for Double Bass with Piano Accompaniment. EMB. Size 9x11.75 inches. 60 pages. Published by Editio Musica Budapest.

(A Comprehensive Guide to Exploring New Techniques and Styles from Heavy Metal to Jazz). By Dave Overthrow. For Bass Guitar. Bass Guitar Method or Supplement; Book; CD; Method/Instruction. Style Resource Series. Funk; Jazz; Metal; Rock. 96 pages. Published by Alfred Music Publishing

Nouvelle technique de la contrebasse, Vol. 4 is the fourth book of a method for Double Bass by Francois Rabbath. Following the three previous volumes, it can be used by upper beginners or intermediate players and requires some basic musical knowledge in theory and reading. It also includes a DVD and provides full explanations, including pictures for all the technical points in French, English, German and Spanish. This book is divided into five chapters: exercises, studies, scales and arpeggios, orchestral figures and pieces for solo Double Bass. In term of technical points, it features the different positions, the double chords, the pivot and some highlight on the bow and the wrist positions among others. This helpful method is definitely one of the most complete. It will help all Double Bass beginners to get the necessary basic skills. Born in Syria in 1931, Francois Rabbath has been playing the Double Bass from a really young age. He later settled in Paris when he was the main Double Bass accompaniment for renowned French artists including Edith Piaf, Georges Moustaki and Serge Gainsbourg. He recorded some CDs and DVDs, did some touring and was offered the possibility of writing his own Double Bass method in which he describes his ?crab technique?.

Five Easy Single-Position Pieces. By Charles K. Hoag. For contrabass, piano. Duration 6:0. Published by Theodore Presser Company.

Double bass and piano

SKU: FG.55011-241-4

Composed by Harri Wessman. Published by Fennica Gehrman (FG.55011-241-4).

ISBN 9790550112414.

Thes e pieces continue the line of easy and rewarding pedagogical pieces that Wessman has composed for different instruments. 1. Kickoff, 2. Harmonics, 3. Melody in G, 4. Walking, 5. Bombo.

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

(Short Pieces for Technical Development and the Exploration of Contemporary Musical Language). By Donald Waxman. For Piano. Etudes. SMP Level 5 (Intermediate). Collection. 30 pages. Published by E.C. Schirmer Publishing

(Short Pieces for Technical Development and the Exploration of Contemporary Musical Language). By Donald Waxman. For Piano. Etudes. SMP Level 4 (Intermediate). Collection. 25 pages. Published by E.C. Schirmer Publishing

SKU: SU.00220207

Composed by Igor Stravinsky. Strings, Contrabass. CD (PDF Scores). CD Sheet Music #00220207. Published by CD Sheet Music (SU.00220207).

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Double Bass parts [CD-ROM] for the 48 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 8: Stravinsky, Bartók and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BARTÓK Rhapsody for Piano and Orchestra, Suite No. 1, Suite No. 2, 2 Portraits, 2 Images, 4 Pieces, Romanian Folk Dances; CARPENTER Adventures in a Perambulator (Fantastic Suite); DOHNÁNYI Variations on a Nursery Song; ENESCO Romanian Rhapsody No. 1, Romanian Rhapsody No. 2; FALLA Nights in the Gardens of Spain, La Vida Breve Dance, The Three-Cornered Hat Dances; GLAZUNOV Violin Concerto; JANÁCEK Lachian Dances 1-6; MILHAUDSuite No. 2 Symphonique, Saudades do Brasil; PROKOFIEV Piano Concerto No. 1, Piano Concerto No. 3, Violin Concerto No. 1, Symphony No. 1 (Classical); RACHMANINOFF Symphony No. 1, Symphony No. 2, Isle of the Dead, Piano Concerto No. 1, Piano Concerto No. 2, Piano Concerto No. 3; RESPIGHI Ancient Airs and Dances Suite No. 1, Fountains of Rome, Concerto Gregoriano; STRAVINSKY Petrushka Suite, The Rite of Spring (1911 version), Chant du Rossignol (original version), Pulcinella Suite, Suite No. 1 for Small Orchestra, Fireworks, L'Histoire du Soldat, Scherzo Fantastique, Four Studies for Orchestra, Symphony No. 1; VAUGHAN WILLIAMS Symphony No. 1 (Sea), Symphony No. 2 (London), Symphony No. 3 (Pastoral), Wasps Overture (Suite), Fantasia on a Theme of Thomas Tallis, Fantasia on Christmas Carols, Five Mystical Songs Visit for more information

Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Solo voices, SATBB chorus,organ,harp/piano,d ouble bass ad lib (Tenor solo or Soprano solo, Mixed choir (SATBB), Organ, Harp or Piano, Double bass ad libitum) - Level 3

SKU: BA.BA25143

Motet for solo Tenor or Soprano, five-part Mixed Choir, Organ, Harp or Piano and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Choral score. Opus 55. 11 pages. Baerenreiter Verlag #BA25143_00. Published by Baerenreiter Verlag (BA.BA25143).

ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
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About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (3141-2431-03-0-4 saxophones-baritone horn-double bass)

SKU: GH.CG-6172P

For Symphonic Band. Composed by Csaba Deak. Score. Duration 10 minutes. Gehrmans Musikforlag #CG 6172P. Published by Gehrmans Musikforlag (GH.CG-6172P).

(For a Minimum of Five Steel Drums, Drumset, and Optional Bass Guitar). Arranged by Jeff Moore. For Steel Drum Ensemble (6 Players). Part(s); Percussion - Steel Drum Ensemble; Score. Alfred's Steel Drum Ensemble Series. World. 34 pages. Published by Alfred Music Publishing

String Orchestra - easy

SKU: BT.DHP-1094710-070

Arranged by Nicolaas Snel. De Haske String Orchestra Series. Set (Score & Parts). Composed 2009. 16 pages. De Haske Publications #DHP 1094710-070. Published by De Haske Publications (BT.DHP-1094710-070).

ISBN 9789043131865. 12 X 9 inches. English-German-French-Dut ch.

The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well.

Fiddle Tunes presents five traditional Irish fiddle tunes in easy arrangements.

De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek.

Fiddle Tunes is een verzameling van vijf traditionele Ierse Fiddle Tunes in eenvoudige bewerkingen.

Die De Haske String Orchestra Series bietet attraktive, speziell fu r Streich­orchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu.

Fiddle Tunes präsentiert fu nf traditionelle irische Fiddle Tunes in leichten Bearbeitungen.

< i>De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano.

Fiddle Tunes contient cinq « fiddle tunes » (airs pour violon) irlandais.

De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. Ogni pubblicazione è accompagnata da un CD che contiene una versione demo dei brani. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano.Tracce Demo:1. Kerry Polka2. Fly Around3. Shady Grove4. Irish Washerwoman5. Pretty Little SallyPer effettuare il download delle tracce demo, clicca sul titolo selezionato e scegli “Salva come” nel menu.

Saxophone, Accordion, Double Bass

SKU: HL.14033723

Composed by Karsten Fundal. Music Sales America. Classical. Score. 15 pages. Music Sales #KP01526. Published by Music Sales (HL.14033723).

ISBN 9788759891322. Danish.

Together Apart/Apart Together for Saxophone, Accordion and Double Bass was composed by Karsten Fundal in 2004. Written for and commissioned by Poing. Programme note: This piece is the 3rd in a row of pieces, which concentrates on a rhythmical relationship that continues to puzzle me. It is actually two relationships embedded. The 1st is a pattern that is very inspired by the composer Per Norgard, who in the beginning of the 90's got very preoccupied with the idea that you can have rhythms that never meet. This happens if you start a rhythm, like a quintuplet, on the beat and one, like a triplet, off beat. This can, with different rhythms, give very intricate interwoven patterns, that gives the illusion that they are not cyclic. In my case I use the two ratio five to seven, in the described way. This rythms have the strange property that if you take each 5th note of the seven and each 7 note of the five you get a ratio almost identical: 49:50. This is very intriguing, as you can use the possibility of letting them be equal or the possibility of letting them interfere. In the first case you get an interlocking rhythm which is smooth: an equal rhythmic pattern. In the second case you get a similar situation, but where one of them is one short after 50 of the other ones, which results in a disturbing almost equality, but not quite. Therefore the title: because when I use the unequal rhythm I put the two layers in a similar tone register, or a similar way of playing, and when I use the equal one I put them a part tone wise speaking. This is a very technical description, but it is very hard to put it in more wide terms, but you might compare it with driving in a train and looking at two fence rows behind each other: if the poles are placed exactly halfway between each other you will experience an illusion of a fast jump if there is enough distance between them, as a result of the perspective. If they are placed in a way that there are almost the same numbers of poles, like 49:50, you will experience a very complex pattern, which seems unpredictable. But of course when using it in music the whole thing is somewhat different, but even then it gives an idea of my preoccupation. What also intrigues me is that the relations are very hard to use in a musical way, and that is also quire a challenge.' Finally I have to say that I enjoyed very much writing for Poing, as these crazy guys are capable of doing almost anything you want in an nearly literal sense. - Karsten Fundal summer 2004.

Mixed Ensembles Bass Guitar), Bass Part (Cello, Bassoon, Double Bass, Flute, Guitar, Melody 1 in B-Flat (Clarinet, Melody 1 in C (Violin, Melody 2 in B-Flat (Clarinet, Melody 2 in C (Violin, Percussion, Piano/Harp, Recorder, Tin Whistle), Trumpet), Voice

SKU: PR.UE036462

Easy ensemble literature for teaching. Composed by Various. Arranged by Richard Graf. Set of Score and Parts. With Standard notation. Universal Edition #UE036462. Published by Universal Edition (PR.UE036462).

ISBN 9783702473358.

Graf and Filz have arranged five Irish folk tunes as flexible ensemble with many possibilities. Whether for classroom ensemble or anyone-joins-in fun, these tunes are presented in faithful styles, with brief descriptions of the pieces and the instruments originally used. The included CD features play-along track, sample track, and all instrumental parts to be printed and used as desired. Includes The Wind That Shakes That Barley, Danny Boy, The Connaughtman's Rambles, The Foggy Dew, and The Wild Rover.

Chamber Ensemble (Parts)

SKU: HL.51480939

For Chamber Ensemble. Composed by Camille Saint-Saens. Edited by Ernst-Gü and nter Heinemann. Henle Music Folios. Classical. Softcover. G. Henle #HN939. Published by G. Henle (HL.51480939).

UPC: 840126989779. 9.0x12.0x0.372 inches.

For flute (piccolo), clarinet (B flat/C), glass harmonica, xylophone, piano I, piano II, violin I, violin II, viola, violoncello, double bass Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint-Saëns banned performances and publication soon afterwards. He was worried that this “grand zoological fantasy” – consisting of 14 short individual pieces for eleven instruments – might overshadow his serious works. Yet only five months after the composer's death, it appeared in print after all, beginning its worldwide victory march – in its original setting as well as in numerous arrangements. Thus, the Carnival did in fact arguably become the most popular work by this French composer and, owing to its musical originality, it is also a favourite in music lessons or for school orchestra performances. With this combination of a study edition and an edition in parts (for which additional parts for larger numbers of strings may be ordered), G. Henle Publishers now presents the perfect resource for such occasions.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)