| The Saxophone Handbook
Saxophone Berklee
(Complete Guide to Tone, Technique, and Performance). For Saxophone. Berklee Gui...(+)
(Complete Guide to Tone,
Technique, and
Performance). For
Saxophone. Berklee Guide.
Softcover. 90 pages.
Published by Berklee
Press
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Coldplay (for Tenor Sax). Saxophone Tenor [Partition + CD] Hal Leonard
(for Tenor Sax). By Coldplay. For Tenor Saxophone (Tenor Sax). Instrumental Foli...(+)
(for Tenor Sax). By
Coldplay. For Tenor
Saxophone (Tenor Sax).
Instrumental Folio.
Softcover with CD. 24
pages. Published by Hal
Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Startklar 1 Saxophone Tenor Music Distribution Services
Tenor saxophone SKU: M7.KMP-9142 Für Bläserklassen, Orchester un...(+)
Tenor saxophone SKU:
M7.KMP-9142 Für
Bläserklassen,
Orchester und
Ensemble. Composed by
Jan Utbult. This edition:
Saddle-wire stitching.
Sheet music with CD. MDS
(Music Distribution
Services) #KMP 9142.
Published by MDS (Music
Distribution Services)
(M7.KMP-9142). ISBN
9789185791422. Danish
Swedish. Anna
Zetterlund. Mit
Startklar 1, einer Schule
für Anfänger in
Bläserklassen und im
Gruppenunterricht, macht
das Erlernen eines
Blasinstrumentes richtig
Spaß. Das Besondere:
Es sind keine
Vorkenntnisse
erforderlich, und man
kann sofort zusammen mit
der beiliegenden
hochwertigen CD tolle
Stücke musizieren. Am
Anfang werden die
Schüler von der CD
begleitet. Sie sind damit
Teil einer
professionellen Band und
fühlen sich als
Musiker. Die CD ist
abwechslungsreich,
kreativ, modern und
poppig. Sie ist ein
unerlässlicher
Motivationspartner, da
sie von Profi-Musikern
eingespielt und
produziert wurde. Die
Melodien sind
einprägsam und
können auch leicht
auswendig vorgetragen
werden. Das
Unterrichtstempo ist
angemessen und kann
individuell angepasst
werden. Die 50
Musikstücke in dieser
Schule zeigen, wie bei
Verwendung eines
Tonumfangs von lediglich
sieben Tönen bereits
mit einfachen Mitteln
attraktive Melodien
entstehen. Die
Spielfreude der Musiker
ist garantiert! Startklar
1 ist außerdem der
ideale Einstieg in das
Notenlesen und liefert so
beste Voraussetzungen, um
mit der
weiterführenden Schule
Startklar 2 das
mehrstimmige Musizieren
zu erlernen. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Band Aids: Concert Band Favorites with Orchestra Saxophone Tenor [Partition + CD] Music Minus One
For Tenor Saxophone. Classical (orchestral). Includes a high-quality printed mus...(+)
For Tenor Saxophone.
Classical (orchestral).
Includes a high-quality
printed music score and a
compact disc containing a
complete performance in
split-channel stereo,
with the soloist on the
right channel; and a
second performance in
full stereo minus the
soloist. Published by
Music Minus One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Really Easy Saxophone: Chart Hits Music Sales
| | |
| Great Saxophone Solos Music Sales
| | |
| Four Metamorphoses After Britten University Of York Music Press
Saxophone SKU: BT.MUSM570362288 Saxophone. Composed by Philip Vena...(+)
Saxophone SKU:
BT.MUSM570362288
Saxophone.
Composed by Philip
Venables. Classical. Book
Only. University of York
Music Press
#MUSM570362288. Published
by University of York
Music Press
(BT.MUSM570362288).
English. Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Four Metamorphoses After Britten Basson University Of York Music Press
Bassoon SKU: BT.MUSM570362271 Bassoon. Composed by Philip Venables...(+)
Bassoon SKU:
BT.MUSM570362271
Bassoon. Composed
by Philip Venables.
Classical. Book Only. 12
pages. University of York
Music Press
#MUSM570362271. Published
by University of York
Music Press
(BT.MUSM570362271).
English. Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Melodies Rythmiques (8) [Conducteur] - Intermédiaire Lemoine, Henry
Saxophone (Eb or Bb) and percussions - Level 3 SKU: LM.27426 Composed by ...(+)
Saxophone (Eb or Bb) and
percussions - Level 3
SKU: LM.27426
Composed by Gilles
Martin. Claude Delangle.
Classical. Score.
Editions Henry Lemoine
#27426. Published by
Editions Henry Lemoine
(LM.27426). ISBN
9790230974264. Baba
-cool - Swing - Course
poursuite - Valse
nostalgique - Idee fixe -
Danse folklorique -
Mouvement perpetuel -
Parade. $19.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Four Metamorphoses After Britten Hautbois University Of York Music Press
Oboe SKU: BT.MUSM570362240 Oboe. Composed by Philip Venables. Clas...(+)
Oboe SKU:
BT.MUSM570362240
Oboe. Composed by
Philip Venables.
Classical. Book Only. 12
pages. University of York
Music Press
#MUSM570362240. Published
by University of York
Music Press
(BT.MUSM570362240).
English. Metamor
phoses after Britten was
written for Melinda
Maxwell, for UYMP's
Signals volume of new
music for Oboe. It was
first performed by
Melinda at York
University on 24th
November 2010. I - A
Mountain II - Fixation
III - Flowers IV -
Fountains Metamorphoses
after Britten by
philipvenables
Metamorphoses after
Britten are just that:
four miniatures, each
inspired by one of
Benjamin Britten’s Six
Metamorphoses after Ovid
for solo oboe. Each
movement, over its short
course, transforms
gradually from one thing
to another, ending, with
the exception of
Fountains, in a short,
cathartic coda. Some of
the movements also take
specific musical elements
from Britten’s pieces.
I verymuch viewed these
pieces as musical Haiku,
and in that sense I hope
they embody a sense of
peace, brevity and
simplicity. The oboe
version of Metamorphoses
after Britten is
dedicated to Melinda
Maxwell. The saxophone
version of Metamorphoses
after Britten, with an
additional movement, is
dedicated to Vicki and
Andrew Vaughan
- Philip Venables
 .<
/p>
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| tellement froid que [Conducteur] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics,
Scene SKU:
CA.1631000
(georgiques I), fur
bass flute and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)TELLEMENT FROID QUE-
(GEORGIQUES I). Full
score. Composed 1995-96.
66 pages. Duration 20
minutes. Carus Verlag #CV
16.310/00. Published by
Carus Verlag
(CA.1631000). ISBN
9790007242800. Language:
all
languages. 1989.
Stay in Aix-en-Provence,
France, doing a language
course. Reading,
discussing and analyzing
Les Georgiques; this
pursuit is going to be
the foundation of the
multiple intellectual and
literary levels of my
composing. 2. THE WOODEN
PLATFORM IS COVERED WITH
FINE WHITE SAND (OR
SALT), THE TWO SHELVES
WITH BLACK CLOTH ... At
the time I work on my
first serious piece,
still a far cry from the
under-standing of writing
music I have today. <<
tellement froid que >>
(georgiques I) for bass
flute, electronics and
scene (1995-96), sections
1-7. << comme si le froid
>> (georgiques II) for
baritone saxophone,
timpani and piano (1998),
sections 18-24. <<
n'etait le froid >>
(georgiques III) for
orchestra (2000-2002),
sections not yet decided.
3. THE INTERPRETER WILL
BE DRESSED IN BLACK AND
WHITE, MAINLY WHITE IF
BLUISH LIGHT IS AT HAND
... The enormously rich
vocabulary and the
accuracy of expression -
in temporal, spatial and
material terms - is
particularly impressive.
To comprehend all of it,
a reading on three
different levels is
called for: a first
reading of one passage,
then the acquisition of
unknown vocabulary;
thirdly a repeated -
knowing - reading, which
points out the utopia of
precise expression: The
text is treated in a
rather problematic (cold:
le froid?) manner: it's
not the semantic content
that is primarily
dominant, but rather the
outward appearance, the
mise en page and the
syntactic structure. 4.
THE INTERPRETER ENTERS
THE STAGE WITH ALL THE
FLUTES (S)HE WILL PLAY
DURING THE CONCERT AND
DEPOSITS THEM - EXCEPT
FOR THE BASS FLUTE - ON
SHELF B; IF (S)HE ONLY
PLAYS THIS PIECE, (S)HE
SHOULD PUT THE PROGRAMME
OF THE CONCERT THERE; IN
ANY CASE THE INSTRUCTIONS
IN BAR 195 MUST BE
FOLLOWED ... In concrete
terms the 10 centimetres
of a line in the minuit
edition correspond to 10
seconds of musical
structure (which is three
times as slow as the
average reading speed).
Only seven years later is
the term / expression
casse ferique changed
into casse ferrique, and
thus its secret is
revealed, which almost
becomes - due to its
unreadability - the key
to the planned musical
cycle. The text is
measured from section to
section (big format: each
section is marked with a
continuous, ,,cold chord
by the bass flute, played
on tape recorder), from
full stop to full stop
(new entry of keynote
material), from comma to
comma (tripling of
continuous resonances)
etc. 5. DURING THE
PERFORMANCE UP TO BAR
195, THE INTERPRETER WILL
TRY - IN A KIND OF
THEATRICAL ADAPTATION -
TO EXPRESS HIS/HER OWN
FEELING OF IRREPRESSIBLY
GROWING FRUSTRATION; FROM
BAR 195 ONWARDS (S)HE
WILL DEFINITELY HAVE PUT
UP WITH THE BASS FLUTE
... Brackets in the text
bring about a reduction
of sound (the
differentiating micro
tones are no longer
used), the syntactical
progression to
subordinate clauses of
the remotest degree has
its immediate effect on
dynamics (degree of
volume). Then: the
perception of a logical
and yet erratic syntax,
vastly progressive layers
of subordinate clauses
and brackets (lowering
tone of voice?), a
polyphony of ,,memoire,
which leads to a
maelstrom of attention, a
tonally centric /
concentrated (main
material?) and
progressive (subordinate
and brackets-material?)
reading, listening and
proceeding. The different
levels are constantly in
touch - transferring the
sensuous moment of scenes
of bodily encounter
(Tryptique) that are
evoked again and again -
in perpetual excitement
of text and imagination,
memory and remembering
sensitivity. 6. THE BODY
MOVEMENTS AND FIXATION
(FIGE) , BOTH CLEARLY
PERCEPTIBLE, WILL EVOKE
AND SUPPORT THE SAME
EMOTIONS ... The basic
moods of the text will be
reflected in the
relationship (which is
very important here) of
the interpreter to the
music; (s)he is somehow
at the mercy of given
(and not always
transparent) structures
on the one hand and the
complexity of musical
sensations on the other,
which has to be defeated
inspite of exhaustion.
It's not only here that
semantic agreement
(besides the
materialistic structure)
of music and text can be
felt: On top of that
there's the existential
helplessness in view of
the mercilessly flowing
polyphony of levels and
events -- as a mirror of
this there are the
remembered scenes of the
Flemish cold in the
second chapter (Les
Georgiques). The
interpreters are
confronted with unusual
directions which
correspond to the
adjectives in the
respective passages of
the text: anachronique,
engourdi, glace et acre,
monotone et desert etc.
The possibilities of
interpretation are
amplified, the ability to
perceive and personal
reaction is opened. The
impression of this
inexorability is
multiplied in the
extremest way by the fact
that the particular
layers can be found in
Simon's complete works.
It's a continuous work of
art in which each novel
turns into a chapter of a
complex, cyclic whole;
its title denoting only
one main strand, as it
were. A personal comment
is made also as regards
the clearly defined
stage; the mise en scene
points out the
extra-musical elements
and the correlation
between text, human being
and music. 7. THE
INTERPRETER IS ASKED TO
MOVE FREELY WITHIN A
DEFINED SPOT WITHOUT
LOOKING ARTIFICIAL;
SOUNDS CAUSED BY THE FEET
MOVING ON THE SAND ARE
WELCOME DURING THE WHOLE
PIECE ... And here the
idea of a cycle is born,
an attempt to transfer
these nuances of
memorized structures,
this clarity and
coldness, to transform
the text into musical
material. Walter
Feldmann. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Escapade [Conducteur et Parties séparées] Brixton Publications
Composed by Howard J. Buss (1951-). This colorful and inventive composition expl...(+)
Composed by Howard J.
Buss (1951-). This
colorful and inventive
composition explores a
sequence of emotional
states which develop over
a talea, a fixed pattern
of time values. Except
during the extended
saxophone cadenza, this
repeating rhythmic
pattern can be heard
throughout the work in v.
20th Century. Score and
parts. Composed 1991.
Duration 11'30 .
Published by Brixton
Publications (B7.B317).
$34.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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