By Daniel Baldwin. For clarinet, bassoon, horn, piano. Level 5. Duration 16 minutes. Published by Imagine Music

Pavane for a Dead Princess for Woodwind Quintet. Composed by Maurice Ravel (1875-1937). Edited by Wolfgang Birtel. Arranged by Andreas Tarkmann. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Classical. Score and parts (softcover). 28 pages. Schott Music #ED 20382. Published by Schott Music

Composed by Ewald Strasser. Fun to perform. Interesting parts for all players. First Edition. 20th Century. Score and parts. Published by Rosewood Publications (RW.RP-04).

By Norman Phillip Hart. For Woodwind Quintet and Piano. Woodwind - Quintet. Contemporary. Level: Medium-Difficult. Duration 00:08:25. Published by Eighth Note Publications.

By Max Brauer. For flute, oboe, clarinet, horn, bassoon (wind quintet) and piano. Winds and Piano. An excellent Romantic companion piece to the Thuille. Effective writing for all parts, especially the horn. Very melodic. Deserves to he heard more. Romantic. Score and set of parts. Published by Rosewood Publications

By Joan Trimble. Winds. For flute, oboe, clarinet, horn and bassoon (wind quintet). Effective, worthwhile piece. First edition.. 20th Century. Score and parts. Published by Rosewood Publications . Score and Parts. 20th Century.

By Fritz Fuhrmeister. For wind quintet (flute, oboe, clarinet, horn, bassoon) and piano. Facsimile Editions - Winds and Piano. An excellent romantic companion piece to the Thuille. Bargain price. Romantic. Published by Rosewood Publications

Woodwind Quintet

SKU: HL.48181113

For Wind Quintet. Composed by Claude Debussy. Leduc. Classical. Alphonse Leduc #AL20263. Published by Alphonse Leduc (HL.48181113).

UPC: 888680862053. 9x12 inches.

The Little Negro was originally composed by Claude Debussy (1862-1918) for piano in 1909. The purpose was to write a great work that could also played by children. Eugène Bozza made the piece even more accessible in 1984 by arranging it for wind quintet. The Little Negro is marked Allegro and begins with a theme modelled on ragtime music, a style which was very popular at the time of composition. Jazz influences, the C major key signature, 2/4 meter and upbeat features make for an exciting and accessible piece for all the ensemble. Bozza's arrangement of Debussy's The Little Negro for a wind quintet made up of flute, clarinet, oboe, bassoon and horn is a thrilling addition to the repertoire.

Wind Quintet

SKU: AY.CM3682PM

Composed by Ailem Carvajal-Gómez. Arranged by Matt Johnston. Ensembles - Chamber Music. Periferia Publishing #CM3682PM. Published by Periferia Publishing (AY.CM3682PM).

ISBN 9790543577459.

Aile m Carvajal-Gómez - Suite Caribeana for Wind Quintet, arranged by Matt Johnston. A charming and festive suite of five dances by Cuban composers Manuel Saumell and Ignacio Cervantes, arranged and adapted for Requinto (E-flat Clarinet) and Piano by Ailem Carvajal-Gómez. The movements are: La Quejosita, El pañuelo de Pepa, La camagüeyana, Los delirios de Rosita, and Los muñecos.

Clarinet - Level 3

SKU: LM.27679

Composed by Yves Didier. Classical. Score. Editions Henry Lemoine #27679. Published by Editions Henry Lemoine (LM.27679).

ISBN 9790230976794.

BACH : Prelude de la 3e partita pour violon - Prelude de la 1re suite pour violoncelle - BEETHOVEN : Quintette pour piano, hautbois, clarinette, basson et cor - Septuor pour clarinette, cor, basson et quatuor a cordes - Sonate Eroica pour piano - Trio pour clarinette, violoncelle et piano - BRAHMS : Quintette pour clarinette et quatuor a cordes - Trio pour clarinette, violoncelle et piano - DEBUSSY : Esquisse technique sur la Rhapsodie - Extraits de la Suite ecossaise, La Mer, Pelleas et Melisande, l'Apres-midi d'un faune - KLOSE : Tarentelle - KREUTZER : Binaire Ternaire - MAYSEDER : Valse - MOZART : Concerto n. 23 pour piano - Quintette pour clarinette et quatuor a cordes - Trio des quilles pour clarinette, alto et piano - PAGANINI : 24e caprice pour violon - RACHMANINOV : Concerto n. 2 pour piano - RODE : Courante - Etude pour violon - Marche - Pralltriller - Scherzo - ROSSINI : 1er et 6e quatuors pour flute ou hautbois, clarinette, cor et basson - SCHUBERT : Octuor pour clarinette, cor, basson quatuor a cordes et contrebasse - SCHUMANN : Kreisleriana Op.16 et Fantaisie Op.12 - SPOHR : Pendule - VERDI : La Force du destin.

Wind Quintet

SKU: FG.55011-508-8

Composed by Kimmo Hakola. Score. Fennica Gehrman #55011-508-8. Published by Fennica Gehrman (FG.55011-508-8).

ISBN 9790550115088.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.

Wind Quintet

SKU: FG.55011-509-5

Composed by Kimmo Hakola. Parts. Fennica Gehrman #55011-509-5. Published by Fennica Gehrman (FG.55011-509-5).

ISBN 9790550115095.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.