Chamber Ensemble SKU: HL.14022853 A Flourishing Fantasy. Composed ...(+)
Chamber Ensemble
SKU:
HL.14022853
A
Flourishing Fantasy.
Composed by Svend
Hvidtfelt Nielsen. Music
Sales America. Classical.
Score. Composed 2002.
Edition Wilhelm Hansen
#WH30282. Published by
Edition Wilhelm Hansen
(HL.14022853).
Concert Band Concert Band - Grade 2 SKU: FJ.B1567S Fanfare on The Firs...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1567S
Fanfare
on The First Noel.
Arranged by Travis J.
Weller. Concert Band. FJH
Concert Band. Christmas;
Holiday Pops. Score.
Duration 1:40. The FJH
Music Company Inc
#98-B1567S. Published by
The FJH Music Company Inc
(FJ.B1567S).
English.
Open
your winter program with
this rich adaptation of
The First Noel inspired
by Vaughan Williams.
Flourishes and innovative
harmonies create a
compelling, festive
atmosphere as melodic
material seamlessly
weaves its way through
every section of the
ensemble. Expansive
percussion writing,
including bold sounds
from bells and chimes,
adds even more regalia as
you herald in the start
of your next holiday
program!
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Concert Band Concert Band - Grade 2 SKU: FJ.B1567 Fanfare on The First...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1567
Fanfare
on The First Noel.
Arranged by Travis J.
Weller. Concert Band. FJH
Concert Band. Christmas;
Holiday Pops. Score and
Part(s). Duration 1:40.
The FJH Music Company Inc
#98-B1567. Published by
The FJH Music Company Inc
(FJ.B1567).
UPC:
674398231904.
English.
Open your
winter program with this
rich adaptation of The
First Noel inspired by
Vaughan Williams.
Flourishes and innovative
harmonies create a
compelling, festive
atmosphere as melodic
material seamlessly
weaves its way through
every section of the
ensemble. Expansive
percussion writing,
including bold sounds
from bells and chimes,
adds even more regalia as
you herald in the start
of your next holiday
program!
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Organ SKU: GI.G-003029 Composed by Meirion Wynn Jones. Eastertide. Tune N...(+)
Organ
SKU:
GI.G-003029
Composed
by Meirion Wynn Jones.
Eastertide. Tune Name:
Lasst Uns Erfreuen,
Salzburg, Gelobt Sei
Gott, Llanfair, Easter
Hymn, Duke Street, Noel
Nouvelet, O Filii Et
Filae, Ellacombe,
Victory. Sacred. GIA
Publications #003029.
Published by GIA
Publications
(GI.G-003029).
UPC:
641151030609.
Follo
wing his Ten Christmas
Flourishes (WLP
003037), Welsh composer
Meirion Wynn Jones adds
to the WLP Organ Library
with Ten Easter
Flourishes. A
collection of enlivening,
celebratory introductions
for beloved Easter hymns
will similarly be a
pleasure for organists to
play! Some tunes are
paired with more than one
text during the days of
Easter-Ascension-Pentecos
t, making this a most
practical collection.
Includes: “O Sons
and
Daughtersâ€, â
œI Know That My
Redeemer Livesâ€,
“Jesus Christ Is
Risen Todayâ€,
“Christ the Lord Is
Risen Todayâ€,
“All You Who Dwell
Below the Skiesâ€,
“The Strife Is
O’erâ€,
“At the
Lamb’s High
Feastâ€, “Good
Christians Allâ€,
“The Day of
Resurrection,†and
“Now the Green
Blade Rises.â€.
Fanfare Band - Grade 4 SKU: BT.CMP-0016-95-120 Composed by James Curnow. ...(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-0016-95-120
Composed by James Curnow.
Prestige Series. Opening
Pieces. Score Only.
Composed 1995. Curnow
Music #CMP 0016-95-120.
Published by Curnow Music
(BT.CMP-0016-95-120).
Based on
Marc-Antoine
Charpentier's (1634-1704)
Te Deum, Fanfare and
Flourishes for a Festive
Occasion was
originally commissioned
for the 1991 European
Brass Band Championships
held in Rotterdam,
Holland.
Organ SKU: GI.G-10722 Composed by Meirion Wynn Jones. Tune Name: Engelber...(+)
Organ
SKU:
GI.G-10722
Composed
by Meirion Wynn Jones.
Tune Name: Engelberg,
Gerontius, Hyfrydol,
Kremser, Lauda Anima,
Lobe Den Herren,
Nettleton, Nun Danket,
Old Hundredth,
Westminster Abbey.
Sacred. GIA Publications
#10722. Published by GIA
Publications
(GI.G-10722).
ISBN
9781622776641.
As
with his volumes of
Flourishes for Christmas
and Easter, Welsh
composer Meirion Wynn
Jones applies his
imaginative craft to
these beloved and festive
hymn tunes. For use as
introductions to the
hymns, or as interludes
before a final stanza (or
both), the freshness of
the musical language and
skillful use of the
organ's sonic colors will
help take these hymns of
praise to a new
level.
Fanfare Band - Grade 4 SKU: BT.CMP-0016-95-020 Composed by James Curnow. ...(+)
Fanfare Band - Grade 4
SKU:
BT.CMP-0016-95-020
Composed by James Curnow.
Prestige Series. Opening
Pieces. Set (Score and
Parts). Composed 1995.
Curnow Music #CMP
0016-95-020. Published by
Curnow Music
(BT.CMP-0016-95-020).
Based on
Marc-Antoine
Charpentier's (1634-1704)
Te Deum, Fanfare and
Flourishes for a Festive
Occasion was
originally commissioned
for the 1991 European
Brass Band Championships
held in Rotterdam,
Holland.
Organ SKU: GI.G-003037 Composed by Meirion Wynn Jones. Christmastide. Tun...(+)
Organ
SKU:
GI.G-003037
Composed
by Meirion Wynn Jones.
Christmastide. Tune Name:
Regent Square, Gloria,
The First Nowell, The
First Noel, In Dulci
Jubilo, Mendelssohn,
Carol, Antioch, Adeste
Fideles, Irby,
Greensleeves. Sacred. GIA
Publications #003037.
Published by GIA
Publications
(GI.G-003037).
UPC:
641151030609.
The
WLP Organ Library is
pleased to welcome Welsh
composer Meirion Wynn
Jones to the catalog
with Ten Christmas
Flourishes. This
collection of refreshing,
festive introductions to
familiar Christmas carols
will be a delight for
organists to play and
will both invite and
invigorate congregations
to sing their holiday
favorites! Includes:
“Joy to the
Worldâ€,
“Angels We Have
Heard on Highâ€,
“Angels from the
Realms of Gloryâ€,
“It Came Upon the
Midnight Clearâ€,
“The First
Nowellâ€,
“Good Christian
Men, Rejoiceâ€,
“Once in Royal
David’s
Cityâ€, “O
Come, All Ye
Faithfulâ€,
“What Child Is
Thisâ€, and
“Hark! the Herald
Angels
Sing.â€Â .
Fanfare and Flourishes Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-0910281-130 Composed by James Curnow. In...(+)
Brass Band - Grade 4
SKU:
BT.DHP-0910281-130
Composed by James Curnow.
Inspiration Series.
Opening Pieces. Score
Only. Composed 1991. De
Haske Publications #DHP
0910281-130. Published by
De Haske Publications
(BT.DHP-0910281-130).
What a way to
open any concert.
Fanfare and
Flourishes is a
spectacular short work
that mixes all the
pageantry of a military
tattoo with the
well-known Charpentier
(1634-1705) Te
Deum, a tune everyone
will recognise as the
theme tune for the
Eurovision Song Contest!
A brilliant piece to
start a concert with a
bang!
Organ SKU: SU.80101418 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101418
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101418.
Published by Zimbel Press
(SU.80101418).
These five
works of extroverted
character are all
suitable for use as
service voluntaries or in
recitals. The two
toccatas are very fast
and driving, whereas the
three flourishes are more
stately and ceremonial.
Contains: Toccata in A,
Toccata in C, Flourish in
C, Flourish in D, and
Flourish in G.
Instrumentation: Organ
Duration: 15' Composed:
2018 Published by: Zimbel
Press.
To the Sky Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1536 Composed by Jame...(+)
Concert Band
Symphonic Band - Grade 4
SKU: FJ.B1536
Composed by James M.
Stephenson. Concert Band.
FJH Symphonic Band. Score
and Part(s). Duration
5:00. The FJH Music
Company Inc #98-B1536.
Published by The FJH
Music Company Inc
(FJ.B1536).
UPC:
674398230808.
English.
Opening
with an edge of
uncertainty, soft brass
fanfares immediately
begin to build in
intensity until bold
harmonic lines rise to
support the soaring
melodic material. A
flurry of rhythmic
activity catapults the
work forward in joyous
fashion while lyrical
lines continue in stark
contrast. Eventually, the
opening fanfare material
returns while woodwind
flourishes drive the work
to an exciting
conclusion!
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 -
5
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0196-98-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0196-98-010
Composed by James Curnow.
Passport Series. Set
(Score & Parts). Composed
1998. Curnow Music #CMP
0196-98-010. Published by
Curnow Music
(BT.CMP-0196-98-010).
James Curnow's
original composition
Fanfare And Flourishes is
an exhilarating piece
that has become a staple
in the repertoire of more
mature bands. Now
rescored in this easier
version for younger
bands, it can be enjoyed
by musicians of all
levels. The power and
brilliance of the
original comes through
loud and clear; this is a
great concert opener for
your next program!
(Brass Quintet and Organ - Score Only). By James Curnow. For Organ, Brass Quinte...(+)
(Brass Quintet and Organ
- Score Only). By James
Curnow. For Organ, Brass
Quintet. Curnow Solos and
Ensembles. Grade 4-5.
Curnow Music #105105070.
Published by Curnow Music
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030).
ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches.
A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018.
Contemporary String
Quartet Repertoire for
Flourishing Ensembles -
Score/CD. Composed by
Various. Edited by Liz
Partridge. Boosey &
Hawkes Chamber Music.
Classical, Contemporary.
Softcover with CD. Boosey
& Hawkes #M060130977.
Published by Boosey &
Hawkes (HL.48024119).
'Explore'
Level: Music for players
of grade 4-5 standard
with some ensemble
playing experience.
Featuring expanded key
selections, more complex
rhythms and simple
introductions to extended
techniques. Contents:
Porter: The
Sleep-Stealers's Reel K.
& H. Colledge:
Shaken, Not Stirred
Piazzolla/Davies: Los
Suenos Jennings: U Rock
Jennings: Prom Night
Gillett: The Little 'Uns
Gillett: Two Elderly
Swans Stott: Methusaleh's
Deathday Party Kershaw:
Rumba Romp Score/CD.
Flute (flute/piano) SKU: HL.48180025 For Flute and Piano. Composed...(+)
Flute (flute/piano)
SKU: HL.48180025
For Flute and
Piano. Composed by
Philippe Gaubert. Leduc.
Classical. CD. 12 pages.
Alphonse Leduc #AL11197.
Published by Alphonse
Leduc (HL.48180025).
UPC: 888680796297.
9.0x12.0x0.056
inches.
Philippe
Gaubert (1879-1941) was a
distinguished performer
on the flute. It comes as
no surprise, therefore,
that his compositions for
the instrument are at the
forefront of the flute's
repertoire, Romance being
no exception. After a
prominent career as a
flautist with the Paris
Opera, he was appointed
as professor of flute at
the Paris Conservatoire,
as well as principal
conductor of leading
orchestras. It was during
this time that Gaubert
composed, including his
Romance which premiered
in 1905. Addressing many
technical features,
including flourishing
semiquaver passages, a
wide range, emotion,
intervals, chromaticism
and complex rhythms,
Romance for Flute and
Piano is a challenging
yet riveting and stirring
piece for aspiring
flautists.
The Golden Age Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Set of
Orchestra Parts. Composed
1796. Hob. XX:2. Duration
65 minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199219).
ISBN
9790007293147. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Children's Choir SKU: HL.50606507 For Children's and Upper Voices Hung...(+)
Children's Choir
SKU:
HL.50606507
For
Children's and Upper
Voices Hungarian.
Composed by Á and
rpád Balázs. EMB.
Classical, Hungarian.
Softcover. 88 pages.
Editio Musica Budapest
#Z15201. Published by
Editio Musica Budapest
(HL.50606507).
ISBN
9781705190708. UPC:
196288126836.
To
celebrate the 85th
birthday of Arpad Balazs,
a selection of his rich
output of choral music
has been published. Arpad
Balazs is an outstanding
artist of his generation
who is known and sung not
only in Hungary. His
compositional technique
is unmistakably
individual, characterised
by a festoon of easily
singable outer-inner
voices that embrace one
another, and a linear
thinking deriving from
Palestrina through
Kodaly. Even as a young
composer, he was active
in the choral scene both
in Hungary and
internationally. He
sensed the basic
principles of singability
and applied them
consciously, and he spoke
in a musical language
comprehensible to singing
communities. Imbued with
the spirit of Kodaly,
raised on Ferenc Farkas's
excellent school, with
experiencegained at
masterclasses by
Khachaturian and
Petrassi, with his oeuvre
he has significantly
contributed to the
flourishing of the
Hungarian culture of
vocal music, and to its
success in Hungary and
abroad.
Trimbeka Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000830-120 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000830-120
Composed by Carl
Wittrock. Score Only. 22
pages. Gobelin Music
Publications #GOB
000830-120. Published by
Gobelin Music
Publications
(BT.GOB-000830-120).
Trimbeka is a
composition which owes
its existence to the
anniversary of music
society “de Vlecke”
in Gorredijk. The
name Gorredijk originates
from “goor” or
“gor”, which means :
bog. Along the marshy
peat ran a “dijk”
(the Dutch word for
dike), called the
Gordijk. The name of the
village resembles that of
the home town of the
composer himself, who
comes from a town in
Twente called Goor.
Three streams used to
run through the area
around Gorredijk. the
historical name Trimbeets
(Trimbeka), meaning three
brooks, recalls this to
mind. Gorredijk was a
flourishing “Vlecke”,
i.e. large village, which
was situated on an
intersection of important
connecting roads.The
liveliness which this
entailed is one of the
distinctive elements in
Trimbeka.
Furthermore, ominous
sounds possibly refer to
the dangers of the bog,
while the resonance of
the merriment during the
annual fair can also be
heard. The slow middle
movement is an ode to the
beautiful landscape
surrounding the village.
Trimbeka is een
compositie die haar
ontstaan dankt aan het
jubileum van Muz. Ver. de
Vlecke te Gorredijk.
De naam Gorredijk is
afkomstig van Goor of
Gor, wat moerassige
plaats betekent.
Langs het moerassige
veengebied liepeen dijk,
die Gordijk werd genoemd.
De naam van het dorp
zorgde voor een band met
de componist, die zelf
afkomstig is uit het
Twentse Goor. In het
gebied rondom Gorredijk
stroomden vroeger drie
beken. De historische
naam Trimbeets(Trimbeka)
herinnert daar nog aan.
Gorredijk was een
bloeiende ‘Vlecke’
(groot dorp) dat op een
kruispunt lag van enkele
belangrijke
verbindingswegen. De
levendigheid die dit met
zich meebracht is één
van de elementen diein
Trimbeka terug te horen
zijn. Voorts klinken er
onheilspellende klanken
die een verwijzing kunnen
zijn naar het
moerasgebied en is er
vermaak tijdens de
jaarlijkse markt. Het
langzame middendeel is
een ode aan de
prachtigenatuur.
Piano - late intermediate SKU: BT.OKTA001-21 22 kleine Fantasiestüc...(+)
Piano - late intermediate
SKU: BT.OKTA001-21
22 kleine
Fantasiestücke für
Klavier. Composed by
Thomas Doss. Classical.
Book Only. Composed 2021.
92 pages. Hal Leonard
Europe #OKTA001-21.
Published by Hal Leonard
Europe (BT.OKTA001-21).
My Magic Garden
II is the sequel to the
piano book My Magic
Garden I. In this
collection there are 18
different atmospheric
pieces for piano with 2
hands and 4 pieces for
piano with 4 hands.
The 22 works in the
moderate to difficult of
difficulty describe in a
pictorial tonal language
various imaginative
processes in a
flourishing Garden from a
child's point of view.
Nothing stands in the way
of an exciting
journey.
Mein
Zaubergarten II ist die
Fortsetzung des
Klavierbuches Mein
Zaubergarten I. In der
vorliegenden Sammlung
befinden sich 18
unterschiedliche
Stimmungsstücke für
Klavier zu 2 Händen
und 4 Stücke für
Klavier zu 4 Händen.
Die 22 Werke im
mittleren bis schwierigem
Schwierigkeitsgrad
beschreiben in einer
bildhaften Tonsprache
verschiedenste
fantasievolle Vorgänge
in einem blühenden
Garten aus der Sicht
eines Kindes. Einer
spannenden Reise steht
nichts im Wege.
Contemporary String
Quartet Repertoire for
Flourishing Ensembles -
Score/Parts/CD.
Composed by Various.
Edited by Liz Partridge.
Boosey & Hawkes Chamber
Music. Classical,
Contemporary. Softcover
with CD. Boosey & Hawkes
#M060133763. Published by
Boosey & Hawkes
(HL.48024137).
ISBN
9781784543228.
'Exp
lore' Level: Music for
players of grade 4-5
standard with some
ensemble playing
experience. Featuring
expanded key selections,
more complex rhythms and
simple introductions to
extended techniques.
Contents: Porter: The
Sleep-Stealers's Reel K.
& H. Colledge:
Shaken, Not Stirred
Piazzolla/Davies: Los
Suenos Jennings: U Rock
Jennings: Prom Night
Gillett: The Little 'Uns
Gillett: Two Elderly
Swans Stott: Methusaleh's
Deathday Party Kershaw:
Rumba Romp Score, Parts,
CD.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Vocal score.
Composed 1796. Hob. XX:2.
104 pages. Duration 65
minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199203).
ISBN
9790007186661. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Trimbeka Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000830-020 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000830-020
Composed by Carl
Wittrock. Set (Score &
Parts). 146 pages.
Gobelin Music
Publications #GOB
000830-020. Published by
Gobelin Music
Publications
(BT.GOB-000830-020).
Trimbeka is a
composition which owes
its existence to the
anniversary of music
society “de Vlecke”
in Gorredijk. The
name Gorredijk originates
from “goor” or
“gor”, which means :
bog. Along the marshy
peat ran a “dijk”
(the Dutch word for
dike), called the
Gordijk. The name of the
village resembles that of
the home town of the
composer himself, who
comes from a town in
Twente called Goor.
Three streams used to
run through the area
around Gorredijk. the
historical name Trimbeets
(Trimbeka), meaning three
brooks, recalls this to
mind. Gorredijk was a
flourishing “Vlecke”,
i.e. large village, which
was situated on an
intersection of important
connecting roads.The
liveliness which this
entailed is one of the
distinctive elements in
Trimbeka.
Furthermore, ominous
sounds possibly refer to
the dangers of the bog,
while the resonance of
the merriment during the
annual fair can also be
heard. The slow middle
movement is an ode to the
beautiful landscape
surrounding the village.
Trimbeka is een
compositie die haar
ontstaan dankt aan het
jubileum van Muz. Ver. de
Vlecke te Gorredijk.
De naam Gorredijk is
afkomstig van Goor of
Gor, wat moerassige
plaats betekent.
Langs het moerassige
veengebied liepeen dijk,
die Gordijk werd genoemd.
De naam van het dorp
zorgde voor een band met
de componist, die zelf
afkomstig is uit het
Twentse Goor. In het
gebied rondom Gorredijk
stroomden vroeger drie
beken. De historische
naam Trimbeets(Trimbeka)
herinnert daar nog aan.
Gorredijk was een
bloeiende ‘Vlecke’
(groot dorp) dat op een
kruispunt lag van enkele
belangrijke
verbindingswegen. De
levendigheid die dit met
zich meebracht is één
van de elementen diein
Trimbeka terug te horen
zijn. Voorts klinken er
onheilspellende klanken
die een verwijzing kunnen
zijn naar het
moerasgebied en is er
vermaak tijdens de
jaarlijkse markt. Het
langzame middendeel is
een ode aan de
prachtigenatuur.