| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sing Out! Book 5 Pop Songs for Today's Choirs Sat W/ Audio Down [Partition + Accès audio] Novello & Co Ltd.
SAT SKU: HL.14043699 Composed by Various. Arranged by Mark De-Lisser. Cho...(+)
SAT SKU:
HL.14043699 Composed
by Various. Arranged by
Mark De-Lisser. Choral.
Pop & Rock. Softcover
Audio Online. Composed
2015. 48 pages. Novello &
Co Ltd. #NOV165209.
Published by Novello & Co
Ltd. (HL.14043699).
ISBN 9781783059621.
9.0x12.0x0.156 inches.
English. Book 5 of
the Sing Out!
series features
wonderful new choral
arrangements of five top
pop tunes, all arranged
by renowned Vocal Coach
and Choral Director
extraordinaire Mark
De-Lisser. Each song has
been beautifully arranged
for SAT chorus, the
unison harmonies totally
reinvigorating these
favourite pop songs. From
the classic rock anthem
of the 1980s in Toto's
Africa , to the modern
pop heartbreaker All Of
Me by John Legend, these
are great songs with even
greater arrangements. The
unabashed positivity of
Nico & Vinz's Am I
Wrong makes a fantastic
counterpart to the
optimism in the face of
pain represented by the
arrangement of the
traditional gospel song
Take MyHand, Precious
Lord , a tune used to
wonderfully affecting
effect in the recent film
'Selma'. Finally, this
fresh pop choral setlist
is rounded off nicely
with Ed Sheeran's
Thinking Out Loud , a
beautiful love song in
which the power and
emotion of the words will
enhance the
performance.
Arranged for SAT
(Soprano/Alto/Tenor)
Choir, these songs are
designed to be sung to
backing tracks, but Piano
accompaniments and Guitar
chord boxes are included
for rehearsal purposes,
or if you wish to perform
with a live band. Aside
from De-Lisser's
incredible arrangements,
this pack includes an
innovative and
user-friendly download
card with performance
backing tracks, full
demonstrations and
individual rehearsal
tracks of each Vocal part
recorded by members of
ACM Gospel Choir. Helpful
hints for performing each
piece are also included
in this book, giving you
everything you need to
learn these well-loved
songs. Mark De-Lisser is
a celebrated Vocal Coach
and Choral Director, who
has been featured on
BBC1's 'Last Choir
Standing'. His extensive
introduction and notes
within this songbook
bring a personal touch,
as De-Lisser really is
passionate about getting
people singing,
improvising and, most of
all, enjoying
themselves. The new
Choral arrangements of
these fantastic pop
tracks are ideal for
spicing up a performance
with these. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songs (from the Second Suite in F, Mvt. II and Mvt. III) Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4133-01 Arranged by Stanton. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4133-01
Arranged by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2012.
Duration 3 minutes, 22
seconds. C.L. Barnhouse
#026-4133-01. Published
by C.L. Barnhouse
(CL.026-4133-01).
An outstanding
new addition to the
Build-A-Band Series that
includes the Song Without
Words and Song of the
Blacksmith movements from
this famous suite. Can be
combined with Scott's
earlier arrangement of
the March movement the
same suite to make a
wonderful program for
concert and contest
performances. Now even
the smallest bands can
successfully perform this
great work which is such
a staple of the concert
band repertoire.
About
Build-A-Band
Series The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.) $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Down to the Sea in Ships (from the NBC TV Film Project 20) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Belwin
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Part(s); Score. Belwin
Classic Band. TV. Grade
5. 540 pages. Published
by Belwin Music
$150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Down to the Sea in Ships (from the NBC TV Film Project 20) Orchestre [Conducteur] - Intermédiaire/avancé Belwin
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Score. Belwin Classic
Band. TV. Grade 5. 88
pages. Published by
Belwin Music
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs and Psalms (1594) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM35B Composed by John Mundy. Edited by Edmund H Fello...(+)
SATB choir SKU:
ST.EM35B Composed by
John Mundy. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35B. Published by
Stainer & Bell Ltd.
(ST.EM35B). ISBN
9790220211652. Orga
nist of St George's,
Windsor, and successor to
the famous Marbecke,
Mundy was amongst the
earliest of the English
madrigalists. There are
12 madrigals in this
collection, ranging from
Of all the
birds, a tribute to
William Byrd, to In
deep distress and
the tragic setting of
words written by Chideock
Tichborne on the eve of
his execution in the
Tower of London, My
prime of youth. The
volume also contains 25
psalms in three, four,
and five parts.
CONTENTS As I went
walking (SAT) Blessed
art thou (SAT) Have
mercy on me, O Lord
(SSATB) Hear my
prayer, O Lord (STB)
Heigh Ho! 'chill go to
plough (SSAB) I lift
my heart to thee
(SSAT) In deep
distress (SATB) In
midst of woods
(SSATB) Lightly she
whipped o'er the dales
(SSATB) Lord arise
and help thy servant
(SSATB) Lord to thee
I make my moan (SATB)
My prime of youth
(SATB) O all ye
nations (S (or A) AT)
O come let us lift up our
voice (SAT) O Lord of
whom I do depend
(SSAT) O Lord turn
not away thy face
(SAT) Of all the
birds (SAT) Penelope
that longed (SSATB)
Praise the Lord, O my
soul (SAT) Save me, O
God (SAT) Sing ye
unto the Lord (SSAT)
The black-bird made
(SSATB) The longer
that I live (SSAT)
The Shepherd Stephon (S
solo, A. viol, T. viol,
B. viol) Thus art
thou bless'd (SAT)
Turn about and see me (SA
(or T) T) Unto thee
lift I up mine eyes
(SSATB) Were I a king
(SATBB) Who loves a
life (SSATB) Witness
ye heav'ns (S solo, A.
viol, T. viol, B.
viol) Ye people all
in one accord (SAB). $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Broadway Fake Book Instruments en Do Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - Bb 2nd Edition
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 864 pages.
Published by Hal Leonard.
(7)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little Best Fake Book Ever - 3rd Edition Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pag...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 6x9 inches.
864 pages. Published by
Hal Leonard.
(7)$39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Performer's Complete Fake Book - C Edition Hal Leonard
(C Edition). By Various. For voice and C instrument. Hal Leonard Fake Books. Pop...(+)
(C Edition). By Various.
For voice and C
instrument. Hal Leonard
Fake Books. Pop Vocal and
Vocal Standards.
Difficulty: easy-medium.
Fakebook. Vocal melody,
lyrics and chord names.
396 pages. Published by
Hal Leonard fakebook
Pop Vocal and Vocal
Standards
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530. Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| ARKA - 3 Rituale (Full Score) Voix basse, Piano Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Angel of Dreamers Theodore Presser Co.
Chamber Music Piano, Trombone, Voice SKU: PR.111402650 A Song Cycle fo...(+)
Chamber Music Piano,
Trombone, Voice SKU:
PR.111402650 A
Song Cycle for Baritone
(or Mezzo-soprano),
Trombone, and Piano.
Composed by Eric Ewazen.
Set of Score and Parts.
With Standard notation.
52+16 pages. Duration 24
minutes. Theodore Presser
Company #111-40265.
Published by Theodore
Presser Company
(PR.111402650). UPC:
680160643516. Text: Lorna
Goodison. Lorna
Goodison. Angel of
Dreamers is a song cycle
for bass-baritone (or
mezzo-soprano) singer,
trombone, and either
string orchestra, string
quintet, or piano. It is
based on the
extraordinary poetry of
the Jamaican-American
poet, Lorna Goodison,
whom I have had the great
pleasure of getting to
know in the course of
writing this piece. The
work was commissioned by
a friend from my
undergraduate college
years at The Eastman
School of Music, Maury
Okun, trombonist and
director of the Detroit
Chamber Winds And
Strings. The work was
premiered in 2011 by
bass-baritone Daniel
Washington, trombonist
and U. of Michigan
faculty member David
Jackson, and the string
section of the Detroit
Chamber Winds and
Strings. Daniel and David
gave the second
performance of the work
with Lorna Goodison and
Maury Okun in attendance
at The Juilliard School
the following year. I was
approached by Maury Okun
and David Jackson to
write this piece as a
tribute to Maury's father
who had recently passed
away. They also
introduced me to their
colleague and friend
Lorna Goodison,
suggesting her poetry.
Reading several volumes
of her work, I was
absolutely captivated by
the vivid imagery and
beautiful messages of her
words. I chose five of
the poems, forming a
cycle about life and
death and home and
parents. Lorna is
originally from Jamaica,
and the rich, vivid
imagery, language and
story lines of her poems
beautifully reflect her
roots. The work, in the
tradition of Brahms'
songs for voice, viola,
and piano, features a
singer with an obligato
lyric instrumental line,
which, in my piece, is
the trombone, an
instrument that blends so
beautifully with the
sound of a bass singer.
The first song, O Love
You So Fear the Dark is
hopeful and uplifting,
describing enduring love
throughout the twists and
turns of our lives. The
music is strong and
declamatory, but also
tender. The second song,
God A Me actually
portrays a fish in
Jamaica which is almost
amphibious, flying up out
of the water onto the
land, and somehow,
magically, returning to
the water! For me this
poem depicts the
enjoyment of seeing parts
of life that are fun and
enjoyable and almost
magical! The third song,
All Souls Day depicts a
holiday, somewhat
magical, but also full of
life and energy. The
final two songs are a
tribute to our parents --
My Mother's Sea Chanty,
recalling a dream of
seeing one's mother, with
lyrics of tender love and
remembrance, and finally,
This is my Father's
Country which is a
tribute to the life of a
loving father, recalling
his spirit, his love of
the music Harry
Belafonte, and his
enduring spirit. Angel of
Dreamers was a special
piece for me to write:
for and with friends, old
and new, collaborating
with a poet whose
beautiful, meaningful,
and touching words were
so inspiring, performed
by fantastic musicians
who poured themselves
into the music, and
commissioned by a dear
friend from years gone
by. THIS is why we write
and perform music!. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Autres Chants Leduc, Alphonse
(SSA/PIANO) SKU: HL.456477 For 3-Part Women's Choir and Obligato Piano...(+)
(SSA/PIANO) SKU:
HL.456477 For
3-Part Women's Choir and
Obligato Piano.
Composed by Betsy Jolas.
Choral. Octavo. Duration
720 seconds. Alphonse
Leduc #AL30872. Published
by Alphonse Leduc
(HL.456477). ISBN
9781705164723. UPC:
196288068365. Autre
s chants (Other songs) is
a cycle of five lieder
for 3-part women's choir
and obligato piano, by
which I mean that the
piano takes part in the
musical development
following the tradition
of the German lied. As
for the text, having
worked quite a while on
'real' poems (Reverdy,
Victor Hugo, du Bouchet,
Dupin), I returned here
to my own texts, written
specifically for music in
the 60s and which I had
then set in a work called
'Mots' (1963). It was
already about love, pain
and play... but sixty
years later, the world
had changed a lot and the
words didn't quite have
the same meaning. So
there is nothing here
that recalls the initial
work. Hence also the need
today to give evocative
titles to the five pieces
of this cycle: - Neigees
(Snowy traces) - Meme pas
peur (Hardly scared) - Oh
ne plus... (Oh no
longer...) - N'es mien
(Aren't mine) - D'elle?
(Of her?). $7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Grades - Classics To Moderns
Piano seul [Partition] - Intermédiaire Music Sales
For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerin...(+)
For piano. Music For
Millions: Volume 37.
Format: piano solo book.
With fingerings. Baroque,
classical period,
romantic period and 20th
century. 160 pages. 9x12
inches. Published by
Music Sales
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lux Aeterna
Chorale SATB SATB [Vocal Score] Peermusic Classical
(SATB Vocal Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Classical...(+)
(SATB Vocal Score). By
Morten Lauridsen (1943-).
SATB Score. Peermusic
Classical. Softcover. 56
pages. Peermusic
#61911-122. Published by
Peermusic
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lux Aeterna Orgue Peermusic Classical
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ SKU:
BT.PMC3367 For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lux Aeterna Chorale SATB SATB, Orgue [Conducteur] Peermusic Classical
(SATB with Organ, Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Cla...(+)
(SATB with Organ, Score).
By Morten Lauridsen
(1943-). SATB Score.
Peermusic Classical. 56
pages. Peermusic
#61914-122. Published by
Peermusic
$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lux Aeterna Chorale SATB SATB, Orchestre [Conducteur] Peermusic Classical
(SATB and orchestra score). By Morten Lauridsen (1943-). Score. Peermusic Classi...(+)
(SATB and orchestra
score). By Morten
Lauridsen (1943-). Score.
Peermusic Classical. 60
pages. Peermusic
#61925-186. Published by
Peermusic
$39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lux Aeterna Peermusic Classical
Choir and Chamber Orchestra SKU: BT.PMC3599 Composed by Morten Lauridsen....(+)
Choir and Chamber
Orchestra SKU:
BT.PMC3599 Composed
by Morten Lauridsen.
Score Only. 60 pages.
Peermusic Classical
#PMC3599. Published by
Peermusic Classical
(BT.PMC3599).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen. $64.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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