violin by Adam Carse./ Rép...
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Par CARSE ADAM. First and Third position studies for Violin by Adam Carse./ Répertoire / Violon
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For Classic Guitar (DOWNLAND JOHN)
28.80
For Classic Guitar (DOWNLAND JOHN)
Guitare
[Partition + Accès audio]
-
Intermédiaire/avancé
Mel Bay
Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute...
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Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist withintermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret withthe G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. / Niveau : 4 / Classique / Répertoire / Guitare Classique
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My First Schumann
16.41
My First Schumann
Deutsch
Piano Facile
[Partition]
-
Facile
Schott
My First Bach and My First Mozart are now followed by a third edition of easy-to...
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My First Bach and My First Mozart are now followed by a third edition of easy-to-play original works from one of the most important composers of the Romantic era: Robert Schumann. This collection includes pieces from Album for the Young and Scenes from Childhood, enabling young players to experience Romantic piano music for the first time. Ideal for teaching the first use of the pedal, pupils can learn how to play expressively and to distinguish between melody and accompaniment. / Piano
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For Children Complet (Vol.1 + Vol.2)
25.50
For Children Complet (Vol.1 + Vol.2)
Piano seul
-
Facile
Boosey and Hawkes
Béla Bartók's series of piano pieces For Children, based on folk melodies, was...
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Béla Bartók's series of piano pieces For Children, based on folk melodies, was written around the end of the first decade of the 20th century. The pieces were published shortly afterwards by the Hungarian publisher Károly Rozsnyai. That first publication was in four volumes, the first two containing a total of 42 pieces based on Hungarian folk tunes, the third and fourth containing 43 pieces based on Slovakian folk tunes.In 1943, whilst in the United States, Bartók prepared a revised version of the collection for the publishers Boosey and Hawkes. The revisions were minimal: two Hungarian and four Slovakian songs were eliminated, there were a few minor alterations incorporating new ideas, some of the pieces previously written with accidentals had key signatures added, a few pieces were rewritten with changed meters - some fingerings were added or changed.The composer prepared the revised 1943 edition by using copies of the first edition on which he marked minor changes - where the changes were more extensive, fresh manuscript was written and a new version engraved. However, much of the engraving of the first edition was preserved in the 1943 edition. Publication took place in 1946, after the composer's death - it is not known if he saw final proofs prior to printing.The revised edition was published in two volumes, which now have been published together as one volume for the first time. / Piano
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Dowland J. - Lute Song Of John Dowland Vol.1 And Vol.2
24.50
Dowland J. - Lute Song Of John Dowland Vol.1 And Vol.2
Luth
Dover Publications
The Original First and Second Books Including Dowland's Original Lute Tablature....
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The Original First and Second Books Including Dowland's Original Lute Tablature. THE FIRST BOOK OF SONGS
I. Unquiet thoughts
II. Who ever thinks or hopes of love
III. My thoughts are wing'd with hopes
IV. If my complaints could passions move
V. Can she excuse my wrongs'
VI. Now, O now, I needs must part
VII. Dear, if you change
VIII. Burst forth, my tears
IX. Go crystal tears
X. Think'st thou then by thy feigning
XI. Come away, come sweet love
XII. Rest awhile you cruel cares
XIII. Sleep, wayward thoughts
XIV. All ye, whom Love or Fortune
XIVa. All ye, whom Love or Fortune
XV. Wilt thou, unkind, thus reave me
XVI. Would my conceit
XVII. Come again
XVIII. His golden locks
XIX. Awake, sweet love, thou art return'd
XX. Come, heavy Sleep
XXI. Away with these self-loving lads
------ My Lord Chamberlain his Galliard
(For two to play...)
THE SECOND BOOK OF SONGS
I. I saw my Lady weep
II. Flow my tears
III. Sorrow, stay
IV. Die not before thy day
V. Mourn, day is with darkness fled
VI. Time's eldest son, Old Age (The first part)
VII. Then sit thee down (The second part)
VIII. When others sing Venite (The third part)
IX. Praise blindness eyes
X. O sweet woods
XI. If floods of tears
XII. Fine knacks for ladies
XIII. Now cease my wand'ring eyes
XIV. Come ye heavy states of night
XV. White as lilies was her face
XVI. Woeful heart
XVII. A shepherd in a shade
XVIII. Faction that ever dwells
XIX. Shall I sue
XX. Toss not my soul
XXI. Clear or cloudy
XXIa. Clear or cloudy
XXII. Humour say what mak'st thou here (a Dialogue)
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Arien Des Orpheus
29.10
Arien Des Orpheus
Guitare, Harpe, Clavecin Et Grand Ensemble A Cordes
Schott
/ Guitare, Harpe, Clavecin Et Grand Ensemble A Cordes
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Easy Concert Pieces Band 3
23.60
Easy Concert Pieces Band 3
Contrebasse, Piano (duo)
[Partition + Accès audio]
Schott
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...
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The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
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Arminio Hwv 36
46.60
Arminio Hwv 36
Soli et Orchestre
Barenreiter
Antonio Salvi ' Arminio ' est l'un des livrets d'opéra les plus aimés de la p...
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Antonio Salvi ' Arminio ' est l'un des livrets d'opéra les plus aimés de la période baroque .Dans le contexte historique de la soi-disant ' bataille de la forêt de Teutoburg ' dans l'ANNONCE 9 dans laquelle le leader Cherusci Arminius comme ' libérateur de l'Allemagne ' ( Tacite ) a infligé une défaite dévastatrice sur les Romains , l'opéra de Haendel , créée en 1737 , est sur ??les différends entre le Chatti et Cherusci . Arminius a épousé la fille de ses Ségeste ennemi juré . Quand il est emprisonné , Ségeste , qui a conspiré avec les Romains , voit son occasion de se venger .- édition Urtext basée sur la ' Halle Handel Edition '- Livret en italien avec traduction allemande chantables- préface complète (Ger / Eng ) des informations importantes sur l'histoire du livret , ainsi que sur la genèse et l'histoire de l'exécution des travaux . Un curriculum vitae détaillé de l'intrigue est également contenue .- annexe détaillée avec les versions richement ornés de deux airs- réduction pour piano idiomatique- Première représentation à Halle en 2014 / Piano
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