| Improve Your Sight-Reading! Flute, Levels 1-3 (Elementary) Flûte traversière [Partition + Accès audio] - Débutant Faber Music Limited
A Progressive Sight-Reading Method. Composed by Paul Harris. This edition: USA...(+)
A Progressive
Sight-Reading
Method. Composed by Paul
Harris. This edition:
USA.
Method/Instruction;
Technique Musicianship;
Woodwind - Flute Method
or
Collection. Faber
Edition:
Improve Your
Sight-Reading.
Book. Faber Music #12-
0571540821. Published by
Faber Music
$13.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flute Sight-Reading 1 Flûte traversière Schott
A Fresh Approach. Performed by Catherine Ramsden, John Kember. By Kember. (Flut...(+)
A Fresh Approach.
Performed by Catherine
Ramsden, John Kember. By
Kember. (Flute). Schott.
Book only. Size 9x12
inches. 76 pages.
Published by Schott.
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Ultimate Blues Riffs for Flute Beginner Series Flûte traversière [Partition + Accès audio] - Facile ADG productions
Composed by Andrew D. Gordon. Saddle stitch. Blues/Flute Instruction. Book/Downl...(+)
Composed by Andrew D.
Gordon. Saddle stitch.
Blues/Flute Instruction.
Book/Downloadable
audio/MP3/MIDI Files.
Duration 70 minutes.
Published by ADG
Productions
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Grade by Grade - Flute (Grade 1) Flûte traversière basse [Partition + CD] Boosey and Hawkes
(With CDs of Performances and Accompaniments). Composed by Various. Edited by Ja...(+)
(With CDs of Performances
and Accompaniments).
Composed by Various.
Edited by Janet Way. For
Flute. Boosey and Hawkes
Chamber Music. Softcover
with CD. 40 pages. Boosey
and Hawkes #M060124808.
Published by Boosey and
Hawkes
$20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Sight-Reading Sourcebook For Flute Grades 1-3 Flûte traversière Chester
By Alan Bullard. For Clarinet. 20th Century. Sheet Music. 36 pages. Published by...(+)
By Alan Bullard. For
Clarinet. 20th Century.
Sheet Music. 36 pages.
Published by Chester
Music.
$11.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Sousas Favorite March Bk-Fl1 2 Flûtes traversières (duo) Carl Fischer
The New Sousa's Favorite Marches. (Flute 1 and Piccolo). By John Philip Sousa (1...(+)
The New Sousa's Favorite
Marches. (Flute 1 and
Piccolo). By John Philip
Sousa (1854-1932).
Concert Band. For
Piccolo, Flute I. Carl
Fischer Band Books
Series. Concert Band
Method. Standard
notation. 16 pages.
Published by Carl
Fischer
(1)$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Conception Flute Flûte traversière Advance Music
Flute - Advanced; Intermediate SKU: AP.1-ADV14724 21 Solo Etudes for J...(+)
Flute - Advanced;
Intermediate SKU:
AP.1-ADV14724 21
Solo Etudes for Jazz
Phrasing, Interpretation
and Improvisation.
Composed by Jim Snidero.
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship; Woodwind -
Flute Method or
Collection. Advance
Music: Jazz Conception.
Jazz. Book and Digital
Download. Advance Music
#01-ADV14724. Published
by Advance Music
(AP.1-ADV14724). UPC:
805095147247.
English. Jazz
Conception is a new and
exciting way for players
at all levels to learn
the language of jazz!
Each book/audio-set
features 21 solo etudes
based on chord changes to
standards and
blues. The same 21
etudes transposed and
adapted for the main jazz
instruments. See and
hear how a well known
soloist phrases and
articulates and play
along with or without the
soloist on the audio
tracks. Play along
with one of today's
finest, swinging New York
rhythm sections: Mike
LeDonne on piano, Dennis
Irwin on bass, and Kenny
Washington on
drums. Start out
fairly easy, then get
progressively more
difficult. Use the
etudes as a bridge to
solos of the masters that
are usually more
complicated and
involved. Learn
melodies and lines that
will give you a solid
jazz vocabulary and
musicality. Use the
book/audio-set for
private lessons, for
self-study, or in any
combination up to a full
jazz ensemble, including
flute and clarinet. If
you are more advanced you
may want to use the book
to develop your sight
reading abilities, for
transcribing the etudes
(then check against the
book) or for just having
fun playing along with a
great jazz rhythm
section. Use as an
improvisation study,
learning how to construct
a swinging, logical solo
- works especially well
in combination with the
Study Guide. The Jazz
Conception Series is also
perfectly suited for the
class room. It can be
used to develop younger
students jazz style in a
big band or small group.
In an improvisation class
the teacher can use the
etudes as studies in
improvisation. The Study
Guide provides an
analysis of each etude,
along with practice
assignments for each
etude. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flute Exam Pack - Grade 1 (2018-2021) Flûte traversière - Débutant ABRSM Publishing
Exam pack. 24 pages. Published by ABRSM (Associated Board of the Royal School...(+)
Exam pack. 24 pages.
Published by ABRSM
(Associated Board of the
Royal Schools of Music)
$21.75 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sightreading 101 - Flute book Flûte traversière C.L. Barnhouse
Composed by Ed Huckeby. For Flute. Band Method. Flute book. Published by C.L. Ba...(+)
Composed by Ed Huckeby.
For Flute. Band Method.
Flute book. Published by
C.L. Barnhouse
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Sight-Reading for Concert Band, Book 1 Alfred Publishing
Concert Band Flute SKU: AP.48555 Music-Reading and Performance Concept...(+)
Concert Band Flute
SKU: AP.48555
Music-Reading and
Performance Concepts.
Composed by Brian Beck,
Robert Sheldon, and Scott
Watson. Band Method;
MakeMusic Cloud;
Method/Instruction;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Sound
Sight-Reading. Book. 60
pages. Alfred Music
#00-48555. Published by
Alfred Music (AP.48555).
ISBN 9781470642860.
UPC: 038081554006.
English. Sound
Sight-Reading by Brian
Beck, Scott Watson, and
Robert Sheldon is part of
the revolutionary Sound
Innovations for Concert
Band series. Sound
Sight-Reading provides
students with decoding
strategies to help with
reading music more
quickly and accurately.
Organized in six
progressively detailed
and expressive levels,
each section introduces
and reviews new notes,
rhythms, time signatures,
and other musical
elements through a
variety of performance
material. The teacher's
score is packed with
insights and ideas for
musical games to help
keep things fun and
challenging.
Experience the
many benefits of improved
sight-reading: *
Maximize the contact time
you have with students.
* Spend less time
learning notes and more
time learning expression,
phrasing, balance, etc.
* Achieve better
scores at festivals and
other assessments. This
title is available in
MakeMusic Cloud. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Sight-Reading for Concert Band, Book 1 Alfred Publishing
Concert Band Flute SKU: AP.48556 Music-Reading and Performance Concept...(+)
Concert Band Flute
SKU: AP.48556
Music-Reading and
Performance Concepts.
Composed by Brian Beck,
Robert Sheldon, and Scott
Watson. Band Method;
MakeMusic Cloud;
Method/Instruction;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Sound
Sight-Reading. Book. 60
pages. Alfred Music
#00-48556. Published by
Alfred Music (AP.48556).
ISBN 9781470642877.
UPC: 038081554013.
English. Sound
Sight-Reading by Brian
Beck, Scott Watson, and
Robert Sheldon is part of
the revolutionary Sound
Innovations for Concert
Band series. Sound
Sight-Reading provides
students with decoding
strategies to help with
reading music more
quickly and accurately.
Organized in six
progressively detailed
and expressive levels,
each section introduces
and reviews new notes,
rhythms, time signatures,
and other musical
elements through a
variety of performance
material. The teacher's
score is packed with
insights and ideas for
musical games to help
keep things fun and
challenging.
Experience the
many benefits of improved
sight-reading: *
Maximize the contact time
you have with students.
* Spend less time
learning notes and more
time learning expression,
phrasing, balance, etc.
* Achieve better
scores at festivals and
other assessments. This
title is available in
MakeMusic Cloud. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flute Exam Pack from 2022, ABRSM Grade 1 Flûte traversière [Partition + Accès audio] - Débutant ABRSM Publishing
Selected from the syllabus from 2022. Score and Part, Audio Downloads, Scales ...(+)
Selected from the
syllabus
from 2022. Score and
Part, Audio
Downloads, Scales and
Sight-
Reading. Composed by
ABRSM.
ABRSM Exam Pieces. 36
pages.
ABRSM (Associated Board
of the
Royal Schools of Music)
#9781786014108. Published
by
ABRSM (Associated Board
of the
Royal Schools of Music)
$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Beginning Band Book #1 Bari Saxophone Saxophone Baryton [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Queenwood Begi...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Queenwood Beginning Band.
Music Book. Published by
Queenwood Publications.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book #1 Alto Saxophone [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Queenwood Begi...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Queenwood Beginning Band
Book. Music Book.
Published by Queenwood
Publications.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book #1 Conductor/Cd [Partition + CD] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Queenwood Begi...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Queenwood Beginning Band.
Music Book. Published by
Queenwood Publications.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book #1 Trombone/Baritone/Bassoon [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Queenwood Begi...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Queenwood Beginning Band.
Music Book. Published by
Queenwood Publications.
(1)$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book No. 4 - Baritone Saxophone Saxophone Baryton - Débutant Queenwood Publications
By John Edmondson, Anne McGinty. Band. For baritone saxophone. Program/technic b...(+)
By John Edmondson, Anne
McGinty. Band. For
baritone saxophone.
Program/technic book.
Queenwood Beginning Band.
Grade 1. Program/technic
book. Published by
Queenwood Publications .
program/technic book.
$5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book No. 4 - Bass Clarinet Clarinette Basse - Débutant Queenwood Publications
By John Edmondson, Anne McGinty. Band. For bass clarinet. Program/technic book. ...(+)
By John Edmondson, Anne
McGinty. Band. For bass
clarinet. Program/technic
book. Queenwood Beginning
Band. Grade 1.
Program/technic book.
Published by Queenwood
Publications .
program/technic book.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flute Scales & Arpeggios and Sight-Reading - Grades 1-5 (2018) Flûte traversière ABRSM Publishing
Book. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of...(+)
Book. 48 pages. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sight Reading Book for Band, Vol. 1 - Flute Flûte traversière [Collection / Songbook] Wingert-Jones Publications
By J. West. For concert band. Concert Band Music. Warm-ups. Medium-easy. Band me...(+)
By J. West. For concert
band. Concert Band Music.
Warm-ups. Medium-easy.
Band method book.
Published by
Wingert-Jones
Publications
$9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Six Waltzes [Conducteur] - Intermédiaire LudwigMasters Publications
Violin 1 or Flute , Viola or alt. Violin 2 and Cello - Grade 3.5 SKU: AP.36-5...(+)
Violin 1 or Flute , Viola
or alt. Violin 2 and
Cello - Grade 3.5 SKU:
AP.36-52702491
Composed by Andrew Levin.
String Duo & Ensemble,
Trio, Conductor Score.
Latham Music. Score.
LudwigMasters
Publications
#36-52702491. Published
by LudwigMasters
Publications
(AP.36-52702491). ISBN
9781621569138. UPC:
659359638022.
English. These six
graceful, peaceful, and
energetic original
waltzes are the perfect
addition to any
potted-palm gig, whether
people are dancing or
not. Soaring melodies
cascade throughout the
ensemble with rhythmic
accompaniments. Because
all six waltzes are
moderately difficult
(grade 4 and above),
sight reading at the job
is not recommended. Flute
may be substituted for
Violin 1, and Violin 2
may be substituted for
Viola. Waltz titles: 1.
The Tangled Waltz; 2.
Second Anniversary Waltz;
3. A Miller's Waltz; 4.
Age and Remembrance; 5.
Gypsy Waltz; 6. County
Clare Waltz.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $7.95 - Voir plus => Acheter | | |
| Beginning Band Book #6 French Horn Cor [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Level: Book E,...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Level: Book E,5. Music
Book. Published by
Queenwood Publications.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beginning Band Book #2 Alto Saxophone Saxophone Alto [Partition] Queenwood Publications
By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Queenwood Begi...(+)
By John Edmondson. Edited
by Anne Mcginty.
Program/Technic Books.
Queenwood Beginning Band
Book. Music Book.
Published by Queenwood
Publications.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Conception Piano Comping Piano seul Advance Music
Piano - Advanced; Intermediate SKU: AP.1-ADV14739 21 Complete Transcri...(+)
Piano - Advanced;
Intermediate SKU:
AP.1-ADV14739 21
Complete Transcriptions
as Played by Mike Ledonne
21 Lead Sheets.
Composed by Jim Snidero.
Improvisation;
Keyboard/Piano;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Jazz Conception.
Jazz. Book and Digital
Download. Advance Music
#01-ADV14739. Published
by Advance Music
(AP.1-ADV14739). UPC:
805095147391.
English. Exact
transcriptions, as played
by Mike LeDonne, plus 21
simple piano lead
sheets. See and hear
how a well known piano
player phrases and
articulates and comps for
the soloists. Play
along with one of today's
finest, swinging New York
rhythm sections: Mike
LeDonne on piano, Dennis
Irwin on bass, and Kenny
Washington on
drums. Use the book
for private lessons, for
self-study, or in any
combination up to a full
jazz ensemble, including
flute and clarinet. If
you are more advanced you
may want to use the book
to develop your sight
reading abilities, for
transcribing the comping
off or for just having
fun playing along with a
great jazz rhythm
section. The Jazz
Conception Series is also
perfectly suited for the
class room. It can be
used to develop younger
students jazz style in a
big band or small group.
In an improvisation class
the teacher can use the
etudes as studies in
improvisation. The Study
Guide provides an
analysis of each etude,
along with practice
assignments for each
etude. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Conception -- Trombone Trombone Advance Music
Trombone SKU: AP.1-ADV14723 21 Solo Etudes for Jazz Phrasing, Interpre...(+)
Trombone SKU:
AP.1-ADV14723 21
Solo Etudes for Jazz
Phrasing, Interpretation,
and Improvisation
(English/French/German
Language Edition).
Composed by Jim Snidero.
Brass - Trombone and
Baritone Method or
Collection;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Jazz Conception.
Jazz. Book and CD.
Advance Music
#01-ADV14723. Published
by Advance Music
(AP.1-ADV14723). UPC:
805095147230.
English. Jazz
Conception is an exciting
way for players at all
levels to learn the
language of jazz! Jazz
Conception: Trombone Book
and CD set features 21
solo etudes based on
chord changes to
standards and blues. See
and hear how a well-known
soloist phrases,
articulates, and plays
along with or without the
soloist on the CD. Play
along with one of today's
finest swinging New York
rhythm sections: Mike
LeDonne on piano, Dennis
Irwin on bass, and Kenny
Washington on drums.
Start out fairly easy,
then get progressively
more difficult. Use the
etudes as a bridge to
solos of the masters that
are usually more
complicated and involved.
Learn melodies and lines
that will give you a
solid jazz vocabulary and
musicality. Use the
book/MP3 CD sets for
private lessons, for
self-study, or in any
combination up to a full
jazz ensemble, including
flute and clarinet. If
you are more advanced you
may want to use the book
to develop your sight
reading abilities, for
transcribing the etudes
off the CD (then check
against the book), or for
just having fun playing
along with a great jazz
rhythm section. Used as
an improvisation study,
learning how to construct
a swinging, logical solo
works especially well in
combination with the
Study Guide (item
#01-ADV14730). Titles:
Groove Blues * Amen * A
Doll * Total Blues *
Grease * Rose * Joe's
Thing * Proxy * Father
Song * Ind Line * Miles *
Blue Minor * Autumn *
Friends * Great Love *
Two Plus Two * Lunar *
Tunesia * Bird Blues *
Somewhere * Passage. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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