SKU: OT.33090

ISBN 9789655051025. 8.27 x 11.69 inches.

Yossi Hamami
Turbulence Flawless
A challenging work for two flutes.

SKU: BR.PB-15120

ISBN 9790004212233. 6.5 x 9 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version.

SKU: BA.BA11310-90

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

SKU: BR.OB-15100-15

ISBN 9790004339640. 10 x 12.5 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version -.

SKU: BR.PB-15100

The first definitive author's version - In Cooperation with G. Henle Verlag

ISBN 9790004212011. 10 x 12.5 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings)

The first definitive author's version -.

SKU: HL.365000

UPC: 810100410322. 5.0x11.75x3.0 inches.

The Heil PR40 microphone boasts the widest frequency range of any dynamic mic in the Heil PR series. The PR40 incorporates Heil's sage-like understanding of phasing plug placement, along with the use of a very large (1″), low mass diaphragm, and custom magnet metals housed in a specially designed microphone body. The PR40 diaphragm is shock mounted such that it is completely de-coupled from the anodized Champagne matte-finished steel body. In addition to dual mesh screens, each made with different diameter screen apertures, there is an internal breath blast filter on the diaphragm element itself, providing superb response for the human voice across the entire vocal range, without “popping” noises. In fact, the PR40 will provide a flawless, smooth, flat response from 28Hz all the way up to the 18kHz, making this a great microphone for everything from vocals, to bass drums and tom drums, to guitar and bass cabinet micing and more. In short, the PR40 is known by professionals as the “thoroughbred workhorse” of professional sound recording and reinforcement. The PR40 is available in black, black with a gold grill, champagne, gold plate, or chrome plate. It ships with a mic clip and a leatherette carry bag. A windscreen is available to purchase separately.

SKU: HL.365001

UPC: 810100410315. 5.0x11.0x3.0 inches.

The Heil PR40 microphone boasts the widest frequency range of any dynamic mic in the Heil PR series. The PR40 incorporates Heil's sage-like understanding of phasing plug placement, along with the use of a very large (1″), low mass diaphragm, and custom magnet metals housed in a specially designed microphone body. The PR40 diaphragm is shock mounted such that it is completely de-coupled from the anodized Champagne matte-finished steel body. In addition to dual mesh screens, each made with different diameter screen apertures, there is an internal breath blast filter on the diaphragm element itself, providing superb response for the human voice across the entire vocal range, without “popping” noises. In fact, the PR40 will provide a flawless, smooth, flat response from 28Hz all the way up to the 18kHz, making this a great microphone for everything from vocals, to bass drums and tom drums, to guitar and bass cabinet micing and more. In short, the PR40 is known by professionals as the “thoroughbred workhorse” of professional sound recording and reinforcement. The PR40 is available in black, black with a gold grill, champagne, gold plate, or chrome plate. It ships with a mic clip and a leatherette carry bag. A windscreen is available to purchase separately.

SKU: BT.CMP-0189-98-010

It has been said that the magic of Mozart’s music lies in its ability to truly and purely express the inner self. This delightful Grade 21/2 adaptation of a well-known theme from The Magic Flute will help your young musicians gain a deeper understanding of Mozart and the amazing gift that made him the incomparable master of flawless composition. In addition, your musicians will discover that Mozart is FUN! Douglas Court uses creative variations to skillfully bring this delightful music to your concert band stage with remarkable authenticity. A great one to program for “the Mozart year!”

< I>The Magical Mozart van Douglas Court is een verzameling van eenvoudige variaties op een alom bekend thema uit de prachtige opera Die Zauberflöte van Wolfgang Amadeus Mozart. Breng met The Magical Mozart een vleugjemagie van een van de grootste componisten aller tijden in uw volgende concert.

In The Magical Mozart verarbeitete der amerikanische Komponist Douglas Court ein bekanntes Thema aus der Oper Die Zauberflöte. Diese Melodie wurde über die Jahre hinweg schon mit verschiedenen Texten in sakralen Hymnen verwendet. Douglas Courts einfache, aber ansprechende Bearbeitung für Blasorchester ist ein wunderbarer Einstieg für Musiker und Publikum in die zauberhafte Musik des großen Meisters.

SKU: HL.364992

UPC: 810100410216. 5.0x10.0x2.5 inches.

The Heil PR30 microphone steps up the professional audio game by adding a humbucking coil in addition to the shock-mounted large 1.5″ low mass diaphragm to virtually run noise-free in almost any situation. When working in close proximity to PC monitors in the studio, or near neon lights, or other electrical sources on stage, the PR30 is the microphone to use for quiet, flawless operation on drums, guitar cabinets, and vocals. The PR30 is often compared to high priced ribbon microphones for its wide frequency response and immaculate sound quality. The difference is the PR30 is able to withstand sound pressure levels that would decimate ribbon microphones. The PR 30 is perfect as a guitar and amplifier cabinet microphone, as well as for drums, but it is also right at home as a vocal microphone, thanks to its internal passive filtering and uniquely designed screen, which virtually eliminates popping and sibilance during up-close vocals. The versatility and quality built into the PR30 make it the choice of some of the top professional musicians, producers, and broadcasters in today's world. The PR30 ships with a mic clip and a leatherette carry bag.

SKU: LP.765762140820

UPC: 765762140820.

Arran ged by Tom Fettke, this hauntingly beautiful song comes to you from contemporary hymn writers Keith and Kristyn Getty. The soul-stirring melody and flawless arrangement and orchestration of Born Where the Shadows Lie paints a tender of picture of the Christ Child -- Emmanuel, God with us. Perfect for the powerhouse soprano in your choir.

SKU: HL.364993

SKU: HL.48183349

UPC: 888680789831. 9.0x12.0x0.104 inches.

“The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Recorder by French wind specialist, Jean-Claude Veilhan. Bach originally composed the Cello Suites, some of the most frequently performed and recognised solo compositions ever written for the instrument, during the period 1717-1723, when he served as Kapellmeister in Köthen. The second volume of Veilhan's adaptions for Recorder contains suites four, five and six and includes phrase marks, dynamic markings, articulation, breath marks, and performance directions. Veilhan's adaptions are flawless, making the notorious Suites enjoyably accessible to the Recorder. ”.

SKU: HL.1117960

ISBN 9781705180907. UPC: 847986002051. 6.75x10.0x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Well-balanced sound with pleasant high-end. The LCT 040 MATCH stereo pair provides professionally refined sound right from the moment you hit the “record” button. The tailored small diaphragm condenser capsule with its well-balanced frequency response gets you professional results in no time. About the matching process. LEWITT measures the frequency response and sensitivity of all their mics. The measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH. An algorithm compares all measured frequency responses and puts together the perfect pairs for flawless stereo recordings. Easy drum recordings. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. You will get a punchy and precise reproduction of your drum kit's unique sound. Made for acoustic guitar recordings With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound more crisp and defined than ever. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix. What's in the box? The LCT 040 MATCH stereo pair comes with two snap-in mic clips, two windscreens, and a transport bag with two compartments.