| Hymn to St. Cecilia Chorale SSATB SSATB A Cappella Boosey and Hawkes
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a
cappella). By Benjamin
Britten (1913-1976). For
Choral (SSATB). BH Large
Choral. 48 pages. Boosey
and Hawkes #M051481666.
Published by Boosey and
Hawkes
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| SATB Recorder Ensembles Quatuor de Flûtes à bec SATB [Partition] Themes and Variations
Arranged by Craig Cassils. For SATB Recorders. (SATB). Recorder Reproducibles. ...(+)
Arranged by Craig
Cassils. For SATB
Recorders. (SATB).
Recorder Reproducibles.
Collection. 43 pages.
Published by Themes &
Variations (Canadian
import).
$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come, Holy Spirit Chorale SATB SATB Shawnee Press
| | |
| Riversong Chorale SATB SATB, Piano [Octavo] Alfred Publishing
By Andy Beck. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Choral O...(+)
By Andy Beck. Choir
Secular. SATB choir.
Choral Octavo. Choral
Designs. Choral Octavo.
12 pages
(1)$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Light Looked Down (Choral Book) Chorale SATB SATB Word Music
(and the Word became Flesh). Arranged by Marty Parks. For SATB choir. Christian,...(+)
(and the Word became
Flesh). Arranged by Marty
Parks. For SATB choir.
Christian, Christmas,
Choral, Adult Musical.
Moderate. Choral Book.
Duration ca. 36 minutes.
Published by Word Music
(1)$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Light Looked Down (CD Preview Pack) Chorale SATB SATB Word Music
(and the Word became Flesh). Arranged by Marty Parks. For SATB choir. Christian,...(+)
(and the Word became
Flesh). Arranged by Marty
Parks. For SATB choir.
Christian, Christmas,
Choral, Adult Musical.
Moderate. CD Preview
Pack. Duration ca. 36
minutes. Published by
Word Music
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One Candle Chorale SATB SATB [Octavo] Alfred Publishing
By Andy Beck And Brian Fisher, Music By Andy Beck. For Choir. (SATB). Choral Oc...(+)
By Andy Beck And Brian
Fisher, Music By Andy
Beck. For Choir. (SATB).
Choral Octavo. Choral
Designs. Sacred; Secular.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
(1)$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Choral Preludes 22 Quatuor de Flûtes : 4 flûtes Schott
4 recorders (SATB) SKU: HL.49014610 Volume 4. Composed by Johann S...(+)
4 recorders (SATB)
SKU: HL.49014610
Volume 4. Composed
by Johann Sebastian Bach.
Arranged by John Beckett.
This edition: Folding.
Sheet music. Edition
Schott. Classical.
Playing score. 8 pages.
Schott Music #ED 11498.
Published by Schott Music
(HL.49014610). ISBN
9790220127236.
9.0x12.0x0.06
inches. Jesus
Christ, our Saviour *
Christ lay in bonds of
death * O guiltless Lamb
of God * O how vain, O
how fleeting * Lord
Christ, the only Son of
God. $6.99 - Voir plus => Acheter | | |
| The Snow Begins to Fall Chorale SATB SATB [Octavo] Alfred Publishing
By Andy Beck. For Choir. (SATB). Choral Octavo. Level: Level 4 (grade L4). Chor...(+)
By Andy Beck. For Choir.
(SATB). Choral Octavo.
Level: Level 4 (grade
L4). Choral Octavo. 12
pages. Published by
Alfred Publishing.
(3)$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dir, Herr, dir will ich mich ergeben Chorale SATB SATB A Cappella [Conducteur] Carus Verlag
SATB chorus a cappella SKU: CA.338780 Choral. Composed by Anton Br...(+)
SATB chorus a cappella
SKU: CA.338780
Choral. Composed
by Anton Bruckner.
Gattungen vokal: Sacred
vocal music. Full Score.
Composed 1844-1848. WAB
12. Carus Verlag #338780.
Published by Carus Verlag
(CA.338780). ISBN
9790007303501. Key: A
major.
German. Bruckner
studied with Leopold von
Zenetti during his time
in Kronstorf and at St.
Florian, where he became
acquainted with the
Protestant church
chorale, especially in
settings by Johann
Sebastian Bach. The
chorale Dir, Herr, dir
will ich mich ergeben
dates from this time.
Score available
separately - see item
CA.338700. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dan Forrest : Verbum Caro Factum Est Chorale SATB SATB, Piano [Octavo] - Intermédiaire/avancé Hinshaw Music Inc.
Composed by Dan Forrest. For SATB choir and piano accompaniment. Sacred, Conc...(+)
Composed by Dan Forrest.
For
SATB choir and piano
accompaniment. Sacred,
Concert. Advanced.
Octavo. 12
pages. Duration 6
minutes.
Published by Hinshaw
Music
Inc.
$2.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Settling Years Chorale SATB SATB, Clavier Schirmer
By Libby Larsen (1950-). For SATB Choir, keyboard, Winds. (Mixed Voices). Secul...(+)
By Libby Larsen (1950-).
For SATB Choir, keyboard,
Winds. (Mixed Voices).
Secular. Choral.
Published by E.C.
Schirmer Publishing.
$5.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Hymn to ST. Columba Chorale SATB SATB, Orgue Boosey and Hawkes
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. S...(+)
SATB and Organ. By
Benjamin Britten.
(SATB). Boosey and Hawkes
Sacred Choral. Size
7.25x10.25 inches. 12
pages. Published by
Boosey and Hawkes.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418780 No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780). ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come, Thou Fount of Every Blessing Chorale SATB SATB A Cappella Mark Foster Music
By K. Thomson. For SATB Choir, a cappella, with optional Flute, Snare Drum. Chor...(+)
By K. Thomson. For SATB
Choir, a cappella, with
optional Flute, Snare
Drum. Choral. Sheet
Music. Published by Mark
Foster Music.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Calon Lan Chorale SATB SATB, Piano [Octavo] Carl Fischer
Arranged by David Eddleman. For SATB choir, piano, optional flute, violin 1 and ...(+)
Arranged by David
Eddleman. For SATB choir,
piano, optional flute,
violin 1 and 2, horn.
Octavo. 16 pages.
Duration 3 minutes, 48
seconds. Published by
Carl Fischer
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tell The Earth To Shake Chorale SATB SATB divisi Schirmer
By Gwyneth W. Walker (1947-). For SATB Choir divisi and piano (Mixed Voices). Ge...(+)
By Gwyneth W. Walker
(1947-). For SATB Choir
divisi and piano (Mixed
Voices). General. Choral.
Moderately easy.
Piano/Vocal Score. 16
pages
$2.85 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418790 No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790). ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $4.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Into the Golden Vessel of Great Song Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418800 No. 4
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41880.
Published by Theodore
Presser Company
(PR.312418800). ISBN
9781491138151. UPC:
680160640225. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The final
movement, INTO THE GOLDEN
VESSEL OF GREAT SONG is
an appassionato call to
overcome! The poem
exhorts us to “sing
out” with hope,
determination, and
strength. The music
contrasts turmoil and
times of strife with a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, with the
closing music in major,
resonant and strong.
. SECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of a Second April Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418770 No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770). ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Choral Preludes 5 Flûtes à bec Schott
5 recorders (SAATB/SSATB) SKU: HL.49014613 Volume 7. Composed by J...(+)
5 recorders (SAATB/SSATB)
SKU: HL.49014613
Volume 7. Composed
by Johann Sebastian Bach.
Arranged by John Beckett.
This edition: Folding.
Sheet music. Edition
Schott. Classical.
Playing score. 4 pages.
Schott Music #ED 11501.
Published by Schott Music
(HL.49014613). ISBN
9790220127618.
8.75x11.5x0.012
inches. $6.99 - Voir plus => Acheter | | |
| Ensemble Settings from the 'Muliner Book' for Strings or Winds Quatuor de Flûtes à bec [Conducteur et Parties séparées] Barenreiter
(Zehn 3- und 4 stimmige Satze in variablen Besetzungen fur Blockfloten, Renaissa...(+)
(Zehn 3- und 4 stimmige
Satze in variablen
Besetzungen fur
Blockfloten, Renaissance-
oder andere Instrumente
von Anonymen, Blitheman
u.a.). Edited by Paul van
Nevel. For Soprano
Recorder (C), Alto
Recorder (F,G), Tenor
Recorder (C,D), Bass
Recorder (F). Frutti
Musicali. Score; Set of
Parts. Published by
Baerenreiter Verlag
$27.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In thy mercy grant us peace (Verleih uns Frieden gnadiglich) Chorale SATB SATB, Orgue [Conducteur et Parties séparées] - Facile Carus Verlag
Version 1: SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 violins, viola, 2 ce...(+)
Version 1: SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 2 violins,
viola, 2 cellos,
contrabass; version 2 :
SATB choir, organ - Level
2 SKU: CA.4048109
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
This edition: urtext. 1x
40.481/21 flute 1, 1x
40.481/22 flute 2, 1x
40.481/23 clarinet 1, 1x
40.481/24 clarinet 2, 1x
40.481/25 bassoon 1, 1x
40.481/26 bassoon 2.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich; Stuttgart
Urtext Edition:
Mendelssohn. German
title: Verleih uns
Frieden 6. Sacred vocal
music, Cantatas, Peace
and justice. Set of
Orchestra Parts. Composed
1831. MWV A 11. 12 pages.
Duration 6 minutes. Carus
Verlag #CV 40.481/09.
Published by Carus Verlag
(CA.4048109). ISBN
9790007069964. Key: E
flat major. Language:
German/Latin. Text:
Luther, Martin. Text:
Martin Luther. Also
contains an arrangement
for organ. In 1840
Schumann remarked: The
small piece deserves to
be world famous and will
become so in the future;
the Madonnas of Raphael
and Murillo cannot remain
hidden for long. Together
with the orchestral
version an version for
choir and organ is
available. Score and
parts available
separately - see item
CA.4048100. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Glory of Our God (Kol' slaven) Chorale SATB SATB A Cappella [Octavo] Schirmer
Composed by Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advanced/Colle...(+)
Composed by Dimitri S.
Bortniansky. Arranged by
Anthony Antolini.
Advanced/Collegiate.
General, church
anniversary,
confirmation, memorial.
Octavo. Published by E.C.
Schirmer Publishing
(EC.8208).
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate SKU:
GI.G-8618 From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
UPC: 785147861805.
English. Text Source:
Revelation 19:6, 11:15,
19:16. Scripture:
Revelation 11:15,
Revelation 19:6,
16. The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University. $2.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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